Стивен Ликок
Sunshine Sketches of a Little Town
So you can realize that for a fellow who isn't military, and who wears nothing nearer to a uniform than a daffodil tennis blazer, the judge's house is a devil of a house to come to.
I think you remember young Mr. Pupkin, do you not? I have referred to him several times already as the junior teller in the Exchange Bank. But if you know Mariposa at all you have often seen him. You have noticed him, I am sure, going for the bank mail in the morning in an office suit effect of clinging grey with a gold necktie pin shaped like a riding whip. You have seen him often enough going down to the lake front after supper, in tennis things, smoking a cigarette and with a paddle and a crimson canoe cushion under his arm. You have seen him entering Dean Drone's church in a top hat and a long frock coat nearly to his feet. You have seen him, perhaps, playing poker in Peter Glover's room over the hardware store and trying to look as if he didn't hold three aces,—in fact, giving absolutely no sign of it beyond the wild flush in his face and the fact that his hair stands on end.
That kind of reticence is a thing you simply have to learn in banking. I mean, if you've got to be in a position where you know for a fact that the Mariposa Packing Company's account is overdrawn by sixty-four dollars, and yet daren't say anything about it, not even to the girls that you play tennis with,—I don't say, not a casual hint as a reference, but not really tell them, not, for instance, bring down the bank ledger to the tennis court and show them,—you learn a sort of reticence and self-control that people outside of banking circles never can attain.
Why, I've known Pupkin at the Fireman's Ball lean against the wall in his dress suit and talk away to Jim Eliot, the druggist, without giving the faintest hint or indication that Eliot's note for twenty-seven dollars had been protested that very morning. Not a hint of it. I don't say he didn't mention it, in a sort of way, in the supper room, just to one or two, but I mean there was nothing in the way he leant up against the wall to suggest it.
But, however, I don't mention that as either for or against Mr. Pupkin. That sort of thing is merely the A B C of banking, as he himself told me when explaining why it was that he hesitated to divulge the exact standing of the Mariposa Carriage Company. Of course, once you get past the A B C you can learn a lot that is mighty interesting.
So I think that if you know Mariposa and understand even the rudiments of banking, you are perfectly acquainted with Mr. Pupkin. What? You remember him as being in love with Miss Lawson, the high school teacher? In love with HER? What a ridiculous idea. You mean merely because on the night when the Mariposa Belle sank with every soul on board, Pupkin put off from the town in a skiff to rescue Miss Lawson. Oh, but you're quite wrong. That wasn't LOVE. I've heard Pupkin explain it himself a dozen times. That sort of thing,—paddling out to a sinking steamer at night in a crazy skiff,—may indicate a sort of attraction, but not real love, not what Pupkin came to feel afterwards. Indeed, when he began to think of it, it wasn't even attraction, it was merely respect,—that's all it was. And anyway, that was long before, six or seven months back, and Pupkin admitted that at the time he was a mere boy.
Mr. Pupkin, I must explain, lived with Mallory Tompkins in rooms over the Exchange Bank, on the very top floor, the third, with Mullins's own rooms below them. Extremely comfortable quarters they were, with two bedrooms and a sitting-room that was all fixed up with snowshoes and tennis rackets on the walls and dance programmes and canoe club badges and all that sort of thing.
Mallory Tompkins was a young man with long legs and check trousers who worked on the Mariposa Times-Herald. That was what gave him his literary taste. He used to read Ibsen and that other Dutch author—Bumstone Bumstone, isn't it?—and you can judge that he was a mighty intellectual fellow. He was so intellectual that he was, as he himself admitted, a complete eggnostic. He and Pupkin used to have the most tremendous arguments about creation and evolution, and how if you study at a school of applied science you learn that there's no hell beyond the present life.
Mallory Tompkins used to prove absolutely that the miracles were only electricity, and Pupkin used to admit that it was an awfully good argument, but claimed that he had heard it awfully well answered in a sermon, though unfortunately he had forgotten how.
Tompkins used to show that the flood was contrary to geology, and Pupkin would acknowledge that the point was an excellent one, but that he had read a book,—the title of which he ought to have written down,—which explained geology away altogether.
Mallory Tompkins generally got the best of the merely logical side of the arguments, but Pupkin—who was a tremendous Christian—was much stronger in the things he had forgotten. So the discussions often lasted till far into the night, and Mr. Pupkin would fall asleep and dream of a splendid argument, which would have settled the whole controversy, only unfortunately he couldn't recall it in the morning.
Of course, Pupkin would never have thought of considering himself on an intellectual par with Mallory Tompkins. That would have been ridiculous. Mallory Tompkins had read all sorts of things and had half a mind to write a novel himself—either that or a play. All he needed, he said, was to have a chance to get away somewhere by himself and think. Every time he went away to the city Pupkin expected that he might return with the novel all finished; but though he often came back with his eyes red from thinking, the novel as yet remained incomplete.
Meantime, Mallory Tompkins, as I say, was a mighty intellectual fellow. You could see that from the books on the bamboo bookshelves in the sitting-room. There was, for instance, the "Encyclopaedia Metropolitana" in forty volumes, that he bought on the instalment plan for two dollars a month. Then when they took that away, there was the "History of Civilization," in fifty volumes at fifty cents a week for fifty years. Tompkins had read in it half-way through the Stone Age before they took it from him. After that there was the "Lives of the Painters," one volume at a time—a splendid thing in which you could read all about Aahrens, and Aachenthal, and Aax and men of that class.
After all, there's nothing like educating oneself. Mallory Tompkins knew about the opening period of all sorts of things, and in regard to people whose names began with "A" you couldn't stick him.
I don't mean that he and Mr. Pupkin lived a mere routine of studious evenings. That would be untrue. Quite often their time was spent in much less commendable ways than that, and there were poker parties in their sitting-room that didn't break up till nearly midnight. Card-playing, after all, is a slow business, unless you put money on it, and, besides, if you are in a bank and are handling money all day, gambling has a fascination.
I've seen Pupkin and Mallory Tompkins and Joe Milligan, the dentist, and Mitchell the ticket agent, and the other "boys" sitting round the table with matches enough piled up in front of them to stock a factory. Ten matches counted for one chip and ten chips made a cent—so you see they weren't merely playing for the fun of the thing. Of course it's a hollow pleasure. You realize that when you wake up at night parched with thirst, ten thousand matches to the bad. But banking is a wild life and everybody knows it.
Sometimes Pupkin would swear off and keep away from the cursed thing for weeks, and then perhaps he'd see by sheer accident a pile of matches on the table, or a match lying on the floor and it would start the craze in him. I am using his own words—a "craze"—that's what he called it when he told Miss Lawson all about it, and she promised to cure him of it. She would have, too. Only, as I say, Pupkin found that what he had mistaken for attraction was only respect. And there's no use worrying a woman that you respect about your crazes.
It was from Mallory Tompkins that Pupkin learned all about the Mariposa people, because Pupkin came from away off—somewhere down in the Maritime Provinces—and didn't know a soul. Mallory Tompkins used to tell him about Judge Pepperleigh, and what a wonderfully clever man he was and how he would have been in the Supreme Court for certain if the Conservative Government had stayed in another fifteen or twenty years instead of coming to a premature end. He used to talk so much about the Pepperleighs, that Pupkin was sick of the very name. But just as soon as he had seen Zena Pepperleigh he couldn't hear enough of them. He would have talked with Tompkins for hours about the judge's dog Rover. And as for Zena, if he could have brought her name over his lips, he would have talked of her forever.
He first saw her—by one of the strangest coincidences in the world—on the Main Street of Mariposa. If he hadn't happened to be going up the street and she to be coming down it, the thing wouldn't have happened. Afterwards they both admitted that it was one of the most peculiar coincidences they ever heard of. Pupkin owned that he had had the strangest feeling that morning as if something were going to happen—a feeling not at all to be classed with the one of which he had once spoken to Miss Lawson, and which was, at the most, a mere anticipation of respect.
But, as I say, Pupkin met Zena Pepperleigh on the 26th of June, at twenty-five minutes to eleven. And at once the whole world changed. The past was all blotted out. Even in the new forty volume edition of the "Instalment Record of Humanity" that Mallory Tompkins had just received—Pupkin wouldn't have bothered with it.
She—that word henceforth meant Zena—had just come back from her boarding-school, and of all times of year coming back from a boarding-school and for wearing a white shirt waist and a crimson tie and for carrying a tennis racket on the stricken street of a town—commend me to the month of June in Mariposa.
And, for Pupkin, straight away the whole town was irradiated with sunshine, and there was such a singing of the birds, and such a dancing of the rippled waters of the lake, and such a kindliness in the faces of all the people, that only those who have lived in Mariposa, and been young there, can know at all what he felt.
The simple fact is that just the moment he saw Zena Pepperleigh, Mr. Pupkin was clean, plumb, straight, flat, absolutely in love with her.
Which fact is so important that it would be folly not to close the chapter and think about it.
EIGHT. The Fore-ordained Attachment of Zena Pepperleigh and Peter Pupkin
Zena Pepperleigh used to sit reading novels on the piazza of the judge's house, half hidden by the Virginia creepers. At times the book would fall upon her lap and there was such a look of unstilled yearning in her violet eyes that it did not entirely disappear even when she picked up the apple that lay beside her and took another bite out of it.
With hands clasped she would sit there dreaming all the beautiful day-dreams of girlhood. When you saw that faraway look in her eyes, it meant that she was dreaming that a plumed and armoured knight was rescuing her from the embattled keep of a castle beside the Danube. At other times she was being borne away by an Algerian corsair over the blue waters of the Mediterranean and was reaching out her arms towards France to say farewell to it.
Sometimes when you noticed a sweet look of resignation that seemed to rest upon her features, it meant that Lord Ronald de Chevereux was kneeling at her feet, and that she was telling him to rise, that her humbler birth must ever be a bar to their happiness, and Lord Ronald was getting into an awful state about it, as English peers do at the least suggestion of anything of the sort.
Or, if it wasn't that, then her lover had just returned to her side, tall and soldierly and sunburned, after fighting for ten years in the Soudan for her sake, and had come back to ask her for her answer and to tell her that for ten years her face had been with him even in the watches of the night. He was asking her for a sign, any kind of sign,—ten years in the Soudan entitles them to a sign,—and Zena was plucking a white rose, just one, from her hair, when she would hear her father's step on the piazza and make a grab for the Pioneers of Tecumseh Township, and start reading it like mad.
She was always, as I say, being rescued and being borne away, and being parted, and reaching out her arms to France and to Spain, and saying good-bye forever to Valladolid or the old grey towers of Hohenbranntwein.
And I don't mean that she was in the least exceptional or romantic, because all the girls in Mariposa were just like that. An Algerian corsair could have come into the town and had a dozen of them for the asking, and as for a wounded English officer,—well, perhaps it's better not to talk about it outside or the little town would become a regular military hospital.
Because, mind you, the Mariposa girls are all right. You've only to look at them to realize that. You see, you can get in Mariposa a print dress of pale blue or pale pink for a dollar twenty that looks infinitely better than anything you ever see in the city,—especially if you can wear with it a broad straw hat and a background of maple trees and the green grass of a tennis court. And if you remember, too, that these are cultivated girls who have all been to the Mariposa high school and can do decimal fractions, you will understand that an Algerian corsair would sharpen his scimitar at the very sight of them.
Don't think either that they are all dying to get married; because they are not. I don't say they wouldn't take an errant knight, or a buccaneer or a Hungarian refugee, but for the ordinary marriages of ordinary people they feel nothing but a pitying disdain. So it is that each one of them in due time marries an enchanted prince and goes to live in one of the little enchanted houses in the lower part of the town.
I don't know whether you know it, but you can rent an enchanted house in Mariposa for eight dollars a month, and some of the most completely enchanted are the cheapest. As for the enchanted princes, they find them in the strangest places, where you never expected to see them, working—under a spell, you understand,—in drug-stores and printing offices, and even selling things in shops. But to be able to find them you have first to read ever so many novels about Sir Galahad and the Errant Quest and that sort of thing.
Naturally then Zena Pepperleigh, as she sat on the piazza, dreamed of bandits and of wounded officers and of Lord Ronalds riding on foam-flecked chargers. But that she ever dreamed of a junior bank teller in a daffodil blazer riding past on a bicycle, is pretty hard to imagine. So, when Mr. Pupkin came tearing past up the slope of Oneida Street at a speed that proved that he wasn't riding there merely to pass the house, I don't suppose that Zena Pepperleigh was aware of his existence.
That may be a slight exaggeration. She knew, perhaps, that he was the new junior teller in the Exchange Bank and that he came from the Maritime Provinces, and that nobody knew who his people were, and that he had never been in a canoe in his life till he came to Mariposa, and that he sat four pews back in Dean Drone's church, and that his salary was eight hundred dollars. Beyond that, she didn't know a thing about him. She presumed, however, that the reason why he went past so fast was because he didn't dare to go slow.
This, of course, was perfectly correct. Ever since the day when Mr. Pupkin met Zena in the Main Street he used to come past the house on his bicycle just after bank hours. He would have gone past twenty times a day but he was afraid to. As he came up Oneida Street, he used to pedal faster and faster,—he never meant to, but he couldn't help it,—till he went past the piazza where Zena was sitting at an awful speed with his little yellow blazer flying in the wind. In a second he had disappeared in a buzz and a cloud of dust, and the momentum of it carried him clear out into the country for miles and miles before he ever dared to pause or look back.
Then Mr. Pupkin would ride in a huge circuit about the country, trying to think he was looking at the crops, and sooner or later his bicycle would be turned towards the town again and headed for Oneida Street, and would get going quicker and quicker and quicker, till the pedals whirled round with a buzz and he came past the judge's house again, like a bullet out of a gun. He rode fifteen miles to pass the house twice, and even then it took all the nerve that he had.
The people on Oneida Street thought that Mr. Pupkin was crazy, but Zena Pepperleigh knew that he was not. Already, you see, there was a sort of dim parallel between the passing of the bicycle and the last ride of Tancred the Inconsolable along the banks of the Danube.
I have already mentioned, I think, how Mr. Pupkin and Zena Pepperleigh first came to know one another. Like everything else about them, it was a sheer matter of coincidence, quite inexplicable unless you understand that these things are fore-ordained.
That, of course, is the way with fore-ordained affairs and that's where they differ from ordinary love.
I won't even try to describe how Mr. Pupkin felt when he first spoke with Zena and sat beside her as they copied out the "endless chain" letter asking for ten cents. They wrote out, as I said, no less than eight of the letters between them, and they found out that their handwritings were so alike that you could hardly tell them apart, except that Pupkin's letters were round and Zena's letters were pointed and Pupkin wrote straight up and down and Zena wrote on a slant. Beyond that the writing was so alike that it was the strangest coincidence in the world. Of course when they made figures it was different and Pupkin explained to Zena that in the bank you have to be able to make a seven so that it doesn't look like a nine.
So, as I say, they wrote the letters all afternoon and when it was over they walked up Oneida Street together, ever so slowly. When they got near the house, Zena asked Pupkin to come in to tea, with such an easy off-hand way that you couldn't have told that she was half an hour late and was taking awful chances on the judge. Pupkin hadn't had time to say yes before the judge appeared at the door, just as they were stepping up on to the piazza, and he had a table napkin in his hand and the dynamite sparks were flying from his spectacles as he called out:
"Great heaven! Zena, why in everlasting blazes can't you get in to tea at a Christian hour?"
Zena gave one look of appeal to Pupkin, and Pupkin looked one glance of comprehension, and turned and fled down Oneida Street. And if the scene wasn't quite as dramatic as the renunciation of Tancred the Troubadour, it at least had something of the same elements in it.
Pupkin walked home to his supper at the Mariposa House on air, and that evening there was a gentle distance in his manner towards Sadie, the dining-room girl, that I suppose no bank clerk in Mariposa ever showed before. It was like Sir Galahad talking with the tire-women of Queen Guinevere and receiving huckleberry pie at their hands.
After that Mr. Pupkin and Zena Pepperleigh constantly met together. They played tennis as partners on the grass court behind Dr. Gallagher's house,—the Mariposa Tennis Club rent it, you remember, for fifty cents a month,—and Pupkin used to perform perfect prodigies of valour, leaping in the air to serve with his little body hooked like a letter S. Sometimes, too, they went out on Lake Wissanotti in the evening in Pupkin's canoe, with Zena sitting in the bow and Pupkin paddling in the stern and they went out ever so far and it was after dark and the stars were shining before they came home. Zena would look at the stars and say how infinitely far away they seemed, and Pupkin would realize that a girl with a mind like that couldn't have any use for a fool such as him. Zena used to ask him to point out the Pleiades and Jupiter and Ursa minor, and Pupkin showed her exactly where they were. That impressed them both tremendously, because Pupkin didn't know that Zena remembered the names out of the astronomy book at her boarding-school, and Zena didn't know that Pupkin simply took a chance on where the stars were.
And ever so many times they talked so intimately that Pupkin came mighty near telling her about his home in the Maritime Provinces and about his father and mother, and then kicked himself that he hadn't the manliness to speak straight out about it and take the consequences.
Please don't imagine from any of this that the course of Mr. Pupkin's love ran smooth. On the contrary, Pupkin himself felt that it was absolutely hopeless from the start.
There were, it might be admitted, certain things that seemed to indicate progress.
In the course of the months of June and July and August, he had taken Zena out in his canoe thirty-one times. Allowing an average of two miles for each evening, Pupkin had paddled Zena sixty-two miles, or more than a hundred thousand yards. That surely was something.
He had played tennis with her on sixteen afternoons. Three times he had left his tennis racket up at the judge's house in Zena's charge, and once he had, with her full consent, left his bicycle there all night. This must count for something. No girl could trifle with a man to the extent of having his bicycle leaning against the verandah post all night and mean nothing by it.
More than that—he had been to tea at the judge's house fourteen times, and seven times he had been asked by Lilian Drone to the rectory when Zena was coming, and five times by Nora Gallagher to tea at the doctor's house because Zena was there.
Altogether he had eaten so many meals where Zena was that his meal ticket at the Mariposa lasted nearly double its proper time, and the face of Sadie, the dining-room girl, had grown to wear a look of melancholy resignation; sadder than romance.
Still more than that, Pupkin had bought for Zena, reckoning it altogether, about two buckets of ice cream and perhaps half a bushel of chocolate. Not that Pupkin grudged the expense of it. On the contrary, over and above the ice cream and the chocolate he had bought her a white waistcoat and a walking stick with a gold top, a lot of new neckties and a pair of patent leather boots—that is, they were all bought on account of her, which is the same thing.
Add to all this that Pupkin and Zena had been to the Church of England Church nearly every Sunday evening for two months, and one evening they had even gone to the Presbyterian Church "for fun," which, if you know Mariposa, you will realize to be a wild sort of escapade that ought to speak volumes.
Yet in spite of this, Pupkin felt that the thing was hopeless: which only illustrates the dreadful ups and downs, the wild alternations of hope and despair that characterise an exceptional affair of this sort.
Yes, it was hopeless.
Every time that Pupkin watched Zena praying in church, he knew that she was too good for him. Every time that he came to call for her and found her reading Browning and Omar Khayyam he knew that she was too clever for him. And every time that he saw her at all he realized that she was too beautiful for him.
You see, Pupkin knew that he wasn't a hero. When Zena would clasp her hands and talk rapturously about crusaders and soldiers and firemen and heroes generally, Pupkin knew just where he came in. Not in it, that was all. If a war could have broken out in Mariposa, or the judge's house been invaded by the Germans, he might have had a chance, but as it was—hopeless.
Then there was Zena's father. Heaven knows Pupkin tried hard to please the judge. He agreed with every theory that Judge Pepperleigh advanced, and that took a pretty pliable intellect in itself. They denounced female suffrage one day and they favoured it the next. One day the judge would claim that the labour movement was eating out the heart of the country, and the next day he would hold that the hope of the world lay in the organization of the toiling masses. Pupkin shifted his opinions like the glass in a kaleidoscope. Indeed, the only things on which he was allowed to maintain a steadfast conviction were the purity of the Conservative party of Canada and the awful wickedness of the recall of judges.
But with all that the judge was hardly civil to Pupkin. He hadn't asked him to the house till Zena brought him there, though, as a rule, all the bank clerks in Mariposa treated Judge Pepperleigh's premises as their own. He used to sit and sneer at Pupkin after he had gone till Zena would throw down the Pioneers of Tecumseh Township in a temper and flounce off the piazza to her room. After which the judge's manner would change instantly and he would relight his corn cob pipe and sit and positively beam with contentment. In all of which there was something so mysterious as to prove that Mr. Pupkin's chances were hopeless.
Nor was that all of it. Pupkin's salary was eight hundred dollars a year and the Exchange Bank limit for marriage was a thousand.
I suppose you are aware of the grinding capitalistic tyranny of the banks in Mariposa whereby marriage is put beyond the reach of ever so many mature and experienced men of nineteen and twenty and twenty-one, who are compelled to go on eating on a meal ticket at the Mariposa House and living over the bank to suit the whim of a group of capitalists.
Whenever Pupkin thought of this two hundred dollars he understood all that it meant by social unrest. In fact, he interpreted all forms of social discontent in terms of it. Russian Anarchism, German Socialism, the Labour Movement, Henry George, Lloyd George,—he understood the whole lot of them by thinking of his two hundred dollars.
When I tell you that at this period Mr. Pupkin read Memoirs of the Great Revolutionists and even thought of blowing up Henry Mullins with dynamite, you can appreciate his state of mind.
But not even by all these hindrances and obstacles to his love for Zena Pepperleigh would Peter Pupkin have been driven to commit suicide (oh, yes; he committed it three times, as I'm going to tell you), had it not been for another thing that he knew stood once and for all and in cold reality between him and Zena.
He felt it in a sort of way, as soon as he knew her. Each time that he tried to talk to her about his home and his father and mother and found that something held him back, he realized more and more the kind of thing that stood between them. Most of all did he realize it, with a sudden sickness of heart, when he got word that his father and mother wanted to come to Mariposa to see him and he had all he could do to head them off from it.
Why? Why stop them? The reason was, simple enough, that Pupkin was ashamed of them, bitterly ashamed. The picture of his mother and father turning up in Mariposa and being seen by his friends there and going up to the Pepperleigh's house made him feel faint with shame.
No, I don't say it wasn't wrong. It only shows what difference of fortune, the difference of being rich and being poor, means in this world. You perhaps have been so lucky that you cannot appreciate what it means to feel shame at the station of your own father and mother. You think it doesn't matter, that honesty and kindliness of heart are all that counts. That only shows that you have never known some of the bitterest feelings of people less fortunate than yourself.
So it was with Mr. Pupkin. When he thought of his father and mother turning up in Mariposa, his face reddened with unworthy shame.
He could just picture the scene! He could see them getting out of their Limousine touring car, with the chauffeur holding open the door for them, and his father asking for a suite of rooms,—just think of it, a suite of rooms!—at the Mariposa House.
The very thought of it turned him ill.
What! You have mistaken my meaning? Ashamed of them because they were poor? Good heavens, no, but because they were rich! And not rich in the sense in which they use the term in Mariposa, where a rich person merely means a man who has money enough to build a house with a piazza and to have everything he wants; but rich in the other sense,—motor cars, Ritz hotels, steam yachts, summer islands and all that sort of thing.
Why, Pupkin's father,—what's the use of trying to conceal it any longer?—was the senior partner in the law firm of Pupkin, Pupkin and Pupkin. If you know the Maritime Provinces at all, you've heard of the Pupkins. The name is a household word from Chedabucto to Chidabecto. And, for the matter of that, the law firm and the fact that Pupkin senior had been an Attorney General was the least part of it. Attorney General! Why, there's no money in that! It's no better than the Senate. No, no, Pupkin senior, like so many lawyers, was practically a promoter, and he blew companies like bubbles, and when he wasn't in the Maritime Provinces he was in Boston and New York raising money and floating loans, and when they had no money left in New York he floated it in London: and when he had it, he floated on top of it big rafts of lumber on the Miramichi and codfish on the Grand Banks and lesser fish in the Fundy Bay. You've heard perhaps of the Tidal Transportation Company, and Fundy Fisheries Corporation, and the Paspebiac Pulp and Paper Unlimited? Well, all of those were Pupkin senior under other names. So just imagine him in Mariposa! Wouldn't he be utterly foolish there? Just imagine him meeting Jim Eliot and treating him like a druggist merely because he ran a drug store! or speaking to Jefferson Thorpe as if he were a barber simply because he shaved for money! Why, a man like that could ruin young Pupkin in Mariposa in half a day, and Pupkin knew it.
