Морган Райс
Arena One: Slaverunners
Suddenly, the slaverunner makes a sharp left, heading down Broadway. I follow, and as I do, I am shocked by what I see before me: an enormous cement wall, like a prison wall, rises high into the sky, topped with barbed wire. The wall stretches as far as I can see, blocking off Times Square from whatever lies south of it. As if trying to keep something out. There is an opening in the wall, and the slaverunners drive right through it; as they pass through, a massive iron gate suddenly bangs down behind them, shutting them off from me.
I slam on the brakes, screeching to a halt right before we smash into the gate. Beyond it, the slaverunners are taking off. It is too late. I have lost them.
I can’t believe it. I feel numb. I sit there, frozen, in the silence, our car stopped for the first time in hours, and feel my body trembling. I hadn’t foreseen this. I wonder why this wall is here, why they would wall off a part of Manhattan. What they would need protection from.
And then, a moment later, I have my answer.
An eerie noise rises up all around me, the sound of screeching metal, and the hair raises on the back my neck. People rise up from the earth, popping up from manholes in every direction. Biovictims. All throughout Times Square. They are emaciated, dressed in rags, and look desperate. The Crazies.
They really do exist.
They rise from the earth, all around us, and head right for us.
Twelve
Before I can even react, I sense movement high above, and look up. Standing up high, atop the wall, are several slaverunners, wearing their black facemasks, holding machine guns. They aim them down at us.
“DRIVE!” Ben screams, frantic.
I’m already stepping on the gas, tearing out of there, as the first gunshots ring out. A hail of fire pours down on the car, bouncing off the roof, off the metal, off the bulletproof glass. I only pray it doesn’t slip through the cracks.
Simultaneously, the Crazies rush us from all sides. One of them reaches back and throws a glass bottle with a burning rag on it. A Molotov cocktail lands right before our car and explodes, the flames rising before us. I swerve just in time, and the flames graze the side of our car.
Another comes running up and jumps on the windshield. He grabs on and won’t let go, his face snarling at me through the glass, inches away. I swerve again, scraping against a pole, knocking him off.
Several more jump on the hood and trunk, weighing us down. I floor it, trying to shake them as we continue west across 42nd.
But three of them manage to hold onto our car. One of them is dragging on the cement, and another is crawling his way up the hood. He raises a crowbar and prepares to bring it down on the windshield.
I make a sharp left on Eighth Avenue, and that does it. The three of them go flying off the car and sliding across the snow on the ground.
It was a close call. Too close.
I race down Eighth Avenue, and as I do, spot another opening in the wall. Several slaverunner guards stand before it, and I realize they might not know I’m not one of theirs. After all, the Times Square entrance is an entire avenue away. If I drive right for it, confidently, maybe they’ll assume I’m one of theirs, and keep it open.
I aim right for it, going faster and faster, closing the distance. A hundred yards…fifty…thirty… I race right for the opening, and so far, it’s still open. There’s no stopping now. And if they bring it down, we’re dead.
I brace myself, and so does Ben. I’m almost expecting us to crash.
But a moment later, we are through. We made it. I exhale with relief.
We’re in. I’m doing 100 now as I race down Eighth Avenue, against the one way. I am about to make a left, to try to catch them on Broadway, when suddenly, Ben leans forward and points.
“There!” he screams.
I squint, trying to see what he’s pointing at. The windshield is still covered in blood and pine needles.
“THERE!” he screams again.
I look again, and this time I see it: there, ten blocks ahead. A group of Humvees, parked outside Penn Station. I see the slaverunner car I’ve been chasing, parked out front, exhaust still smoking. The driver is out of the car, hurrying down the steps to Penn Station, dragging Bree and Ben’s brother, both of them handcuffed, chained together. My heart leaps at the sight of her.
The empty fuel gauge is beeping louder than ever, and I gun it. All I need is a few more blocks. Come on. Come on!
Somehow, we make it. I screech up to the entrance, and am about to pull to a stop and jump out, when I realize we have lost too much time. There is only one way we’re going to catch them: I have to keep driving, right into Penn Station. It’s a steep decline down narrow, stone steps to the entrance. It’s not a staircase meant for cars, and I wonder if ours can handle it. It’s going to be painful. I brace myself.
“HOLD ON!” I scream.
I make a sharp left and floor it, gaining speed. I’m up past 140. Ben clutches the dash, as he realizes what I’m doing. “SLOW DOWN!” he screams.
But it’s too late now. We are airborne, flying over the ledge, then driving straight down the stone steps. My body is so jolted, the tires bouncing with every step, that I am unable to control the car. We fly faster and faster, carried by our own momentum, and I brace myself as we crash right through the doors of Penn Station. They fly off their hinges, and the next thing I know, we are inside.
We gain traction and I finally get control back of the car, as we drive on dry ground for the first time. We drive down another flight of steps, screeching through. There is a tremendous slam as we hit the ground floor.
We are in the huge Amtrak console, and I’m driving across the cavernous room, tires screeching as I try to even out the car. Up ahead are dozens of slaverunners, milling about. They turn and look at me with shock, clearly unable to comprehend how a car got down here. I don’t want to give them time to gather themselves. I aim right for them, like bowling pins.
They try to run out of the way, but I speed up and smash into several of them. They hit our car with a thud, bodies twisting, flying over the hood.
I keep driving, and in the distance, I see the slaverunner who kidnapped my sister. I spot Ben’s brother, being loaded onto a train. I assume Bree is already on it.
“That’s my brother!” Ben screams.
The train door closes and I gun our car one last time, for all it’s worth, aiming right for the slaverunner who stole her. He stands there like a deer in the headlights, having just shoved Ben’s brother onto the train. He stares right at me as I close in.
I smash into him, sandwiching him against the train and cutting him in half. We hit the train doing 80, and my head slams into the dash. I feel the whiplash, as we grind to a halt.
My head is spinning, my ears ringing. Faintly, I can hear the sound of other slaverunners rallying, chasing after me. The train is still moving – our car didn’t even slow it. Ben is sitting there, unconscious. I wonder if he’s dead.
It takes a superhuman effort, but somehow I peel myself out of the car.
The train is gaining speed now, and I have to run to catch up to it. I run alongside the train and finally leap, gaining a foothold on the ledge and grabbing onto a metal bar. I stick my head in a window, looking for any sign of Bree. I scramble along its outside, looking window to window, making my way towards a train door to let myself in.
The train is going so fast, I can feel the wind in my hair, as I desperately try to reach the door. I look over and my heart drops to see that we are about to enter a tunnel. There is no room. If I don’t get in soon, I will smash into the wall.
Finally, I reach over and grab the door handle. Just as I’m about to open it, a tremendous pain smashes the side of my head.
I fly through the air, landing hard on my back on the cement floor. It is a ten-foot drop, and the wind is knocked out of me as I lay there, watching the train speed away. Someone must have punched me, knocked me off the train.
I look up and see the face of a vicious slaverunner standing over me, scowling down. Several more slaverunners hurry over, too. They’re closing in around me. I’m finished.
But it doesn’t matter: the train is speeding away, and my sister is on it.
My life is already over.
Part III
Thirteen
I wake to blackness. I am so disoriented, so achy, at first I wonder if I am dead or alive. I lie face-down on a cold, metal floor, twisted in an unnatural position. I turn, slowly reach out, place my palms down, and try to push myself up.
Every movement hurts. There doesn’t seem to be any part of me that is spared from pain. As I slowly sit upright, my head is splitting. I feel dizzy, nauseous, weak, and hungry all at the same time. I haven’t eaten in at least a day. My throat is parched. I feel like I’ve been put through a blender.
I sit there, my head spinning, and finally I realize that I’m not dead. Somehow, I am still alive.
I look around the room, trying to get my bearings, wondering where I am. It is black in here, and the only light filters in through a narrow slit underneath a door, somewhere on the far side of the room. It is not enough to see anything.
Gradually, I rise to one knee, holding my head, trying to alleviate the pain. Just this small gesture makes my world spin. I wonder if I’ve been drugged, or if I’m just dizzy from the endless string of injuries I sustained in the last 24 hours.
With a supreme effort, I force myself to my feet. Big mistake. All at once, I feel pain from at least a dozen different areas: the wound in my arm; my cracked ribs; my forehead, from where it smashed against the dashboard; and from the side of my face. I reach up and feel a big welt; that must be where the slaverunner punched me.
I try to remember… Penn Station…running over slaverunners…smashing into the train…running for the train…jumping onto it…and then being hit… I think back and realize Ben didn’t accompany me. I remember him sitting in the car, unconscious. I wonder if he survived the crash at all.
“Ben?” I call out tentatively, into the darkness.
I wait, hoping for a response, hoping maybe he is in here with me. I squint into the blackness, but am unable to see anything. There is nothing but silence. My sense of dread deepens.
I wonder again if Bree was on that train, and where it was going. I recall seeing Ben’s brother on it, but I can’t remember actually seeing Bree. I am surprised any train still works these days. Could they be transporting them to Arena One?
None of that matters now. Who knows how many hours I’ve been out, how much time I’ve lost. Who knows where the train was headed, or how many hundreds of miles it has already gained. There is no way I can catch up to them – assuming I can even escape from here. Which I doubt. I feel a sense of anguish and despair as I realize that it was all for nothing. Now, it is just a matter of awaiting my punishment, my certain death, my retribution from the slaverunners. They will probably torture me, then kill me. I just pray it’s over quickly.
I wonder if there is any possible way I can escape from here. I take a few tentative steps in the blackness, holding my hands out in front of me. Each step is agony, my body so weary, heavy with aches and pains. It is cold in here, and I am trembling; I haven’t been able to get warm for days, and I feel like I’m running a fever. Even if by some chance I can find a way to escape, I doubt I’m in shape to get very far.
I come to a wall and run my hands along it as I move about the room, making my way toward the door. Suddenly, I hear a noise from outside. This is followed by the sound of footsteps, several pairs of combat boots marching along steel floors. They echo ominously in the darkness as they get closer.
There is a rattling of keys, and the door to my cell is pushed open. Light floods the interior, and I raise my hands to my eyes, blinded.
My eyes haven’t adjusted yet, but I see enough to make out silhouettes of several figures in the entrance. They are tall and muscular, and looked to be dressed in slaverunner uniforms, with their black facemasks.
I slowly lower my hands as my eyes adjust. There are five of them. The one standing in the center silently holds out a pair of open handcuffs. He doesn’t speak or move, and from his gesture, it seems clear I’m supposed to walk over and allow him to cuff me. It seems they are waiting to take me somewhere.
I quickly survey my cell, now that it is flooded with light, and see it is a simple room, ten by ten feet, with steel floors and walls, and nothing in it to speak of. And no way to escape. I slowly run my hands along my waist and feel that my weapon belt has been stripped and taken away. I’m defenseless. It would be no use in trying to fight these well-armed soldiers.
I don’t see what I have to lose by allowing them to cuff me. It’s not like I have a choice. Either way, this will be my ticket out of here. And if it’s a ticket to my death, at least I’ll get it over with.
I walk slowly to them and turn around. They clamp the cold, metal cuffs down on my wrists, way too tightly. Then they grab me from behind, by my shirt, and shove me into the corridor.
I stumble down the hallway, the slaverunners right behind me, their boots echoing like the Gestapo. The halls are sporadically lit by dim emergency lights, every twenty feet or so, each offering just enough light to see by. It is a long, sterile hallway with metal floors and walls. I am shoved again, and increase my pace. My body protests each step, but the more I walk, the more the stiffness begins to loosen.
The hall ends and I’ve no choice but to turn right. It opens in the distance. I’m shoved again as I am marched down this new corridor, and next thing I know, I am standing in a vast and open room filled with hundreds of slaverunners. They are lined up in neat rows along the walls, forming a semi-circle, dressed in their black uniforms and facemasks. We must still be underground somewhere, as I spot no windows or natural light, the gloomy room lit only by torches placed along the walls, crackling in the silence.
In the center of the room, on the far side, is what I can only describe as a throne – an enormous chair built atop a makeshift wooden platform. On this chair sits a single man, clearly their leader. He looks young, maybe in his 30s, yet has an odd shock of white hair, sticking straight up and extending out in every direction, like a mad scientist. He wears an elaborate uniform made of green velvet, with military buttons all along it, and high collars framing his neck. He has large, grey, lifeless eyes, which bulge open and stare back at me. He looks like a maniac.
The rows of slaverunners part ways, and I’m shoved from behind. I stumble forward, toward the center of the room, and am guided to stand before their leader.
I stand about ten yards away, looking up at him, the slaverunners standing guard behind me. I can’t help wondering if they’re going to execute me on the spot. After all, I’ve killed many of theirs. I scan the room for any sign of Bree, or Ben, or his brother. There is no one. I am alone.
I wait patiently in the tense silence, as the leader looks me up and down. There is nothing I can do but wait. Apparently, my fate is now in the hands of this man.
He looks at me as if I were a thing of prey, and then, after what feels like forever, he surprises me by slowly breaking into a smile. It is more of a sneer, marred by the huge scar running along his cheek. He begins to laugh, deeper and deeper. It is the coldest sound I’ve ever heard, and it echoes in the dim room. He stares down at me with glistening eyes.
“So, you are the one,” he says finally. He voice is unnaturally gravelly and deep, as if it belongs to a hundred-year-old man.
I stare back, not knowing how to respond.
“You are the one that has wreaked such havoc among my men. You are the one that managed to chase us all the way into the city. Into MY city. New York is mine now. Did you know that?” he asks, his voice suddenly becoming sharp with fury, as his eyes bulge. His arms tremble as he clutches the chair. He looks like he’s just escaped from a mental hospital.
Again, I don’t know how to respond, so I remain silent.
He slowly shakes his head.
“A few others once tried – but no one has ever managed to cross into my city before. Or come all the way down to my home. You knew it would mean certain death. And yet still, you came.” He looks me up and down.
“I like you,” he concludes.
As he stares at me, summing me up, I feel more and more uncomfortable, bracing myself for whatever is to come.
“And look at you,” he continues. “Just a girl. A stupid, young girl. Not even big, or strong. With hardly any weapons to speak of. How can it be that you killed so many of my men?”
He shakes his head.
“It is because you have heart. That is what is valuable in this world. Yes, that is what is valuable.” He suddenly laughs. “Of course, you did not succeed, though. How could you? This is MY city!” he shrieks, his body shaking.
He sits there, trembling, for what feels like forever. My sense of apprehension deepens; clearly, my fate is the hands of a maniac.
Finally, he clears his throat.
“Your spirit is strong. Almost like mine. I admire it. It is enough to make me want to kill you quickly, instead of slowly.”
I swallow hard, not liking the sound of this.
“Yes,” he continues, staring. “I can see it in your eyes. A warrior’s spirit. Yes, you are just like me.”
I don’t know what he sees in me, but I pray that I am nothing like this man.
“It is rare to find someone like you. Few have managed to survive out there, all these years. Few have such spirit… So, instead of executing you now, as you deserve, I am going to reward you. I am going to offer you a great gift. The gift of free will. A choice.
“You can join us. Become one of us. A slaverunner. You will have every luxury you can imagine – more food than you can dream of. You will lead a division of slaverunners. You know your territory well. Those mountains. I can use you, yes. You will lead expeditions, capture all remaining survivors. You will help grow our army. And in return, you will live. And live in luxury.”
He stops, staring me down, as if waiting for a response.
Of course, the thought of this makes me sick. A slaverunner. I can’t think of anything I’d despise more. I open my mouth to respond, but at first my throat is so parched, nothing comes out. I clear my throat.
“And if I refuse?” I ask, the words coming out more softly than I want.
His eyes open wide in surprise.
“Refuse?” he echoes. “Then you will be put to death in the arena. You will die a vicious death, to all of our amusement. That is your other option.”
I think hard, wracking my brain, trying to buy more time. There is no way I will ever accept his proposition – but I need to try to think of a way out.
“And what about my sister?” I ask.
He leans back and smiles.
“If you join us, I will free her. She will be free to return to the wilderness. If you refuse, of course, she will be put to death, too.”
My heart pounds at the thought of it. Bree is still alive. Assuming he is telling the truth.
I think hard. Would Bree want me to become a slaverunner if it meant saving her life? She wouldn’t. Bree would never want to be the one responsible for my kidnapping other young girls and boys, taking their lives away. I would do anything to save her. But I have to draw the line here.
“You will have to put me to death,” I finally respond. “There is no way I would ever be a slaverunner.”
There is a murmur among the crowd, and the leader reaches up and slams his palm on the chair of his arm. The room immediately quiets.
He stands, scowling down at me.
“You will be put to death,” he snarls. “And I will I have a front row seat to watch it.”
Fourteen
I am marched back down the corridor, still handcuffed. As I go, I can’t help but wonder if I made the wrong decision. Not about giving up my life – but about giving up Bree’s. Should I have said yes for her sake?
By refusing, I have effectively given her a death sentence. I feel torn by remorse. But ultimately, I can’t help but think Bree would rather die, too, than see innocent people get hurt.
I feel numb as they shove me from behind, back down the corridor from which I came, and wonder what will become of me now. Are they marching me to the arena? What will it be like? And what will become of Bree? Will they really kill her? Have they already killed her? Will they put her into slavery? Or, worst of all, will she be forced to fight in the arena, too?
And then an even worse thought comes to mind: will she be forced to fight against me?
We turn the corner to find a group of slaverunners marching towards me, leading someone. I can’t believe it. It is Ben. My heart floods with relief. He is alive.
His broken nose is swollen, there are bruises under his eyes, blood drips from his lip, and he looks as if he’s been roughed up. He looks as weak and exhausted as I do. In fact, I hope I don’t look as bad as him. He, too, stumbles down the hall, and I assume they are taking him to see their leader. I assume he will get the same offer. I wonder what he will decide.
As we walk toward each other, only a few feet away, his head hangs low and he doesn’t even see me coming. He’s either too weak, or too demoralized, to even look up. It appears he has already accepted his fate.
“Ben!” I call out.
He lifts his head, just as our paths cross, and his eyes open wide with hope and excitement. He is clearly shocked to see me. Maybe he’s surprised I’m alive, too.
“Brooke!” he says. “Where are they taking you? Have you seen my brother?”
But before I can respond we are both shoved hard from behind. A slaverunner reaches over and clamps my mouth with his disgusting, smelly palm, muffling my words as I try to call out.
A door is opened, and I am pushed back into my cell. I stumble inside and the door is slammed behind me, the metal reverberating. I spin around and bang on the door, but it’s no use.
“Let me out!” I scream, banging. “LET ME OUT!”
I realize it is no use, but somehow, I can’t stop myself from screaming. I scream at the world, at these slaverunners, at Bree’s absence, at my life – and I don’t stop screaming until I don’t know how much later.
At some point I lose my voice, tire myself out. Finally, I find myself slumped on the floor, against the wall, curled up.
My screams turn to sobs, and eventually, I cry myself to sleep.
* * *
I drift in and out of sleep. I lie curled up on the metal floor, resting my head in my hands, but it is so uncomfortable, I twist and turn. I have such fast, troubled dreams – of Bree being whipped as a slave, of myself being tortured in an arena – that, as exhausted as I am, I’d rather be awake.
I force myself up sit there, staring into the darkness, holding my head in my hands. I will myself to focus of anything that might take me away from this place.
I find myself thinking about life before the war. I am still trying to piece together exactly why Dad left, when he did, and why he never came back for us. Why Bree and I left. Why Mom wouldn’t come with us. Why things changed so much overnight. If there is anything I could have done differently. It is like a puzzle I return to over and over again.
I find myself thinking back to one day in particular, before the war began. The day when everything changed – for the second time.
It was a warm September day, and I was still living in Manhattan with Mom and Bree. Dad had been gone for over a year, and every day we waited for some sign of him. But there was nothing.
And while we all waited, day after day, the war grew worse. One day a blockade was declared; weeks later, they declared a conservation of water; then, food rations. Food lines became the norm. And from there things became even worse, as people grew desperate.
It became more and more dangerous to walk the streets of Manhattan. People started doing anything they could to survive, to find food and water, to hoard medicine. Looting became the norm, and order broke down more each day. I didn’t feel safe anymore. And more importantly, I didn’t feel Bree was safe, either.
Mom clung to her denial; like most people, she kept insisting things would go back to normal soon.
But they only got worse. Battles came closer to home. One day I heard distant explosions. I ran to the roof and saw, on the horizon, battles on the cliffs of New Jersey. Tank against tank. Fighter jets. Helicopters. Entire neighborhoods on fire.
And then, one horrible day, on the far horizon, I saw a tremendous explosion, one that was different from the others, one that shook our whole building. A mushroom cloud rose. That was the day I knew things would never get better. That the war would never end. A line had been crossed. We would slowly and certainly die here, trapped on the blockaded island of Manhattan. My Dad would be in battles forever. And he would never return.
The time for waiting was over. I knew that, for the first time in his life, Dad would not be true to his word, and I knew then what I had to do. It was time to make a bold move for the survival of what was left of our family. To do what he would want his daughter to do: to get us off this island, far from here, and into the safety of the mountains.
I had been pleading with Mom for months to accept the fact that Dad would not come home. But she kept insisting we couldn’t leave, that this was our home, that life would be even more dangerous outside the city. And most of all, that we couldn’t abandon Dad. What if he came home and we were gone?
She and I would argue about it every day until we were both red in the face, screaming at each other. We reached a stalemate. We ended up hating each other, barely talking to one another.
Then came the mushroom cloud. My Mom, unbelievingly, still refused to leave. But I had made up my mind. We were leaving – with or without her.
I went downstairs to get Bree. She had snuck out to scavenge for food; I allowed her this, since she never went far, and always came back within the hour. But this time, she was late; she had been gone for hours, and it was unlike her. I had a sinking feeling in my chest as I ran down flight after flight, determined to find her and get the hell out of here. In my hand I held a homemade Molotov cocktail. It was the only real weapon I had, and I was prepared to use it if need be.
I ran into the streets screaming her name, looking for her everywhere. I checked down every alley she liked to play in – but she was nowhere to be found. My dread deepened.
And then I heard a faint screaming in the distance. I recognized her voice, and I sprinted towards it.
After a few blocks, the screaming grew louder. Finally, I turned down a narrow alleyway and saw her.
Bree was standing at the end of an alley, surrounded by a group of attackers. There were six of them, teenage boys. One of them reached out and tore her shirt while another pulled her ponytail. She swung her backpack to try to fend them off, but it did little good. I could tell that in a matter of moments, they would rape her. So I did the only thing I could do: I lit the Molotov cocktail and threw it at the foot of the largest boy I could find…
I am jolted out of my memories by the sudden sound of creaking metal, a door slowly opening, of light flooding the room, then the door slamming. I hear chains, then footsteps, and sense another body near me in the blackness. I look up.
I’m relieved to see that it is Ben. I don’t know how much time has passed, or how long I’ve been sitting here. I sit up slowly.
Our cell is lit by dim, emergency bulbs, red, encased in metal, high up along the wall. It is just enough to see by. Ben stumbles into the cell, disoriented; he doesn’t even realize I’m here.
“Ben!” I whisper, my voice hoarse.
He wheels and sees me, and his eyes open wide in surprise.
“Brooke?” he asks tentatively.
I struggle to get to my feet, aches and pains tearing through every part of my body as I take a knee. Ben runs over, grabs my arm, and helps me stand up. I know I should be grateful for his help, but instead, I find myself resenting it: it is the first time he has touched me, and it was uninvited, and that makes me feel funny. Plus, I don’t like being helped by people in general – and especially by a boy.
So I shake off his arm and stand on my own.
“I can handle myself,” I snap at him, and my words come out too harsh. I regret it, wishing that, instead, I told him how I really felt. I wish I’d said: I’m happy you’re alive. I’m relieved that you’re here, with me.
As I think about it, I realize that I don’t quite understand why I am so happy to see him. Maybe I’m just happy to see another regular person like me, another survivor in the midst of all these mercenaries. Maybe it’s because we’ve both suffered through the same ordeal in the last 24 hours, or maybe because we’ve both lost our siblings.
Or maybe, I hesitate to wonder, it’s something else.
Ben stares back at me with his large blue eyes, and for a brief moment, I find myself losing my sense of time. His are eyes are so sensitive, so out of place here. They are the eyes of a poet, or painter – an artist, a tortured soul.
I force myself to look away. There’s something about those eyes that makes me unable to think clearly when I look back at them. I don’t know what it is, and that bothers me. I’ve never felt this way about a boy before. I can’t help wondering if I just feel connected to Ben because of our shared circumstance, or if it’s something else.
To be sure, there have been many moments when I was annoyed and angry with him – and I still find myself blaming him for everything that happened. For example, if I hadn’t stopped and saved him on the highway, maybe I’d have rescued Bree and been back home by now. Or if he hadn’t dropped my gun out the window, maybe I could have saved her in Central Park. And I wish he was stronger, more of a fighter. But at the same time, there is something about him which makes me feel close to him.
