Stratemeyer Edward
Leo the Circus Boy: or, Life under the great white canvas

CHAPTER I. – A ROW AND ITS RESULT

“Land sakes alive, Daniel, look at that boy!”

“Where is he, Marthy?”

“Up there on the old apple tree a-hangin’ down by his toes! My gracious, does he wanter kill himself?”

“Thet’s wot he does, Marthy,” grumbled old Daniel Hawkins. “He’ll do it, jest so ez we kin pay his funeral expenses. Never seen sech a boy before in my born days!”

“Go after him with the horsewhip, Daniel. Oh! goodness gracious, look at thet now!”

And the woman, or, rather, Tartar, Mrs. Martha Hawkins, held up her hands in terror as the boy on the apple tree suddenly gave a swing, released his feet, and, with a graceful turn forward, landed on his feet on the ground.

“Wot do yer mean by sech actions, yer young good-fer-nothin’?” cried Daniel Hawkins, rushing forward, his face full of sudden rage. “Do yer want ter break yer wuthless neck?”

“Not much, I don’t,” replied the boy, with a little smile creeping over his sunburned, handsome face. “I’m afraid if I did that I would never get over it, Mr. Hawkins.”

“Don’t try ter joke me, Leo Dunbar, or I’ll break every bone in your worthless body!”

“I’m not joking; I mean what I say.”

“Did yer put the cattle out in the cherry pasture?”

“Yes, sir.”

“Feed the pigs?”

“Yes, sir.”

“Mend thet barn door! as I told yer to yesterday?”

“Mended it last night.”

“Wot about fixin’ thet scythe yer broke tudder day?”

“I can’t fix that. I’ll have to take it down to Joe Marks’ blacksmith shop.”

“O’ course! An’ who’s goin’ ter pay fer it?” demanded Daniel Hawkins.

“You can take it out of my wages, Mr. Hawkins.”

“Out o’ yer wages?”

“That’s what I said, sir.”

The old farmer’s face grew darker than ever. “Ain’t no wages comin’ to yer! You spile more than yer earn.”

“According to my reckoning there are about twenty-eight dollars coming to me,” returned Leo Dunbar quickly. “I have kept the tally ever since I came to live with you.”

“Ain’t a cent, boy; not a penny.”

“I beg to differ with you. And now while we are at it, Mr. Hawkins, supposing we settle up?”

“Eh?”

“I say, supposing we settle up?”

“Settle up?” repeated the miserly farmer in amazement.

“Yes. You can pay me what you owe me. My month will be up to-morrow, and I don’t intend to stay here any longer.”

“But yer will stay, boy! I’ve got a right on yer. The poorhouse folks signed the papers.”

“Squire Dobb signed the papers, but to me that doesn’t count. He never had any claim on me.”

“He settled yer father’s estate.”

“I know it – and kept me out of my money, too.”

“You – you – ”

“No more compliments, Mr. Hawkins. I say he kept me out of my money, and I mean it. And now he and you are doing about all you can to make me commit suicide.” “Oh! jest to hear thet boy!” burst in Mrs. Hawkins, who had just come up. “Daniel, why don’t yeou birch him?”

“I will, ef he gives me any more sass,” replied her husband. “He shan’t talk about me an’ the squire.”

The old farmer was getting red in the face. He knew that Leo Dunbar was telling the truth.

A year before, Leo’s parents had died, leaving the boy alone in the world.

Mr. Dunbar’s property had been very much involved, and Squire Dobb, the most rascally lawyer in Hopsville, had taken the matter in charge.

At the end of six months he had announced to Leo that there was no money coming to him. Then, as manager of the poorhouse of the district, the lawyer had bound Leo over to Daniel Hawkins at four dollars a month and found.

“I will talk,” cried Leo spiritedly. “I think it about time that I received my rights.”

This remark made Daniel Hawkins’ wrath boil over. He ran toward the barn and presently returned, carrying a heavy hide-bound whip.

“You ain’t had a dressing down in a month, an’ now I’m a-goin’ ter give it to yer good!” he exclaimed, as he raised the whip and rushed at Leo.

Whiz! The heavy whip came down, the blow aimed for the boy’s shoulder.

But Leo was not hit. Like a flash he moved to one side at the last instant, and the whip only circled through the empty air.

More enraged than before Daniel Hawkins rushed forward again and caught the boy by the arm.

“You whelp! I’ll show you!” he snarled.

Again the whip was raised. But it never struck the blow intended, for an interruption came as terrorizing as it was unexpected.

There was a fearful roar out in the dusty road beyond the house, a roar that echoed and re-echoed among the hills around, and then a huge beast bounded over the stone fence, landing directly at Leo Dunbar’s feet.

It was a lion that had escaped from “The Greatest Show on Earth,” the circus that was to perform at Hopsville that afternoon and evening.

CHAPTER II. – CAPTURING A RUNAWAY LION

If Leo Dunbar was startled at the sudden appearance of this mighty monarch of the forest, what shall be said of Daniel Hawkins and his wife, Martha?

The farmer and his spouse gave one look and then stood, fairly paralyzed with fear.

They were unable to utter a word, and, to tell the truth, they both felt as if judgment was about to fall on them for ill-treating Leo, and that the ends of their miserable lives were at hand.

The lion crouched low, moving his heavy tail slowly from side to side.

He had escaped from his steel cage but an hour before, and as yet hardly knew what to do with his freedom.

From the road he had not been able to see the persons in the yard. But he had heard their voices, and his brute nature had caused him to leap the stone fence that he might rend some living creature limb from limb.

That the lion was in an ugly humor was easy to see. His mane was ruffled, his immense claws unsheathed, and his eyes were full of blood-curdling ferocity.

At first he gazed at Leo, but then swiftly turned toward Mrs. Hawkins, taking a single leap that brought him at the woman’s very feet.

“Oh! Daniel, save me!” she managed to gasp.

“Can’t nohow, Marthy!” spluttered the old farmer.

And then, recovering just sufficiently to move, he made a wild dash for the farmhouse, leaving his wife to her fate.

“You coward!” cried Leo, but Daniel Hawkins paid no heed to the remark. It is likely that in his terror he did not hear it.

“Save me, Leo!” went on the woman. “The beast is goin’ ter eat me up!”

The sound of her voice appeared to anger the lion still more.

His tail moved quicker, and Leo saw that he was on the point of leaping on the woman.

The leap once made it would be impossible to do anything for Mrs. Hawkins. The lion would simply rend and devour her.

Leo gazed about him for some weapon. He realized that if anything was to be done it must be done instantly.

His eyes fell on the whip the old farmer had dropped. With a rapid movement he picked up the article, and, whirling around, struck the lion fairly and squarely across the eyes.

It was a telling blow, and, smarting with pain, the brute let out a roar ten times louder than before.

Then he turned about and faced Leo.

“Run for your life!” sang out the youth to the woman. “Run, I tell you!”

She stared at him, but when he gave her a shove she realized what he was saying, and made such a spurt as had never before been seen in that dooryard.

The lion watched her go, but made no attempt to follow. His mind was on Leo and on the blow the boy had given him.

He was an ugly brute, and around the circus was known to be the most difficult to manage. Trainer after trainer had tried to break him in, but without effect. Instead of getting more docile, he grew worse.

In his former days he had killed a man, and evidently he was longing for a chance to repeat this bloody tragedy.

He took several steps and tried to get behind Leo.

But the boy was on the alert and ran backward toward the apple tree.

Then the lion crouched for a leap. His immense body was bent low, his tail gave a quiver, and forward he shot toward the very spot where Leo was standing.

But as the lion leaped so did the boy. He turned a graceful curve to the left, out of the brute’s reach, and caught the lowest branch of the tree behind him.

The lion’s nose struck the tree trunk, and he let out another roar of mingled pain and disappointment.

“Didn’t do it that time,” muttered Leo. “What’s the use of banging your nose like that?”

Another roar was the only answer, and then the lion left the vicinity of the tree and moved back several yards beyond the branch to which Leo clung.

The boy knew what was coming, and immediately stood up on the limb.

He was none too soon.

Again the lion made a leap upward.

He reached the limb, but only to find that Leo had taken a spring to the next above.

But now an accident happened which neither the boy nor the brute was expecting.

The apple tree was old and somewhat rotted at the roots. The weight of the boy and the sudden shock from the heavy body of the lion were too much for it to stand.

There was a crack and a loud snap, and then the tree went over on the ground, carrying Leo and the lion with it.

The lion was completely bewildered by the fall, and, moreover, he was entrapped for the moment by several limbs which came down on his back and neck.

As the tree went over, Leo turned around and landed on his feet directly beside the lion.

He saw how mixed up the brute was amid the branches and this gave him a sudden idea.

With a lightness of foot that was surprising in a mere farm lad, he ran to the woodshed.

Soon he reappeared carrying a wash-line, a well-rope, and half a dozen leather straps.

He fastened an end of the wash-line to one of the limbs of the tree and then to another, and so on all around the lion.

Then he crossed the well-rope over the line, and even fastened it around the lion’s left hind leg.

Then making a noose of the longest strap, he watched his chance and dropped it over the brute’s neck.

Of course, the lion roared and struggled to free himself, but Leo was too quick for him.

The noose around his neck, Leo tightened it considerably, and then fastened the end of the strap to the tree trunk.

“Now, if you move you’ll take the whole tree with you,” thought the boy.

CHAPTER III. – LEO LEAVES THE FARM

The savage lion was a prisoner.

In vain he tried to release himself. Turning over merely tangled him up tighter, and in his struggle he almost broke a hind leg and choked himself to death.

He tried to run, and succeeded in carrying the whole apple tree several yards.

But the load was too much for him, and, with a roar of pain and rage, he at length became quiet.

In the meanwhile Daniel Hawkins and his wife had gone into the farmhouse and locked all the doors and lower windows.

They were now at an upper window watching proceedings.

“He’s got him, Daniel!” cried Mrs. Hawkins.

“The apple tree is down!” groaned the old farmer in reply. “Plague take the pesky critter!”

“Leo hez tied him fast!”

“Maybe he might git away an’ chew him up. Wish he would,” continued Daniel Hawkins.

“It must be a lion from thet circus at Hopsville, Daniel, an’ if so, they’ll come after him.”

“Well, they better take him away,” growled the old farmer.

While they were talking a loud shouting was heard on the road, and presently half a dozen men on horseback came into view.

All were heavily armed, and several carried lassoes and ropes.

They were a party from the circus on the search for the lion.

Leo heard them coming and ran down the road to meet them.

“Hi, boy! Seen anything of a lion around here?” asked the leader.

“Indeed I have,” laughed Leo.

“Where is he?” demanded another of the crowd quickly.

“Over in the dooryard of that farmhouse.”

“Has he hurt any one?”

“He has scared the wits out of that man and his wife,” and Leo pointed to Daniel Hawkins and his spouse.

“He’s enough to scare the wits out of any one,” put in another of the crowd. “Come, boys, now for a tussle with old Nero.”

“We ought to shoot him at once. We can’t capture him alive,” growled a rear man.

“You won’t have to shoot him,” said Leo, with a twinkle in his eye.

“Why not? You don’t mean to say he’s dead already?”

“Oh, no! He’s alive enough.”

“Is it possible he has been captured?”

“Yes, I captured him and tied him to a tree.”

“Nonsense, boy, this is no time for fooling. The lion may eat somebody up.”

“I’m not fooling, sir. I have captured him. If you don’t believe me, come and see for yourself.”

Still incredulous, the party of men followed Leo into the dooryard.

When they saw the lion under the fallen apple tree they did not know whether to laugh, or praise Leo the most.

“By Jove! but this is the greatest feat yet!”

“Old Nero has a cage around him now and no mistake.”

“He can’t move a step unless he drags the whole tree with him!”

“Say, boy, who helped you do this?”

“No one.”

“You did it entirely alone?”

“Yes, sir,” was the modest reply.

“Thet ain’t so; it wuz me as captured yer lion fer yer,” came from Daniel Hawkins, who had joined the party in the yard.

“Mr. Hawkins, how can you say that!” exclaimed Leo in amazement. “You ran for your life and locked yourself in the house, even before your wife got away.”

“Tain’t so. I captured the lion, an’ if there’s any reward it comes to me.”

“We have offered no reward, but we are willing to pay for the capture,” replied the leader of the circus men. “But if you caught the lion how is it you were up in the house when we rode up?”

“Daniel! Daniel!” shrieked Mrs. Hawkins, still in the window. “Come up again! Leo didn’t fasten him tight enough an’ he’s gettin’ away!”

The alarm again terrorized Daniel Hawkins.

Forgetting all about his assumed bravery, he made a wild dash for the cottage, leaving Leo and the men alone in the yard.

“Does that look as if he had much to do with catching him?” laughed Leo.

“No, it does not. But the woman is right. Nero is getting ready to struggle for freedom. Come, boys, put the harness over him while we have the chance.”

The three circus men set to work. It was a dangerous proceeding, but at last it was finished and the escaped lion was a prisoner.

Then one of the men rode back to the circus grounds to return with the cage in which the brute belonged.

While this was going on, Daniel Hawkins again came out, this time followed by his wife.

He tried to convince the circus men that he had captured the lion, but no one would believe him.

“I reckon the credit goes to this boy,” said Barton Reeve, the manager of the menagerie attached to the “Greatest Show on Earth.”

“No sech thing. He only got the ropes fer me.”

“If you were so brave, what made you run just now?”

“I – I – went ter help my wife. She – she sometimes hez fits, an’ I was afraid she would git one and fall from the winder.”

All the circus men laughed at this explanation, but not one believed it true.

“An’ another thing, thet apple tree hez got ter be paid for,” continued the farmer.

“We’ll pay for that if the lion pulled it down.”

“He certainly did,” put in Mrs. Hawkins.

“Well, what was the old tree worth?”

“Fifty dollars an’ more.”

“Hardly,” put in Leo. “You said only day before yesterday you were going to cut it down for firewood, because it was so rotted.”

“Shet up, boy!” howled Daniel Hawkins. “The tree is wuth fifty dollars an’ more.”

“I’ll pay you ten dollars,” said Barton Reeve.

“You’ll pay fifty.”

“Not a cent over ten. The tree is not worth five.”

“I’ll have the law on yer fer trespass!”

“All right; if you want to sue, I guess we can stand it,” was the circus man’s cool response.

Daniel Hawkins talked and threatened, but all to no purpose.

At last he agreed to take ten dollars and two tickets for the evening performance, and the bargain was settled on the spot.

It was not long after that that the steel-caged circus wagon came along, followed by a crowd of men and boys, all eager to see the strange sights connected with an escaped lion.

It was noised about that Leo Dunbar had captured the savage brute, and the boys gazed at the farm lad enviously.

“He’s a brave one, eh?” said one.

“I wouldn’t do it for a thousand dollars, would you?” added another.

“I always knew he was a cool one, and there isn’t a fellow around as limber as he is,” put in a third.

And so the talk ran.

When the lion was safe in the cage once more, Barton Reeve turned to Leo.

“Can you come with me to the circus grounds?” he asked. “I would like to talk with you.”

“Certainly,” replied Leo quickly. “I was going up there at the first chance I got to get away from the farm, anyway.”

“Going up to see the show?”

“Not only that, but to see the manager.”

“What do you want to see the manager for?”

“I want to strike him for a job.”

“What sort of a job?”

“As a gymnastic clown.”

“A clown and a gymnast,” said Barton Reeve slowly. “Well, you might be a clown, if you got funny, but what do you know about gymnastics?”

“Quite a bit, sir, if I do say it myself. I have liked the exercise all my life, and it seems to me I was cut out for that sort of life.”

Leo’s earnestness kept Barton Reeve from smiling

He had often had boys and even men come to him full of silly notions about joining the circus.

He saw that Leo was a level-headed youth, and he noted, too, that the boy’s body was finely formed and well developed.

“See here, what do you think of this?” suddenly cried Leo.

Running forward, he turned several handsprings and ended with a clear air somersault.

“That’s all right.” In fact, it was first-rate.

“If I had the apparatus I would like to show you what I can do on the bar and with the rings,” went on Leo.

“You can do that at the grounds. Come on.”

Barton Reeve rode off, with Leo behind him on the horse.

Daniel Hawkins tried to call the boy back, but all to no purpose.

“Has he any claim on you, Leo?” asked the man.

“Not a bit of a claim. He treated me like a dog, and now I’m going to leave him whether I get in with the circus or not.”

CHAPTER IV. – LEO JOINS THE GREATEST SHOW ON EARTH

On the way to the circus grounds Leo told Reeve much about himself.

He was seventeen years old, and for years had had a nice home with his parents, and it was during this time that he had taken a thorough course of gymnastics.

His father had been a retired officer of the United States army, and was supposed to be well to do at the time of his death.

But Leo had never gotten a cent out of the estate, and since becoming an orphan had known nothing but hard work.

The boy was satisfied that Squire Dobb was keeping him out of his money, but he had no proofs to use in bringing a case against the rascally lawyer.

Life on the farm he could not endure, and it was only the hope of getting some money out of Daniel Hawkins which had kept him so long at the drudgery there.

Now he was satisfied there was no money to be had, and he intended to leave at the first chance.

By the time Leo’s story was told the party had arrived at the circus grounds.

It was afternoon, and already the great white tents were up, covering an entire block in the southern end of the town.

The cage was properly placed in the menagerie department, and then Barton Reeve led the way between numerous empty wagons to the rear of a large affair used as a ticket office.

This was not yet open, but a knock on the door brought a quick response.

Two men were in the wagon, the treasurer, Mr. Giles, and Adam Lambert, the traveling manager of the show.

“Here is a young man who would like to see you, Mr. Lambert,” said Barton Reeve, and he introduced Leo.

“What is it?” asked the manager shortly. “My time is valuable.”

“He would like a job in the ring.”

And then Reeve told about what Leo had done and what the boy’s aspirations were.

Ordinarily the manager would not have listened to such an application, having hundreds of such made to him every week.

But he liked Leo’s looks, and besides, a boy who could capture a lion was certainly worth talking to.

“Don’t you know it’s a hard life, my boy?” he said.

“I’ll warrant it is no harder than life on the Hawkins’ farm, sir.”

“It’s not as rosy as it looks from a seat outside of the oval.”

“I know that. But I am willing to put up with the roughness just for the chance to make something of myself,” returned Leo.

Adam Lambert thought for a moment.

“Come with me into the ring,” he said.

Leo followed him gladly.

The rings, two in number, were empty, and so were the hundreds of seats, making the tent look vast and gloomy.

“Now show me what you can do.”

“Yes, sir.”

Off came Leo’s coat vest, and shoes. Then followed a number of handsprings, forward, backward, and sideways, and somersaults and curious attitudes.

“Can I use that bar up there?”

“Certainly, but there is no rope to get to it.”

“Never mind, sir.”

As he spoke Leo ran to the centerpole, and up this he went like a flash.

Then he gave a sudden leap and sat down on the bar several yards off.

“By Jove, there is something in that boy!” murmured Adam Lambert to Reeve. “He has just daring enough to succeed.”

“So I would say, Mr. Lambert. Hullo! Look there!”

Leo was turning rapidly on the bar.

He went through a dozen gymnastic movements, and then slid down the center pole.

“That will do,” shouted the manager. “I’ll give you a trial. You can place yourself under Dick Pomeroy, the head tumbler and bar man. Mr. Reeve, take him to Dick.”

Adam Lambert had scarcely spoken when a tall, finely-built fellow rushed into the ring from one of the dressing-rooms.

“Mr. Lambert!”

“Well, Dick.”

“Broxton is intoxicated again!”

“Indeed! Didn’t you warn him as I told you?”

“Yes, but it did no good. He is so intoxicated he can’t stand.”

“Then he can’t do his brother clown act with Snipper?”

“No, sir, we’ll have to cut it out.”

“Too bad, with Nash on the sick list, too.”

“See here,” put in Barton Reeve. “This boy wanted to do clown as well as acrobatics.”

“Is that so, Dunbar?”

“Yes, sir, if I can help you out I’ll do my best.”

“It’s short notice,” mused Adam Lambert.

“Snipper can instruct him and cut out anything difficult,” suggested Barton Reeve.

He had taken a strong liking to Leo and wished to get the boy a place.

“Well, fix it up, Dick, the best you can,” said the manager. “I must go back and see about those stolen tickets.”

And off went the manager, followed a minute later by Barton Reeve, leaving Leo alone with Dick Pomeroy, who had charge of the clowns and tumblers connected with the “Greatest Show on Earth.”

Pomeroy at once led Leo around to a dressing-room. In a corner sat Jack Snipper, a clown and gymnast, his face drawn down.

“Here’s a man to take Broxton’s place,” explained Pomeroy.

“Why, he’s a boy!” exclaimed Snipper.

“Never mind, you must drill him in the best you can.”

“Can he do anything on the bar?”

“I reckon so.”

“I don’t like this drilling in new fellows every couple of weeks,” growled Snipper, who was not a man of cheerful disposition.

As a matter of fact, he was what is commonly called a crank, and very jealous of his reputation.

He told Leo where he could obtain a pair of tights and a clown’s outfit, and made up the boy’s face for him.

Then he gave Leo a long lesson.

The two were to do a clown act, and then, while on the bars, throw off their clown dresses, and go in for a brothers’ gymnastic act.

Leo worked hard, and by the time the circus commenced he was ready to go on, although it must be admitted he was extremely nervous.

The grand entrée was the first thing on the programme. It included the rulers of all nations, savage tribes, elephants, camels, chariots, and a hundred and one other things impossible to mention.

“Come on now!” suddenly said Snipper, and then he and Leo ran out into the ring and fell down and bounced up as if they were a couple of rubber balls.

“Ho! ho! look at those two clowns!” shouted the crowd.

The tumble over, the clowns chased each other around the ring, knocked each other down, and did a dozen other funny things.

While the two clowns were cutting their capers a young lady bareback rider rode into the ring.

Her name was Natalie Sparks, but she was known on the bills as Natalie the Fire Queen.

Her great act was to dive through numerous hoops of fire while on horseback.

As she began to perform, Leo commenced to climb the centerpole of the tent, doing so in a way that nearly choked the crowd with laughter.

“See him twisting like a monkey!”

“He ain’t a clown at all! See, he is throwing off his clown dress!”

“Now he is dressed in tights!”

It was true. Leo was in full gymnastic costume and was swinging gracefully from the high bar.

As Leo began to do his best on the bar, Natalie the Fire Queen started to leap through rings of fire held up by several ringmen.

The performances of the young gymnast and the Fire Queen were in full swing when a cry of horror arose.

In some unaccountable manner the fire from the hoops had communicated to the tarred ropes running up by the centerpole to the roof.

The great canvas had taken fire in several places.

Before Leo could realize what had happened a cloud of smoke seemed to envelop him.

The fire had reached the ropes supporting the very bar upon which he was performing!

His escape in that direction was cut off, and the distance to the ring below was fully half a hundred feet!