Форд Мэдокс Форд
The Inheritors
CHAPTER TWO
Her figure faded into the darkness, as pale things waver down into deep water, and as soon as she disappeared my sense of humour returned. The episode appeared more clearly, as a flirtation with an enigmatic, but decidedly charming, chance travelling companion. The girl was a riddle, and a riddle once guessed is a very trivial thing. She, too, would be a very trivial thing when I had found a solution. It occurred to me that she wished me to regard her as a symbol, perhaps, of the future – as a type of those who are to inherit the earth, in fact. She had been playing the fool with me, in her insolent modernity. She had wished me to understand that I was old-fashioned; that the frame of mind of which I and my fellows were the inheritors was over and done with. We were to be compulsorily retired; to stand aside superannuated. It was obvious that she was better equipped for the swiftness of life. She had a something – not only quickness of wit, not only ruthless determination, but a something quite different and quite indefinably more impressive. Perhaps it was only the confidence of the superseder, the essential quality that makes for the empire of the Occidental. But I was not a negro – not even relatively a Hindoo. I was somebody, confound it, I was somebody.
As an author, I had been so uniformly unsuccessful, so absolutely unrecognised, that I had got into the way of regarding myself as ahead of my time, as a worker for posterity. It was a habit of mind – the only revenge that I could take upon despiteful Fate. This girl came to confound me with the common herd – she declared herself to be that very posterity for which I worked.
She was probably a member of some clique that called themselves Fourth Dimensionists – just as there had been pre-Raphaelites. It was a matter of cant allegory. I began to wonder how it was that I had never heard of them. And how on earth had they come to hear of me!
"She must have read something of mine," I found myself musing: "the Jenkins story perhaps. It must have been the Jenkins story; they gave it a good place in their rotten magazine. She must have seen that it was the real thing, and…" When one is an author one looks at things in that way, you know.
By that time I was ready to knock at the door of the great Callan. I seemed to be jerked into the commonplace medium of a great, great – oh, an infinitely great – novelist's home life. I was led into a well-lit drawing-room, welcomed by the great man's wife, gently propelled into a bedroom, made myself tidy, descended and was introduced into the sanctum, before my eyes had grown accustomed to the lamp-light. Callan was seated upon his sofa surrounded by an admiring crowd of very local personages. I forget what they looked like. I think there was a man whose reddish beard did not become him and another whose face might have been improved by the addition of a reddish beard; there was also an extremely moody dark man and I vaguely recollect a person who lisped.
They did not talk much; indeed there was very little conversation. What there was Callan supplied. He – spoke – very – slowly – and – very – authoritatively, like a great actor whose aim is to hold the stage as long as possible. The raising of his heavy eyelids at the opening door conveyed the impression of a dark, mental weariness; and seemed somehow to give additional length to his white nose. His short, brown beard was getting very grey, I thought. With his lofty forehead and with his superior, yet propitiatory smile, I was of course familiar. Indeed one saw them on posters in the street. The notables did not want to talk. They wanted to be spell-bound – and they were. Callan sat there in an appropriate attitude – the one in which he was always photographed. One hand supported his head, the other toyed with his watch-chain. His face was uniformly solemn, but his eyes were disconcertingly furtive. He cross-questioned me as to my walk from Canterbury; remarked that the cathedral was a – magnificent – Gothic – Monument and set me right as to the lie of the roads. He seemed pleased to find that I remembered very little of what I ought to have noticed on the way. It gave him an opportunity for the display of his local erudition.
"A – remarkable woman – used – to – live – in – the – cottage – next – the – mill – at – Stelling," he said; "she was the original of Kate Wingfield."
"In your 'Boldero?'" the chorus chorussed.
Remembrance of the common at Stelling – of the glimmering white faces of the shadowy cottages – was like a cold waft of mist to me. I forgot to say "Indeed!"
"She was – a very – remarkable – woman – She – "
I found myself wondering which was real; the common with its misty hedges and the blurred moon; or this room with its ranks of uniformly bound books and its bust of the great man that threw a portentous shadow upward from its pedestal behind the lamp.
Before I had entirely recovered myself, the notables were departing to catch the last train. I was left alone with Callan.
He did not trouble to resume his attitude for me, and when he did speak, spoke faster.
"Interesting man, Mr. Jinks?" he said; "you recognised him?"
"No," I said; "I don't think I ever met him."
Callan looked annoyed.
"I thought I'd got him pretty well. He's Hector Steele. In my
'Blanfield,'" he added.
"Indeed!" I said. I had never been able to read "Blanfield." "Indeed, ah, yes – of course."
There was an awkward pause.
"The whiskey will be here in a minute," he said, suddenly. "I don't have it in when Whatnot's here. He's the Rector, you know; a great temperance man. When we've had a – a modest quencher – we'll get to business."
"Oh," I said, "your letters really meant – "
"Of course," he answered. "Oh, here's the whiskey. Well now, Fox was down here the other night. You know Fox, of course?"
"Didn't he start the rag called – ?"
"Yes, yes," Callan answered, hastily, "he's been very successful in launching papers. Now he's trying his hand with a new one. He's any amount of backers – big names, you know. He's to run my next as a feuilleton. This – this venture is to be rather more serious in tone than any that he's done hitherto. You understand?"
"Why, yes," I said; "but I don't see where I come in."
Callan took a meditative sip of whiskey, added a little more water, a little more whiskey, and then found the mixture to his liking.
"You see," he said, "Fox got a letter here to say that Wilkinson had died suddenly – some affection of the heart. Wilkinson was to have written a series of personal articles on prominent people. Well, Fox was nonplussed and I put in a word for you."
"I'm sure I'm much – " I began.
"Not at all, not at all," Callan interrupted, blandly. "I've known you and you've known me for a number of years."
A sudden picture danced before my eyes – the portrait of the Callan of the old days – the fawning, shady individual, with the seedy clothes, the furtive eyes and the obliging manners.
"Why, yes," I said; "but I don't see that that gives me any claim."
Callan cleared his throat.
"The lapse of time," he said in his grand manner, "rivets what we may call the bands of association."
He paused to inscribe this sentence on the tablets of his memory. It would be dragged in – to form a purple patch – in his new serial.
"You see," he went on, "I've written a good deal of autobiographical matter and it would verge upon self-advertisement to do more. You know how much I dislike that. So I showed Fox your sketch in the Kensington."
"The Jenkins story?" I said. "How did you come to see it?"
"Then send me the Kensington," he answered. There was a touch of sourness in his tone, and I remembered that the Kensington I had seen had been ballasted with seven goodly pages by Callan himself – seven unreadable packed pages of a serial.
"As I was saying," Callan began again, "you ought to know me very well, and I suppose you are acquainted with my books. As for the rest, I will give you what material you want."
"But, my dear Callan," I said, "I've never tried my hand at that sort of thing."
Callan silenced me with a wave of his hand.
"It struck both Fox and myself that your – your 'Jenkins' was just what was wanted," he said; "of course, that was a study of a kind of broken-down painter. But it was well done."
I bowed my head. Praise from Callan was best acknowledged in silence.
"You see, what we want, or rather what Fox wants," he explained, "is a kind of series of studies of celebrities chez eux. Of course, they are not broken down. But if you can treat them as you treated Jenkins – get them in their studies, surrounded by what in their case stands for the broken lay figures and the faded serge curtains – it will be exactly the thing. It will be a new line, or rather – what is a great deal better, mind you – an old line treated in a slightly, very slightly different way. That's what the public wants."
"Ah, yes," I said, "that's what the public wants. But all the same, it's been done time out of mind before. Why, I've seen photographs of you and your arm-chair and your pen-wiper and so on, half a score of times in the sixpenny magazines."
Callan again indicated bland superiority with a wave of his hand.
"You undervalue yourself," he said.
I murmured – "Thanks."
"This is to be – not a mere pandering to curiosity – but an attempt to get at the inside of things – to get the atmosphere, so to speak; not merely to catalogue furniture."
He was quoting from the prospectus of the new paper, and then cleared his throat for the utterance of a tremendous truth.
"Photography – is not – Art," he remarked.
The fantastic side of our colloquy began to strike me.
"After all," I thought to myself, "why shouldn't that girl have played at being a denizen of another sphere? She did it ever so much better than Callan. She did it too well, I suppose."
"The price is very decent," Callan chimed in. "I don't know how much per thousand, …but…"
I found myself reckoning, against my will as it were.
"You'll do it, I suppose?" he said.
I thought of my debts … "Why, yes, I suppose so," I answered. "But who are the others that I am to provide with atmospheres?"
Callan shrugged his shoulders.
"Oh, all sorts of prominent people – soldiers, statesmen, Mr. Churchill, the Foreign Minister, artists, preachers – all sorts of people."
"All sorts of glory," occurred to me.
"The paper will stand expenses up to a reasonable figure," Callan reassured me.
"It'll be a good joke for a time," I said. "I'm infinitely obliged to you."
He warded off my thanks with both hands.
"I'll just send a wire to Fox to say that you accept," he said, rising. He seated himself at his desk in the appropriate attitude. He had an appropriate attitude for every vicissitude of his life. These he had struck before so many people that even in the small hours of the morning he was ready for the kodak wielder. Beside him he had every form of labour-saver; every kind of literary knick-knack. There were book-holders that swung into positions suitable to appropriate attitudes; there were piles of little green boxes with red capital letters of the alphabet upon them, and big red boxes with black small letters. There was a writing-lamp that cast an æsthetic glow upon another appropriate attitude – and there was one typewriter with note-paper upon it, and another with MS. paper already in position.
"My God!" I thought – "to these heights the Muse soars."
As I looked at the gleaming pillars of the typewriters, the image of my own desk appeared to me; chipped, ink-stained, gloriously dusty. I thought that when again I lit my battered old tin lamp I should see ashes and match-ends; a tobacco-jar, an old gnawed penny penholder, bits of pink blotting-paper, match-boxes, old letters, and dust everywhere. And I knew that my attitude – when I sat at it – would be inappropriate.
Callan was ticking off the telegram upon his machine. "It will go in the morning at eight," he said.
CHAPTER THREE
To encourage me, I suppose, Callan gave me the proof-sheets of his next to read in bed. The thing was so bad that it nearly sickened me of him and his jobs. I tried to read the stuff; to read it conscientiously, to read myself to sleep with it. I was under obligations to old Cal and I wanted to do him justice, but the thing was impossible. I fathomed a sort of a plot. It dealt in fratricide with a touch of adultery; a Great Moral Purpose loomed in the background. It would have been a dully readable novel but for that; as it was, it was intolerable. It was amazing that Cal himself could put out such stuff; that he should have the impudence. He was not a fool, not by any means a fool. It revolted me more than a little.
I came to it out of a different plane of thought. I may not have been able to write then – or I may; but I did know enough to recognise the flagrantly, the indecently bad, and, upon my soul, the idea that I, too, must cynically offer this sort of stuff if I was ever to sell my tens of thousands very nearly sent me back to my solitude. Callan had begun very much as I was beginning now; he had even, I believe, had ideals in his youth and had starved a little. It was rather trying to think that perhaps I was really no more than another Callan, that, when at last I came to review my life, I should have much such a record to look back upon. It disgusted me a little, and when I put out the light the horrors settled down upon me.
I woke in a shivering frame of mind, ashamed to meet Callan's eye. It was as if he must be aware of my over-night thoughts, as if he must think me a fool who quarrelled with my victuals. He gave no signs of any such knowledge – was dignified, cordial; discussed his breakfast with gusto, opened his letters, and so on. An anæmic amanuensis was taking notes for appropriate replies. How could I tell him that I would not do the work, that I was too proud and all the rest of it? He would have thought me a fool, would have stiffened into hostility, I should have lost my last chance. And, in the broad light of day, I was loath to do that.
He began to talk about indifferent things; we glided out on to a current of mediocre conversation. The psychical moment, if there were any such, disappeared.
Someone bearing my name had written to express an intention of offering personal worship that afternoon. The prospect seemed to please the great Cal. He was used to such things; he found them pay, I suppose. We began desultorily to discuss the possibility of the writer's being a relation of mine; I doubted. I had no relations that I knew of; there was a phenomenal old aunt who had inherited the acres and respectability of the Etchingham Grangers, but she was not the kind of person to worship a novelist. I, the poor last of the family, was without the pale, simply because I, too, was a novelist. I explained these things to Callan and he commented on them, found it strange how small or how large, I forget which, the world was. Since his own apotheosis shoals of Callans had claimed relationship.
I ate my breakfast. Afterward, we set about the hatching of that article – the thought of it sickens me even now. You will find it in the volume along with the others; you may see how I lugged in Callan's surroundings, his writing-room, his dining-room, the romantic arbour in which he found it easy to write love-scenes, the clipped trees like peacocks and the trees clipped like bears, and all the rest of the background for appropriate attitudes. He was satisfied with any arrangements of words that suggested a gentle awe on the part of the writer.
"Yes, yes," he said once or twice, "that's just the touch, just the touch – very nice. But don't you think…" We lunched after some time.
I was so happy. Quite pathetically happy. It had come so easy to me. I had doubted my ability to do the sort of thing; but it had written itself, as money spends itself, and I was going to earn money like that. The whole of my past seemed a mistake – a childishness. I had kept out of this sort of thing because I had thought it below me; I had kept out of it and had starved my body and warped my mind. Perhaps I had even damaged my work by this isolation. To understand life one must live – and I had only brooded. But, by Jove, I would try to live now.
Callan had retired for his accustomed siesta and I was smoking pipe after pipe over a confoundedly bad French novel that I had found in the book-shelves. I must have been dozing. A voice from behind my back announced:
"Miss Etchingham Granger!" and added – "Mr. Callan will be down directly." I laid down my pipe, wondered whether I ought to have been smoking when Cal expected visitors, and rose to my feet.
"You!" I said, sharply. She answered, "You see." She was smiling. She had been so much in my thoughts that I was hardly surprised – the thing had even an air of pleasant inevitability about it.
"You must be a cousin of mine," I said, "the name – "
"Oh, call it sister," she answered.
I was feeling inclined for farce, if blessed chance would throw it in my way. You see, I was going to live at last, and life for me meant irresponsibility.
"Ah!" I said, ironically, "you are going to be a sister to me, as they say." She might have come the bogy over me last night in the moonlight, but now … There was a spice of danger about it, too, just a touch lurking somewhere. Besides, she was good-looking and well set up, and I couldn't see what could touch me. Even if it did, even if I got into a mess, I had no relatives, not even a friend, to be worried about me. I stood quite alone, and I half relished the idea of getting into a mess – it would be part of life, too. I was going to have a little money, and she excited my curiosity. I was tingling to know what she was really at.
"And one might ask," I said, "what you are doing in this – in this…" I was at a loss for a word to describe the room – the smugness parading as professional Bohemianism.
"Oh, I am about my own business," she said, "I told you last night – have you forgotten?"
"Last night you were to inherit the earth," I reminded her, "and one doesn't start in a place like this. Now I should have gone – well – I should have gone to some politician's house – a cabinet minister's – say to Gurnard's. He's the coming man, isn't he?"
"Why, yes," she answered, "he's the coming man."
You will remember that, in those days, Gurnard was only the dark horse of the ministry. I knew little enough of these things, despised politics generally; they simply didn't interest me. Gurnard I disliked platonically; perhaps because his face was a little enigmatic – a little repulsive. The country, then, was in the position of having no Opposition and a Cabinet with two distinct strains in it – the Churchill and the Gurnard – and Gurnard was the dark horse.
"Oh, you should join your flats," I said, pleasantly. "If he's the coming man, where do you come in?.. Unless he, too, is a Dimensionist."
"Oh, both – both," she answered. I admired the tranquillity with which she converted my points into her own. And I was very happy – it struck me as a pleasant sort of fooling…
"I suppose you will let me know some day who you are?" I said.
"I have told you several times," she answered.
"Oh, you won't frighten me to-day," I asserted, "not here, you know, and anyhow, why should you want to?"
"I have told you," she said again.
"You've told me you were my sister," I said; "but my sister died years and years ago. Still, if it suits you, if you want to be somebody's sister …"
"It suits me," she answered – "I want to be placed, you see."
I knew that my name was good enough to place anyone. We had been the Grangers of Etchingham since – oh, since the flood. And if the girl wanted to be my sister and a Granger, why the devil shouldn't she, so long as she would let me continue on this footing? I hadn't talked to a woman – not to a well set-up one – for ages and ages. It was as if I had come back from one of the places to which younger sons exile themselves, and for all I knew it might be the correct thing for girls to elect brothers nowadays in one set or another.
"Oh, tell me some more," I said, "one likes to know about one's sister. You and the Right Honourable Charles Gurnard are Dimensionists, and who are the others of your set?"
"There is only one," she answered. And would you believe it! – it seems he was Fox, the editor of my new paper.
"You select your characters with charming indiscriminateness," I said.
"Fox is only a sort of toad, you know – he won't get far."
"Oh, he'll go far," she answered, "but he won't get there. Fox is fighting against us."
"Oh, so you don't dwell in amity?" I said. "You fight for your own hands."
"We fight for our own hands," she answered, "I shall throw Gurnard over when he's pulled the chestnuts out of the fire."
I was beginning to get a little tired of this. You see, for me, the scene was a veiled flirtation and I wanted to get on. But I had to listen to her fantastic scheme of things. It was really a duel between Fox, the Journal-founder, and Gurnard, the Chancellor of the Exchequer. Fox, with Churchill, the Foreign Minister, and his supporters, for pieces, played what he called "the Old Morality business" against Gurnard, who passed for a cynically immoral politician.
I grew more impatient. I wanted to get out of this stage into something more personal. I thought she invented this sort of stuff to keep me from getting at her errand at Callan's. But I didn't want to know her errand; I wanted to make love to her. As for Fox and Gurnard and Churchill, the Foreign Minister, who really was a sympathetic character and did stand for political probity, she might be uttering allegorical truths, but I was not interested in them. I wanted to start some topic that would lead away from this Dimensionist farce.
"My dear sister," I began… Callan always moved about like a confounded eavesdropper, wore carpet slippers, and stepped round the corners of screens. I expect he got copy like that.
"So, she's your sister?" he said suddenly, from behind me. "Strange that you shouldn't recognise the handwriting…"
"Oh, we don't correspond," I said light-heartedly, "we are so different." I wanted to take a rise out of the creeping animal that he was. He confronted her blandly.
"You must be the little girl that I remember," he said. He had known my parents ages ago. That, indeed, was how I came to know him; I wouldn't have chosen him for a friend. "I thought Granger said you were dead … but one gets confused…"
"Oh, we see very little of each other," she answered. "Arthur might have said I was dead – he's capable of anything, you know." She spoke with an assumption of sisterly indifference that was absolutely striking. I began to think she must be an actress of genius, she did it so well. She was the sister who had remained within the pale; I, the rapscallion of a brother whose vagaries were trying to his relations. That was the note she struck, and she maintained it. I didn't know what the deuce she was driving at, and I didn't care. These scenes with a touch of madness appealed to me. I was going to live, and here, apparently, was a woman ready to my hand. Besides, she was making a fool of Callan, and that pleased me. His patronising manners had irritated me.
I assisted rather silently. They began to talk of mutual acquaintances – as one talks. They both seemed to know everyone in this world. She gave herself the airs of being quite in the inner ring; alleged familiarity with quite impossible persons, with my portentous aunt, with Cabinet Ministers – that sort of people. They talked about them – she, as if she lived among them; he, as if he tried very hard to live up to them.
She affected reverence for his person, plied him with compliments that he swallowed raw – horribly raw. It made me shudder a little; it was tragic to see the little great man confronted with that woman. It shocked me to think that, really, I must appear much like him – must have looked like that yesterday. He was a little uneasy, I thought, made little confidences as if in spite of himself; little confidences about the Hour, the new paper for which I was engaged. It seemed to be run by a small gang with quite a number of assorted axes to grind. There was some foreign financier – a person of position whom she knew (a noble man in the best sense, Callan said); there was some politician (she knew him too, and he was equally excellent, so Callan said), Mr. Churchill himself, an artist or so, an actor or so – and Callan. They all wanted a little backing, so it seemed. Callan, of course, put it in another way. The Great – Moral – Purpose turned up, I don't know why. He could not think he was taking me in and she obviously knew more about the people concerned than he did. But there it was, looming large, and quite as farcical as all the rest of it. The foreign financier – they called him the Duc de Mersch – was by way of being a philanthropist on megalomaniac lines. For some international reason he had been allowed to possess himself of the pleasant land of Greenland. There was gold in it and train-oil in it and other things that paid – but the Duc de Mersch was not thinking of that. He was first and foremost a State Founder, or at least he was that after being titular ruler of some little spot of a Teutonic grand-duchy. No one of the great powers would let any other of the great powers possess the country, so it had been handed over to the Duc de Mersch, who had at heart, said Cal, the glorious vision of founding a model state —the model state, in which washed and broadclothed Esquimaux would live, side by side, regenerated lives, enfranchised equals of choicely selected younger sons of whatever occidental race. It was that sort of thing. I was even a little overpowered, in spite of the fact that Callan was its trumpeter; there was something fine about the conception and Churchill's acquiescence seemed to guarantee an honesty in its execution.
The Duc de Mersch wanted money, and he wanted to run a railway across Greenland. His idea was that the British public should supply the money and the British Government back the railway, as they did in the case of a less philanthropic Suez Canal. In return he offered an eligible harbour and a strip of coast at one end of the line; the British public was to be repaid in casks of train-oil and gold and with the consciousness of having aided in letting the light in upon a dark spot of the earth. So the Duc de Mersch started the Hour. The Hour was to extol the Duc de Mersch's moral purpose; to pat the Government's back; influence public opinion; and generally advance the cause of the System for the Regeneration of the Arctic Regions.
I tell the story rather flippantly, because I heard it from Callan, and because it was impossible to take him seriously. Besides, I was not very much interested in the thing itself. But it did interest me to see how deftly she pumped him – squeezed him dry.
I was even a little alarmed for poor old Cal. After all, the man had done me a service; had got me a job. As for her, she struck me as a potentially dangerous person. One couldn't tell, she might be some adventuress, or if not that, a speculator who would damage Cal's little schemes. I put it to her plainly afterward; and quarrelled with her as well as I could. I drove her down to the station. Callan must have been distinctly impressed or he would never have had out his trap for her.
"You know," I said to her, "I won't have you play tricks with
Callan – not while you're using my name. It's very much at your service as far as I'm concerned – but, confound it, if you're going to injure him
I shall have to show you up – to tell him."
"You couldn't, you know," she said, perfectly calmly, "you've let yourself in for it. He wouldn't feel pleased with you for letting it go as far as it has. You'd lose your job, and you're going to live, you know – you're going to live…"
I was taken aback by this veiled threat in the midst of the pleasantry. It wasn't fair play – not at all fair play. I recovered some of my old alarm, remembered that she really was a dangerous person; that …
"But I sha'n't hurt Callan," she said, suddenly, "you may make your mind easy."
"You really won't?" I asked.
"Really not," she answered. It relieved me to believe her. I did not want to quarrel with her. You see, she fascinated me, she seemed to act as a stimulant, to set me tingling somehow – and to baffle me… And there was truth in what she said. I had let myself in for it, and I didn't want to lose Callan's job by telling him I had made a fool of him.
"I don't care about anything else," I said. She smiled.
