Mrs. Lang
The Book of Princes and Princesses
UNE REINE MALHEUREUSE
On the day that the whole of Lisbon was convulsed by the most terrible earthquake that Europe has ever seen – and by the tidal wave that followed after it – a little daughter was born, far away in Vienna, to the empress Maria Theresa. The baby, who bore the names of Marie Antoinette Josepha Jeanne, was the youngest of several children; and three of her brothers, as well as her father Francis, wore the Imperial crown. From the first she was her father's favourite, and, as far as he was able to find leisure for her, his companion. Of course, being emperor, there were a great many duties which he had to perform, but he was not so clever at business as his wife, who was the heiress of Austria and Hungary.
'We will die for our king Maria Theresa,' shouted the Hungarian parliament, when she first appeared before them; and a 'king' she was till the day of her death.
The empress was a good mother, and was very fond of her children; but she could not have them much with her when they were little. Sometimes a whole week would slip by without her seeing them, but they had an excellent doctor of their own, who visited them daily, and made careful reports about their health. Maria Theresa was also most anxious about their being properly taught, but unluckily she was deceived in their governesses, who were good-natured, lazy people. 'The children were so clever,' these ladies would say one to the other, 'they really could do without learning lessons like other girls. And besides, were they not princesses, and what need had they to be always poring over books?' So Marie Antoinette and her sisters bade fair to grow up in perfect ignorance of everything except Italian, in which Metastasio the poet was their master.
This state of things might have gone on much longer had not Marie Antoinette remarked one day, in her mother's hearing, that her copies were always pencilled for her before she wrote them. This startled the empress, and, in her usual energetic manner, she began making inquiries as to the methods of teaching pursued by her daughter's governesses. The end of it was that these ladies were dismissed, and the Comtesse de Brandès, a clever and trustworthy woman, took charge of the education of the young archduchess. The change was very much for the better, but it came rather late for Marie Antoinette. She had never been forced to fix her attention steadily upon anything, or to do anything that she did not like. The slightest sound would distract her thoughts, and she would break off in the midst of the 'History of the Thirty Years' War,' or the account of the appearance of John Sobieski before the walls of Vienna, to wonder if she would be allowed to appear at the approaching fête, or what operas would be given in the coming week. For Marie Antoinette, like all her family, was extremely fond of music, and though she could never play well herself on any instrument, she had a sweet voice, which was carefully cultivated. When she was nearly seven years old there was great excitement in the palace of Schönbrünn, near Vienna, at the news that a little boy called Mozart, younger even than Marie Antoinette, was coming from Salzburg to play to them. 'What instrument did he play on? Oh! both the harpsichord (a sort of piano), and the violin. And he could compose too! Think of that, at six years old! Would Wednesday never come, that they might hear him!'
Wednesday did come, after long waiting, and there entered a little figure in court dress, with a wig and sword all complete. He was followed by his father and mother, and sister Marianne, who, though five years older than himself, was far more shy than he was. Wolfgang, indeed, was not shy at all: it was his music he was thinking of, not himself; he came forward towards the harpsichord, stopping, when he remembered his manners, to make a funny little bow right and left. The archdukes and their sisters gazed at him as if he was a being from another world, and could hardly contain their delight when the emperor mentioned a short composition which the boy was to play with one finger. It could not have been very interesting, but it was a very difficult thing to do, and Wolfgang did it to perfection. When it was over, he wriggled down off his high stool, and bowed three times, waiting for the emperor to tell him what he wished for next. Francis praised his cleverness, then, taking up a piece of silk from a chair, he said: 'See, I will arrange this over the keys, and you must play me a minuet without looking at the notes.' This was just the sort of thing that pleased Wolfgang; he gave a little laugh of satisfaction, and wriggled on to his stool again. In a moment the notes rang out clear, and the children looked at each other and longed to dance to them.
'Well done, my boy,' cried the emperor; 'now you shall choose.' Then Wolfgang turned to a composer attached to the court who had been eagerly watching his fingers.
'I will play a concerto of yours, and you must turn over for me.' And when the concerto was over, and the Emperor inquired how he had liked the performance, the musician answered in the heartiest tones, that never had it sounded so well.
'I think so, too,' said the empress, and signed to the child to go over to her. In his haste to obey he slipped on the shining floor, and fell down, his sword clattering as if it had been a man's. Marie Antoinette, who was nearest to him, ran to pick him up, and he thanked her with a smile, saying: 'You are very kind; I should like to marry you.' Then, without waiting for a reply, walked with careful steps up to the empress, and jumped on her lap.
Wolfgang was a great man when he returned to Salzburg, and everybody he saw asked the same questions about the imperial family.
'And when you had finished, what did her majesty say to you?'
'She said, "Are you tired?"'
'And what did you answer?'
'I said "No, your majesty."'
'Did she say nothing more?'
'She said "You play very well."'
'And what did you reply to that?'
'I said, "Thank you, your majesty."'
For some time after little Mozart went away the beautifully painted stool in front of the harpsichord was never empty; but by-and-by the children's zeal wore off, and their mother was too busy to see that they practised daily. They passed most of their time at Schönbrünn, which both the emperor and empress preferred to Vienna, and it was so near the capital that ministers and ambassadors could easily drive out to consult them when needful. In their leisure moments, which were few, it rested them to watch the growth of their flowers, or to plan alterations in their garden, while the empress would sometimes go to see the poor in their cottages, and take Marie Antoinette with her.
But, in the summer of 1765, when the little archduchess was nine years old, a break suddenly occurred in their peaceful, happy life. The emperor was obliged to go to Innsprück, and had already bidden farewell to his family and entered his carriage, when he suddenly ordered the coachman to stop.
'Be kind enough to bring me, the Archduchess Marie Antoinette,' he said to the equerry; and soon the little girl was flying down the road. 'Good-bye, my darling, good-bye,' he whispered, taking her in his arms; 'now run home again.' And as she disappeared round a corner he remarked to his equerry: 'I just wanted to see her once more.'
It was as if he had guessed what would befall him, for, shortly after, news was received that he had died on his journey. The empress had loved her husband dearly, but she was not the sort of person to shut herself up with her grief, and before the year was out an event happened which occupied all her thoughts. This was a hint let fall by Louis XV., king of France, of a marriage, by-and-bye, between his grandson the dauphin and Marie Antoinette. The plan was to be kept entirely secret for the present, but the empress was greatly pleased, unlike the bridegroom's mother, or his aunt the strong-willed madame Adelaide. The dauphine, mother of the young Louis, was a Saxon princess, and wished her son to marry his Saxon cousin. The dauphin, a good-natured, heavy, ill-mannered youth, did not wish to marry anybody, or indeed do anything except hunt – but he was not consulted. Still, out of respect to his daughter-in-law (and perhaps because he was a little afraid of her), the French king kept a profound silence on the matter to all but the empress, till things were suddenly altered by the death of the dauphine in 1767. Then, no one knew how, the marriage began to be spoken of in Paris, and much more openly at Vienna, to the great embarrassment of the French ambassador. Louis XV. had already an Austrian great-granddaughter, for the emperor Joseph II. had some years before married the Infanta Isabel, and they had one little girl, named Maria Theresa, after her grandmother. Unfortunately the young empress was seized with smallpox, which was the scourge of those times, and died, while her sister-in-law, the Archduchess Josepha, likewise fell a victim to the same disease a few days later, just as she was starting off to be married. Joseph, in terror lest his little girl should be the next victim, had her inoculated, as people were before vaccination was introduced, and wrote to tell Louis XV., who was very anxious about her, that she was getting on very well. With his letter went one from the little archduchess herself.
'I know, dear grandpapa, that you love me, so I write to tell you that I am quite well, and that I had only fifty spots, which I am very glad of. How I wish I could show them to you, and hug you, for I am very fond of you.'
Now, although not a word had been said to Marie Antoinette as to the fate that was in store for her, she was quite clever enough to guess a great deal that was happening. In the first place two French actors arrived in Vienna to teach her how to speak clearly and prettily. They were followed by the abbé de Vermond, who instructed her in the history of France and its literature, while the celebrated Noverre gave her lessons in dancing and the French mode of curtseying, which was far more difficult to learn than the curtsey practised in Vienna. Marie Antoinette delighted in the hours she spent over her dancing, and those passed in playing on the clavecin, under Glück, whose opera of 'Orfeo' had just been finished; but her new teachers found the same fault that the old ones had done, that she must have everything told her like a child if it was to dwell in her memory. She never got impatient or cross, in fact she tried to turn everything into a joke; but the abbé discovered her to be ignorant and inattentive, and though she had plenty of good sense, she disliked being made to think. And in all this she was not different from a hundred thousand other little girls!
'I shall never forget,' said the dauphine, holding out her hand for Choiseul to kiss, 'I shall never forget that it is you who have made my happiness.'
'And that of France,' answered the minister. And then the royal carriage drove out and the king dismounted, followed by his daughters, and Marie Antoinette fell on her knees before him, as her mother had bidden her. But Louis raised her and kissed her, and presented the dauphin, who took far less interest in the bride than his grandfather. For some reason or other, the court of France had not expected the future queen to be more than tolerably good-looking, and when she entered the royal apartments where the princes of the blood were awaiting her, led by the king and the dauphin, they were all startled by her beauty. It was not only the brilliant complexion, the fair hair with hardly a touch of powder, or the bright blue eyes which they admired, it was the sort of radiance of expression, the life and power of enjoyment, shown in the pictures painted at that time. And she had charms besides, which in the French court were more dearly prized than mere loveliness; she had an air of distinction and dignity not always possessed by people of high birth. She was tall for her age, and held herself well, and could answer the fine compliments that were then in fashion, with equal grace and courtesy.
The ceremony of presentation that now took place would have been rather alarming to most young princesses. One by one the king introduced his cousins. First the duc d'Orléans and his son the duc de Chartres (hereafter to become Philippe Egalité, and lose his head on the guillotine), then the whole Condé family, and the duc de Penthièvre and his son, and the lovely princesse de Lamballe; then those who were more remote. After each one had bowed or curtseyed, he or she sat on an armchair and when all the armchairs were full, as in a game, the duc d'Orléans, the senior prince of the blood, rose, bowed again, and backed to the door, followed by the rest in order of precedence.
The following morning a number of splendid carriages drawn by six or eight long-tailed horses, might have been seen on the road from Compiègne to Paris. The king's coach, containing the bride and bridegroom, drew up at the doors of the Carmelite convent at St. Denis, where the princess Louise was a professed nun. Here they entered, accompanied by madame Adelaide, madame Victoire, and madame Sophie, who were anxious to take this opportunity of seeing their sister, for the Carmelite rule was very strict, and visitors, even royal ones, were rare. The gentle sœur Louise was delighted with her new niece, and still more pleased when she learnt that it was she and not the king, who had wished to pay the visit, while on her side Marie Antoinette had a sense of rest in the presence of the nun, which she never felt when with the other princesses. But the king soon rose, good-byes were said, and the carriages rolled along outside Paris to La Muette in the Bois de Boulogne, where the dauphin's younger brothers, the comte de Provence and the comte d'Artois were ready to receive them. The elder boy was serious and heavy, like the dauphin, but the younger was bright and gay, and at once made friends with his sister-in-law. But best of all were the two little princesses, madame Clotilde, the king's favourite, and madame Elizabeth, the girl who in after years stood by Marie Antoinette in all her trials, and followed her to the guillotine. However, no shadows lay over that warm May day when the dauphine set out from La Muette for Versailles, for the celebration of her marriage in the chapel. The Swiss Guards were drawn up before the palace, the same corps which, twenty-two years after, were cut down before the Tuileries in defending Marie Antoinette and her husband, and they presented arms as she got down from her carriage, and went to change her dress in the rooms which she was temporarily to occupy.
At one o'clock she appeared again, dressed in a white brocade dress, looped back over panniers. Holding her hand high in the air walked the dauphin, wearing the robes of the Order of the St. Esprit, glittering with diamonds and gold. Although more than a year older than the archduchess, he looked like a clumsy boy by her side, and instead of his gorgeous garments lending him dignity they seemed to smother him. After the princes of the blood and their attendants came the bridegroom's two brothers, then followed the king leading princess Clotilde, mesdames his daughters, and a train of seventy of the noblest ladies of France. The blessing was given by the archbishop of Paris, grand almoner to the king, and then the royal family signed the register, but their writing was so very bad that it could hardly be read.
The rest of the day was passed in the manner usual at royal weddings: fêtes were held during the afternoon; at six, card tables were set, and the public were admitted to stare at them while they were playing at cavagnol or lansquenet; at half-past nine they had supper in the new hall of the opera house. Marie Antoinette went through it all with the life and spirit she put into everything, though she could hardly have helped feeling irritated with the bored face of her bridegroom. Next day seemed very long indeed to her – and to him also. Etiquette did not allow him to hunt, and he cared for nothing else; and though she tried to forget that she had a husband, and only to think of the gaiety about her, yet the gloomy youth at her side weighed down her spirits, and no doubt all the excitement of the last few days had tired her. When, the next morning, the dauphin set out with a beaming countenance to hunt with the king, she felt quite relieved, and glad to spend a few quiet hours with her dog and her lady-in-waiting. Still, just now she was not allowed much time to feel lonely, for she seemed always dressing and undressing to go to some brilliant festivity. One evening a great ball was given, at which even madame Clotilde was allowed to appear, and a young princess of Lorraine, Marie Antoinette's cousin, was present. For two hundred years the French nobles had always been jealous of the dukes of Lorraine, and never lost any chance of being rude to them; so when they heard that the king had allotted the princess a place in the first state quadrille, they ordered their wives and daughters to stay at home. Of course the ladies were all bitterly angry, and wept tears of disappointment; but they sobbed in vain, and it was only when a special order from the king arrived, that the injured nobles were forced to give way – to the great delight of their families.
The marriage rejoicings were to end by a display of fireworks given by the City of Paris, intended to be the most wonderful ever seen. They were to be sent up from the Place Louis XV. which later changed its name to the Place de la Revolution, and then to the Place de la Concorde, and the wide space was filled with wooden platforms for the spectators, grouped round a Temple of Hymen. After streams of flame from the mouths of the dolphins, and rockets and fire-balls had fascinated the people, the scene was to be crowned by the ascent of the temple into the air, where it was to burst into a thousand fiery fragments. Holding their breath, the dense crowds watched the temple rising into the sky, and a gasp of admiration followed its explosion. So intent were they in gazing at the spectacle that they never noticed that one of the burning rockets had fallen on a platform standing at the back till the wood was flaming up behind them. Had they kept their presence of mind they might all have got safely away, but the panic spread as quickly as the fire, and there was a general rush to the side where the carriages stood, as that was the only part of the Place not blocked by the wooden buildings. In their mad flight they dashed up against the horses, which, already excited by the noise of the fireworks, plunged and tried to bolt; many of the fugitives were trampled under their feet, or fell, for others to fall over them. Some struggled through, but, blinded with terror, could not see where they were going, and stumbled over the bank into the river, which ran close by. Now, owing to an accidental delay, the dauphine, who was to drive to the Place Louis XV. with mesdames, had been delayed in starting, and only arrived when the panic was at its height. She was horror-stricken at the sights and sounds around her, and when she found there was nothing to be done at the moment, directed the coachman to return to the palace. All night long the cries and groans rang in her ears, and as soon as it was daylight both she and the dauphin sent all the money they had to the chief of the police, begging him to lay it out for the good of the sufferers from the fire.
From these, and many other acts of kindness, the bride became very popular with the Parisians, over whom she was some day to rule; and her mother was forced to write and warn her not to put too much faith in their loyalty, or to think herself the piece of perfection they called her, for they were very fickle, and easily threw down their old idols, to worship new ones in their stead. Marie Antoinette replied dutifully to her mother's letters, but, being young, put little faith in her counsels. What the empress said might be true of most people, she thought, but it could never be true of her. So she smiled and danced, and beamed with happiness – till the crash came, and she laid her head down on the Place Louis XV., where the guillotine was erected.
Like the king's own mother, the little duchesse de Bourgogne, and Louis XIV., she became the pet and plaything of the dauphin's grandfather. Louis XV. enjoyed being treated by her in a friendly, unceremonious fashion, and her spirits and gaiety roused him from the boredom which had been the bane of his life. 'Mon papa,' she called him when they were alone, and she would fling herself into his arms, and tell all that she had heard and seen, and the amusements she had invented. How that when they were next at Fontainebleau she meant to have donkey rides with her friends every day in the forest, and then she would take long walks, as she used to do at Schönbrünn – nobody at Versailles seemed to have any legs at all; and by-and-bye, when the bad weather came, she would have singing lessons again, and study the harp. Perhaps she might even read some history, if the snow was not hard enough for sledging! Yet, in spite of Marie Antoinette's power of being happy, she had many difficulties, to fight against, though she was often unconscious of the fact. Mesdames, with whom she passed much of her time, were fond of her and kind to her, but unluckily the eldest of the three, madame Adelaide, had the strongest will and the worst temper, and the other two were afraid of opposing her, lest they should make her angry. Besides being strong-willed and bad-tempered, madame Adelaide had very little common-sense and a great deal of pride, and often gave the dauphine advice which got her into trouble. Then, at first, the dauphin, who was very shy, and not at all clever, held aloof from her, and left her to pass her time as best she could while he was away hunting. But after a while his timidity wore off, they became good friends, and he consulted her and asked her opinion on all sorts of subjects. When a couple of years had passed, he had grown so far like other people that he would be present at the little dances of intimate friends which Marie Antoinette gave once a week in her own apartments, and allowed proverbs and comedies to be played in his own rooms, which amused them much and cost but little. Sometimes Marie Antoinette herself would act, with her brother-in-law the comte de Provence, or they would have music, when fat and friendly princess Clotilde would accompany herself on the guitar, and Marie Antoinette would sing also. At length, to the dauphin's great delight, she declared her intention of hunting on horseback, which no dauphine had done for hundreds of years. When every other amusement failed there were cards – always cards – which the king's aunts preferred to everything else.
The years sped gaily on to the young dauphine, who never heard, or did not heed, the rumblings of the discontent of the starving and down-trodden people. She herself was always kind to them, not merely in words but in taking trouble, which is much harder work. Yet the flattery she received from the friends who were constantly with her had worked her evil. She fancied herself all-powerful, and became vexed and impatient if her wishes were not immediately carried out. She began to meddle in politics, too, of which she knew absolutely nothing, and in this, though she would have been shocked to think it, she worked positive harm.
In May, 1774, a change came into her life. The king had been taken ill of small-pox about a fortnight earlier in the cottage of the Little Trianon, where he was having supper, and was hastily removed in a carriage to the palace of Versailles. It was curious to note the total indifference with which his subjects, especially the Parisians, received the news of his danger. Louis the Well-Beloved, as the child of five had been named, was passing away, and Louis the Wished-for was to take his place. Nobody cared – nobody pretended to care – except his daughters. Only Marie Antoinette, to whom he had always been kind, was really sorry, and offered to stay with him and mesdames; but, being forbidden, she shut herself up in her own room, where her sisters and brothers-in-law, bewildered with the strangeness of it all, gathered around her. The dauphine felt bewildered too, in the midst of her grief.
'I feel as if the skies were falling on me,' she said. As for the dauphin, he had given orders that the moment the king died the carriage should be ready to go to Choisy.
So they waited, watching the lighted candle in the window of the sick room, which was to be extinguished the moment the king had ceased to breathe. He could not see the sunset – that they knew; but there was something awful in that solemn silence. Suddenly a noise was heard outside, and madame de Noailles entered.
'The courtiers are in the Œil-de-Boeuf, Madame,' she exclaimed; 'will your Majesties deign to go there to receive them?'
Arm-in-arm, the queen of eighteen and the king of nineteen advanced into the room, where the duc de Bouillon, grand chamberlain, came forward to meet them. As they paused in the doorway he threw himself on one knee: 'The king is dead,' he said. 'Long live the king!'
Many years ago, an old lady who had passed her hundredth birthday, told the writer of this story that on a cold day in January, 1793, she went to a children's party in London. The house was large, and was filled with little boys and girls all eager to begin to dance on the beautifully polished floor. The musicians had already tuned up, and the eager faces of the little guests were turned towards the door, waiting for their hostess to enter. At length she came, dressed in black, her eyes red with weeping. 'Children,' she said, 'you must all go home. I have just heard the king of France is dead.'
The king was Louis le Désiré, the husband of Marie Antoinette, who had died on the guillotine.
