Гарриет Бичер-Стоу
Woman in Sacred History

REBEKAH THE BRIDE

I n the pictures which the Bible opens to us of the domestic life of the patriarchal ages, we have one perfectly characteristic and beautiful idyl of a wooing and wedding, according to the customs of those days. In its sweetness and sacred simplicity, it is a marvelous contrast to the wedding of our modern fashionable life.

Sarah, the beautiful and beloved, has been laid away in the dust, and Isaac, the cherished son, is now forty years old. Forty years is yet early youth, by the slow old clock of the golden ages, when the thread of mortal life ran out to a hundred and seventy-five or eighty years. Abraham has nearly reached that far period, and his sun of life is dipping downwards toward the evening horizon. He has but one care remaining, – to settle his son Isaac in life before he is gathered to his fathers.

The scene in which Abraham discusses the subject with his head servant sheds a peculiar light on the domestic and family relations of those days. "And Abraham said unto his eldest servant of his house, that ruled over all that he had, Put, I pray thee, thy hand under my thigh: and I will make thee swear by the Lord, the God of heaven, and the God of the earth, that thou shalt not take a wife unto my son of the daughters of the Canaanites, among whom I dwell: but thou shalt go unto my country, and to my kindred, and take a wife unto my son Isaac. And the servant said unto him, Peradventure the woman will not be willing to follow me unto this land: must I needs bring thy son again unto the land from whence thou camest? And Abraham said unto him, Beware that thou bring not my son thither again. The Lord God of heaven, which took me from my father's house, and from the land of my kindred, and which spake unto me, and sware unto me, saying, Unto thy seed will I give this land; he shall send his angel before thee, and thou shalt take a wife unto my son from thence. And if the woman will not be willing to follow thee, then thou shalt be clear from this my oath: only bring not my son thither again."

Here it is remarkable that the servant is addressed as the legal guardian of the son. Abraham does not caution Isaac as to whom he should marry, but cautions the old servant of the house concerning the woman to whom he should marry Isaac. It is apparently understood that, in case of Abraham's death, the regency in the family falls into the hands of this servant.

The picture of the preparations made for this embassy denotes a princely station and great wealth. "And the servant took ten camels of the camels of his master, and departed; for all the goods of his master were in his hand; and he arose, and went to Mesopotamia, unto the city of Nahor."

Now comes a quaint and beautiful picture of the manners of those pastoral days. "And he made his camels to kneel down without the city by a well of water, at the time of the evening, even the time that women go out to draw water."

Next, we have a specimen of the kind of prayer which obtained in those simple times, when men felt as near to God as a child does to its mother. Kneeling, uncovered, in the evening light, the gray old serving-man thus talks to the invisible Protector: – "O Lord God of my master Abraham, I pray thee, send me good speed this day, and show kindness unto my master Abraham. Behold, I stand here by the well of water; and the daughters of the men of the city come out to draw water: and let it come to pass that the damsel to whom I shall say, Let down thy pitcher, I pray thee, that I may drink; and she shall say, Drink, and I will give thy camels drink also: let the same be she that thou hast appointed for thy servant Isaac; and thereby shall I know that thou hast showed kindness unto my master."

This is prayer. Not a formal, ceremonious state address to a monarch, but the talk of the child with his father, asking simply and directly for what is wanted here and now. And the request was speedily granted, for thus the story goes on: "And it came to pass, before he had done speaking, that, behold, Rebekah came out, who was born to Bethuel, son of Milcah, the wife of Nahor, Abraham's brother." It is noticeable, how strong is the sensibility to womanly beauty in this narrative. This young Rebekah is thus announced: "And the damsel was very fair to look upon, and a virgin, and she went down to the well, and filled her pitcher, and came up." Drawn by the bright eyes and fair face, the old servant hastens to apply the test, doubtless hoping that this lovely creature is the one appointed for his young master. "And the servant ran to meet her, and said, Let me, I pray thee, drink a little water of thy pitcher. And she said, Drink, my lord: and she hastened, and let down her pitcher upon her hand, and gave him drink." She gave with a will, with a grace and readiness that overflowed the request; and then it is added: "And when she had done giving him drink, she said, I will draw water for thy camels also, until they have done drinking. And she hasted and emptied her pitcher into the trough, and ran again unto the well to draw water, and drew for all his camels." Let us fancy ten camels, all on their knees in a row, at the trough, with their long necks, and patient, careworn faces, while the pretty young Jewess, with cheerful alacrity, is dashing down the water from her pitcher, filling and emptying in quick succession, apparently making nothing of the toil; the gray-haired old servant looking on in devout recognition of the answer to his prayer, for the story says: "And the man wondering at her, held his peace, to wit [know] whether the Lord had made his journey prosperous or not."

There was wise penetration into life and the essentials of wedded happiness in this prayer of the old servant. What he asked for his young master was not beauty or talent, but a ready and unfailing outflow of sympathy and kindness. He sought not merely for a gentle nature, a kind heart, but for a heart so rich in kindness that it should run even beyond what was asked, and be ready to anticipate the request with new devices of helpfulness. The lively, light-hearted kindness that could not be content with waiting on the thirsty old man, but with cheerful alacrity took upon herself the care of all the ten camels, this was a gift beyond that of beauty; yet when it came in the person of a maiden exceedingly fair to look upon, no marvel that the old man wondered joyously at his success.

When the camels had done drinking, he produced from his treasury a golden earring and bracelets, with which he adorned the maiden. "And he said to her, Whose daughter art thou? tell me, I pray thee; is there room in thy father's house for us to lodge in? And she said unto him, I am the daughter of Bethuel the son of Milcah, which she bare to Nahor. She said, moreover, unto him, We have both straw and provender enough, and room to lodge in. And the man bowed down his head, and worshiped the Lord. And he said, Blessed be the Lord God of my master Abraham, who hath not left destitute my master of his mercy and his truth: I being in the way, the Lord led me to the house of my master's brethren."

We may imagine the gay delight with which the pretty maiden ran to exhibit the gifts of jewelry that had thus unexpectedly descended upon her. Laban, her brother, does not prove either a generous or hospitable person in the outcome of the story; but the ambassador of a princely relative, traveling with a caravan of ten camels, and showering gold and jewels, makes his own welcome. The narrative proceeds: – "And it came to pass when he saw the earring, and the bracelets upon his sister's hands, and when he heard the words of Rebekah his sister, saying, Thus spake the man unto me; that he came unto the man; and, behold, he stood by the camels at the well. And he said, Come in, thou blessed of the Lord; wherefore standest thou without? for I have prepared the house, and room for the camels. And the man came into the house: and he ungirded the camels, and gave straw and provender for the camels, and water to wash his feet, and the men's feet that were with him. And there was set meat before him to eat: but he said, I will not eat, till I have told my errand. And he said, Speak on. And he said, I am Abraham's servant, and the Lord hath blessed my master greatly, and he is become great: and he hath given him flocks, and herds, and silver, and gold, and men-servants, and maid-servants, and camels, and asses."

After this exordium he goes on to tell the whole story of his oath to his master, and the purport of his journey; of the prayer that he had uttered at the well, and of its fulfillment in a generous-minded and beautiful young maiden; and thus he ends his story: "And I bowed down my head, and worshiped the Lord, and blessed the Lord God of my master Abraham, which hath led me in the right way to take my master's brother's daughter unto his son. And now, if ye will deal kindly and truly with my master, tell me: and if not, tell me; that I may turn to the right hand or to the left. Then Laban and Bethuel answered and said, The thing proceedeth from the Lord: we cannot speak unto thee bad or good. Behold, Rebekah is before thee; take her, and go, and let her be thy master's son's wife, as the Lord hath spoken. And it came to pass, that when Abraham's servant heard their words, he worshiped the Lord, bowing himself to the earth."

And now comes a scene most captivating to female curiosity. Even in patriarchal times the bridegroom, it seems, provided a corbeille de mariage; for we are told: "And the servant brought forth jewels of silver, and jewels of gold, and raiment, and gave them to Rebekah; he gave also to her brother and to her mother precious things." The scene of examining jewelry and garments and rich stuffs in the family party would have made no mean subject for a painter. No wonder such a suitor, sending such gifts, found welcome entertainment. So the story goes on: "And they did eat and drink, he and the men that were with him, and tarried all night; and they rose up in the morning; and he said, Send me away unto my master. And her brother and her mother said, Let the damsel abide with us a few days, at the least ten, and after that she shall go. And he said unto them, Hinder me not, seeing the Lord hath prospered my way; send me away, that I may go to my master. And they said, We will call the damsel and inquire at her mouth. And they called Rebekah, and said unto her, Wilt thou go with this man? And she said, I will go. And they sent away Rebekah their sister, and her nurse, and Abraham's servant and his men. And they blessed Rebekah, and said unto her, Thou art our sister; be thou the mother of thousands of millions, and let thy seed possess the gate of those which hate them." The idea of being a mother of nations gives a sort of dignity to the married life of these patriarchal women, – it was the motherly instinct made sublime.

Thus far, this wooing seems to have been conceived and conducted in that simple religious spirit recognized in the words of the old prayer: "Grant that all our works may be begun, continued, and ended in thee." The Father of Nations has been a never-failing presence in every scene.

The expectant bridegroom seems to have been a youth of a pensive, dreamy, meditative nature. Brought up with the strictest notions of filial submission, he waits to receive his wife dutifully from his father's hand. Yet, as the caravan nears the encampment, he walks forth to meet them. "And Isaac went out to meditate in the field at the eventide: and he lifted up his eyes, and saw, and, behold, the camels were coming. And Rebekah lifted up her eyes, and when she saw Isaac, she lighted off the camel. For she had said unto the servant, What man is this that walketh in the field to meet us? And the servant had said, It is my master: therefore she took a veil, and covered herself."

In the little that is said of Rebekah, we see always that alert readiness, prompt to see and do what is to be done at the moment. No dreamer is she, but a lively and wide-awake young woman, who knows her own mind exactly, and has the fit word and fit action ready for each short turn in life. She was quick, cheerful, and energetic in hospitality. She was prompt and unhesitating in her resolve; and yet, at the moment of meeting, she knew the value and the propriety of the veil. She covered herself, that she might not unsought be won.

With a little touch of pathos, the story ends: "And Isaac brought her into his mother Sarah's tent, and took Rebekah, and she became his wife; and he loved her: and Isaac was comforted after his mother's death." We see here one of those delicate and tender natures that find repose first in the love of a mother, and, when that stay is withdrawn, lean upon a beloved wife.

So ideally pure, and sweet, and tenderly religious has been the whole inception and carrying on and termination of this wedding, that Isaac and Rebekah have been remembered in the wedding ritual of the catholic Christian churches as models of a holy marriage according to the Divine will. "Send thy blessing upon these thy servants, this man and this woman, whom we bless in thy name; that as Isaac and Rebekah lived faithfully together, so these persons may surely perform and keep the vow and covenant between them."

In the subsequent history of the family, the dramatic individuality of the characters is kept up: Isaac is the gentle, thoughtful, misty dreamer, lost in sentiment and contemplation; and Rebekah the forward, cheerful, self-confident manager of external things. We can fancy it as one of the households where all went as the mother said. In fact, in mature life, we see these prompt and managing traits, leading the matron to domestic artifices which could only be justified to herself by her firm belief that the end pursued was good enough to sanctify the means. Energetic, lively, self-trustful young women do sometimes form just such managing and diplomatic matrons.

Isaac, the husband, always dreamy and meditative, becomes old and doting; conceives an inordinate partiality for the turbulent son Esau, whose skill in hunting supplies his table with the meat he loves. Rebekah has heard the prophetic legend, that Jacob, the younger son, is the chosen one to perpetuate the sacred race; and Jacob, the tender, the care-taking, the domestic, is the idol of her heart.

Now, there are some sorts of women that, if convinced there was such a Divine oracle or purpose in relation to a favorite son, would have rested upon it in quiet faith, and left Providence to work out its ends in its own way and time. Not so Rebekah. The same restless activity of helpfulness that led her to offer water to all the camels, when asked to give drink for the servant, now led her to come to the assistance of Providence. She proposes to Jacob to make the oracle sure, and obtain the patriarchal blessing by stratagem. When Jacob expresses a humble doubt whether such an artifice may not defeat itself and bring on him the curse rather than the blessing of his father, the mother characteristically answers: "Upon me be the curse, my son: only obey my voice." Pages of description could not set a character before us more sharply and distinctly than this one incident, and nothing can show more dramatically in whose hands was the ruling power in that family.

The managing, self-reliant Rebekah, ready to do her full share in every emergency, and to run before every occasion with her busy plannings, is not a character of patriarchal ages merely. Every age has repeated it, and our own is no exception. There are not wanting among us cheerful, self-confident, domestic managers, who might take a lesson from the troubles that befell the good-hearted, but too busy and officious Rebekah, in consequence of the success of her own schemes. The account of this belongs to our next chapter.

LEAH AND RACHEL

I n the earlier portions of the Old Testament we have, very curiously, the history of the deliberate formation of an influential race, to which was given a most important mission in the world's history. The principle of selection, much talked of now in science, is the principle which is represented in the patriarchal history as operating under a direct Divine guidance. From the calling of Abraham, there seems to have been this continued watchfulness in selecting the party through whom the chosen race was to be continued. Every marriage thus far is divinely appointed and guided. While the Fatherly providence and nurture is not withdrawn from the rejected ones, still the greatest care is exercised to separate from them the chosen. The latter are selected apparently not so much for moral excellence in itself considered, as for excellence in relation to stock. The peaceable, domestic, prudent, and conservative elements are uniformly chosen, in preference to the warlike and violent characteristics of the age.

The marriage of Isaac and Rebekah was more like the type of a Christian marriage than any other on record. No other wife shared a place in his heart and home; and, even to old age, Isaac knew no other than the bride of his youth. From this union sprang twin boys; between whom, as is often the case, there was a remarkable difference. The physical energy and fire all seemed to go to one, the gentler and more quiet traits to the other. Esau was the wild huntsman, the ranger of the mountains, delighting in force, – precisely adapted to become the chief of a predatory tribe. Jacob, the patient, the prudent, the submissive, was the home child, the darling of his mother. Now, with every constitutional excellency and virtue is inevitably connected, in our imperfect humanity, the liability to a fault. The peace-loving and prudent, averse to strife, are liable to sins of artifice and deception, as stronger natures are to those of force and violence. Probably, in the calm eye of Him who sees things just as they are, the one kind of fault is no worse than the other. At all events, the sacred narrative is a daguerreotype of character; it reflects every trait and every imperfection without comment. The mild and dreamy Isaac, to save his wife from a rapacious king, undertakes to practice the same artifice that his father used before him, saying, "She is my sister"; and the same evil consequence ensues. The lesson of artifice once taught in the family, the evil spreads. Rebekah, when Isaac is old and doting, commands Jacob to personate his older brother, and thus gain the patriarchal blessing, which in those days had the force of a last will and testament in our times. Yet, through all the faults and errors of the mere human actors runs the thread of a Divine guidance. Before the birth of Jacob it was predicted that he should be the chosen head of the forming nation; and by his mother's artifice, and his own participation in it, that prediction is fulfilled. Yet the natural punishment of the action follows. Esau is alienated, and meditates murder in his heart; and Jacob, though the mother's darling, is driven out from his home a hunted fugitive, parted from her for life. He starts on foot to find his way to Padan-Aram, to his father's kindred, there to seek and meet and woo the wife appointed for him.

It is here that the history of the patriarch Jacob becomes immediately helpful to all men in all ages. And its usefulness consists in just this, – that Jacob, at this time in his life, was no saint or hero. He was not a person distinguished either by intellect or by high moral attainment, but simply such a raw, unformed lad as life is constantly casting adrift from the shelter of homes. He is no better and no worse than the multitude of boys, partly good and partly bad, who, for one reason or another, are forced to leave their mothers and their fathers; to take staff in hand and start out on the great life-journey alone. He had been religiously brought up; he knew that his father and his mother had a God, – the Invisible God of Abraham and Isaac; but then, other gods and lords many were worshiped in the tribes around him, and how did he know, after all, which was the right one? He wanders on over the wide, lonesome Syrian plains, till dark night comes on, and he finds himself all alone, an atom in the great silent creation, – alone, as many a sailor-boy has found himself on the deck of his ship, or hunter, in the deep recesses of the forest. The desolate lad gathers a heap of stones for a pillow and lies down to sleep. Nothing could be more sorrowfully helpless than this picture; the representative portrait of many a mother's boy to-day, and in all days. We cannot suppose that he prayed or commended his soul to God. We are told distinctly that he did not even remember that God was in that place. He lies down, helpless and forlorn, on his cold stone pillow, and sinks, overcome with fatigue, to prayerless slumber. And now, in his dreams, a glorious light appears; a luminous path opens upward to the skies, – angels are passing to and fro upon it, and above, in bright benignity, stands a visible form, and says: "I am the Lord God of Abraham thy father, and the God of Isaac: the land whereon thou liest, to thee will I give it, and to thy seed; and thy seed shall be as the dust of the earth; and thou shalt spread abroad to the west, and to the east, and to the north, and to the south; and in thee and in thy seed shall all the families of the earth be blessed. And, behold, I am with thee, and will keep thee in all places whither thou goest, and will bring thee again unto this land; for I will not leave thee, until I have done that which I have spoken to thee of. And Jacob awaked out of his sleep, and he said, Surely the Lord is in this place; and I knew it not. And he was afraid, and said, How dreadful is this place! This is none other but the house of God, and this is the gate of heaven. And Jacob arose up early in the morning, and took the stone that he had put for his pillow, and set it up for a pillar, and poured oil upon the top of it. And Jacob vowed a vow, saying, If God will be with me, and will keep me in this way that I go, and will give me bread to eat, and raiment to put on, so that I come again to my father's house in peace, then shall the Lord be my God: and this stone, which I have set for a pillar, shall be God's house: and of all that Thou shalt give me I will surely give the tenth unto thee."

In one night how much is born in that soul! The sentiment of reverence, awe of the Divine, – a conviction of the reality of God and an invisible world, – and the beginning of that great experiment by which man learns practically that God is his father. For, in the outset, every human being's consciousness of God must be just of this sort. Have I a Father in heaven? Does he care for me? Will he help me? Questions that each man can only answer as Jacob did, by casting himself upon God in a matter-of-fact, practical way in the exigencies of this present life. And this history is the more valuable because it takes man in his earlier stages of imperfection. We are apt to feel that it might be safe for Paul, or Isaiah, or other great saints, to expect God to befriend them; but here a poor, untaught shepherd boy, who is not religious, avows that, up to this time, he has had no sense of God; and yet between him and heaven there is a pathway, and about him in his loneliness are ministering spirits; and the God of Abraham and of Isaac is ready to become his friend. In an important sense, this night dream, this gracious promise of God to Jacob, are not merely for him, but for all erring, helpless, suffering sons of men. In the fatherly God thus revealed to the patriarch, we see the first fruits of the promise that through him all nations should be blessed.

The next step of the drama shows us a scene of sylvan simplicity. About the old well in Haran, shepherds are waiting with their flocks, when the stripling approaches: "And Jacob said unto them, My brethren, whence be ye? And they said, Of Haran are we. And he said unto them, Know ye Laban the son of Nahor? And they said, We know him. And he said unto them, Is he well? And they said, He is well: and, behold, Rachel his daughter cometh with the sheep. And he said, Lo, it is yet high day, neither is it time that the cattle should be gathered together. Water ye the sheep, and go and feed them. And they said, We cannot, until all the flocks be gathered together, and till they roll the stone from the well's mouth; then we water the sheep. And while he yet spake with them Rachel came with her father's sheep; for she kept them. And it came to pass, when Jacob saw Rachel, the daughter of Laban, his mother's brother, and the sheep of Laban, his mother's brother, that Jacob went near, and rolled the stone from the well's mouth, and watered the flock of Laban, his mother's brother. And Jacob kissed Rachel, and lifted up his voice, and wept; and Jacob told Rachel that he was her father's brother, and that he was Rebekah's son: and she ran and told her father. And it came to pass, when Laban heard the tidings of Jacob, his sister's son, that he ran to meet him, and embraced him, and kissed him, and brought him to his house."

In the story of Isaac, we have the bridegroom who is simply the submissive recipient of a wife at his father's hands; in that of Jacob, we have the story of love at first sight. The wanderer, exiled from home, gives up his heart at once to the keeping of his beautiful shepherdess cousin, and so, when the terms of service are fixed with the uncle, the narrative says: "And Laban had two daughters; the name of the elder was Leah, and the name of the younger was Rachel. Leah was tender-eyed; but Rachel was beautiful and well-favored. And Jacob loved Rachel, and said, I will serve thee seven years for Rachel, thy younger daughter. And Jacob served seven years for Rachel, and they seemed unto him but a few days, for the love he had to her."

But when the wedding comes, in the darkness and secrecy of the night a false bride is imposed on the lover. And Jacob awoke, and behold it was Leah. Not the last man was he who has awakened, after the bridal, to find his wife was not the woman he had taken her to be. But the beloved one is given as a second choice, and seven years more of service are imposed as her price.

The characteristics of these two sisters, Leah and Rachel, are less vividly given than those of any of the patriarchal women. Sarah, Hagar, and Rebekah are all sharply defined characters, in and of themselves; but of Leah and Rachel almost all that can be said is that they were Jacob's wives, and mothers of the twelve tribes of Israel.

The character of their father Laban was narrow, shrewd, and hard, devoid of any generous or interesting trait, and the daughters appear to have grown up under a narrowing and repressing influence. What we learn of them in the story shows the envies, the jealousies, the bickerings and heart-burnings of poorly developed natures. Leah, the less beloved one, exults over her handsomer and more favored sister because she has been made a fruitful mother, while to Rachel the gift of children is denied. Rachel murmurs and pines, and says to her husband, "Give me children, or I die." The desire for offspring in those days seemed to be an agony. To be childless, was disgrace and misery unspeakable. At last, however, Rachel becomes a mother and gives birth to Joseph, the best-beloved of his father. The narrative somehow suggests that charm of personal beauty and manner which makes Rachel the beloved one, and her child dearer than all the rest. How many such women there are, pretty and charming, and holding men's hearts like a fortress, of whom a biographer could say nothing only that they were much beloved!

When Jacob flees from Laban with his family, we find Rachel secretly taking away the images which her father had kept as household gods. The art by which she takes them, the effrontery with which she denies the possession of them, when her father comes to search for them, shows that she had little moral elevation. The belief in the God of her husband probably was mixed up confusedly in her childish mind with the gods of her father. Not unfrequently in those dim ages, people seemed to alternate from one to the other, as occasions varied. Yet she seems to have held her husband's affections to the last; and when, in giving birth to her last son, she died, this son became the darling of his father's old age. The sacred poet has made the name of this beloved wife a proverb, to express the strength of the motherly instinct, and "Rachel weeping for her children" is a line that immortalizes her name to all time.

Whatever be the faults of these patriarchal women, it must be confessed that the ardent desire of motherhood which inspired them is far nobler than the selfish, unwomanly spirit of modern times, which regards children only as an encumbrance and a burden. The motherly yearning and motherly spirit give a certain dignity to these women of primitive ages, which atones for many faults of imperfect development.

Twenty-one years elapse, and Jacob, a man of substance, father of a family of twelve children, with flocks and herds to form a numerous caravan, leaves the service of his hard master to go back to his father. The story shows the same traits in the man as in the lad. He is the gentle, affectionate, prudent, kindly, care-taking family-man, faithful in duty, and evading oppression by quiet skill rather than meeting it with active opposition. He has become rich, in spite of every effort of an aggressive master to prevent it.

When leaving Laban's service, he thus appeals to him: "These twenty years have I been with thee: thy ewes and thy she-goats have not cast their young, and the rams of thy flock have I not eaten. That which was torn of beasts I brought not unto thee; I bare the loss of it. Thus was I: in the day the drought consumed me, and the frost by night, and my sleep departed from mine eyes. Thus have I been twenty years in thy house. I served thee fourteen years for thy two daughters, and six years for thy cattle; and thou hast changed my wages ten times. Except the God of my father, the God of Abraham, and the fear of Isaac, had been with me, surely thou hadst sent me away now empty. God hath seen my affliction and the labor of my hands, and rebuked thee yesternight."