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Quicksilver Sue

Laura Richards
Quicksilver Sue

CHAPTER VI
AT THE HOTEL

Oh Clarice, isn't it too bad that it's raining?" said Sue. "It hadn't begun when I started. It did look a little threatening, though. And I meant to take you such a lovely walk, Clarice. I don't suppose you want to go in the rain? I love to walk in the rain, it's such fun; but you are so delicate – "

"That's it," said Clarice, ignoring the wistful tone in Sue's voice. "I shouldn't dare to, Sue. There is consumption in my family, you know," – she coughed slightly, – "and it always gives me bronchitis to go out in the rain. Besides, I have such a headache! Have some candy? I'll show you my new dresses, if you like. They just came this morning from New York – those muslins I told you about."

"Oh, that will be fun!" said Sue. But as she took off her tam-o'-shanter she gave a little sigh, and glanced out of the window. The rain was coming down merrily. It was the first they had had for several weeks, and sight, sound, and smell were alike delightful. It would be such fun to tramp about and splash in the puddles and get all sopping! Last summer, when the drought broke, she and Mary put on their bathing-dresses, and capered about on the lawn and played "deluge," and had a glorious time. But of course she was only twelve then, and now she was thirteen; and it made all the difference in the world, Clarice said. The water was coming in a perfect torrent from that spout! If you should hold your umbrella under it, it would go f-z-z-z-z-z! and fly "every which way"; that was centrifugal force, or something —

"Here they are," said Clarice.

Sue came back with a start, and became all eyes for the muslin dresses which were spread on the bed. They were too showy for a young girl, and the trimmings were cheap and tawdry; but the colors were fresh and gay, and Sue admired them heartily.

"Oh, Clarice, how lovely you will look in this one!" she cried. "Don't you want to try it on now, and let me see you in it?"

Clarice asked nothing better, and in a few minutes she was arrayed in the yellow muslin with blue cornflowers. But now came a difficulty: the gown would not meet in the back.

"Oh, what a shame!" said Sue. "Will you have to send it back, Clarice, or can you have it altered here? There is a very good dressmaker; she makes all our clothes, – Mary's and mine, – except what are made at home."

Clarice tittered.

"I'm afraid she wouldn't be quite my style," she said. "I wondered where your clothes were made, you poor child! But this is all right. I'll just take in my stays a little, that's all."

"Oh, don't, Clarice! Please don't! I am sure it will hurt you. Why, that would be tight lacing, and tight lacing does dreadful things to you. I learned about it at school. Dear Clarice, don't do it, please!"

"Little goose! who said anything about tight lacing? I'm only going to – there! Now look – I can put my whole hand in. You mustn't be so awfully countrified, Sue. You can't expect every one to go about in a bag, as you and Mary Hart do. I am two years older than you, my dear, and I haven't lived in a village all my life. It is likely that I know quite as much about such matters as you do."

"I – I beg your pardon, Clarice!" said Sue, the quick tears starting to her eyes. "Of course you know a great, great deal more than I do; I – I only thought – "

"There, do you see?" Clarice went on. "Now, that is real comfortable – perfectly comfortable; and it does fit alegant, don't it?"

"It certainly makes you look very slender," faltered Sue.

"Don't it?" repeated Clarice. "That's what my dressmaker always says."

She was turning slowly round and round before the glass, enjoying the effect. "There is nothing like a slender figure, she says; and I think so, too. Why, Sue, if you'll promise never to tell a soul, I'll tell you something. I used to be fat when I was your age – almost as fat as Mary Hart. Just think of it!"

"Oh, did you? But Mary isn't really fat, Clarice. She's only – well, rather square, you know, and chunky. That is the way she is made; she has always been like that."

"I call her fat!" said Clarice, decisively. "Of course, it's partly the way she dresses, with no waist at all, and the same size all the way down. You would be just as bad, Sue, if you weren't so slim. I don't see what possesses you to dress the way you do, making regular guys of yourselves. But I was going to tell you. My dressmaker – she's an alegant fitter, and a perfect lady – told me to eat pickled limes all I could, and put lots of vinegar on everything, and I would get thin. My! I should think I did. I used to eat six pickled limes every day in recess. I got so that I couldn't hardly eat anything but what it had vinegar in it. And I fell right away, in a few months, to what I am now."

"Oh! Oh, Clarice!" cried Sue, transfixed with horror. "How could you? Why, it must have made you ill; I know it must. Is that why you are so pale?"

"Partly that," said Clarice, complacently. "Partly, I used to eat slate-pencils. I haven't had hardly any appetite for common food this year. The worst is these headaches I have right along. But I don't care! I should hate to have staring red cheeks like Mary Hart. Your color is different; it's soft, and it comes and goes. But Mary Hart is dreadful beefy-looking."

"Clarice," said Sue, bravely, though she quivered with pain at the risk of offending her new friend, "please don't speak so of Mary. She is my oldest friend, you know, and I love her dearly. Of course I know you don't mean to say anything unkind, but – but I'd rather you didn't, please."

"Why, I'm not saying anything against her character!" said Clarice; and any one save Sue might have detected a spiteful ring in her voice. "I won't say a word about her if you'd rather not, Sue, but if I do speak, I must say what I think. She's just as jealous of me as she can be, and she tries to make trouble between us – any one can see that; and I don't care for her one bit, so there!"

"Oh, Clarice, don't say that! I thought we were all going to be friends together, and love one another, and – But you don't really know Mary yet. She is a dear; really and truly she is."

Clarice tossed her head significantly. "Oh, I don't want to make mischief!" she said. "Of course it doesn't matter to me, my dear. Of course I am only a stranger, Sue, and I can't expect you to care for me half as much as you do for Mary Hart. Of course I am nobody beside her."

"Clarice, Clarice, how can you? Don't talk so. It kills me to have you talk so! when you know how I love you, how I would do anything in the wide world for you, my dear, lovely Clarice!"

Clarice pouted for some time, but finally submitted to be embraced and wept over, and presently became gracious once more, and said that all should be forgiven (she did not explain what there was to forgive), and only stipulated that they should not talk any more about Mary Hart. Then she changed the subject to the more congenial one of clothes, and became eloquent over some of the triumphs of her dressmaker. Finally, in a fit of generosity, she offered to let Sue try on the other muslin dress. Sue was enchanted. "And then we can play something!" she cried. "Oh, there are all kinds of things we can play in these, Clarice."

"I guess not!" said Clarice. "Play in my new dresses, and get them all tumbled? Sue Penrose, you are too childish. I never saw anything like the way you keep wanting to play all the time. I should think you were ten, instead of thirteen."

Much abashed, Sue begged again for forgiveness. She did not see so very much fun in just putting on somebody else's dress and then taking it off again, but she submitted meekly when Clarice slipped it over her head. But the same difficulty arose again: the dress would not come anywhere near meeting round Sue's free, natural figure.

"Here," said Clarice; "wait a minute, Sue. I've got another pair of stays. We'll fix it in a moment."

Sue protested, but was overruled. Clarice was determined, she said, to see how her little friend would look if she were properly dressed for once. In a few moments she was fastened into the blue muslin, and Clarice was telling her that she looked too perfectly sweet for anything.

"Now that is the way for you to dress, Sue Penrose. If I were you I should insist upon my mother's getting me a pair of stays to-morrow. Why, you look like a different girl. Why, you have an alegant figure – perfectly alegant!"

But poor Sue was in sore discomfort, and no amount of "alegance" could make her at ease. She could hardly breathe; she felt girded by a ring of iron. Oh, it was impossible; it was unbearable!

"I never, never could, Clarice!" she protested. "Unhook it for me; please do! Yes, it is very pretty, but I cannot wear it another moment."

She persisted, in spite of Clarice's laughing and calling her a little countrified goose, and was thankful to find herself free once more, and back in her own good belted frock.

"Oh, Clarice," she said, "if you only knew how comfortable this was, you would have your dresses made so; I know you would."

"The idea!" said Clarice. "I guess not, Sue. Have some more candy? My, how my head aches!"

"It is this close room," said Sue, eagerly. "Clarice, dear, you are looking dreadfully pale. See, it has stopped raining now. Do let us come out; I know the fresh air will do you good."

But Clarice shook her head, and said that walking always made her head worse, and she should get her death of cold, besides.

"Then lie down, and let me read to you. Why, I forgot; I have 'Rob Roy' in my pocket; I wondered what made it so heavy. I remember, now, I did think it might possibly rain, so I brought 'Rob' in case. There, dear, lie down and let me tuck you up. Oh, Clarice, you do look so lovely lying down! I always think of you when I want to think of the Sleeping Beauty. There, now; shut your eyes and rest, while I read."

 

Clarice detested "Rob Roy," but her head really did ache, – she had been eating candy all the afternoon and most of the morning, – and there was nothing else to do. She lay back and closed her eyes. They were dreadfully stupid people in this book, and she could hardly understand a word of the "Scotch stuff" they talked. She wished she had brought "Wilful Pansy, the Bride of an Hour," or some other "alegant" paper novel. And thinking these thoughts, Clarice presently fell asleep, which was perhaps the best thing she could do.

Sue read on and on, full of glory and rejoicing. Di Vernon was one of her favorite heroines, and she fairly lived in the story while she was reading it. She was in the middle of one of Di's impassioned speeches when a sound fell on her ear, slight but unmistakable. She looked up, her eyes like stars, the proud, ringing words still on her lips. Clarice was asleep, her head thrown back, her mouth open, peacefully snoring. Another snore, and another! Sue closed the book softly. It was a pity that Clarice had lost that particular chapter, it was so splendid; but she was tired, poor darling, and her head ached. It was the best thing, of course, that she should have fallen asleep. Sue would watch her sleep, and keep all evil things away. It was not clear what evil things could come into the quiet room of the respectable family hotel, but whatever they might be, Sue was ready for them.

Sue's ideas of hotel life had become considerably modified since she had had some actual experience of it. Instead of being one round of excitement, as she had fancied, she was obliged to confess that it was often very dull. The Binns House was a quiet house, frequented mostly by "runners," who came and went, and with a small number of permanent boarders – old couples who were tired of housekeeping, or ancient single gentlemen. The frescoes and mirrors were there, but the latter reflected only staid middle-aged faces, or else those of bearded men who carried large handbags, and wore heavy gold watch-chains, and smelt of strong tobacco and cheap perfumery. Even the table, with its array of little covered dishes that had once promised all the delights of fairy banquets, proved disappointing. To lift a shining cover which ought to conceal something wonderful with a French name, and to find squash – this was trying; and it had happened several times. Also, there was a great deal of mincemeat, and it did not compare with Katy's. And the bearded men gobbled, and pulled things about, and talked noisily. Altogether, it was as different as could well be imagined from Sue's golden dream. And it was simply impossible to use the soap they had, it smelt so horribly.

Hark! was that a foot on the stairs? Suppose something were really going to happen now, while Clarice was asleep! Suppose she should hear voices, and the door should open softly, softly, and a villainous face look in – a bearded face, not fat and good-natured looking like those people's at dinner, but a haggard face with hollow, burning eyes and a savage scowl. Some robber had heard of Clarice's jewelry and her father's wealth, and had come all the way from New York (there were no robbers in Hilton) to rob, perhaps to murder her. Ah! but Sue would fling herself before the unconscious sleeper, and cry: "Back, villain, or I slay thee with my hands!" He might go then; but if he didn't, she would throw the lamp at him. She and Mary had decided long ago that that was the best thing to do to a robber when you had no weapons, because the oil and glass together would be sure to frighten him. And – and – oh! what was that?

This time it was no fancy. A man's voice was heard in the hall below; a man's foot came heavily up the stairs, and passed into the next room. A hand was laid on the latch.

"Clarissy, are you here?" asked the voice.

Sue sprang to her feet. It was Mr. Packard. What should she do? Mr. Packard was no robber, but Sue did not like him, and it seemed quite out of the question that he should find her here, with Clarice asleep. Seizing her tam and her jacket, and slipping "Rob Roy" into her pocket, she opened the window softly, and stepped out on the balcony which formed the roof of the hotel porch. She might have gone out of the other door, but the window was nearer; besides, it was much more exciting, and he might have seen her in the passage. Sue closed the window behind her, with a last loving glance at Clarice, who snored quietly on; and just as Mr. Packard entered the room she climbed over the balustrade and disappeared from sight.

"What upon earth is that?" asked Mrs. Binns, looking out of the window of the office, which was on the ground floor. "Somebody shinnin' down the door-post! – a boy, is it? Do look, Mr. Binns. I ain't got my glasses."

Mr. Binns looked.

"Well, I should say!" he remarked, with a slow chuckle. "It's Mis' Penrose's little gal. Well, she is a young 'un, to be sure! Be'n up to see the Packard gal, I s'pose. Now, you'd think she'd find the door easier; most folks would. But it wouldn't be Sue Penrose to come out the door while the' was a window handy by, and a post."

"Sue Penrose is gettin' too big to go shinnin' round the street that way," said Mrs. Binns. "I don't care for that Packard gal myself; she's terrible forthputtin', and triflin' and greedy, besides; but you wouldn't see her shinnin' down door-posts, anyway."

"Humph!" said Mr. Binns. "She don't know enough!"

CHAPTER VII
THE MYSTERY, AND WHAT CAME OF IT

Mary! Mary Hart! I want to speak to you. Are you alone?"

"Yes," said Mary, looking up from her mending. "I am just finishing Teddy's stockings; he does tear them so. Come in, Sue."

"Hush! No; I want you to come out, Mary. It's something very important. Don't say a word to any one, but come down to the arbor this minute. I must see you alone. Oh, I am so excited!"

The arbor was at the farther end of the Harts' garden – a pleasant, mossy place with seats, and a great vine climbing over it. Mary put away her basket methodically, and joined Sue, whom she found twittering with excitement.

"Oh, Mary, what do you think? But first you must promise not to tell a living soul. Honest and true, black and blue! Promise, Mary, or my lips are sealed forever!"

"I promise," said Mary, without thinking.

Sue's tremendous secrets were not generally very alarming.

Sue drew a long breath, looked around her, said "Hush!" two or three times, and began:

"Isn't it perfectly splendid, Mary? The circus is coming to Chester on the 24th, and Clarice and I are going. It is going to be the greatest show in the world; the paper says so; and I've seen the pictures, and they are simply glorious. Isn't it fine? Clarice has asked me to spend the day with her at the hotel, and Mother says I may; and Clarice is going to treat me. Mary, she is the most generous girl that ever lived in this world. You don't half appreciate her, but she is."

"Who is going to take you to the circus?" asked practical Mary. "Mr. Packard?"

"Hush! No. That is the exciting part of it. We are going alone, just by ourselves."

"Sue! You cannot! Go up to Chester alone – just you two girls?"

"Why not? Clarice is much older than I, you know, Mary. Clarice is fifteen, and she says it is perfectly absurd for us to be such babies as we are. She says that in New York girls of our age wear dresses almost full length, and put up their hair, and – and all kinds of things. She says it's just because we live down East here that we are so countrified. And she knows all about going to places, and she has lots of money, and – and so – oh, Mary, isn't it exciting?"

"What does your mother say?" asked Mary, slowly. "Is she willing, Sue?"

"I am not going to tell her!" said Sue.

Her tone was defiant, but she colored high, and did not look at Mary as she spoke.

"You are not – going – to tell your mother?" repeated Mary, in dismay. "Oh, Sue!"

"Now, hush, hush, Mary Hart, and listen to me! Clarice says what's the use? She says it would only worry Mother, and I ought not to worry her when she is so delicate. She says she thinks it is a great mistake for girls to keep running to their mothers about everything when they are as big as we are. She never does, she says – well, it's her aunt, but that makes no difference, she says; and she is fifteen, you know. Besides, my mother is very different from yours; you know she is, Mary. I suppose I should want to tell things to your mother if she was mine. But you know perfectly well how Mamma is; she never seems to care, and it only bothers her and makes her head ache."

"Sue, how can you talk so? Your mother is ill so much of the time, of course she can't – can't be like my Mammy, I suppose."

Mary faltered a little as she said this. She had often wished that Mrs. Penrose would take more interest in Sue's daily life, but she felt that this was very improper talk.

"I don't think you ought to talk so, Sue!" she said stoutly. "I am sure you ought not. I think Clarice Packard has a very bad influence over you, and I wish she had never come here."

"Clarice says you are jealous, Mary, and that you try to make trouble between her and me. I don't believe that; but you have no imagination, and you cannot appreciate Clarice. If you knew what she has done for me – how she has opened my eyes."

Sue's vivid face deepened into tragedy. "Mary, I believe I will tell you, after all. I didn't mean to, – Clarice warned me not to, – but I will. Mary, there is a mystery in my life. Hush! don't speak – don't say a word! I am a foundling!"

If Mary had been less amazed and distressed, she must have laughed aloud. Sue, in her brown holland frock, her pretty hair curling round her face, her eyes shining with excitement, was the very image of her mother. As it was, Mary could only gasp, and gaze round-eyed.

"I am! I am sure of it!" Sue hurried on. "It explains everything, Mary: Mamma's not caring more, and my feeling the way I do, and everything. Clarice says she is sure it must be so. She knows a girl, the most beautiful girl she ever saw, and she never knew it till she grew up, because they were so fond of her; but she was left on their door-step in a wicker basket lined with pink satin, and a note pinned to her clothes saying that her parents were English noblemen, but they never would acknowledge her because she wasn't a boy. And so! And you know I have always felt that there was something wrong, Mary Hart, and that I was not like other children; you know I have!"

"I know you have often talked very foolishly," said Mary, "but I never heard you say anything wicked before. Sue, this is downright wicked, and ridiculous and absurd besides. I never heard such nonsense in my life, and I don't want to hear any more of it."

Both girls had risen to their feet, and stood facing each other. Mary was flushed with distress and vexation; but Sue had turned very pale.

"Very well!" she said, after a pause. "I see Clarice is right. You have a mean, jealous spirit, Mary. I thought I could tell the – the great thing of my life, to my most intimate friend, – for you have been my most intimate friend, – and you would understand; but you don't. You never have understood me; Clarice has said so from the beginning, and now I know she is right. At least, I have one friend who can feel for me. Good-by, Mary – forever!"

"Oh, Sue!" cried Mary, wanting to laugh and cry together. But Sue was gone, dashing through the garden at tempest speed, and flinging the gate to behind her with a crash.

Mary went into the house, and cried till she could not see. But there were no tears for Sue. She ran up to her room, and locked the door. Then, after looking carefully around, she drew out from under the bed an old brown leather writing-desk, produced a key that hung by a ribbon round her neck, unlocked the desk, and took out a faded red morocco blank-book. It had once been an account-book, and had belonged to her grandfather; the great thing about it was that it had a lock and key! Opening it, Sue found a blank page, and flinging herself over the table, began to write furiously:

"Mary and I have parted – parted forever. She was my dearest upon earth, but I know her no more. Her name is Hart, but she has none, or at least it is of marble. I am very unhappy, a poor foundling, with but one friend in the world. I sit alone in my gloomy garet." (The sun was pouring in at the window, but Sue did not see it.) "My tears blot the page as I write." (She tried to squeeze out a tear, failed, and hurried on.) "My affecktions are blited, but I am proud, and they shall see that I don't care one bit how mean they are. I am of noble blood, I feel it corsing in my viens, and I shouldn't wonder a bit if I were a princess. And if I die young, Mary Hart can come and shed tears on my moniment and be sorry she acted so."

 

Meantime, in the room below, little Lily was saying: "Mamma, I wish I had some one to play with. Couldn't you get me another sister, about my age? Sue says she is too old to play with me!" And Mrs. Penrose was sighing, and wondering again why her elder child was not the comfort to her that Mary Hart was to her mother.

The days that followed were sad ones for Mary. The intimacy between her and Sue had been so close that they had never felt the need of other friends; and, indeed, in their small neighborhood it happened that there were no pleasant girls of their own age. It had not seemed possible that anything could ever come between her and Sue. They loved to say that they were two halves, and only together made a whole. Now it was bitter to see Sue pass by on the other side of the home street with averted eyes and head held high. Mary tried to greet her as usual; for had they not said a hundred times how silly it was for girls to quarrel, and what spectacles they made of themselves behaving like babies?

But it was of no use. The breach was complete; and Sue refused to speak to Mary, or even to recognize her, and had only the most frigid little nod for her brothers. Many a time did Mary curl up for comfort in her mother's lap, and rest her head on her shoulder, and tell her how it hurt, and ask what she should do, and how she should live without her friend. She never failed to find comfort; and always, after a good little talk, there was something that Mrs. Hart particularly wanted done, and that Mary could help her so much with; and Mary found that there is no balm like work for a sore heart.

One day Mrs. Hart said: "Mary, how would you like to ask little Lily to come and spend the afternoon with you? Mrs. Penrose is really very far from well, and Sue seems to be entirely absorbed. It would be a kind thing to do, daughter."

So Lily came; and in making her happy Mary forgot the sore spot in her own heart. From that day the two were a good deal together. Beside Sue's glancing brightness Lily had seemed rather a dull child; or perhaps it was merely that Mary had no thought to give her, and felt with Sue that children were in the way when one wanted to talk seriously. But in Mary's companionship the child expanded like a flower. She was so happy, so easily pleased. It was delightful to see her face light up at sight of Mary. And Mary determined that, come what might, she and Lily would always be friends. "And, Lily," she would whisper, "if – no! when we get our Sue back again, won't she be surprised to see how much you have learned, and how many of our plays you know? And there will be three of us then, Lily."

And Lily would smile and dimple, and look almost a little like Sue – almost!

The boys, too, were a great comfort in those days. Never had Tom been so considerate, so thoughtful. Hardly a day passed but he would want Mary to play or walk or fish with him. She had never, it seemed, seen so much of Tom before, though he had always been the dearest boy in the world – except Teddy.

"Oh!" she cried one day, when Tom, after an hour's patient search, found the silver thimble that she had carelessly dropped in the orchard – "oh, it is good to have a brother Tom. I don't see what girls do who have none."

"It's pretty nice to have a sister Mary," said Tom, shyly; he was always shy when there was any question of feeling. "Do you know, Ballast – do you know, I've never had so much sister Mary as I've been having lately. Of course it's a great shame about Sue, and I miss her no end, and all that – but it's nice to have such a lot of you, dear."

Sister and brother exchanged a silent hug that meant a good deal, and Mary inwardly resolved that, come what might, Tom should always hereafter have all the sister Mary he wanted.

"And it's simply no end for Lily," Tom added. "Lily has never had a fair chance, you know, Mary."

"Lily is a very nice little girl," said Teddy, with kind condescension. "There's a great deal more in Lily than people think. Mary, if you are going over there, you might take her these horse-chestnuts. She likes the milky ones, before they turn brown."

"Take them yourself, Master Teddy!" said Mary, laughing. "You know it's what you want to do. Bring her over, and we'll go and play in the orchard, all four of us. We'll play 'Wolf,' if you like."

"Oh, no!" cried Teddy. "Let's play 'Indian'; let's play 'The Last of the Mo's.' We haven't played that for ever and ever so long."

"Lily doesn't know 'The Last of the Mohicans,'" said Mary. "She has never read it. I'll read it to her, I think. We might begin the next rainy day, boys, and all read together."

"Hooray!" said both boys.

"I can be making my new net," said Tom.

"And I can work on my boat," said Teddy.

"And I have about six dozen things to make for Christmas!" said Mary, laughing. "Who is to do the reading, I should like to know?"

"Oh, Mammy will read it to us."

"All right! Hurrah for Mammy! Of course she will."

"But that is no reason why we should not play 'The Last of the Mo's' now," resumed Tom. "We can tell Lily enough, as we go along, to show her what it's like, and of course she wouldn't take an important part, anyway – just a squaw or an odd brave. Cut along, Teddy, and bring the kid over."

Lily came hurrying back with Teddy; and the four stood for a moment together by the front door, laughing and chatting, and giving out the parts for the game. They had never played it before without Sue. Mary would rather not have played it now, but that seemed no reason why the boys should not have their favorite game, and no doubt Tom could play Uncas very well – though, of course, not as well, even if he was a boy.

Tom was just striking an attitude and brandishing an imaginary tomahawk, when, on the opposite side of the street, Sue came along, arm in arm, as usual, with Clarice Packard. The Hart children looked in dismay. Was this their Sue? Something was wrong with her hair. It was rolled up high over her forehead, and bobbed up into a short cue behind. Something was wrong with her feet; at least, so it seemed from the way she walked, mincing on her toes. And she had a spotted veil on, and she carried a parasol. Was this their Quicksilver Sue? Could it be?

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