Макс Брэнд
Riders of the Silences
CHAPTER 12
The annals of the mountain-desert have never been written and can never be written. They are merely a vast mass of fact and tradition and imagining which floats from tongue to tongue from the Rockies to the Sierra Nevadas. A man may be a fact all his life and die only a local celebrity. Then again, he may strike sparks from that imagination which runs riot by camp-fires and at the bars of the crossroads saloons.
In that case he becomes immortal. It is not that lies are told about him or impossible feats ascribed to him, but every detail about him is seized upon and passed on with a most scrupulous and loving care.
In due time he will become a tradition. That is, he will be known familiarly at widely separated parts of the range, places which he has never visited. It has happened to a few of the famous characters of the mountain-desert that they became traditions before their deaths. It happened to McGurk, of course. It also happened to Red Pierre.
Oddly enough, the tradition of Red Pierre did not begin with his ride from the school of Father Victor to Morgantown, distant many days of difficult and dangerous travel. Neither did tradition seize on the gunfight that crippled Hurley and "put out" wizard Diaz. These things were unquestionably known to many, but they did not strike the popular imagination. What set men first on fire was the way Pierre le Rouge buried his father "at the point of the gun" in Morgantown.
That day Boone's men galloped out of the higher mountains down the trail toward Morgantown. They stole a wagon out of a ranch stable on the way and tied two lariats to the tongue. So they towed it, bounding and rattling, over the rough trail to the house where Martin Ryder lay dead.
His body was placed in state in the body of the wagon, pillowed with everything in the line of cloth which the house could furnish. Thus equipped they went on at a more moderate pace toward Morgantown.
What followed it is useless to repeat here. Tradition rehearsed every detail of that day's work, and the purpose of this narrative is only to give the details of some of the events which tradition does not know, at least in their entirety.
They started at one end of Morgantown's street. Pierre guarded the wagon in the center of the street and kept the people under cover of his rifle. The rest of Boone's men cleaned out the houses as they went and sent the occupants piling out to swell the crowd.
And so they rolled the crowd out of town and to the cemetery, where "volunteers" dug the grave of Martin Ryder wide and deep, and Pierre paid for the corner plot three times over in gold.
Then a coffin—improvised hastily for the occasion out of a packing-box—was lowered reverently, also by "volunteer" mourners, and before the first sod fell on the dead. Pierre raised over his head the crucifix of Father Victor that brought good luck, and intoned a service in the purest Ciceronian Latin, surely, that ever regaled the ears of Morgantown's elect.
The moment he raised that cross the bull throat of Jim Boone bellowed a command, the poised guns of the gang enforced it, and all the crowd dropped to their knees, leaving the six outlaws scattered about the edges of the mob like sheep dogs around a folding flock, while in the center stood Pierre with white, upturned face and the raised cross.
So Martin Ryder was buried with "trimmings," and the gang rode back, laughing and shouting, through the town and up into the safety of the mountains. Election day was fast approaching and therefore the rival candidates for sheriff hastily organized posses and made the usual futile pursuit.
In fact, before the pursuit was well under way, Boone and his men sat at their supper table in the cabin. The seventh chair was filled; all were present except Jack, who sulked in her room. Pierre went to her door and knocked. He carried under his arm a package which he had secured in the General Merchandise Store of Morgantown.
"We're all waiting for you at the table," he explained.
"Just keep on waiting," said the husky voice of Jacqueline.
"I've brought you a present."
"I hate your presents!"
"It's a thing you've wanted for a long time, Jacqueline."
Only a stubborn silence.
"I'm putting your door a little ajar."
"If you dare to come in I'll—"
"And I'm leaving the package right here at the entrance. I'm so sorry, Jacqueline, that you hate me."
And then he walked off down the hall—cunning Pierre—before she could send her answer like an arrow after him. At the table he arranged an eighth plate and drew up a chair before it. "If that's for Jack," remarked Dick Wilbur, "you're wasting your time. I know her and I know her type. She'll never come out to the table tonight—nor tomorrow, either. I know!"
In fact, he knew a good deal too much about girls and women also, did Wilbur, and that was why he rode the long trails of the mountain-desert with Boone and his men. Far south and east in the Bahamas a great mansion stood vacant because he was gone, and the dust lay thick on the carpets and powdered the curtains and tapestries with a common gray.
He had built it and furnished it for a woman he loved, and afterward for her sake he had killed a man and fled from a posse and escaped in the steerage of a west-bound ship. Still the law followed him, and he kept on west and west until he reached the mountain-desert, which thinks nothing of swallowing men and their reputations.
There he was safe, but someday he would see some woman smile, catch the glimmer of some eye, and throw safety away to ride after her.
It was a weakness, but what made a tragic figure of handsome Dick Wilbur was that he knew his weakness and sat still and let fate walk up and overtake him.
Yet Pierre le Rouge answered this man of sorrowful wisdom: "In my part of the country men say: 'If you would speak of women let money talk for you.'"
And he placed a gold piece on the table.
"She will come out to the supper table."
"She will not," smiled Wilbur, and covered the coin. "Will you take odds?"
"No charity. Who else will bet?"
"I," said Jim Boone instantly. "You figure her for an ordinary sulky kid."
Pierre smiled upon him.
"There's a cut in my shirt where her knife passed through; and that's the reason that I'll bet on her now." The whole table covered his coin, with laughter.
"We've kept one part of your bargain, Pierre. We've seen your father buried in the corner plot. Now, what's the second part?"
"I don't know you well enough to ask you that," said Pierre.
They plied him with suggestions.
"To rob the Berwin Bank?"
"Stick up a train?"
"No. That's nothing."
"Round up the sheriffs from here to the end of the mountains?"
"Too easy."
"Roll all those together," said Pierre, "and you'll begin to get an idea of what I'll ask."
Then a low voice called from the black throat of the hall: "Pierre!"
The others were silent, but Pierre winked at them, and made great flourish with knife and fork against his plate as if to cover the sound of Jacqueline's voice.
"Pierre!" she called again. "I've come to thank you."
He jumped up and turned toward the hall.
"Do you like it?"
"It's a wonder!"
"Then we're friends?"
"If you want to be."
"There's nothing I want more. Then you'll come out and have supper with us, Jack?"
There was a little pause, and then Jim Boone struck his fist on the table and cursed, for she stepped from the darkness into the flaring light of the room.
CHAPTER 13
She wore a cartridge-belt slung jauntily across her hips and from it hung a holster of stiff new leather with the top flap open to show the butt of a man-sized forty-five caliber six-shooter—her first gun. Not a man of the gang but had loaned her his guns time and again, but they had never dreamed of giving her a weapon of her own.
So they stared at her agape, where she stood with her head back, one hand resting on her hip, one hovering about the butt of the gun, as if she challenged them to question her right to be called "man."
It was as if she abandoned all claims to femininity with that single step; the gun at her side made her seem inches taller and years older. She was no longer a child, but a long-rider who could shoot with the best.
One glance she cast about the room to drink in the amazement of the gang, and then her father broke in rather hoarsely: "Sit down, girl. Sit down and be one of us. One of us you are by your own choice from this day on. You're neither man nor woman, but a long-rider with every man's hand against you. You've done with any hope of a home or of friends. You're one of us. Poor Jack—my girl!"
"Poor?" she returned. "Not while I can make a quick draw and shoot straight."
And then she swept the circle of eyes, daring them to take her boast lightly, but they knew her too well, and were all solemnly silent. At this she relented somewhat, and went directly to Pierre, flushing from throat to hair. She held out her hand.
"Will you shake and call it square?"
"I sure will," nodded Pierre.
"And we're pals—you and me, like the rest of 'em?"
"We are."
She took the place beside him.
As the whisky went round after round the two seemed shut away from the others; they were younger, less marked by life; they listened while the others talked, and now and then exchanged glances of interest or aversion.
"Listen," she said after a time, "I've heard this story before."
It was Phil Branch, square-built and square of jaw, who was talking.
"There's only one thing I can handle better than a gun, and that's a sledgehammer. A gun is all right in its way, but for work in a crowd, well, give me a hammer and I'll show you a way out."
Bud Mansie grinned: "Leave me my pair of sixes and you can have all the hammers between here and Central Park in a crowd. There's nothing makes a crowd remember its heels like a pair of barking sixes."
"Ah, ah!" growled Branch. "But when they've heard bone crunch under the hammer there's nothing will hold them."
"I'd have to see that."
"Maybe you will, Bud, maybe you will. It was the hammer that started me for the trail west. I had a big Scotchman in the factory who couldn't learn how to weld. I'd taught him day after day and cursed him and damn near prayed for him. But he somehow wouldn't learn—the swine—ah, ah!"
He grew vindictively black at the memory.
"Every night he wiped out what I'd taught him during the day and the eraser he used was booze. So one fine day I dropped the hammer after watchin' him make a botch on a big bar, and cussed him up one leg and down the other. The Scotchman had a hangover from the night before and he made a pass at me. It was too much for me just then, for the day was hot and the forge fire had been spitting cinders in my face all morning. So I took him by the throat."
He reached out and closed his taut fingers slowly.
"I didn't mean nothin' by it, but after a man has been moldin' iron, flesh is pretty weak stuff. When I let go of Scotchy he dropped on the floor, and while I stood starin' down at him somebody seen what had happened and spread the word.
"I wasn't none too popular, bein' not much on talk, so the boys got together and pretty soon they come pilin' through the door at me, packin' everything from hatchets to crowbars.
"Lads, I was sorry about Scotchy, but after I glimpsed that gang comin' I wasn't sorry for nothing. I felt like singin', though there wasn't no song that could say just what I meant. But I grabbed up the big fourteen-pound hammer and met 'em halfway.
"The first swing of the hammer it met something hard, but not as hard as iron. The thing crunched with a sound like an egg under a man's heel. And when that crowd heard it they looked sick. God, how sick they looked! They didn't wait for no second swing, but they beat it hard and fast through the door with me after 'em. They scattered, but I kept right on and didn't never really stop till I reached the mountain-desert and you, Jim."
"Which is a good yarn," said Bud Mansie, "but I can tell you one that'll cap it. It was—"
He stopped short, staring up at the door. Outside, the wind had kept up a perpetual roaring, and no one noticed the noise of the opening door. Bud Mansie, facing that door, however, turned a queer yellow and sat with his lips parted on the last word. He was not pretty to see. The others turned their heads, and there followed the strangest panic which Pierre had ever seen.
Jim Boone jerked his hand back to his hip, but stayed the motion, half completed, and swung his hands stiffly above his head. Garry Patterson sat with his eyes blinked shut, pale, waiting for death to come. Dick Wilbur rose, tall and stiff, and stood with his hands gripped at his sides, and Black Morgan Gandil clutched at the table before him and his eyes wandered swiftly about the room, seeking a place for escape.
There was only one sound, and that was a whispering moan of terror from Jacqueline. Only Pierre made no move, yet he felt as he had when the black mass of the landslide loomed above him.
What he saw in the door was a man of medium size and almost slender build. In spite of the patch of gray hair at either temple he was only somewhere between twenty-five and thirty. But to see him was to forget all details except the strangest face which Pierre had ever seen or would ever look upon in all his career.
It was pale, with a pallor strange to the ranges; even the lips seemed bloodless, and they curved with a suggestion of a smile that was a nervous habit rather than any sign of mirth. The nerves of the left eye were also affected, and the lid dropped and fluttered almost shut, so that he had to carry his head far back in order to see plainly. There was such pride and scorn in the man that his name came up to the lips of Pierre: "McGurk."
A surprisingly gentle voice said: "Jim, I'm sorry to drop in on you this way, but I've had some unpleasant news."
His words dispelled part of the charm. The hands of big Boone lowered; the others assumed more natural positions, but each, it seemed to Pierre, took particular and almost ostentatious care that their right hands should be always far from the holsters of their guns.
The stranger went on: "Martin Ryder is finished, as I suppose you know. He left a spawn of two mongrels behind him. I haven't bothered with them, but I'm a little more interested in another son that has cropped up. He's sitting over there in your family party and his name is Pierre. In his own country they call him Pierre le Rouge, which means Red Pierre, in our talk.
"You know I've never crossed you in anything before, Jim. Have I?"
Boone moistened his white lips and answered: "Never," huskily, as if it were a great muscular effort for him to speak.
"This time I have to break the custom. Boone, this fellow Pierre has to leave the country. Will you see that he goes?"
The lips of Boone moved and made no sound.
He said at length: "McGurk, I'd rather cross the devil than cross you.
There's no shame in admitting that. But I've lost my boy, Hal."
"Too bad, Jim. I knew Hal; at a distance, of course."
"And Pierre is filling Hal's place in the family."
"Is that your answer?"
"McGurk, are you going to pin me down in this?"
And here Jack whirled and cried: "Dad, you won't let Pierre go!"
"You see?" pleaded Boone.
It was uncanny and horrible to see the giant so unnerved before this stranger, but that part of it did not come to Pierre until later. Now he felt a peculiar emptiness of stomach and a certain jumping chill that traveled up and down his spine. Moreover, he could not move his eyes from the face of McGurk, and he knew at length that this was fear—the first real fear that he had ever known.
Shame made him hot, but fear made him cold again. He knew that if he rose his knees would buckle under him; that if he drew out his revolver it would slip from his palsied fingers. For the fear of death is a mighty fear, but it is nothing compared with the fear of man.
"I've asked you a question," said McGurk. "What's your answer?"
There was a quiver in the black forest of Boone's beard, and if Pierre was cold before, he was sick at heart to see the big man cringe before McGurk.
He stammered: "Give me time."
"Good," said McGurk. "I'm afraid I know what your answer would be now, but if you take a couple of days you will think things over and come to a reasonable conclusion. I will be at Gaffney's place about fifteen miles from here. You know it? Send your answer there. In the meantime"—he stepped forward to the table and poured a small drink of whisky into a glass and raised it high—"here's to the long health and happiness of us all. Drink!"
There was a hasty pouring of liquor.
"And you also!"
Pierre jumped as if he had been struck, and obeyed the order hastily.
"So," said the master, pleasant again, and Pierre wiped his forehead furtively and stared up with fascinated eyes. "An unwilling pledge is better than none at all. To you, gentlemen, much happiness; to you, Pierre le Rouge, bon voyage."
They drank; the master placed his glass on the table again, smiled upon them, and was gone through the door. He turned his back in leaving. There was no fitter way in which he could have expressed his contempt.
CHAPTER 14
The mirth died and in its place came a long silence. Jim Boone stared upon Pierre with miserable eyes, and then rose and left the room. The others one by one followed his example. Dick Wilbur in passing dropped his hand on Pierre's shoulder. Jacqueline was silent.
As he sat there minute after minute and then hour after hour of the long night Pierre saw the meaning of it. If they sent word that they would not give up Pierre it was war, and war with McGurk had only one ending. If they sent word that Pierre was surrendered the shame would never leave Boone and his men.
Whatever they did there was ruin for them in the end. All this Pierre conned slowly in his mind, until he was cold. Then he looked up and saw that the lamp had burned out and that the wood in the fireplace was consumed to a few red embers.
He replenished the fire, and when the yellow flames began to mount he made his resolution and walked slowly up and down the floor with it. For he knew that he must go to meet McGurk.
The very thought of the man sent the old chill through his blood, yet he must go and face him and end the thing.
It came over him with a pang that he was very young; that life was barely a taste in his mouth, whether bitter or sweet he could not tell. He picked a flaming stick from the fire and went before a little round mirror on the wall.
Back at him stared the face of a boy. He had seen so much of the grim six in the last day that the contrast startled him. They were men, hardened to life and filled with knowledge of it. They were books written full. But he? He was a blank page with a scribbled word here and there. Nevertheless, he was chosen and he must go.
Having reached that decision he closed his mind on what would happen. There was a vague fear that when he faced McGurk he would be frozen with fear; that his spirit would be broken and he would become a thing too despicable for a man to kill.
One thing was certain: if he was to act a man's part and die a man's death he must not stand long before McGurk. It seemed to him then that he would die happy if he had the strength to fire one shot before the end.
Then he tiptoed from the house and went over the snow to the barn and saddled the horse of Hal Boone. It was already morning, and as he led the horse to the door of the barn a shadow, a faint shadow in that early light, fell across the snow before him.
He looked up and saw Jacqueline. She stepped close, and the horse nosed her shoulder affectionately.
She said: "Isn't there anything that will keep you from going?"
"It's just a little ride before breakfast. I'll be back in an hour."
It was foolish to try to blind her, as he saw by her wan, unchildish smile.
"Is there no other way, Pierre?"
"I don't know of any, do you?"
"You have to leave us, and never come back?"
"Is he as sure as that, Jack?"
"Sure? Who?"
She had not known, after all; she thought that he was merely riding away from the region where McGurk was king. Now she caught his wrists and shook them. "Pierre, you are not going to face McGurk? Pierre!"
"If you were a man, you would understand."
"I know; because of your father. I do understand, but oh, Pierre, listen! I can shoot as straight as almost any man. We will ride down together. We will go through the doors together—me first to take his fire, and you behind to shoot him down."
"I guess no man can be as brave as a woman, Jack. No; I have to see McGurk alone. He faced my father alone and shot him down. I'll face McGurk alone and live long enough to put my mark on him."
"But you don't know him. He can't be hurt. Do you think my father and—and Dick Wilbur would fear any man who could be hurt? No, but McGurk has been in a hundred fights and never been touched. There's a charm over him, don't you see?"
"I'll break the charm, that's all."
He was up in the saddle.
"Then I'll call dad—I'll call them all—if you die they shall all follow you. I swear they shall. Pierre!"
He merely leaned forward and touched the horse with his spurs, but after he had raced the first hundred yards he glanced back. She was running hard for the house, and calling as she went. Pierre cursed and spurred the horse again.
Yet even if Jim Boone and his men started out after him they could never overtake him. Before they were in their saddles and up with him, he'd be a full three miles out in the hills. Not even black Thunder could make up as much ground as that.
So all the fifteen miles to Gaffney's place he urged his horse. The excitement of the race kept the thought of McGurk back in his mind. Only once he lost time when he had to pull up beside a buckboard and inquire the way. After that he flew on again. Yet as he clattered up to the door of Gaffney's crossroads saloon and swung to the ground he looked back and saw a cluster of horsemen swing around the shoulder of a hill and come tearing after him. Surely his time was short.
He thrust open the door of the place and called for a drink. The bartender spun the glass down the bar to him.
"Where's McGurk?"
The other stopped in the very act of taking out the bottle from the shelf, and his curious glance went over the face of Pierre le Rouge. He decided, apparently, that it was foolish to hold suspicions against so young a man.
"In that room," and he jerked his hand toward a door. "What do you want with him?"
"Got a message for him."
"Tell it to me, and I'll pass it along."
Pierre met the eye of the other and smiled faintly.
"Not this message."
"Oh," said the other, and then shouted: "McGurk!"
Far away came the rush of hoofs over a hard trail. Only a minute more and they would be here; only a minute more and the room would be full of fighting men ready to die with him and for him. Yet Pierre was glad; glad that he could meet the danger alone; ten minutes from now, if he lived, he could answer certainly one way or the other the greatest of all questions: "Am I a man?"
Out of the inner room the pleasant voice which he dreaded answered:
"What's up?"
The barkeeper glanced Pierre le Rouge over again and then answered: "A friend with a message."
The door opened and framed McGurk. He did not start, seeing Pierre.
He said: "None of the rest of them had the guts even to bring me the message, eh?"
Pierre shrugged his shoulders. It was a mighty effort, but he was able to look his man fairly in the eyes. "All right, lad. How long is it going to take you to clear out of the country?"
"That's not the message," answered a voice which Pierre did not recognize as his own.
"Out with it, then."
"It's in the leather on my hip."
And he went for his gun. Even as he started his hand he knew that he was too slow for McGurk, yet the finest splitsecond watch in the world could not have caught the differing time they needed to get their guns out of the holsters.
Just a breath before Pierre fired there was a stunning blow on his right shoulder and another on his hip. He lurched to the floor, his revolver clattering against the wood as he fell, but falling, he scooped up the gun with his left and twisted.
That movement made the third shot of McGurk fly wide and Pierre fired from the floor and saw a spasm of pain contract the face of the outlaw.
Instantly the door behind him flew open and Boone's men stormed into the room. Once more McGurk fired, but his wound made his aim wide and the bullet merely tore up a splinter beside Pierre's head. A fusillade from Boone and his men answered, but the outlaw had leaped back through the door.
"He's hurt," thundered Boone. "By God, the charm of McGurk is broken. Dick, Bud, Gandil, take the outside of the place. I'll force the door."
Wilbur and the other two raced through the door and raised a shout at once, and then there was a rattle of shots. Big Patterson leaned over Pierre.
He said in an awe-stricken voice: "Lad, it's a great work that you've done for all of us, if you've drawn the blood from McGurk."
"His left shoulder," said Pierre, and smiled in spite of his pain.
"And you, lad?"
"I'm going to live; I've got to finish the job. Who's that beside you?
There's a mist over my eyes."
"It's Jack. She outrode us all."
Then the mist closed over the eyes of Pierre and his senses went out in the dark.
