Paine Albert Bigelow
Mark Twain: A Biography. Volume I, Part 2: 1835-1866
LIX
THE FIRST BOOK
With the shadow of the Cooper Institute so happily dispelled, The Celebrated Jumping Frog of Calaveras County, and his following of Other Sketches, became a matter of more interest. The book was a neat blue-and-gold volume printed by John A. Gray & Green, the old firm for which the boy, Sam Clemens, had set type thirteen years before. The title-page bore Webb's name as publisher, with the American News Company as selling agents. It further stated that the book was edited by "John Paul," that is to say by Webb himself. The dedication was in keeping with the general irresponsible character of the venture. It was as follows:
TO JOHN SMITH WHOM I HAVE KNOWN IN DIVERS AND SUNDRY PLACES ABOUT THE WORLD, AND WHOSE MANY AND MANIFOLD VIRTUES DID ALWAYS COMMAND MY ESTEEM, I DEDICATE THIS BOOK
It is said that the man to whom a volume is dedicated always buys a copy.
If this prove true in the present instance, a princely affluence is about to burst upon
THE AUTHOR.
The "advertisement" stated that the author had "scaled the heights of popularity at a single jump, and won for himself the sobriquet of the 'Wild Humorist of the Pacific Slope'; furthermore, that he was known to fame as the 'Moralist of the Main,'" and that as such he would be likely to go down to posterity, adding that it was in his secondary character, as humorist, rather than in his primal one of moralist, that the volume aimed to present him.—[The advertisement complete, with extracts from the book, may be found under Appendix E, at the end of last volume.]
Every little while, during the forty years or more that have elapsed since then, some one has come forward announcing Mark Twain to be as much a philosopher as a humorist, as if this were a new discovery. But it was a discovery chiefly to the person making the announcement. Every one who ever knew Mark Twain at any period of his life made the same discovery. Every one who ever took the trouble to familiarize himself with his work made it. Those who did not make it have known his work only by hearsay and quotation, or they have read it very casually, or have been very dull. It would be much more of a discovery to find a book in which he has not been serious—a philosopher, a moralist, and a poet. Even in the Jumping Frog sketches, selected particularly for their inconsequence, the under-vein of reflection and purpose is not lacking. The answer to Moral Statistician—[In "Answers to Correspondents," included now in Sketches New and Old. An extract from it, and from "A Strange Dream," will be found in Appendix E.]—is fairly alive with human wisdom and righteous wrath. The "Strange Dream," though ending in a joke, is aglow with poetry. Webb's "advertisement" was playfully written, but it was earnestly intended, and he writes Mark Twain down a moralist—not as a discovery, but as a matter of course. The discoveries came along later, when the author's fame as a humorist had dazzled the nations.
It is as well to say it here as anywhere, perhaps, that one reason why Mark Twain found it difficult to be accepted seriously was the fact that his personality was in itself so essentially humorous. His physiognomy, his manner of speech, this movement, his mental attitude toward events —all these were distinctly diverting. When we add to this that his medium of expression was nearly always full of the quaint phrasing and those surprising appositions which we recognize as amusing, it is not so astonishing that his deeper, wiser, more serious purpose should be overlooked. On the whole these unabated discoverers serve a purpose, if only to make the rest of their species look somewhat deeper than the comic phrase.
The little blue-and-gold volume which presented the Frog story and twenty-six other sketches in covers is chiefly important to-day as being Mark Twain's first book. The selections in it were made for a public that had been too busy with a great war to learn discrimination, and most of them have properly found oblivion. Fewer than a dozen of them were included in his collected Sketches issued eight years later, and some even of those might have been spared; also some that were added, for that matter; but detailed literary criticism is not the province of this work. The reader may investigate and judge for himself.
Clemens was pleased with the appearance of his book. To Bret Harte he wrote:
The book is out and it is handsome. It is full of damnable errors of grammar and deadly inconsistencies of spelling in the Frog sketch, because I was away and did not read proofs; but be a friend and say nothing about these things. When my hurry is over, I will send you a copy to pisen the children with.
That he had no exaggerated opinion of the book's contents or prospects we may gather from his letter home:
As for the Frog book, I don't believe it will ever pay anything worth a cent. I published it simply to advertise myself, and not with the hope of making anything out of it.
He had grown more lenient in his opinion of the merits of the Frog story itself since it had made friends in high places, especially since James Russell Lowell had pronounced it "the finest piece of humorous writing yet produced in America"; but compared with his lecture triumph, and his prospective journey to foreign seas, his book venture, at best, claimed no more than a casual regard. A Sandwich Island book (he had collected his Union letters with the idea of a volume) he gave up altogether after one unsuccessful offer of it to Dick & Fitzgerald.
Frank Fuller's statement, that the fame had arrived, had in it some measure of truth. Lecture propositions came from various directions. Thomas Nast, then in the early day of his great popularity, proposed a joint tour, in which Clemens would lecture, while he, Nast, illustrated the remarks with lightning caricatures. But the time was too short; the Quaker City would sail on the 8th of June, and in the mean time the Alta correspondent was far behind with his New York letters. On May 29th he wrote:
I am 18 Alta letters behind, and I must catch up or bust. I have refused all invitations to lecture. Don't know how my book is coming on.
He worked like a slave for a week or so, almost night and day, to clean up matters before his departure. Then came days of idleness and reaction-days of waiting, during which his natural restlessness and the old-time regret for things done and undone, beset him.
My passage is paid, and if the ship sails I sail on her; but I make no calculations, have bought no cigars, no sea-going clothing—have made no preparations whatever—shall not pack my trunk till the morning we sail.
All I do know or feel is that I am wild with impatience to move —move—move! Curse the endless delays! They always kill me—they make me neglect every duty, and then I have a conscience that tears me like a wild beast. I wish I never had to stop anywhere a month. I do more mean things the moment I get a chance to fold my hands and sit down than ever I get forgiveness for.
Yes, we are to meet at Mr. Beach's next Thursday night, and I suppose we shall have to be gotten up regardless of expense, in swallow-tails, white kids and everything 'en regle'.
I am resigned to Rev. Mr. Hutchinson's or anybody else's supervision. I don't mind it. I am fixed. I have got a splendid, immoral, tobacco-smoking, wine-drinking, godless roommate who is as good and true and right-minded a man as ever lived—a man whose blameless conduct and example will always be an eloquent sermon to all who shall come within their influence. But send on the professional preachers—there are none I like better to converse with; if they're not narrowminded and bigoted they make good companions.
The "splendid immoral room-mate" was Dan Slote—"Dan," of The Innocents, a lovable character—all as set down. Samuel Clemens wrote one more letter to his mother and sister—a conscience-stricken, pessimistic letter of good-by written the night before sailing. Referring to the Alta letters he says:
I think they are the stupidest letters ever written from New York.
Corresponding has been a perfect drag ever since I got to the States. If it continues abroad, I don't know what the Tribune and Alta folk will think.
He remembers Orion, who had been officially eliminated when Nevada had received statehood.
I often wonder if his law business is going satisfactorily. I wish I had gone to Washington in the winter instead of going West. I could have gouged an office out of Bill Stewart for him, and that would have atoned for the loss of my home visit. But I am so worthless that it seems to me I never do anything or accomplish anything that lingers in my mind as a pleasant memory. My mind is stored full of unworthy conduct toward Orion and toward you all, and an accusing conscience gives me peace only in excitement and restless moving from place to place. If I could only say I had done one thing for any of you that entitled me to your good opinions (I say nothing of your love, for I am sure of that, no matter how unworthy of it I may make myself—from Orion down, you have always given me that; all the days of my life, when God Almighty knows I have seldom deserved it), I believe I could go home and stay there —and I know I would care little for the world's praise or blame. There is no satisfaction in the world's praise anyhow, and it has no worth to me save in the way of business. I tried to gather up its compliments to send you, but the work was distasteful and I dropped it.
You observe that under a cheerful exterior I have got a spirit that is angry with me and gives me freely its contempt. I can get away from that at sea, and be tranquil and satisfied; and so, with my parting love and benediction for Orion and all of you, I say good-by and God bless you all-and welcome the wind that wafts a weary soul to the sunny lands of the Mediterranean!
Yrs. forever,
SAM
LX
THE INNOCENTS AT SEA
HOLY LAND PLEASURE EXCURSION
Steamer: Quaker City.
Captain C. C. Duncan.
Left New York at 2 P.m., June 8, 1867.
Rough weather—anchored within the harbor to lay all night.
That first note recorded an event momentous in Mark Twain's career—an event of supreme importance; if we concede that any link in a chain regardless of size is of more importance than any other link. Undoubtedly it remains the most conspicuous event, as the world views it now, in retrospect.
The note further heads a new chapter of history in sea-voyaging. No such thing as the sailing of an ocean steamship with a pleasure-party on a long transatlantic cruise had ever occurred before. A similar project had been undertaken the previous year, but owing to a cholera scare in the East it had been abandoned. Now the dream had become a fact—a stupendous fact when we consider it. Such an important beginning as that now would in all likelihood furnish the chief news story of the day.
But they had different ideas of news in those days. There were no headlines announcing the departure of the Quaker City—only the barest mention of the ship's sailing, though a prominent position was given to an account of a senatorial excursion-party which set out that same morning over the Union Pacific Railway, then under construction. Every name in that political party was set dawn, and not one of them except General Hancock will ever be heard of again. The New York Times, however, had some one on its editorial staff who thought it worth while to comment a little on the history-making Quaker City excursion. The writer was pleasantly complimentary to officers and passengers. He referred to Moses S. Beach, of the Sun, who was taking with him type and press, whereby he would "skilfully utilize the brains of the company for their mutual edification." Mr. Beecher and General Sherman would find talent enough aboard to make the hours go pleasantly (evidently the writer had not interested himself sufficiently to know that these gentlemen were not along), and the paragraph closed by prophesying other such excursions, and wishing the travelers "good speed, a happy voyage, and a safe return."
That was handsome, especially for those days; only now, some fine day, when an airship shall start with a band of happy argonauts to land beyond the sunrise for the first time in history, we shall feature it and emblazon it with pictures in the Sunday papers, and weeklies, and in the magazines.—[The Quaker City idea was so unheard-of that in some of the foreign ports visited, the officials could not believe that the vessel was simply a pleasure-craft, and were suspicious of some dark, ulterior purpose.]
That Henry Ward Beecher and General Sherman had concluded not to go was a heavy disappointment at first; but it proved only a temporary disaster. The inevitable amalgamation of all ship companies took place. The sixty-seven travelers fell into congenial groups, or they mingled and devised amusements, and gossiped and became a big family, as happy and as free from contention as families of that size are likely to be.
The Quaker City was a good enough ship and sizable for her time. She was registered eighteen hundred tons—about one-tenth the size of Mediterranean excursion-steamers today—and when conditions were favorable she could make ten knots an hour under steam—or, at least, she could do it with the help of her auxiliary sails. Altogether she was a cozy, satisfactory ship, and they were a fortunate company who had her all to themselves and went out on her on that long-ago ocean gipsying. She has grown since then, even to the proportions of the Mayflower. It was necessary for her to grow to hold all of those who in later times claimed to have sailed in her on that voyage with Mark Twain.—[The Quaker City passenger list will be found under Appendix F, at the end of last volume.]
They were not all ministers and deacons aboard the Quaker City. Clemens found other congenial spirits be sides his room-mate Dan Slote—among them the ship's surgeon, Dr. A. Reeve Jackson (the guide-destroying "Doctor" of The Innocents); Jack Van Nostrand, of New Jersey ("Jack"); Julius Moulton, of St. Louis ("Moult"), and other care-free fellows, the smoking-room crowd which is likely to make comradeship its chief watchword. There were companionable people in the cabin crowd also —fine, intelligent men and women, especially one of the latter, a middle-aged, intellectual, motherly soul—Mrs. A. W. Fairbanks, of Cleveland, Ohio. Mrs. Fairbanks—herself a newspaper correspondent for her husband's paper, the Cleveland Herald had a large influence on the character and general tone of those Quaker City letters which established Mark Twain's larger fame. She was an able writer herself; her judgment was thoughtful, refined, unbiased—altogether of a superior sort. She understood Samuel Clemens, counseled him, encouraged him to read his letters aloud to her, became in reality "Mother Fairbanks," as they termed her, to him and to others of that ship who needed her kindly offices.
In one of his home letters, later, he said of her:
She was the most refined, intelligent, cultivated lady in the ship, and altogether the kindest and best. She sewed my buttons on, kept my clothing in presentable trim, fed me on Egyptian jam (when I behaved), lectured me awfully on the quarter-deck on moonlit promenading evenings, and cured me of several bad habits. I am under lasting obligations to her. She looks young because she is so good, but she has a grown son and daughter at home.
In one of the early letters which Mrs. Fairbanks wrote to her paper she is scarcely less complimentary to him, even if in a different way.
We have D.D.'s and M.D.'s—we have men of wisdom and men of wit. There is one table from which is sure to come a peal of laughter, and all eyes are turned toward Mark Twain, whose face is, perfectly mirth-provoking. Sitting lazily at the table, scarcely genteel in his appearance, there is something, I know not what, that interests and attracts. I saw to-day at dinner venerable divines and sage- looking men convulsed with laughter at his drolleries and quaint, odd manners.
It requires only a few days on shipboard for acquaintances to form, and presently a little afternoon group was gathering to hear Mark Twain read his letters. Mrs. Fairbanks was there, of course, also Mr. and Mrs. S. L. Severance, likewise of Cleveland, and Moses S. Beach, of the Sun, with his daughter Emma, a girl of seventeen. Dan Slote was likely to be there, too, and Jack, and the Doctor, and Charles J. Langdon, of Elmira, New York, a boy of eighteen, who had conceived a deep admiration for the brilliant writer. They were fortunate ones who first gathered to hear those daring, wonderful letters.
But the benefit was a mutual one. He furnished a priceless entertainment, and he derived something equally priceless in return—the test of immediate audience and the boon of criticism. Mrs. Fairbanks especially was frankly sincere. Mr. Severance wrote afterward:
One afternoon I saw him tearing up a bunch of the soft, white paper- copy paper, I guess the newspapers call it-on which he had written something, and throwing the fragments into the Mediterranean. I inquired of him why he cast away the fruits of his labors in that manner.
"Well," he drawled, "Mrs. Fairbanks thinks it oughtn't to be printed, and, like as not, she is right."
And Emma Beach (Mrs. Abbott Thayer) remembers hearing him say:
"Well, Mrs. Fairbanks has just destroyed another four hours' work for me."
Sometimes he played chess with Emma Beach, who thought him a great hero because, once when a crowd of men were tormenting a young lad, a passenger, Mark Twain took the boy's part and made them desist.
"I am sure I was right, too," she declares; "heroism came natural to him."
Mr. Severance recalls another incident which, as he says, was trivial enough, but not easy to forget:
We were having a little celebration over the birthday anniversary of Mrs. Duncan, wife of our captain. Mark Twain got up and made a little speech, in which he said Mrs. Duncan was really older than Methuselah because she knew a lot of things that Methuselah never heard of. Then he mentioned a number of more or less modern inventions, and wound up by saying, "What did Methuselah know about a barbed-wire fence?"
Except Following the Equator, The Innocents Abroad comes nearer to being history than any other of Mark Twain's travel-books. The notes for it were made on the spot, and there was plenty of fact, plenty of fresh, new experience, plenty of incident to set down. His idea of descriptive travel in those days was to tell the story as it happened; also, perhaps, he had not then acquired the courage of his inventions. We may believe that the adventures with Jack, Dan, and the Doctor are elaborated here and there; but even those happened substantially as recorded. There is little to add, then, to the story of that halcyon trip, and not much to elucidate.
The old note-books give a light here and there that is interesting. It is curious to be looking through them now, trying to realize that these penciled memoranda were the fresh, first impressions that would presently grow into the world's most delightful book of travel; that they were set down in the very midst of that care-free little company that frolicked through Italy, climbed wearily the arid Syrian hills. They are all dead now; but to us they are as alive and young to-day as when they followed the footprints of the Son of Man through Palestine, and stood at last before the Sphinx, impressed and awed by its "five thousand slow-revolving years."
Some of the items consist of no more than a few terse, suggestive words —serious, humorous, sometimes profane. Others are statistical, descriptive, elaborated. Also there are drawings—"not copied," he marks them, with a pride not always justified by the result. The earlier notes are mainly comments on the "pilgrims," the freak pilgrims: "the Frenchy-looking woman who owns a dog and keeps up an interminable biography of him to the passengers"; the "long-legged, simple, wide-mouthed, horse-laughing young fellow who once made a sea voyage to Fortress Monroe, and quotes eternally from his experiences"; also, there is reference to another young man, "good, accommodating, pleasant but fearfully green." This young person would become the "Interrogation Point," in due time, and have his picture on page 71 (old edition), while opposite him, on page 70, would appear the "oracle," identified as one Doctor Andrews, who (the note-book says) had the habit of "smelling in guide-books for knowledge and then trying to play it for old information that has been festering in his brain." Sometimes there are abstract notes such as:
How lucky Adam was. He knew when he said a good thing that no one had ever said it before.
Of the "character" notes, the most important and elaborated is that which presents the "Poet Lariat." This is the entry, somewhat epitomized:
BLOODGOOD H. CUTTER
He is fifty years old, and small of his age. He dresses in homespun, and is a simple-minded, honest, old-fashioned farmer, with a strange proclivity for writing rhymes. He writes them on all possible subjects, and gets them printed on slips of paper, with his portrait at the head. These he will give to any man who comes along, whether he has anything against him or not . . . .
Dan said:
"It must be a great happiness to you to sit down at the close of day and put its events all down in rhymes and poetry, like Byron and Shakespeare and those fellows."
"Oh yes, it is—it is—Why, many's the time I've had to get up in
the night when it comes on me:
Whether we're on the sea or the land
We've all got to go at the word of command—
"Hey! how's that?"
A curious character was Cutter—a Long Island farmer with the obsession of rhyme. In his old age, in an interview, he said:
"Mark was generally writing and he was glum. He would write what we were doing, and I would write poetry, and Mark would say:
"'For Heaven's sake, Cutter, keep your poems to yourself.'
"Yes, Mark was pretty glum, and he was generally writing."
Poor old Poet Lariat—dead now with so many others of that happy crew. We may believe that Mark learned to be "glum" when he saw the Lariat approaching with his sheaf of rhymes. We may believe, too, that he was "generally writing." He contributed fifty-three letters to the Alta during that five months and six to the Tribune. They would average about two columns nonpareil each, which is to say four thousand words, or something like two hundred and fifty thousand words in all. To turn out an average of fifteen hundred words a day, with continuous sight-seeing besides, one must be generally writing during any odd intervals; those who are wont to regard Mark Twain as lazy may consider these statistics. That he detested manual labor is true enough, but at the work for which he was fitted and intended it may be set down here upon authority (and despite his own frequent assertions to the contrary) that to his last year he was the most industrious of men.
