О. Генри
Short Stories / Рассказы

Throwing off his hat and coat, and lighting a lamp – for the night had crowded precipitately upon the brief twilight – he began to examine his piece of sea salvage.

By holding the bottle near the light and turning it judiciously, he made out that it contained a double sheet of note-paper filled with close writing; further, that the paper was of the same size and shade as that always used by Ida; and that, to the best of his belief, the handwriting was hers. The imperfect glass of the bottle so distorted the rays of light that he could read no word of the writing; but certain capital letters, of which he caught comprehensive glimpses, were Ida’s, he felt sure.

There was a little smile both of perplexity and amusement in Geddie’s eyes as he set the bottle down, and laid three cigars side by side on his desk. He fetched his steamer chair from the gallery, and stretched himself comfortably. He would smoke those three cigars while considering the problem.

For it amounted to a problem. He almost wished that he had not found the bottle; but the bottle was there. Why should it have drifted in from the sea, whence come so many disquieting things, to disturb his peace?

In this dreamy land, where time seemed so redundant, he had fallen into the habit of bestowing much thought upon even trifling matters.

He began to speculate upon many fanciful theories concerning the story of the bottle, rejecting each in turn.

Ships in danger of wreck or disablement sometimes cast forth such precarious messengers calling for aid. But he had seen the Idalia not three hours before, safe and speeding. Suppose the crew had mutinied and imprisoned the passengers below, and the message was one begging for succour! But, premising such an improbable outrage, would the agitated captives have taken the pains to fill four pages of note-paper with carefully penned arguments to their rescue.

Thus by elimination he soon rid the matter of the more unlikely theories, and was reduced – though aversely – to the less assailable ones that the bottle contained a message to himself. Ida knew he was in Coralio; she must have launched the bottle while the yacht was passing and the wind blowing fairly toward the shore.

As soon as Geddie reached this conclusion a wrinkle came between his brows and a stubborn look settled around his mouth. He sat looking out through the doorway at the gigantic fire-flies traversing the quiet streets.

If this was a message to him from Ida, what could it mean save an overture at reconciliation? And if that, why had she not used the same methods of the post instead of this uncertain and even flippant means of communication? A note in an empty bottle, cast into the sea! There was something light and frivolous about it, if not actually contemptuous.

The thought stirred his pride, and subdued whatever emotions had been resurrected by the finding of the bottle.

Geddie put on his coat and hat and walked out. He followed a street that led him along the border of the little plaza where a band was playing and people were rambling, care-free and indolent. Some timorous senoritas scurrying past with fire-flies tangled in the jetty braids of their hair glanced at him with shy, flattering eyes. The air was languorous with the scent of jasmin and orange-blossoms.

The consul stayed his steps at the house of Bernard Brannigan. Paula was swinging in a hammock on the gallery. She rose from it like a bird from its nest. The color came to her cheek at the sound of Geddie’s voice.

He was charmed at the sight of her costume – a flounced muslin dress, with a little jacket of white flannel, all made with neatness and style. He suggested a stroll, and they walked out to the old Indian well on the hill road. They sat on the curb, and there Geddie made the expected but long-deferred speech. Certain though he had been that she would not say him nay, he was still thrilled at the completeness and sweetness of her surrender. Here was surely a heart made for love and steadfastness. Here was no caprice or questionings or captious standards of convention.

When Geddie kissed Paula at her door that night he was happier than he had ever been before. “Here in this hollow lotus land, ever to live and lie reclined” seemed to him, as it has seemed to many mariners, the best as well as the easiest. His future would be an ideal one. He had attained a Paradise without a serpent. His Eve would be indeed a part of him, unbeguiled, and therefore more beguiling. He had made his decision to-night, and his heart was full of serene, assured content.

Geddie went back to his house whistling that finest and saddest love song, “La Golondrina.^[12]” At the door his tame monkey leaped down from his shelf, chattering briskly. The consul turned to his desk to get him some nuts he usually kept there. Reaching in the half-darkness, his hand struck against the bottle. He started as if he had touched the cold rotundity of a serpent.

He had forgotten that the bottle was there.

He lighted the lamp and fed the monkey. Then, very deliberately, he lighted a cigar, and took the bottle in his hand, and walked down the path to the beach.

There was a moon, and the sea was glorious. The breeze had shifted, as it did each evening, and was now rushing steadily seaward.

Stepping to the water’s edge, Geddie hurled the unopened bottle far out into the sea. It disappeared for a moment, and then shot upward twice its length. Geddie stood still, watching it. The moonlight was so bright that he could see it bobbing up and down with the little waves. Slowly it receded from the shore, flashing and turning as it went. The wind was carrying it out to sea. Soon it became a mere speck, doubtfully discerned at irregular intervals; and then the mystery of it was swallowed up by the greater mystery of the ocean. Geddie stood still upon the beach, smoking and looking out upon the water.

“Simon! – Oh, Simon! – Wake up there, Simon!” bawled a sonorous voice at the edge of the water.

Old Simon Cruz was a half-breed fisherman and smuggler who lived in a hut on the beach. Out of his earliest nap Simon was thus awakened.

He slipped on his shoes and went outside. Just landing from one of the Valhalla’s boats was the third mate of that vessel, who was an acquaintance of Simon’s, and three sailors from the fruiter.

“Go up, Simon,” called the mate, “and find Doctor Gregg or Mr Goodwin or anybody that’s a friend to Mr Geddie, and bring ’em here at once.”

“Saints of the skies!” said Simon, sleepily, “nothing has happened to Mr Geddie?”

“He’s under that tarpauling,” said the mate, pointing to the boat, “and he’s rather more than half drowned. We seen him from the steamer nearly a mile out from shore, swimmin’ like mad after a bottle that was floatin’ in the water, outward bound. We lowered the gig and started for him. He nearly had his hand on the bottle, when he gave out and went under. We pulled him out in time to save him, maybe; but the doctor is the one to decide that.”

“A bottle?” said the old man, rubbing his eyes. He was not yet fully awake. “Where is the bottle?”

“Driftin’ along out there some’eres,” said the mate, jerking his thumb toward the sea. “Get on with you, Simon.”

A Service of Love

When one loves one’s Art no service seems too hard.

That is our premise. This story shall draw a conclusion from it, and show at the same time that the premise is incorrect. That will be a new thing in logic, and a feat in story-telling somewhat older than the great wall of China.

Joe Larrabee came out of the post-oak flats of the Middle West pulsing with a genius for pictorial art. At six he drew a picture of the town pump with a prominent citizen passing it hastily. This effort was framed and hung in the drug store window by the side of the ear of corn with an uneven number of rows. At twenty he left for New York with a flowing necktie and a capital tied up somewhat closer.

Delia Caruthers did things in six octaves so promisingly in a pine-tree village in the South that her relatives chipped in enough in her chip hat for her to go “North” and “finish.” They could not see her f —, but that is our story.

Joe and Delia met in an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt’s works, pictures, Waldteufel, wall paper, Chopin and oolong.

Joe and Delia became enamoured one of the other, or each of the other, as you please, and in a short time were married – for (see above), when one loves one’s Art no service seems too hard.

Mr and Mrs Larrabee began housekeeping in a flat. It was a lonesome flat – something like the A sharp way down at the left-hand end of the keyboard. And they were happy; for they had their Art, and they had each other. And my advice to the rich young man would be – sell all thou hast, and give it to the poor – janitor for the privilege of living in a flat with your Art and your Delia.

Flat-dwellers shall indorse my dictum that theirs is the only true happiness. If a home is happy it cannot fit too close – let the dresser collapse and become a billiard table; let the mantel turn to a rowing machine, the escritoire to a spare bedchamber, the washstand to an upright piano; let the four walls come together, if they will, so you and your Delia are between. But if home be the other kind, let it be wide and long – enter you at the Golden Gate, hang your hat on Hatteras, your cape on Cape Horn and go out by the Labrador.

Joe was painting in the class of the great Magister – you know his fame. His fees are high; his lessons are light – his high-lights have brought him renown. Delia was studying under Rosenstock – you know his repute as a disturber of the piano keys.

They were mighty happy as long as their money lasted. So is every – but I will not be cynical. Their aims were very clear and defined. Joe was to become capable very soon of turning out pictures that old gentlemen with thin side-whiskers and thick pocketbooks would sandbag one another in his studio for the privilege of buying. Delia was to become familiar and then contemptuous with Music, so that when she saw the orchestra seats and boxes unsold she could have sore throat and lobster in a private dining-room and refuse to go on the stage.

But the best, in my opinion, was the home life in the little flat – the ardent, voluble chats after the day’s study; the cozy dinners and fresh, light breakfasts; the interchange of ambitions – ambitions interwoven each with the other’s or else inconsiderable – the mutual help and inspiration; and – overlook my artlessness – stuffed olives and cheese sandwiches at 11 p.m.

But after a while Art flagged. It sometimes does, even if some switchman doesn’t flag it. Everything going out and nothing coming in, as the vulgarians say. Money was lacking to pay Mr Magister and Herr Rosenstock their prices. When one loves one’s Art no service seems too hard. So, Delia said she must give music lessons to keep the chafing dish bubbling.

For two or three days she went out canvassing for pupils. One evening she came home elated.

“Joe, dear,” she said, gleefully, “I’ve a pupil. And, oh, the loveliest people! General – General A. B. Pinkney’s daughter – on Seventy-first street. Such a splendid house, Joe – you ought to see the front door! Byzantine I think you would call it. And inside! Oh, Joe, I never saw anything like it before.

“My pupil is his daughter Clementina. I dearly love her already. She’s a delicate thing – dresses always in white; and the sweetest, simplest manners! Only eighteen years old. I’m to give three lessons a week; and, just think, Joe! $5 a lesson. I don’t mind it a bit; for when I get two or three more pupils I can resume my lessons with Herr Rosenstock. Now, smooth out that wrinkle between your brows, dear, and let’s have a nice supper.”

“That’s all right for you, Dele,” said Joe, attacking a can of peas with a carving knife and a hatchet, “but how about me? Do you think I’m going to let you hustle for wages while I philander in the regions of high art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or lay cobblestones, and bring in a dollar or two.”

Delia came and hung about his neck.

“Joe, dear, you are silly. You must keep on at your studies. It is not as if I had quit my music and gone to work at something else. While I teach I learn. I am always with my music. And we can live as happily as millionaires on $15 a week. You mustn’t think of leaving Mr Magister.”

“All right,” said Joe, reaching for the blue scalloped vegetable dish. “But I hate for you to be giving lessons. It isn’t Art. But you’re a trump and a dear to do it.”

“When one loves one’s Art no service seems too hard,” said Delia.

“Magister praised the sky in that sketch I made in the park,” said Joe. “And Tinkle gave me permission to hang two of them in his window. I may sell one if the right kind of a moneyed idiot sees them.”

“I’m sure you will,” said Delia, sweetly. “And now let’s be thankful for Gen. Pinkney and this veal roast.”

During all of the next week the Larrabees had an early breakfast. Joe was enthusiastic about some morning-effect sketches he was doing in Central Park, and Delia packed him off breakfasted, coddled, praised and kissed at 7 o’clock. Art is an engaging mistress. It was most times 7 o’clock when he returned in the evening.

At the end of the week Delia, sweetly proud but languid, triumphantly tossed three five-dollar bills on the 8x10 (inches) centre table of the 8x10 (feet) flat parlour.

“Sometimes,” she said, a little wearily, “Clementina tries me. I’m afraid she doesn’t practise enough, and I have to tell her the same things so often. And then she always dresses entirely in white, and that does get monotonous. But Gen. Pinkney is the dearest old man! I wish you could know him, Joe. He comes in sometimes when I am with Clementina at the piano – he is a widower, you know – and stands there pulling his white goatee. “And how are the semiquavers and the demisemiquavers progressing?” he always asks.

“I wish you could see the wainscoting in that drawing-room, Joe! And those Astrakhan rug portieres. And Clementina has such a funny little cough. I hope she is stronger than she looks. Oh, I really am getting attached to her, she is so gentle and high bred. Gen. Pinkney’s brother was once Minister to Bolivia.”

And then Joe, with the air of a Monte Cristo, drew forth a ten, a five, a two and a one – all legal tender notes – and laid them beside Delia’s earnings.

“Sold that watercolour of the obelisk to a man from Peoria,” he announced overwhelmingly.

“Don’t joke with me,” said Delia, “not from Peoria!”

“All the way. I wish you could see him, Dele. Fat man with a woollen muffler and a quill toothpick. He saw the sketch in Tinkle’s window and thought it was a windmill at first. He was game, though, and bought it anyhow. He ordered another – an oil sketch of the Lackawanna freight depot – to take back with him. Music lessons! Oh, I guess Art is still in it.”

“I’m so glad you’ve kept on,” said Delia, heartily. “You’re bound to win, dear. Thirty-three dollars! We never had so much to spend before. We’ll have oysters to-night.”

“And filet mignon with champignons,” said Joe. “Where is the olive fork?”

On the next Saturday evening Joe reached home first. He spread his $18 on the parlour table and washed what seemed to be a great deal of dark paint from his hands.

Half an hour later Delia arrived, her right hand tied up in a shapeless bundle of wraps and bandages.

“How is this?” asked Joe after the usual greetings. Delia laughed, but not very joyously.

“Clementina,” she explained, “insisted upon a Welsh rabbit after her lesson. She is such a queer girl. Welsh rabbits at 5 in the afternoon. The General was there. You should have seen him run for the chafing dish, Joe, just as if there wasn’t a servant in the house. I know Clementina isn’t in good health; she is so nervous. In serving the rabbit she spilled a great lot of it, boiling hot, over my hand and wrist. It hurt awfully, Joe. And the dear girl was so sorry! But Gen. Pinkney! – Joe, that old man nearly went distracted. He rushed downstairs and sent somebody – they said the furnace man or somebody in the basement – out to a drug store for some oil and things to bind it up with. It doesn’t hurt so much now.”

“What’s this?” asked Joe, taking the hand tenderly and pulling at some white strands beneath the bandages.

“It’s something soft,” said Delia, “that had oil on it. Oh, Joe, did you sell another sketch?” She had seen the money on the table.

“Did I?” said Joe; “just ask the man from Peoria. He got his depot to-day, and he isn’t sure but he thinks he wants another parkscape and a view on the Hudson. What time this afternoon did you burn your hand, Dele?”

“Five o’clock, I think,” said Dele, plaintively. “The iron – I mean the rabbit came off the fire about that time. You ought to have seen Gen. Pinkney, Joe, when – ”

“Sit down here a moment, Dele,” said Joe. He drew her to the couch, sat beside her and put his arm across her shoulders.

“What have you been doing for the last two weeks, Dele?” he asked.

She braved it for a moment or two with an eye full of love and stubbornness, and murmured a phrase or two vaguely of Gen. Pinkney; but at length down went her head and out came the truth and tears.

“I couldn’t get any pupils,” she confessed. “And I couldn’t bear to have you give up your lessons; and I got a place ironing shirts in that big Twenty-fourth street laundry. And I think I did very well to make up both General Pinkney and Clementina, don’t you, Joe? And when a girl in the laundry set down a hot iron on my hand this afternoon I was all the way home making up that story about the Welsh rabbit. You’re not angry, are you, Joe? And if I hadn’t got the work you mightn’t have sold your sketches to that man from Peoria.”

“He wasn’t from Peoria,” said Joe, slowly.

“Well, it doesn’t matter where he was from. How clever you are, Joe – and – kiss me, Joe – and what made you ever suspect that I wasn’t giving music lessons to Clementina?”

“I didn’t,” said Joe, “until to-night. And I wouldn’t have then, only I sent up this cotton waste and oil from the engine-room this afternoon for a girl upstairs who had her hand burned with a smoothing-iron. I’ve been firing the engine in that laundry for the last two weeks.”

“And then you didn’t – ”

“My purchaser from Peoria,” said Joe, “and Gen. Pinkney are both creations of the same art – but you wouldn’t call it either painting or music.”

And then they both laughed, and Joe began:

“When one loves one’s Art no service seems – ”

But Delia stopped him with her hand on his lips. “No,” she said – “just ‘When one loves.’ ”

The Furnished Room

Restless, shifting, fugacious as time itself is a certain vast bulk of the population of the red brick district of the lower West Side. Homeless, they have a hundred homes. They flit from furnished room to furnished room, transients forever – transients in abode, transients in heart and mind. They sing “Home, Sweet Home” in ragtime; they carry their – lares et penates^[13] – in a bandbox; their vine is entwined about a picture hat; a rubber plant is their fig tree.

Hence the houses of this district, having had a thousand dwellers, should have a thousand tales to tell, mostly dull ones, no doubt; but it would be strange if there could not be found a ghost or two in the wake of all these vagrant guests.

One evening after dark a young man prowled among these crumbling red mansions, ringing their bells. At the twelfth he rested his lean hand-baggage upon the step and wiped the dust from his hatband and forehead. The bell sounded faint and far away in some remote, hollow depths.

To the door of this, the twelfth house whose bell he had rung, came a housekeeper who made him think of an unwholesome, surfeited worm that had eaten its nut to a hollow shell and now sought to fill the vacancy with edible lodgers.

He asked if there was a room to let.

“Come in,” said the housekeeper. Her voice came from her throat; her throat seemed lined with fur. “I have the third floor back, vacant since a week back. Should you wish to look at it?”

The young man followed her up the stairs. A faint light from no particular source mitigated the shadows of the halls. They trod noiselessly upon a stair carpet that its own loom would have forsworn. It seemed to have become vegetable; to have degenerated in that rank, sunless air to lush lichen or spreading moss that grew in patches to the staircase and was viscid under the foot like organic matter. At each turn of the stairs were vacant niches in the wall. Perhaps plants had once been set within them. If so they had died in that foul and tainted air. It may be that statues of the saints had stood there, but it was not difficult to conceive that imps and devils had dragged them forth in the darkness and down to the unholy depths of some furnished pit below.

“This is the room,” said the housekeeper, from her furry throat. “It’s a nice room. It ain’t often vacant. I had some most elegant people in it last summer – no trouble at all, and paid in advance to the minute. The water’s at the end of the hall. Sprowls and Mooney kept it three months. They done a vaudeville sketch. Miss Bretta Sprowls – you may have heard of her – Oh, that was just the stage names – right there over the dresser is where the marriage certificate hung, framed. The gas is here, and you see there is plenty of closet room. It’s a room everybody likes. It never stays idle long.”

“Do you have many theatrical people rooming here?” asked the young man.

“They comes and goes. A good proportion of my lodgers is connected with the theatres. Yes, sir, this is the theatrical district. Actor people never stays long anywhere. I get my share. Yes, they comes and they goes.”

He engaged the room, paying for a week in advance. He was tired, he said, and would take possession at once. He counted out the money. The room had been made ready, she said, even to towels and water. As the housekeeper moved away he put, for the thousandth time, the question that he carried at the end of his tongue.

“A young girl – Miss Vashner – Miss Eloise Vashner – do you remember such a one among your lodgers? She would be singing on the stage, most likely. A fair girl, of medium height and slender, with reddish, gold hair and a dark mole near her left eyebrow.”

“No, I don’t remember the name. Them stage people has names they change as often as their rooms. They comes and they goes. No, I don’t call that one to mind.”

No. Always no. Five months of ceaseless interrogation and the inevitable negative. So much time spent by day in questioning managers, agents, schools and choruses; by night among the audiences of theatres from all-star casts down to music halls so low that he dreaded to find what he most hoped for. He who had loved her best had tried to find her. He was sure that since her disappearance from home this great, water-girt city held her somewhere, but it was like a monstrous quicksand, shifting its particles constantly, with no foundation, its upper granules of to-day buried to-morrow in ooze and slime.

The furnished room received its latest guest with a first glow of pseudo-hospitality, a hectic, haggard, perfunctory welcome like the specious smile of a demirep. The sophistical comfort came in reflected gleams from the decayed furniture, the ragged brocade upholstery of a couch and two chairs, a foot-wide cheap pier glass between the two windows, from one or two gilt picture frames and a brass bedstead in a corner.

The guest reclined, inert, upon a chair, while the room, confused in speech as though it were an apartment in Babel, tried to discourse to him of its divers tenantry.

A polychromatic rug like some brilliant-flowered rectangular, tropical islet lay surrounded by a billowy sea of soiled matting. Upon the gay-papered wall were those pictures that pursue the homeless one from house to house – The Huguenot Lovers, The First Quarrel, The Wedding Breakfast, Psyche at the Fountain. The mantel’s chastely severe outline was ingloriously veiled behind some pert drapery drawn rakishly askew like the sashes of the Amazonian ballet. Upon it was some desolate flotsam cast aside by the room’s marooned when a lucky sail had borne them to a fresh port – a trifling vase or two, pictures of actresses, a medicine bottle, some stray cards out of a deck.

One by one, as the characters of a cryptograph become explicit, the little signs left by the furnished room’s procession of guests developed a significance. The threadbare space in the rug in front of the dresser told that lovely woman had marched in the throng. Tiny finger prints on the wall spoke of little prisoners trying to feel their way to sun and air. A splattered stain, raying like the shadow of a bursting bomb, witnessed where a hurled glass or bottle had splintered with its contents against the wall. Across the pier glass had been scrawled with a diamond in staggering letters the name “Marie.” It seemed that the succession of dwellers in the furnished room had turned in fury – perhaps tempted beyond forbearance by its garish coldness – and wreaked upon it their passions. The furniture was chipped and bruised; the couch, distorted by bursting springs, seemed a horrible monster that had been slain during the stress of some grotesque convulsion. Some more potent upheaval had cloven a great slice from the marble mantel. Each plank in the floor owned its particular cant and shriek as from a separate and individual agony. It seemed incredible that all this malice and injury had been wrought upon the room by those who had called it for a time their home; and yet it may have been the cheated home instinct surviving blindly, the resentful rage at false household gods that had kindled their wrath. A hut that is our own we can sweep and adorn and cherish.

The young tenant in the chair allowed these thoughts to file, soft-shod, through his mind, while there drifted into the room furnished sounds and furnished scents. He heard in one room a tittering and incontinent, slack laughter; in others the monologue of a scold, the rattling of dice, a lullaby, and one crying dully; above him a banjo tinkled with spirit. Doors banged somewhere; the elevated trains roared intermittently; a cat yowled miserably upon a back fence. And he breathed the breath of the house – a dank savour rather than a smell – a cold, musty effluvium as from underground vaults mingled with the reeking exhalations of linoleum and mildewed and rotten woodwork.

Then, suddenly, as he rested there, the room was filled with the strong, sweet odour of mignonette. It came as upon a single buffet of wind with such sureness and fragrance and emphasis that it almost seemed a living visitant. And the man cried aloud: “What, dear?” as if he had been called, and sprang up and faced about. The rich odour clung to him and wrapped him around. He reached out his arms for it, all his senses for the time confused and commingled. How could one be peremptorily called by an odour? Surely it must have been a sound. But, was it not the sound that had touched, that had caressed him?

“She has been in this room,” he cried, and he sprang to wrest from it a token, for he knew he would recognize the smallest thing that had belonged to her or that she had touched. This enveloping scent of mignonette, the odour that she had loved and made her own – whence came it?

The room had been but carelessly set in order. Scattered upon the flimsy dresser scarf were half a dozen hairpins – those discreet, indistinguishable friends of womankind, feminine of gender, infinite of mood and uncommunicative of tense. These he ignored, conscious of their triumphant lack of identity. Ransacking the drawers of the dresser he came upon a discarded, tiny, ragged handkerchief. He pressed it to his face. It was racy and insolent with heliotrope; he hurled it to the floor. In another drawer he found odd buttons, a theatre programme, a pawnbroker’s card, two lost marshmallows, a book on the divination of dreams. In the last was a woman’s black satin hair bow, which halted him, poised between ice and fire. But the black satin hair-bow also is femininity’s demure, impersonal, common ornament, and tells no tales.

And then he traversed the room like a hound on the scent, skimming the walls, considering the corners of the bulging matting on his hands and knees, rummaging mantel and tables, the curtains and hangings, the drunken cabinet in the corner, for a visible sign, unable to perceive that she was there beside, around, against, within, above him, clinging to him, wooing him, calling him so poignantly through the finer senses that even his grosser ones became cognisant of the call. Once again he answered loudly: “Yes, dear!” and turned, wild-eyed, to gaze on vacancy, for he could not yet discern form and colour and love and outstretched arms in the odour of mignonette. Oh, God! whence that odour, and since when have odours had a voice to call? Thus he groped.

He burrowed in crevices and corners, and found corks and cigarettes. These he passed in passive contempt. But once he found in a fold of the matting a half-smoked cigar, and this he ground beneath his heel with a green and trenchant oath. He sifted the room from end to end. He found dreary and ignoble small records of many a peripatetic tenant; but of her whom he sought, and who may have lodged there, and whose spirit seemed to hover there, he found no trace.

And then he thought of the housekeeper.

He ran from the haunted room downstairs and to a door that showed a crack of light. She came out to his knock. He smothered his excitement as best he could.

“Will you tell me, madam,” he besought her, “who occupied the room I have before I came?”

“Yes, sir. I can tell you again. ’Twas Sprowls and Mooney, as I said. Miss Bretta Sprowls it was in the theatres, but Missis Mooney she was. My house is well known for respectability. The marriage certificate hung, framed, on a nail over – ”