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Agnes of Sorrento

Гарриет Бичер-Стоу
Agnes of Sorrento

Полная версия

Suddenly the reveries of the two were disturbed by the shadow of a figure which passed into the moonlight and seemed to rise from the side of the gorge. A man enveloped in a dark cloak with a peaked hood stepped across the moss-grown garden parapet, stood a moment irresolute, then the cloak dropped suddenly from him, and the cavalier stood in the moonlight before Agnes. He bore in his hand a tall stalk of white lily, with open blossoms and buds and tender fluted green leaves, such as one sees in a thousand pictures of the Annunciation. The moonlight fell full upon his face, revealing his haughty yet beautiful features, agitated by some profound emotion. The monk and the girl were both too much surprised for a moment to utter a sound; and when, after an instant, the monk made a half-movement as if to address him, the cavalier raised his right hand with a sudden authoritative gesture which silenced him. Then turning toward Agnes, he kneeled, and kissing the hem of her robe, and laying the lily in her lap, "Holiest and dearest," he said, "oh, forget not to pray for me!" He rose again in a moment, and, throwing his cloak around him, sprang over the garden wall, and was heard rapidly descending into the shadows of the gorge.

All this passed so quickly that it seemed to both the spectators like a dream. The splendid man, with his jeweled weapons, his haughty bearing, and air of easy command, bowing with such solemn humility before the peasant-girl, reminded the monk of the barbaric princes in the wonderful legends he had read, who had been drawn by some heavenly inspiration to come and render themselves up to the teachings of holy virgins, chosen of the Lord, in divine solitudes. In the poetical world in which he lived all such marvels were possible. There were a thousand precedents for them in that devout dreamland, "The Lives of the Saints."

"My daughter," he said, after looking vainly down the dark shadows upon the path of the stranger, "have you ever seen this man before?"

"Yes, uncle; yesterday evening I saw him for the first time, when sitting at my stand at the gate of the city. It was at the Ave Maria; he came up there and asked my prayers, and gave me a diamond ring for the shrine of Saint Agnes, which I carried to the convent to-day."

"Behold, my dear daughter, the confirmation of what I have just said to thee! It is evident that our Lady hath endowed thee with the great grace of a beauty which draws the soul upward towards the angels, instead of downward to sensual things, like the beauty of worldly women. What saith the blessed poet Dante of the beauty of the holy Beatrice? – that it said to every man who looked on her, 'Aspire!'2 Great is the grace, and thou must give special praise therefor."

"I would," said Agnes, thoughtfully, "that I knew who this stranger is, and what is his great trouble and need, – his eyes are so full of sorrow. Giulietta said he was the King's brother, and was called the Lord Adrian. What sorrow can he have, or what need for the prayers of a poor maid like me?"

"Perhaps the Lord hath pierced him with a longing after the celestial beauty and heavenly purity of paradise, and wounded him with a divine sorrow, as happened to Saint Francis and to the blessed Saint Dominic," said the monk. "Beauty is the Lord's arrow, wherewith he pierceth to the inmost soul, with a divine longing and languishment which find rest only in him. Hence thou seest the wounds of love in saints are always painted by us with holy flames ascending from them. Have good courage, sweet child, and pray with fervor for this youth; for there be no prayers sweeter before the throne of God than those of spotless maidens. The Scripture saith, 'My beloved feedeth among the lilies.'"

At this moment the sharp, decided tramp of Elsie was heard reëntering the garden.

"Come, Agnes," she said, "it is time for you to begin your prayers, or, the saints know, I shall not get you to bed till midnight. I suppose prayers are a good thing," she added, seating herself wearily; "but if one must have so many of them, one must get about them early. There's reason in all things."

Agnes, who had been sitting abstractedly on the parapet, with her head drooped over the lily-spray, now seemed to collect herself. She rose up in a grave and thoughtful manner, and, going forward to the shrine of the Madonna, removed the flowers of the morning, and holding the vase under the spout of the fountain, all feathered with waving maiden-hair, filled it with fresh water, the drops falling from it in a thousand little silver rings in the moonlight.

"I have a thought," said the monk to himself, drawing from his girdle a pencil and hastily sketching by the moonlight. What he drew was a fragile maiden form, sitting with clasped hands on a mossy ruin, gazing on a spray of white lilies which lay before her. He called it, The Blessed Virgin pondering the Lily of the Annunciation.

"Hast thou ever reflected," he said to Agnes, "what that lily might be like which the angel Gabriel brought to our Lady? – for, trust me, it was no mortal flower, but grew by the river of life. I have often meditated thereon, that it was like unto living silver with a light in itself, like the moon, – even as our Lord's garments in the Transfiguration, which glistened like the snow. I have cast about in myself by what device a painter might represent so marvelous a flower."

"Now, brother Antonio," said Elsie, "if you begin to talk to the child about such matters, our Lady alone knows when we shall get to bed. I am sure I'm as good a Christian as anybody; but, as I said, there's reason in all things, and one cannot always be wondering and inquiring into heavenly matters, – as to every feather in Saint Michael's wings, and as to our Lady's girdle and shoestrings and thimble and work-basket; and when one gets through with our Lady, then one has it all to go over about her mother, the blessed Saint Anne (may her name be ever praised!). I mean no disrespect, but I am certain the saints are reasonable folk and must see that poor folk must live, and, in order to live, must think of something else now and then besides them. That's my mind, brother."

"Well, well, sister," said the monk, placidly, "no doubt you are right. There shall be no quarreling in the Lord's vineyard; every one hath his manner and place, and you follow the lead of the blessed Saint Martha, which is holy and honorable."

"Honorable! I should think it might be!" said Elsie. "I warrant me, if everything had been left to Saint Mary's doings, our Blessed Lord and the Twelve Apostles might have gone supperless. But it's Martha gets all the work, and Mary all the praise."

"Quite right, quite right," said the monk, abstractedly, while he stood out in the moonlight busily sketching the fountain. By just such a fountain, he thought, our Lady might have washed the clothes of the Blessed Babe. Doubtless there was some such in the court of her dwelling, all mossy, and with sweet waters forever singing a song of praise therein.

Elsie was heard within the house meanwhile making energetic commotion, rattling pots and pans, and producing decided movements among the simple furniture of the dwelling, probably with a view to preparing for the night's repose of the guest.

Meanwhile Agnes, kneeling before the shrine, was going through with great feeling and tenderness the various manuals and movements of nightly devotion which her own religious fervor and the zeal of her spiritual advisers had enjoined upon her. Christianity, when it entered Italy, came among a people every act of whose life was colored and consecrated by symbolic and ritual acts of heathenism. The only possible way to uproot this was in supplanting it by Christian ritual and symbolism equally minute and pervading. Besides, in those ages when the Christian preacher was utterly destitute of all the help which the press now gives in keeping under the eye of converts the great inspiring truths of religion, it was one of the first offices of every saint whose preaching stirred the heart of the people, to devise symbolic forms, signs, and observances, by which the mobile and fluid heart of the multitude might crystalize into habits of devout remembrance. The rosary, the crucifix, the shrine, the banner, the procession, were catechisms and tracts invented for those who could not read, wherein the substance of pages was condensed and gave itself to the eye and the touch. Let us not, from the height of our day, with the better appliances which a universal press gives us, sneer at the homely rounds of the ladder by which the first multitudes of the Lord's followers climbed heavenward.

If there seemed somewhat mechanical in the number of times which Agnes repeated the "Hail, Mary!" – in the prescribed number of times she rose or bowed or crossed herself or laid her forehead in low humility on the flags of the pavement, it was redeemed by the earnest fervor which inspired each action. However foreign to the habits of a Northern mind or education such a mode of prayer may be, these forms to her were all helpful and significant, her soul was borne by them Godward, – and often, as she prayed, it seemed to her that she could feel the dissolving of all earthly things, and the pressing nearer and nearer of the great cloud of witnesses who ever surround the humblest member of Christ's mystical body.

 
 
"Sweet loving hearts around her beat,
Sweet helping hands are stirred,
And palpitates the veil between
With breathings almost heard."
 

Certain English writers, looking entirely from a worldly and philosophical standpoint, are utterly at a loss to account for the power which certain Italian women of obscure birth came to exercise in the councils of nations merely by the force of a mystical piety; but the Northern mind of Europe is entirely unfitted to read and appreciate the psychological religious phenomena of Southern races. The temperament which in our modern days has been called the mediïstic, and which with us is only exceptional, is more or less a race-peculiarity of Southern climates, and gives that objectiveness to the conception of spiritual things from which grew up a whole ritual and a whole world of religious Art. The Southern saints and religious artists were seers, – men and women of that peculiar fineness and delicacy of temperament which made them especially apt to receive and project outward the truths of the spiritual life; they were in that state of "divine madness" which is favorable to the most intense conception of the poet and artist, and something of this influence descended through all the channels of the people.

When Agnes rose from prayer, she had a serene, exalted expression, like one who walks with some unseen excellence and meditates on some untold joy. As she was crossing the court to come towards her uncle, her eye was attracted by the sparkle of something on the ground, and, stooping, she picked up a heart-shaped locket, curiously made of a large amethyst, and fastened with a golden arrow. As she pressed upon this, the locket opened and disclosed to her view a folded paper. Her mood at this moment was so calm and elevated that she received the incident with no start or shiver of the nerves. To her it seemed a providential token, which would probably bring to her some further knowledge of this mysterious being who had been so especially confided to her intercessions.

Agnes had learned of the Superior of the Convent the art of reading writing, which would never have been the birthright of the peasant-girl in her times, and the moon had that dazzling clearness which revealed every letter. She stood by the parapet, one hand lying in the white blossoming alyssum which filled its marble crevices, while she read and seriously pondered the contents of the paper.

TO AGNES
 
Sweet saint, sweet lady, may a sinful soul
Approach thee with an offering of love,
And lay at thy dear feet a weary heart
That loves thee, as it loveth God above?
If blessed Mary may without a stain
Receive the love of sinners most defiled,
If the fair saints that walk with her in white
Refuse not love from earth's most guilty child,
Shouldst thou, sweet lady, then that love deny
Which all-unworthy at thy feet is laid?
Ah, gentlest angel, be not more severe
Than the dear heavens unto a loving prayer!
Howe'er unworthily that prayer be said,
Let thine acceptance be like that on high!
 

There might have been times in Agnes's life when the reception of this note would have astonished and perplexed her; but the whole strain of thought and conversation this evening had been in exalted and poetical regions, and the soft stillness of the hour, the wonderful calmness and clearness of the moonlight, all seemed in unison with the strange incident that had occurred, and with the still stranger tenor of the paper. The soft melancholy, half-religious tone of it was in accordance with the whole undercurrent of her life, and prevented that start of alarm which any homage of a more worldly form might have excited. It is not to be wondered at, therefore, that she read it many times with pauses and intervals of deep thought, and then with a movement of natural and girlish curiosity examined the rich jewel which had enclosed it. At last, seeming to collect her thoughts, she folded the paper and replaced it in its sparkling casket, and, unlocking the door of the shrine, laid the gem with its enclosure beneath the lily-spray, as another offering to the Madonna. "Dear Mother," she said, "if indeed it be so, may he rise from loving me to loving thee and thy dear Son, who is Lord of all! Amen!" Thus praying, she locked the door and turned thoughtfully to her repose, leaving the monk pacing up and down in the moonlit garden.

Meanwhile the cavalier was standing on the velvet mossy bridge which spanned the stream at the bottom of the gorge, watching the play of moonbeams on layer after layer of tremulous silver foliage in the clefts of the black, rocky walls on either side. The moon rode so high in the deep violet-colored sky, that her beams came down almost vertically, making green and translucent the leaves through which they passed, and throwing strongly marked shadows here and there on the flower-embroidered moss of the old bridge. There was that solemn, plaintive stillness in the air which makes the least sound – the hum of an insect's wing, the cracking of a twig, the patter of falling water – so distinct and impressive.

It needs not to be explained how the cavalier, following the steps of Agnes and her grandmother at a distance, had threaded the path by which they ascended to their little sheltered nook, – how he had lingered within hearing of Agnes's voice, and, moving among the surrounding rocks and trees, and drawing nearer and nearer as evening shadows drew on, had listened to the conversation, hoping that some unexpected chance might gain him a moment's speech with his enchantress.

The reader will have gathered from the preceding chapter that the conception which Agnes had formed as to the real position of her admirer from the reports of Giulietta was false, and that in reality he was not Lord Adrian, the brother of the King, but an outcast and landless representative of one branch of an ancient and noble Roman family, whose estates had been confiscated and whose relations had been murdered, to satisfy the boundless rapacity of Cæsar Borgia, the infamous favorite of the notorious Alexander VI.

The natural temperament of Agostino Sarelli had been rather that of the poet and artist than of the warrior. In the beautiful gardens of his ancestral home it had been his delight to muse over the pages of Dante; to sing to the lute, and to write, in the facile flowing rhyme of his native Italian, the fancies of the dreamland of his youth.

He was the younger brother of the family, – the favorite son and companion of his mother, who, being of a tender and religious nature, had brought him up in habits of the most implicit reverence and devotion for the institutions of his fathers.

The storm which swept over his house, and blasted all his worldly prospects, blasted, too, and withered all those religious hopes and beliefs by which alone sensitive and affectionate natures can be healed of the wounds of adversity without leaving distortion or scar. For his house had been overthrown, his elder brother cruelly and treacherously murdered, himself and his retainers robbed and cast out, by a man who had the entire sanction and support of the Head of the Christian Church, the Vicar of Christ on Earth. So said the current belief of his times, – the faith in which his sainted mother died; and the difficulty with which a man breaks away from such ties is in exact proportion to the refinement and elevation of his nature.

In the mind of our young nobleman there was a double current. He was a Roman, and the traditions of his house went back to the time of Mutius Scævola; and his old nurse had often told him that grand story of how the young hero stood with his right hand in the fire rather than betray his honor. If the legends of Rome's ancient heroes cause the pulses of colder climes and alien races to throb with sympathetic heroism, what must their power be to one who says, "These were my fathers"? Agostino read Plutarch, and thought, "I, too, am a Roman!" and then he looked on the power that held sway over the Tarpeian Rock and the halls of the old "Sanctus Senatus," and asked himself, "By what right does it hold these?" He knew full well that in the popular belief all those hardy and virtuous old Romans whose deeds of heroism so transported him were burning in hell for the crime of having been born before Christ; and he asked himself, as he looked on the horrible and unnatural luxury and vice which defiled the Papal chair and ran riot through every ecclesiastical order, whether such men, without faith, without conscience, and without even decency, were indeed the only authorized successors of Christ and his Apostles?

To us, of course, from our modern standpoint, the question has an easy solution, – but not so in those days, when the Christianity of the known world was in the Romish church, and when the choice seemed to be between that and infidelity. Not yet had Luther flared aloft the bold, cheery torch which showed the faithful how to disentangle Christianity from Ecclesiasticism. Luther in those days was a star lying low in the gray horizon of a yet unawakened dawn.

All through Italy at this time there was the restless throbbing and pulsating, the aimless outreach of the popular heart, which marks the decline of one cycle of religious faith and calls for some great awakening and renewal. Savonarola, the priest and prophet of this dumb desire, was beginning to heave a great heart of conflict towards that mighty struggle with the vices and immoralities of his time in which he was yet to sink a martyr; and even now his course was beginning to be obstructed by the full energy of the whole aroused serpent brood which hissed and knotted in the holy places of Rome.

Here, then, was our Agostino, with a nature intensely fervent and poetic, every fibre of whose soul and nervous system had been from childhood skillfully woven and intertwined with the ritual and faith of his fathers, yearning towards the grave of his mother, yearning towards the legends of saints and angels with which she had lulled his cradle slumbers and sanctified his childhood's pillow, and yet burning with the indignation of a whole line of old Roman ancestors against an injustice and oppression wrought under the full approbation of the head of that religion. Half his nature was all the while battling the other half. Would he be Roman, or would he be Christian? All the Roman in him said "No!" when he thought of submission to the patent and open injustice and fiendish tyranny which had disinherited him, slain his kindred, and held its impure reign by torture and by blood. He looked on the splendid snow-crowned mountains whose old silver senate engirdles Rome with an eternal and silent majesty of presence, and he thought how often in ancient times they had been a shelter to free blood that would not endure oppression; and so gathering to his banner the crushed and scattered retainers of his father's house, and offering refuge and protection to multitudes of others whom the crimes and rapacities of the Borgias had stripped of possessions and means of support, he fled to a fastness in the mountains between Rome and Naples, and became an independent chieftain, living by his sword.

The rapacity, cruelty, and misgovernment of the various regular authorities of Italy at this time made brigandage a respectable and honored institution in the eyes of the people, though it was ostensibly banned both by Pope and Prince. Besides, in the multitude of contending factions which were every day wrangling for supremacy, it soon became apparent, even to the ruling authorities, that a band of fighting men under a gallant leader, advantageously posted in the mountains and understanding all their passes, was a power of no small importance to be employed on one side or the other; and therefore it happened, that, though nominally outlawed or excommunicated, they were secretly protected on both sides, with a view to securing their assistance in critical turns of affairs.

Among the common people of the towns and villages their relations were of the most comfortable kind, their depredations being chiefly confined to the rich and prosperous, who, as they wrung their wealth out of the people, were not considered particular objects of compassion when the same kind of high-handed treatment was extended toward themselves.

 

The most spirited and brave of the young peasantry, if they wished to secure the smiles of the girls of their neighborhood, and win hearts past redemption, found no surer avenue to favor than in joining the brigands. The leaders of these bands sometimes piqued themselves on elegant tastes and accomplishments; and one of them is said to have sent to the poet Tasso, in his misfortunes and exile, an offer of honorable asylum and protection in his mountain fortress.

Agostino Sarelli saw himself, in fact, a powerful chief, and there were times when the splendid scenery of his mountain fastness, its inspiring air, its wild eagle-like grandeur, independence, and security, gave him a proud contentment, and he looked at his sword and loved it as a bride. But then again there were moods in which he felt all that yearning and disquiet of soul which the man of wide and tender moral organization must feel who has had his faith shaken in the religion of his fathers. To such a man the quarrel with his childhood's faith is a never-ending anguish; especially is it so with a religion so objective, so pictorial, and so interwoven with the whole physical and nervous nature of man, as that which grew up and flowered in modern Italy.

Agostino was like a man who lives in an eternal struggle of self-justification, – his reason forever going over and over with its plea before his regretful and never-satisfied heart, which was drawn every hour of the day by some chain of memory towards the faith whose visible administrators he detested with the whole force of his moral being. When the vesper-bell, with its plaintive call, rose amid the purple shadows of the olive-silvered mountains, – when the distant voices of chanting priest and choir reached him solemnly from afar, – when he looked into a church with its cloudy pictures of angels, and its window-panes flaming with venerable forms of saints and martyrs, – it roused a yearning anguish, a pain and conflict, which all the efforts of his reason could not subdue. How to be a Christian and yet defy the authorized Head of the Christian Church, or how to be a Christian and recognize foul men of obscene and rapacious deeds as Christ's representatives, was the inextricable Gordian knot, which his sword could not divide. He dared not approach the Sacrament, he dared not pray, and sometimes he felt wild impulses to tread down in riotous despair every fragment of a religious belief which seemed to live in his heart only to torture him. He had heard priests scoff over the wafer they consecrated, – he had known them to mingle poison for rivals in the sacramental wine, – and yet God had kept silence and not struck them dead; and like the Psalmist of old he said, "Verily, I have cleansed my heart in vain, and washed my hands in innocency. Is there a God that judgeth in the earth?"

The first time he saw Agnes bending like a flower in the slanting evening sunbeams by the old gate of Sorrento, while he stood looking down the kneeling street and striving to hold his own soul in the sarcastic calm of utter indifference, he felt himself struck to the heart by an influence he could not define. The sight of that young face, with its clear, beautiful lines, and its tender fervor, recalled a thousand influences of the happiest and purest hours of his life, and drew him with an attraction he vainly strove to hide under an air of mocking gallantry.

When she looked him in the face with such grave, surprised eyes of innocent confidence, and promised to pray for him, he felt a remorseful tenderness as if he had profaned a shrine. All that was passionate, poetic, and romantic in his nature was awakened to blend itself in a strange mingling of despairing sadness and of tender veneration about this sweet image of perfect purity and faith. Never does love strike so deep and immediate a root as in a sorrowful and desolated nature; there it has nothing to dispute the soil, and soon fills it with its interlacing fibres.

In this case it was not merely Agnes that he sighed for, but she stood to him as the fair symbol of that life-peace, that rest of soul which he had lost, it seemed to him, forever.

"Behold this pure, believing child," he said to himself, – "a true member of that blessed Church to which thou art a rebel! How peacefully this lamb walketh the old ways trodden by saints and martyrs, while thou art an infidel and unbeliever!" And then a stern voice within him answered, "What then? Is the Holy Ghost indeed alone dispensed through the medium of Alexander and his scarlet crew of cardinals? Hath the power to bind and loose in Christ's Church been indeed given to whoever can buy it with the wages of robbery and oppression? Why does every prayer and pious word of the faithful reproach me? Why is God silent? Or is there any God? Oh, Agnes, Agnes! dear lily! fair lamb! lead a sinner into the green pastures where thou restest!"

So wrestled the strong nature, tempest-tossed in its strength, – so slept the trustful, blessed in its trust, – then in Italy, as now in all lands.

2I cannot forbear quoting Mr. Norton's beautiful translation of this sonnet in the Atlantic Monthly for February, 1859: — "So gentle and so modest doth appearMy lady when she giveth her salute,That every tongue becometh trembling mute,Nor do the eyes to look upon her dare.And though she hears her praises, she doth goBenignly clothèd with humility,And like a thing come down she seems to beFrom heaven to earth, a miracle to show.So pleaseth she whoever cometh nigh her,She gives the heart a sweetness through the eyesWhich none can understand who doth not prove.And from her lip there seems indeed to moveA spirit sweet and in Love's very guise,Which goeth saying to the soul, 'Aspire!'"
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