Макс Брэнд
The Night Horseman
CHAPTER XIV
MUSIC FOR OLD NICK
A thought is like a spur. It lifts the head of a man as the spur makes the horse toss his; and it quickens the pace with a subtle addition of strength. Such a thought came to Buck Daniels as he stepped again on the veranda of the hotel. It could not have been an altogether pleasant inspiration, for it drained the colour from his face and made him clench his broad hands; and next he loosened his revolver in its holster. A thought of fighting—of some desperate chance he had once taken, perhaps.
But also it was a thought which needed considerable thought. He slumped into a wicker chair at one end of the porch and sat with his chin resting on his chest while he smoked cigarette after cigarette and tossed the butts idly over the rail. More than once he pressed his hand against his lips as though there were sudden pains there. The colour did not come back to his face; it continued as bloodless as ever, but there was a ponderable light in his eyes, and his jaws became more and more firmly set. It was not a pleasant face to watch at that moment, for he seemed to sit with a growing resolve.
Long moments passed before he moved a muscle, but then he heard, far away, thin, and clear, whistling from behind the hotel. It was no recognisable tune. It was rather a strange improvisation, with singable fragments here and there, and then wild, free runs and trills. It was as if some bird of exquisite singing powers should be taken in a rapture of song, so that it whistled snatches here and there of its usual melody, but all between were great, whole-throated rhapsodies. As the sound of this whistling came to him, Buck raised his head suddenly. And finally, still listening, he rose to his feet and turned into the dining-room.
There he found the waitress he had met before, and he asked her for the name of the doctor who took care of the wounded Jerry Strann.
"There ain't no doc," said the waitress. "It's Fatty Matthews, the deputy marshal, who takes care of that Strann—bad luck to him! Fatty's in the barroom now. But what's the matter? You seem like you was hearin' something?"
"I am," replied Daniels enigmatically. "I'm hearin' something that would be music for the ears of Old Nick."
And he turned on his heel and strode for the barroom. There he found Fatty in the very act of disposing of a stiff three-fingers of red-eye. Daniels stepped to the bar, poured his own drink, and then stood toying with the glass. For though the effect of red-eye may be pleasant enough, it has an essence which appalls the stoutest heart and singes the most leathery throat; it is to full-grown men what castor oil is to a child. Why men drink it is a mystery whose secret is known only to the profound soul of the mountain-desert. But while Daniels fingered his glass he kept an eye upon the other man at the bar.
It was unquestionably the one he sought. The excess flesh of the deputy marshal would have brought his nickname to the mind of an imbecile. However, Fatty was humming softly to himself, and it is not the habit of men who treat very sick patients to sing.
"I'll hit it agin," said Fatty. "I need it."
"Have a bad time of it to-day?" asked O'Brien sympathetically.
"Bad time to-day? Yep, an' every day is the same. I tell you, O'Brien, it takes a pile of nerve to stand around that room expectin' Jerry to pass out any minute, and the eyes of that devil Mac Strann followin' you every step you make. D'you know, if Jerry dies I figure Mac to go at my throat like a bulldog."
"You're wrong, Fatty," replied O'Brien. "That ain't his way about it. He takes his time killin' a man. Waits till he can get him in a public place and make him start the picture. That's Mac Strann! Remember Fitzpatrick? Mac Strann followed Fitz nigh onto two months, but Fitz knew what was up and he never would make a move. He knowed that if he made a wrong pass it would be his last. So he took everything and let it pass by. But finally it got on his nerves. One time—it was right here in my barroom, Fatty–"
"The hell you say!"
"Yep, that was before your time around these parts. But Fitz had a couple of jolts of red-eye under his vest and felt pretty strong. Mac Strann happened in and first thing you know they was at it. Well, Fitz was a big man. I ain't small, but I had to look up when I talked to Fitz. Scotch-Irish, and they got fightin' bred into their bone. Mac Strann passed him a look and Fitz come back with a word. Soon as he got started he couldn't stop. Wasn't a pretty thing to watch, either. You could see in Fitz's face that he knew he was done for before he started, but he wouldn't, let up. The booze had him going and he was too proud to back down. Pretty soon he started cussing Mac Strann.
"Well, by that time everybody had cleared out of the saloon, because they knowed that them sort of words meant bullets comin'. But Mac Strann jest stood there watchin', and grinnin' in his ugly way—damn his soul black!—and never sayin' a word back. By God, Fatty, he looked sort of hungry. When he grinned, his upper lip went up kind of slow and you could see his big teeth. I expected to see him make a move to sink 'em in the throat of Fitz. But he didn't. Nope, he didn't make a move, and all the time Fitz ravin' and gettin' worse and worse. Finally Fitz made the move. Yep, he pulled his gun and had it damned near clean on Mac Strann before that devil would stir. But when he did, it was jest a flash of light. Both them guns went off, but Mac's bullet hit Fitz's hand and knocked the gun out of it—so of course his shot went wild. But Fitz could see his own blood, and you know what that does to the Scotch-Irish? Makes some people quit cold to see their own blood. I remember a kid at school that was a whale at fightin' till his nose got to bleedin', or something, and then he'd quit cold. But you take a Scotch-Irishman and it works just the other way. Show him his own colour and he goes plumb crazy.
"That's what happened to Fitz. When he saw the blood on his hand he made a dive at Mac Strann. After that it wasn't the sort of thing that makes a good story. Mac Strann got him around the ribs and I heard the bones crack. God! And him still squeezin', and Fitz beatin' away at Mac's face with his bleedin' hand.
"Will you b'lieve that I stood here and was sort of froze? Yes, Fatty, I couldn't make a move. And I was sort of sick and hollow inside the same way I went one time when I was a kid and seen a big bull horn a yearlin'.
"Then I heard the breath of Fitz comin' hoarse, with a rattle in it—and I heard Mac Strann whining like a dog that's tasted blood and is starvin' for more. A thing to make your hair go up on end, like they say in the story-books.
"Then Fitz—he was plumb mad—tried to bite Mac Strann. And then Mac let go of him and set his hands on the throat of Fitz. It happened like a flash—I'm here to swear that I could hear the bones crunch. And then Fitz's mouth sagged open and his eyes rolled up to the ceiling, and Mac Strann threw him down on the floor. Just like that! Damn him! And then he stood over poor dead Fitz and kicked him in those busted ribs and turned over to the bar and says to me: 'Gimme!'
"Like a damned beast! He wanted to drink right there with his dead man beside him. And what was worse, I had to give him the bottle. There was a sort of haze in front of my eyes. I wanted to pump that devil full of lead, but I knowed it was plain suicide to try it.
"So there he stood and ups with a glass that was brimmin' full, and downs it at a swallow—gurglin'—like a hog! Fatty, how long will it be before there's an end to Mac Strann?"
But Fatty Matthews shrugged his thick shoulders and poured himself another drink.
"There ain't a hope for Jerry Strann?" cut in Buck Daniels.
"Not one in a million," coughed Fatty, disposing of another formidable potion.
"And when Jerry dies, Mac starts for this Barry?"
"Who's been tellin' you?" queried O'Brien dryly. "Maybe you been readin' minds, stranger?"
Buck Daniels regarded the bartender with a mild and steadfast interest. He was smiling with the utmost good-humour, but there was that about him which made big O'Brien flush and look down to his array of glasses behind the bar.
"I been wondering," went on Daniels, "if Mac Strann mightn't come out with Barry about the way Jerry did. Ain't it possible?"
"No," replied Fatty Matthews with calm decision. "It ain't possible. Well, I'm due back in my bear cage. Y'ought to look in on me, O'Brien, and see the mountain-lion dyin' and the grizzly lookin' on."
"Will it last long?" queried O'Brien.
"Somewhere's about this evening."
Here Daniels started violently and closed his hand hard around his whiskey glass which he had not yet raised towards his lips.
"Are you sure of that, marshal?" he asked. "If Jerry's held on this long ain't there a chance that he'll hold on longer? Can you date him up for to-night as sure as that?"
"I can," said the deputy marshal. "It ain't hard when you seen as many go west as I've seen. It ain't harder than it is to tell when the sand will be out of an hour glass. When they begin going down the last hill it ain't hard to tell when they'll reach the bottom."
"Ain't you had anybody to spell you, Fatty?" broke in O'Brien.
"Yep. I got Haw-Haw Langley up there. But he ain't much help. Just sits around with his hands folded. Kind of looks like Haw-Haw wanted Jerry to pass out."
And Matthews went humming through the swinging door.
CHAPTER XV
OLD GARY PETERS
For some moments after this Buck Daniels remained at the bar with his hand clenched around his glass and his eyes fixed before him in the peculiar second-sighted manner which had marked him when he sat so long on the veranda.
"Funny thing," began O'Brien, to make conversation, "how many fellers go west at sunset. Seems like they let go all holts as soon as the dark comes. Hey?"
"How long before sunset now?" asked Buck Daniels sharply.
"Maybe a couple of hours."
"A couple of hours," repeated Daniels, and ground his knuckles across his forehead. "A couple of hours!"
He raised his glass with a jerky motion and downed the contents; the chaser stood disregarded before him and O'Brien regarded his patron with an eye of admiration.
"You long for these parts?" he asked.
"No, I'm strange to this range. Riding up north pretty soon, if I can get someone to tell me the lay of the land. D'you know it?"
"Never been further north than Brownsville."
"Couldn't name me someone that's travelled about, I s'pose?"
"Old Gary Peters knows every rock within three day's riding. He keeps the blacksmith shop across the way."
"So? Thanks; I'll look him up."
Buck Daniels found the blacksmith seated on a box before his place of business; it was a slack time for Gary Peters and he consoled himself for idleness by chewing the stem of an unlighted corn-cob, whose bowl was upside down. His head was pulled down and forward as if by the weight of his prodigious sandy moustache, and he regarded a vague horizon with misty eyes.
"Seen you comin' out of O'Brien's," said the blacksmith, as Buck took possession of a nearby box. "What's the news?"
"Ain't any news," responded Buck dejectedly. "Too much talk; no news."
"That's right," nodded Gary Peters. "O'Brien is the out-talkingest man I ever see. Ain't nobody on Brownsville can get his tongue around so many words as O'Brien."
So saying, he blew through his pipe, picked up a stick of soft pine, and began to whittle it to a point.
"In my part of the country," went on Buck Daniels, "they don't lay much by a man that talks a pile."
Here the blacksmith turned his head slowly, regarded his companion for an instant, and then resumed his whittling.
"But," said Daniels, with a sigh, "if I could find a man that knowed the country north of Brownsville and had a hobble on his tongue I could give him a night's work that'd be worth while."
Gary Peters removed his pipe from his mouth and blew out his dropping moustaches. He turned one wistful glance upon his idle forge; he turned a sadder eye upon his companion.
"I could name you a silent man or two in Brownsville," he said, "but there ain't only one man that knows the country right."
"That so? And who might he be?"
"Me."
"You?" echoed Daniels in surprise. He turned and considered Gary as if for the first time. "Maybe you know the lay of the land up as far as Hawkin's Arroyo?"
"Me? Son, I know every cactus clear to Bald Eagle."
"H-m-m!" muttered Daniels. "I s'pose maybe you could name some of the outfits from here on a line with Bald Eagle—say you put 'em ten miles apart?"
"Nothin' easier. I could find 'em blindfold. First due out they's McCauley's. Then lay a bit west of north and you hit the Circle K Bar—that's about twelve mile from McCauley's. Hit 'er up dead north again, by east, and you come eight miles to Three Roads. Go on to—"
"Partner," cut in Daniels, "I could do business with you."
"Maybe you could."
"My name's Daniels."
"I'm Gary Peters. H'ware you?"
They shook hands.
"Peters," said Buck Daniels, "you look square, and I need you in square game; but there ain't any questions that go with it. Twenty iron men for one day's riding and one day's silence."
"M'frien'," murmured Peters. "In my day I've gone three months without speakin' to anything in boots; and I wasn't hired for it, neither."
"You know them people up the line," said Daniels. "Do they know you?"
"I'll tell a man they do! Know Gary Peters?"
"Partner, this is what I want. I want you to leave Brownsville inside of ten minutes and start riding for Elkhead. I want you to ride, and I want you to ride like hell. Every ten miles, or so, I want you to stop at some place where you can get a fresh hoss. Get your fresh hoss and leave the one you've got off, and tell them to have the hoss you leave ready for me any time to-night. It'll take you clear till to-morrow night to reach Elkhead, even with relayin' your hosses?"
"Round about that, if I ride like hell. What do I take with me?"
"Nothing. Nothing but the coin I give you to hire someone at every stop to have that hoss you've left ready for me. Better still, if you can have 'em, get a fresh hoss. Would they trust you with hosses that way, Gary?"
"Gimme the coin and where they won't trust me I'll pay cash."
"I can do it. It'll about bust me, but I can do it."
"You going to try for a record between Brownsville and Elkhead, eh? Got a bet up, eh?"
"The biggest be t you ever heard of," said Daniels grimly. "You can tell the boys along the road that I'm tryin' for time. Have you got a fast hoss to start with?"
"Got a red mare that ain't much for runnin' cattle, but she's greased lightnin' for a short bust."
"Then get her out. Saddle her up, and be on your way. Here's my stake—I'll keep back one twenty for accidents. First gimme a list of the places you'll stop for the relays."
He produced an old envelope and a stub of soft pencil with which he jotted down Gary Peters' directions.
"And every second," said Buck Daniels in parting, "that you can cut off your own time will be a second cut off'n mine. Because I'm liable to be on your heels when you ride into Elkhead."
Gary Peters lifted his eyebrows and then restored his pipe. He spoke through his teeth.
"You ain't got a piece of money to bet on that, partner?" he queried softly.
"Ten extra if you get to Elkhead before me."
"They's limits to hoss-flesh," remarked Peters. "What time you ridin' against?"
"Against a cross between a bullet and a nor'easter, Gary. I'm going back to drink to your luck."
A promise which Buck Daniels fulfilled, for he had need of even borrowed strength. He drank steadily until a rattle of hoofs down the street entered the saloon, and then someone came in to say that Gary Peters had started out of town to "beat all hell, on his red mare."
After that, Buck started out to find Dan Barry. His quarry was not in the barn nor in the corral behind the barn. There stood Satan and Black Bart, but their owner was not in sight. But a thought came to Buck while he looked, rather mournfully, at the stallion's promise of limitless speed. "If I can hold him up jest half a minute," murmured Buck to himself, "jest half a minute till I get a start, I've got a rabbit's chance of livin' out the night!"
From the door of the first shed he took a heavy chain with the key in the padlock. This chain he looped about the post and the main timber of the gate, snapped the padlock, and threw the key into the distance. Then he stepped back and surveyed his work with satisfaction. It would be a pretty job to file through that chain, or to knock down those ponderous rails of the fence and make a gap. A smile of satisfaction came on the face of Buck Daniels, then, hitching at his belt, and pulling his sombrero lower over his eyes, he started once more to find Dan Barry.
He was more in haste now, for the sun was dipping behind the mountains of the west and the long shadows moved along the ground with a perceptible speed. When he reached the street he found a steady drift of people towards O'Brien's barroom. They came by ones and twos and idled in front of the swinging doors or slyly peeked through them and then whispered one to the other. Buck accosted one of those by the door and asked what was wrong.
"He's in there," said the other, with a broad and excited grin. "He's in there—waitin'!"
And when Buck threw the doors wide he saw, at the farther end of the deserted barroom, Dan Barry, seated at a table braiding a small horsehair chain. His hat was pushed far back on his head; he had his back to the door. Certainly he must be quite unaware that all Brownsville was waiting, breathless, for his destruction. Behind the bar stood O'Brien, pale under his bristles, and his eyes never leaving the slender figure at the end of his room; but seeing Buck he called with sudden loudness: "Come in, stranger. Come in and have one on the house. There ain't nothing but silence around this place and it's getting on my nerves."
Buck Daniels obeyed the invitation at once, and behind him, stepping softly, some of them entering with their hats in their hands and on tiptoe, came a score of the inhabitants of Brownsville. They lined the bar up and down its length; not a word was spoken; but every head turned as at a given signal towards the quiet man at the end of the room.
CHAPTER XVI
THE COMING OF NIGHT
It was not yet full dusk, for the shadows were still swinging out from the mountains and a ghost of colour lingered in the west, but midnight lay in the open eyes of Jerry Strann. There had been no struggle, no outcry, no lifting of head or hand. One instant his eyes were closed, and then, indeed, he looked like death; the next instant the eyes open, he smiled, the wind stirred in his bright hair. He had never seemed so happily alive as in the moment of his death. Fatty Matthews held the mirror close to the faintly parted lips, examined it, and then drew slowly back towards the door, his eyes steady upon Mac Strann.
"Mac," he said, "it's come. I got just this to say: whatever you do, for God's sake stay inside the law!"
And he slipped through the door and was gone.
But Mac Strann did not raise his head or cast a glance after the marshal. He sat turning the limp hand of Jerry back and forth in his own, and his eyes wandered vaguely through the window and down to the roofs of the village.
Night thickened perceptibly every moment, yet still while the eastern slope of every roof was jet black, the western slopes were bright, and here and there at the distance the light turned and waned on upper windows. Sleep was coming over the world, and eternal sleep had come for Jerry Strann.
It did not seem possible.
Some night at sea, when clouds hurtled before the wind across the sky and when the waves leaped up mast-high; when some good ship staggered with the storm, when hundreds were shrieking and yelling in fear or defiance of death; there would have been a death-scene for Jerry Strann.
Or in the battle, when hundreds rush to the attack with one man in front like the edge before the knife—there would have been a death-scene for Jerry Strann. Or while he rode singing, a bolt of lightning that slew and obliterated at once—such would have been a death for Jerry Strann.
It was not possible that he could die like this, with a smile. There was something incompleted. The fury of the death-struggle which had been omitted must take place, and the full rage of wrath and destruction must be vented. Can a bomb explode and make no sound and do no injury?
Yet Jerry Strann was dead and all the world lived on. Someone cantered his horse down the street and called gayly to an acquaintance, and afterwards the dust rose, invisible, and blew through the open window and stung the nostrils of Mac Strann. A child cried, faintly, in the distance, and then was hushed by the voice of the mother, making a sound like a cackling hen. This was all!
There should have been wailing and weeping and cursing and praying, for handsome Jerry Strann was dead. Or there might have been utter and dreadful silence and waiting for the stroke of vengeance, for the brightest eye was misted and the strongest hand was unnerved and the voice that had made them tremble was gone.
But there was neither silence nor weeping. Someone in a nearby kitchen rattled her pans and then cursed a dog away from her back-door. Not that any of the sounds were loud. The sounds of living are rarely loud, but they run in an endless river—a monotone broken by ugly ripples of noise to testify that men still sleep or waken, hunger or feed. Another ripple had gone down to the sea of darkness, yet all the ripples behind it chased on their way heedlessly and babbled neither louder nor softer.
There should have been some giant voice to peal over the sleeping village and warn them of the coming vengeance—for Jerry Strann was dead!
The tall, gaunt figure of Haw-Haw Langley came on tiptoe from behind, beheld the dead face, and grinned; a nervous convulsion sent a long ripple through his body, and his Adam's-apple rose and fell. Next he stole sideways, inch by inch, so gradual was his cautious progress, until he could catch a glimpse of Mac Strann's face. It was like the open face of a child; there was in it no expression except wonder.
At length a hoarse voice issued from between the grinning lips of Haw-Haw.
"Ain't you goin' to close the eyes, Mac?"
At this the great head of Mac Strann rolled back and he raised his glance to Haw-Haw, who banished the grin from his mouth by a vicious effort.
"Ain't he got to see his way?" asked Mac Strann, and lowered his glance once more to the dead man. As for Haw-Haw Langley, he made a long, gliding step back towards the door, and his beady eyes opened in terror; yet a deadly fascination drew him back again beside the bed.
Mac Strann said: "Kind of looks like Jerry was ridin' the home trail, Haw-Haw. See the way he's smilin'?"
The vulture stroked his lean cheeks and seemed once more to swallow his silent mirth.
"And his hands," said Mac Strann, "is just like life, except that they's gettin' sort of chilly. He don't look changed, none, does he, Haw-Haw? Except that he's seein' something off there—away off there. Looks like he was all wrapped up in it, eh?" He leaned closer, his voice fell to a murmur that was almost soft. "Jerry, what you seein'?"
Haw-Haw Langley gasped in inaudible terror and retreated again towards the door.
Mac Strann laid his giant hand on the shoulder of Jerry. He asked in a raised voice: "Don't you hear me, lad?" Sudden terror caught hold of him. He plunged to his knees beside the bed, and the floor quaked and groaned under the shock. "Jerry, what's the matter? Are you mad at me? Ain't you going to speak to me? Are you forgettin' me, Jerry?"
He caught the dead face between his hands and turned it strongly towards his own. Then for a moment his eyes plumbed the shadows into which they looked. He stumbled back to his feet and said apologetically to Haw-Haw at the door: "I kind of forgot he wasn't livin', for a minute." He stared fixedly at the gaunt cowpuncher. "Speakin' man to man, Haw-Haw, d'you think Jerry will forget me?"
The terror was still white upon the face of Haw-Haw, but something stronger than fear kept him in the room and even drew him a slow step towards Mac Strann; and his eyes moved from the face of the dead man to the face of the living and seemed to draw sustenance from both. He moistened his lips and was able to speak.
"Forget you, Mac? Not if you get the man that fixed him."
"Would you want me to get him, Jerry?" asked Mac Strann. And he waited for an answer.
"I dunno," he muttered, after a moment. "Jerry was always for fightin', but he wasn't never for killin'. He never liked the way I done things. And when he was lyin' here, Haw-Haw, he never said nothin' about me gettin' Barry. Did he?"
Astonishment froze the lips of Haw-Haw. He managed to stammer: "Ain't you going to get Barry? Ain't you goin' to bust him up, Mac?"
"I dunno," repeated the big man heavily. "Seems like I've got no heart for killing. Seems like they's enough death in the world." He pressed his hand against his forehead and closed his eyes. "Seems like they's something dead in me. They's an ache that goes ringin' in my head. They's a sort of hollow feelin' inside me. And I keep thinkin' about times when I was a kid and got hurt and cried." He drew a deep breath. "Oh, my God, Haw-Haw, I'd give most anything if I could bust out cryin' now!"
While Mac Strann stood with his eyes closed, speaking his words slowly, syllable by syllable, like the tolling of a bell, Haw-Haw Langley stood with parted lips—like the spirit of famine drinking deep; joy unutterable was glittering in his eyes.
"If Jerry'd wanted me to get this Barry, he'd of said so," repeated Mac Strann. "But he didn't." He turned towards the dead face. "Look at Jerry now. He ain't thinkin' about killin's. Nope, he's thinkin' about some quiet place for sleep. I know the place. They's a spring that come out in a holler between two mountains; and the wind blows up the valley all the year; and they's a tree that stands over the spring. That's where I'll put him. He loved the sound of runnin' water; and the wind'll be on his face; and the tree'll sort of mark the place. Jerry, lad, would ye like that?"
Now, while Mac Strann talked, inspiration came to Haw-Haw Langley, and he stretched out his gaunt arms to it and gathered it in to his heart.
"Mac," he said, "don't you see no reason why Jerry wouldn't ask you to go after Barry?"
"Eh?" queried Mac Strann, turning.
But as he turned, Haw-Haw Langley glided towards him, and behind him, as if he found it easier to talk when the face of Mac was turned away. And while he talked his hands reached out towards Mac Strann like one who is begging for alms.
"Mac, don't you remember that Barry beat Jerry to the draw?"
"What's that to do with it?"
"But he beat him bad to the draw. I seen it. Barry waited for Jerry. Understand?"
"What of that?"
"Mac, you're blind! Jerry knowed you'd be throwing yourself away if you went up agin Barry."
At this Mac Strann whirled with a suddenness surprising for one of his bulk. Haw-Haw Langley flattened his gaunt frame against the wall.
"Mac!" he pleaded, "I didn't say you'd be throwin' yourself away. It was Jerry's idea."
"Did Jerry tell you that?" he asked.
"So help me God!"
"Did Jerry want me to get Barry?"
"Why wouldn't he?" persisted the vulture, twisting his bony hands together in an agony of alarm and suspense. "Ain't it nacheral, Mac?"
Mac Strann wavered where he stood.
"Somehow," he argued to himself, "it don't seem like killin' is right, here."
The long hand of Langley touched his shoulder.
He whispered rapidly: "You remember last night when you was out of the room for a minute? Jerry turned his head to me—jest the way he's lyin' now—and I says: 'Jerry, is there anything I can do for you?'"
Mac Strann reached up and his big fingers closed over those of Haw-Haw.
"Haw-Haw," he muttered, "you was his frien'. I know that."
Haw-Haw gathered assurance.
He said: "Jerry answers to me: 'Haw-Haw, old pal, there ain't nothin' you can do for me. I'm goin' West. But after I'm gone, keep Mac away from Barry.'
"I says: 'Why, Jerry?"
"'Because Barry'll kill him, sure,' says Jerry.
"'I'll do what I can to keep him away from Barry,' says I, 'but don't you want nothin' done to the man what killed you?'
"'Oh, Haw-Haw,' says Jerry, 'I ain't goin' to rest easy, I ain't goin' to sleep in heaven—until I know Barry's been sent to hell. But for God's sake don't let Mac know what I want, or he'd be sure to go after Barry and get what I got.'"
Mac Strann crushed the hand of Haw-Haw in a terrible grip.
"Partner," he said, "d'you swear this is straight?"
"So help me God!" repeated the perjurer.
"Then," said Mac Strann, "I got to leave the buryin' to other men what I'll hire. Me—I've got business on hand. Where did Barry run to?"
"He ain't run," cried Haw-Haw, choking with a strange emotion. "The fool—the damned fool!—is waiting right down here in O'Brien's bar for you to come. He's darin' you to come!"
Mac Strann made no answer. He cast a single glance at the peaceful face of Jerry, and then started for the door. Haw-Haw waited until the door closed; then he wound his arms about his body, writhed in an ecstasy of silent laughter, and followed with long, shambling strides.
