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полная версияLetters of Travel (1892-1913)

Редьярд Джозеф Киплинг
Letters of Travel (1892-1913)

'Great Scott!' – a hand came down on a table to emphasise the remark – 'I sailed half way up the Mediterranean once with a Bank of England director; wish I'd tipped him over the rail and lowered him a boat on his own security – if it was good enough.'

'Baring's goes. The O.B.C. don't,' replied the American, blowing smoke through his nose. 'This business looks de-ci-ded-ly prob-le-mat-i-cal. What-at?'

'Oh, they'll pay the depositors in full. Don't you fret,' said a man who had lost nothing and was anxious to console.

'I'm a shareholder,' said the American, and smoked on.

The rain continued to fall, and the umbrellas dripped in the racks, and the wet men came and went, circling round the central fact that it was a bad business, till the day, as was most fit, shut down in drizzling darkness. There was a refreshing sense of brotherhood in misfortunes in the little community that had just been electrocuted and did not want any more shocks. All the pain that in England would be taken home to be borne in silence and alone was here bulked, as it were, and faced in line of company. Surely the Christians of old must have fought much better when they met the lions by fifties at a time.

At last the men departed; the bachelors to cast up accounts by themselves (there should be some good ponies for sale shortly) and the married men to take counsel. May heaven help him whose wife does not stand by him now! But the women of the Overseas settlements are as thorough as the men. There will be tears for plans forgone, the changing of the little ones' schools and elder children's careers, unpleasant letters to be written home, and more unpleasant ones to be received from relatives who 'told you so from the first.' There will be pinchings too, and straits of which the outside world will know nothing, but the women will pull it through smiling.

Beautiful indeed are the operations of modern finance – especially when anything goes wrong with the machine. To-night there will be trouble in India among the Ceylon planters, the Calcutta jute and the Bombay cotton-brokers, besides the little households of small banked savings. In Hongkong, Singapore, and Shanghai there will be trouble too, and goodness only knows what wreck at Cheltenham, Bath, St. Leonards, Torquay, and the other camps of the retired Army officers. They are lucky in England who know what happens when it happens, but here the people are at the wrong end of the cables, and the situation is not good. Only one thing seems certain. There is a notice on a shut door, in the wet, and by virtue of that notice all the money that was theirs yesterday is gone away, and it may never come back again. So all the work that won the money must be done over again; but some of the people are old, and more are tired, and all are disheartened. It is a very sorrowful little community that goes to bed to-night, and there must be as sad ones the world over. Let it be written, however, that of the sections under fire here (and some are cruelly hit) no man whined, or whimpered, or broke down. There was no chance of fighting. It was bitter defeat, but they took it standing.

HALF-A-DOZEN PICTURES

'Some men when they grow rich, store pictures in a gallery,' Living, their friends envy them, and after death the genuineness of the collection is disputed under the dispersing hammer.

A better way is to spread your picture over all earth; visiting them as Fate allows. Then none can steal or deface, nor any reverse of fortune force a sale; sunshine and tempest warm and ventilate the gallery for nothing, and – in spite of all that has been said of her crudeness – Nature is not altogether a bad frame-maker. The knowledge that you may never live to see an especial treasure twice teaches the eyes to see quickly while the light lasts; and the possession of such a gallery breeds a very fine contempt for painted shows and the smeary things that are called pictures.

In the North Pacific, to the right hand as you go westward, hangs a small study of no particular value as compared with some others. The mist is down on an oily stretch of washed-out sea; through the mist the bats-wings of a sealing schooner are just indicated. In the foreground, all but leaping out of the frame, an open rowboat, painted the rawest blue and white, rides up over the shoulder of a swell. A man in blood-red jersey and long boots, all shining with moisture, stands at the bows holding up the carcase of a silver-bellied sea-otter from whose pelt the wet drips in moonstones. Now the artist who could paint the silver wash of the mist, the wriggling treacly reflection of the boat, and the raw red wrists of the man would be something of a workman.

But my gallery is in no danger of being copied at present. Three years since, I met an artist in the stony bed of a brook, between a line of 300 graven, lichened godlings and a flaming bank of azaleas, swearing horribly. He had been trying to paint one of my pictures – nothing more than a big water-worn rock tufted with flowers and a snow-capped hill for background. Most naturally he failed, because there happened to be absolutely no perspective in the thing, and he was pulling the lines about to make some for home consumption. No man can put the contents of a gallon jar into a pint mug. The protests of all uncomfortably-crowded mugs since the world began have settled that long ago, and have given us the working theories, devised by imperfect instruments for imperfect instruments, which are called Rules of Art.

Luckily, those who painted my gallery were born before man. Therefore, my pictures, instead of being boxed up by lumbering bars of gold, are disposed generously between latitudes, equinoxes, monsoons, and the like, and, making all allowance for an owner's partiality, they are really not so bad.

'Down in the South where the ships never go' – between the heel of New Zealand and the South Pole, there is a sea-piece showing a steamer trying to come round in the trough of a big beam sea. The wet light of the day's end comes more from the water than the sky, and the waves are colourless through the haze of the rain, all but two or three blind sea-horses swinging out of the mist on the ship's dripping weather side. A lamp is lighted in the wheel-house; so one patch of yellow light falls on the green-painted pistons of the steering gear as they snatch up the rudder-chains. A big sea has got home. Her stern flies up in the lather of a freed screw, and her deck from poop to the break of the foc's'le goes under in gray-green water level as a mill-race except where it spouts up above the donkey-engine and the stored derrick-booms. Forward there is nothing but this glare; aft, the interrupted wake drives far to leeward, a cut kite-string dropped across the seas. The sole thing that has any rest in the turmoil is the jewelled, unwinking eye of an albatross, who is beating across wind leisurely and unconcerned, almost within hand's touch. It is the monstrous egotism of that eye that makes the picture. By all the rules of art there should be a lighthouse or a harbour pier in the background to show that everything will end happily. But there is not, and the red eye does not care whether the thing beneath its still wings stays or staves.

The sister-panel hangs in the Indian Ocean and tells a story, but is none the worse for that. Here you have hot tropical sunlight and a foreshore clothed in stately palms running out into a still and steamy sea burnished steel blue. Along the foreshore, questing as a wounded beast quests for lair, hurries a loaded steamer never built for speed. Consequently, she tears and threshes the water to pieces, and piles it under her nose and cannot put it under her cleanly. Coir-coloured cargo bales are stacked round both masts, and her decks are crammed and double-crammed with dark-skinned passengers – from the foc's'le where they interfere with the crew to the stern where they hamper the wheel.

The funnel is painted blue on yellow, giving her a holiday air, a little out of keeping with the yellow and black cholera flag at her main. She dare not stop; she must not communicate with any one. There are leprous streaks of lime-wash trickling down her plates for a sign of this. So she threshes on down the glorious coast, she and her swarming passengers, with the sickness that destroyeth in the noonday eating out her heart.

Yet another, the pick of all the East rooms, before we have done with blue water. Most of the nations of the earth are at issue under a stretch of white awning above a crowded deck. The cause of the dispute, a deep copper bowl full of rice and fried onions, is upset in the foreground. Malays, Lascars, Hindus, Chinese, Japanese, Burmans – the whole gamut of racetints, from saffron to tar-black – are twisting and writhing round it, while their vermilion, cobalt, amber, and emerald turbans and head-cloths are lying underfoot. Pressed against the yellow ochre of the iron bulwarks to left and right are frightened women and children in turquoise and isabella-coloured clothes. They are half protected by mounds of upset bedding, straw mats, red lacquer boxes, and plaited bamboo trunks, mixed up with tin plates, brass and copper hukas , silver opium pipes, Chinese playing cards, and properties enough to drive half-a-dozen artists wild. In the centre of the crowd of furious half-naked men, the fat bare back of a Burman, tattooed from collar-bone to waist-cloth with writhing patterns of red and blue devils, holds the eye first. It is a wicked back. Beyond it is the flicker of a Malay kris. A blue, red, and yellow macaw chained to a stanchion spreads his wings against the sun in an ecstasy of terror. Half-a-dozen red-gold pines and bananas have been knocked down from their ripening-places, and are lying between the feet of the fighters. One pine has rolled against the long brown fur of a muzzled bear. His owner, a bushy-bearded Hindu, kneels over the animal, his body-cloth thrown clear of a hard brown arm, his fingers ready to loose the muzzle-strap. The ship's cook, in blood-stained white, watches from the butcher's shop, and a black Zanzibari stoker grins through the bars of the engine-room-hatch, one ray of sun shining straight into his pink mouth. The officer of the watch, a red-whiskered man, is kneeling down on the bridge to peer through the railings, and is shifting a long, thin black revolver from his left hand to his right. The faithful sunlight that puts everything into place, gives his whiskers and the hair on the back of his tanned wrist just the colour of the copper pot, the bear's fur and the trampled pines. For the rest, there is the blue sea beyond the awnings.

 

Three years' hard work, beside the special knowledge of a lifetime, would be needed to copy – even to copy – this picture. Mr. So-and-so, R.A., could undoubtedly draw the bird; Mr. Such-another (equally R.A.) the bear; and scores of gentlemen the still life; but who would be the man to pull the whole thing together and make it the riotous, tossing cataract of colour and life that it is? And when it was done, some middle-aged person from the provinces, who had never seen a pineapple out of a plate, or a kris out of the South Kensington, would say that it did not remind him of something that it ought to remind him of, and therefore that it was bad. If the gallery could be bequeathed to the nation, something might, perhaps, be gained, but the nation would complain of the draughts and the absence of chairs. But no matter. In another world we shall see certain gentlemen set to tickle the backs of Circe's swine through all eternity. Also, they will have to tickle with their bare hands.

The Japanese rooms, visited and set in order for the second time, hold more pictures than could be described in a month; but most of them are small and, excepting always the light, within human compass. One, however, might be difficult. It was an unexpected gift, picked up in a Tokio bye-street after dark. Half the town was out for a walk, and all the people's clothes were indigo, and so were the shadows, and most of the paper-lanterns were drops of blood red. By the light of smoking oil-lamps people were selling flowers and shrubs – wicked little dwarf pines, stunted peach and plum trees, wisteria bushes clipped and twisted out of all likeness to wholesome plants, leaning and leering out of green-glaze pots. In the flickering of the yellow flames, these forced cripples and the yellow faces above them reeled to and fro fantastically all together. As the light steadied they would return to the pretence of being green things till a puff of the warm night wind among the flares set the whole line off again in a crazy dance of dwergs, their shadows capering on the house fronts behind them.

At a corner of a street, some rich men had got together and left unguarded all the gold, diamonds, and rubies of the East; but when you came near you saw that this treasure was only a gathering of goldfish in glass globes – yellow, white, and red fish, with from three to five forked tails apiece and eyes that bulged far beyond their heads. There were wooden pans full of tiny ruby fish, and little children with nets dabbled and shrieked in chase of some special beauty, and the frightened fish kicked up showers of little pearls with their tails. The children carried lanterns in the shape of small red paper fish bobbing at the end of slivers of bamboo, and these drifted through the crowd like a strayed constellation of baby stars. When the children stood at the edge of a canal and called down to unseen friends in boats the pink lights were all reflected orderly below. The light of the thousand small lights in the street went straight up into the darkness among the interlacing telegraph wires, and just at the edge of the shining haze, on a sort of pigeon-trap, forty feet above ground, sat a Japanese fireman, wrapped up in his cloak, keeping watch against fires. He looked unpleasantly like a Bulgarian atrocity or a Burmese 'deviation from the laws of humanity,' being very still and all huddled up in his roost. That was a superb picture and it arranged itself to admiration. Now, disregarding these things and others – wonders and miracles all – men are content to sit in studios and, by light that is not light, to fake subjects from pots and pans and rags and bricks that are called 'pieces of colour.' Their collection of rubbish costs in the end quite as much as a ticket, a first-class one, to new worlds where the 'props' are given away with the sunshine. To do anything because it is, or may not be, new on the market is wickedness that carries its own punishment; but surely there must be things in this world paintable other and beyond those that lie between the North Cape, say, and Algiers. For the sake of the pictures, putting aside the dear delight of the gamble, it might be worth while to venture out a little beyond the regular circle of subjects and – see what happens. If a man can draw one thing, it has been said, he can draw anything. At the most he can but fail, and there are several matters in the world worse than failure. Betting on a certainty, for instance, or playing with nicked cards is immoral, and secures expulsion from clubs. Keeping deliberately to one set line of work because you know you can do it and are certain to get money by so doing is, on the other hand, counted a virtue, and secures admission to clubs. There must be a middle way somewhere, as there must be somewhere an unmarried man with no position, reputation, or other vanity to lose, who most keenly wants to find out what his palette is set for in this life. He will pack his steamer-trunk and get into the open to wrestle with effects that he can never reproduce. All the same his will be a superb failure,

'CAPTAINS COURAGEOUS'

From Yokohama to Montreal is a long day's journey, and the forepart is uninviting. In three voyages out of five, the North Pacific, too big to lie altogether idle, too idle to get hands about the business of a storm, sulks and smokes like a chimney; the passengers fresh from Japan heat wither in the chill, and a clammy dew distils from the rigging. That gray monotony of sea is not at all homelike, being as yet new and not used to the procession of keels. It holds a very few pictures and the best of its stories – those relating to seal-poaching among the Kuriles and the Russian rookeries – are not exactly fit for publication. There is a man in Yokohama who in a previous life burned galleons with Drake. He is a gentleman adventurer of the largest and most resourceful – by instinct a carver of kingdoms, a ruler of men on the high seas, and an inveterate gambler against Death. Because he supplies nothing more than sealskins to the wholesale dealers at home, the fame of his deeds, his brilliant fights, his more brilliant escapes, and his most brilliant strategy will be lost among sixty-ton schooners, or told only in the mouths of drunken seamen whom none believe. Now there sits a great spirit under the palm trees of the Navigator Group, a thousand leagues to the south, and he, crowned with roses and laurels, strings together the pearls of those parts. When he has done with this down there perhaps he will turn to the Smoky Seas and the Wonderful Adventures of Captain – . Then there will be a tale to listen to.

But the first touch of dry land makes the sea and all upon it unreal. Five minutes after the traveller is on the C.P.R, train at Vancouver there is no romance of blue water, but another kind – the life of the train into which he comes to grow as into life aboard ship. A week on wheels turns a man into a part of the machine. He knows when the train will stop to water, wait for news of the trestle ahead, drop the dining-car, slip into a siding to let the West-bound mail go by, or yell through the thick night for an engine to help push up the bank. The snort, the snap and whine of the air-brakes have a meaning for him, and he learns to distinguish between noises – between the rattle of a loose lamp and the ugly rattle of small stones on a scarped embankment – between the 'Hoot! toot!' that scares wandering cows from the line, and the dry roar of the engine at the distance-signal. In England the railway came late into a settled country fenced round with the terrors of the law, and it has remained ever since just a little outside daily life – a thing to be respected. Here it strolls along, with its hands in its pockets and a straw in its mouth, on the heels of the rough-hewn trail or log road – a platformless, regulationless necessity; and it is treated even by sick persons and young children with a familiarity that sometimes affects the death-rate. There was a small maiden aged seven, who honoured our smoking compartment with her presence when other excitements failed, and it was she that said to the conductor, 'When do we change crews? I want to pick water-lilies – yellow ones.' A mere halt she knew would not suffice for her needs; but the regular fifteen-minute stop, when the red-painted tool-chest was taken off the rear car and a new gang came aboard. The big man bent down to little Impudence – 'Want to pick lilies, eh? What would you do if the cars went on and took mama away, Sis?' 'Take the, next train,' she replied, 'and tell the conductor to send me to Brooklyn. I live there.' 'But s'pose he wouldn't?' 'He'd have to,' said Young America. 'I'd be a lost child.'

Now, from the province of Alberta to Brooklyn, U.S.A., may be three thousand miles. A great stretch of that distance is as new as the day before yesterday, and strewn with townships in every stage of growth from the city of one round house, two log huts, and a Chinese camp somewhere in the foot-hills of the Selkirks, to Winnipeg with her league-long main street and her warring newspapers. Just at present there is an epidemic of politics in Manitoba, and brass bands and notices of committee meetings are splashed about the towns. By reason of their closeness to the Stages they have caught the contagion of foul-mouthedness, and accusations of bribery, corruption, and evil-living are many. It is sweet to find a little baby-city, with only three men in it who can handle type, cursing and swearing across the illimitable levels for all the world as though it were a grown-up Christian centre.

All the new towns have their own wants to consider, and the first of these is a railway. If the town is on a line already, then a new line to tap the back country; but at all costs a line. For this it will sell its corrupted soul, and then be very indignant because the railway before which it has grovelled rides rough-shod over the place.

Each new town believes itself to be a possible Winnipeg until the glamour of the thing is a little worn off, and the local paper, sliding down the pole of Pride with the hind legs of despair, says defiantly: 'At least, a veterinary surgeon and a drug store would meet with encouragement in our midst, and it is a fact that five new buildings have been erected in our midst since the spring.' From a distance nothing is easier than to smile at this sort of thing, but he must have a cool head who can keep his pulse level when just such a wildcat town – ten houses, two churches, and a line of rails – gets 'on the boom,' The reader at home says, 'Yes, but it's all a lie.' It may be, but – did men lie about Denver, Leadville, Ballarat, Broken Hill, Portland, or Winnipeg twenty years ago – or Adelaide when town lots went begging within the memory of middle-aged men? Did they lie about Vancouver six years since, or Creede not twenty months gone? Hardly; and it is just this knowledge that leads the passer-by to give ear to the wildest statements of the wildest towns. Anything is possible, especially among the Rockies where the minerals lie over and above the mining towns, the centres of ranching country, and the supply towns to the farming districts. There are literally scores upon scores of lakelets in the hills, buried in woods now, that before twenty years are run will be crowded summer resorts. You in England have no idea of what 'summering' means in the States, and less of the amount of money that is spent on the yearly holiday. People have no more than just begun to discover the place called the Banff Hot Springs, two days west of Winnipeg.1 In a little time they will know half-a-dozen spots not a day's ride from Montreal, and it is along that line that money will be made. In those days, too, wheat will be grown for the English market four hundred miles north of the present fields on the west side; and British Columbia, perhaps the loveliest land in the world next to New Zealand, will have her own line of six thousand ton steamers to Australia, and the British investor will no longer throw away his money on hellicat South American republics, or give it as a hostage to the States. He will keep it in the family as a wise man should. Then the towns that are to-day the only names in the wilderness, yes, and some of those places marked on the map as Hudson Bay Ports, will be cities, because – but it is hopeless to make people understand that actually and indeed, we do possess an Empire of which Canada is only one portion – an Empire which is not bounded by election-returns on the North and Eastbourne riots on the South – an Empire that has not yet been scratched.

 

Let us return to the new towns. Three times within one year did fortune come knocking to the door of a man I know. Once at Seattle, when that town was a gray blur after a fire; once at Tacoma, in the days when the steam-tram ran off the rails twice a week; and once at Spokane Falls. But in the roar of the land-boom he did not hear her, and she went away leaving him only a tenderness akin to weakness for all new towns, and a desire, mercifully limited by lack of money, to gamble in every one of them. Of all the excitements that life offers there are few to be compared with the whirl of a red-hot boom; also it is strictly moral, because you do fairly earn your 'unearned increment' by labour and perspiration and sitting up far into the night – by working like a fiend, as all pioneers must do. And consider all that is in it! The headlong stampede to the new place; the money dashed down like counters for merest daily bread; the arrival of the piled cars whence the raw material of a city – men, lumber, and shingle – are shot on to the not yet nailed platform; the slashing out and pegging down of roads across the blank face of the wilderness; the heaving up amid shouts and yells of the city's one electric light – a raw sizzling arc atop of an unbarked pine pole; the sweating, jostling mob at the sale of town-lots; the roar of 'Let the woman have it!' that stops all bidding when the one other woman in the place puts her price on a plot; the packed real-estate offices; the real-estate agents themselves, lost novelists of prodigious imagination; the gorgeous pink and blue map of the town, hung up in the bar-room, with every railroad from Portland to Portland meeting in its heart; the misspelled curse against 'this dam hole in the ground' scrawled on the flank of a strayed freight-car by some man who had lost his money and gone away; the conferences at street corners of syndicates six hours established by men not twenty-five years old; the outspoken contempt for the next town, also 'on the boom,' and, therefore, utterly vile; the unceasing tramp of heavy feet on the board pavement, where stranger sometimes turns on stranger in an agony of conviction, and, shaking him by the shoulder, shouts in his ear, 'By G – d! Isn't it grand? Isn't it glorious? 'and last, the sleep of utterly worn-out men, three in each room of the shanty hotel: 'All meals two dollars. All drinks thirty-five cents. No washing done here. The manager not responsible for anything.' Does the bald catalogue of these recitals leave you cold? It is possible; but it is also possible after three days in a new town to set the full half of a truck-load of archbishops fighting for corner lots as they never fought for mitre or crozier. There is a contagion in a boom as irresistible as that of a panic in a theatre.

After a while things settle down, and then the carpenter, who is also an architect, can lay his bare arms across the bar and sell them to the highest bidder, for the houses are coming up like toadstools after rain. The men who do not build cheer those who do, in that building means backing your belief in your town – yours to you and peculiarly. Confound all other towns whatsoever. Behind the crowd of business men the weekly town paper plays as a stockwhip plays on a mob of cattle. There is honour, heaped, extravagant, imperial for the good – the employer of labour, the builder of stores, the spender of money; there is abuse, savage and outrageous, for the bad, the man who 'buys out of the town,' the man who intends to go, the sitter on the fence; with persuasion and invitation in prose, verse, and zincograph for all that outside world which prefers to live in cities other than Ours.

Now the editor, as often as not, begins as a mercenary and ends as a patriot. This, too, is all of a piece with human nature. A few years later, if Providence is good, comes the return for judicious investment. Perhaps the town has stood the test of boom, and that which was clapboard is now Milwaukee brick or dressed stone, vile in design but permanent. The shanty hotel is the Something House, with accommodation for two hundred guests. The manager who served you in his shirt-sleeves as his own hotel clerk, is gorgeous in broadcloth, and needs to be reminded of the first meeting. Suburban villas more or less adorn the flats, from which the liveliest fancy (and fancy was free in the early days) hung back. Horse-cars jingle where the prairie schooner used to stick fast in the mud-hole, scooped to that end, opposite the saloon; and there is a Belt Electric Service paying fabulous dividends. Then, do you, feeling older than Methuselah and twice as important, go forth and patronise things in general, while the manager tells you exactly what sort of millionaire you would have been if you had 'stayed by the town.'

Or else – the bottom has tumbled out of the boom, and the town new made is dead – dead as a young man's corpse laid out in the morning. Success was not justified by success. Of ten thousand not three hundred remain, and these live in huts on the outskirts of the brick streets. The hotel, with its suites of musty rooms, is a big tomb; the factory chimneys are cold; the villas have no glass in them, and the fire-weed glows in the centre of the driveways, mocking the arrogant advertisements in the empty shops. There is nothing to do except to catch trout in the stream that was to have been defiled by the city sewage. A two-pounder lies fanning himself just in the cool of the main culvert, where the alders have crept up to the city wall. You pay your money and, more or less, you take your choice.

By the time that man has seen these things and a few others that go with a boom he may say that he has lived, and talk with his enemies in the gate. He has heard the Arabian Nights retold and knows the inward kernel of that romance, which some? little folk say is vanished. Here they lie in their false teeth, for Cortes is not dead, nor Drake, and Sir Philip Sidney dies every few months if you know where to look. The adventurers and captains courageous of old have only changed their dress a little and altered their employment to suit the world in which they move. Clive came down from Lobengula's country a few months ago protesting that there was an empire there, and finding very few that believed. Hastings studied a map of South Africa in a corrugated iron hut at Johannesburg ten years ago. Since then he has altered the map considerably to the advantage of the Empire, but the heart of the Empire is set on ballot-boxes and small lies. The illustrious Don Quixote to-day lives on the north coast of Australia where he has found the treasure of a sunken Spanish galleon. Now and again he destroys black fellows who hide under his bed to spear him. Young Hawkins, with a still younger Boscawen for his second, was till last year chasing slave-dhows round Tajurrah; they have sent him now to the Zanzibar coast to be grilled into an admiral; and the valorous Sandoval has been holding the 'Republic' of Mexico by the throat any time these fourteen years gone. The others, big men all and not very much afraid of responsibility, are selling horses, breaking trails, drinking sangaree, running railways beyond the timberline, swimming rivers, blowing up tree-stumps, and making cities where no cities were, in all the five quarters of the world. Only people will not believe this when you tell them. They are too near things and a great deal too well fed. So they say of the most cold-blooded realism: 'This is romance. How interesting!' And of over-handled, thumb-marked realism: 'This is indeed romance!' It is the next century that, looking over its own, will see the heroes of our time clearly.

1See pp. -.
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