Оноре де Бальзак
The Celibates
"But," said Joseph, "you left the door locked. Besides, it is so infamous. I can't believe it. Philippe couldn't have watched you, cut open the mattress, done it deliberately, – no, no!"
"I felt them this morning, when I made my bed after breakfast," repeated Madame Descoings.
Agathe, horrified, went down stairs and asked if Philippe had come in during the day. The concierge related the tale of his return and the locksmith. The mother, heart-stricken, went back a changed woman. White as the linen of her chemise, she walked as we might fancy a spectre walks, slowly, noiselessly, moved by some superhuman power, and yet mechanically. She held a candle in her hand, whose light fell full upon her face and showed her eyes, fixed with horror. Unconsciously, her hands by a desperate movement had dishevelled the hair about her brow; and this made her so beautiful with anguish that Joseph stood rooted in awe at the apparition of that remorse, the vision of that statue of terror and despair.
"My aunt," she said, "take my silver forks and spoons. I have enough to make up the sum; I took your money for Philippe's sake; I thought I could put it back before you missed it. Oh! I have suffered much."
She sat down. Her dry, fixed eyes wandered a little.
"It was he who did it," whispered the old woman to Joseph.
"No, no," cried Agathe; "take my silver plate, sell it; it is useless to me; we can eat with yours."
She went to her room, took the box which contained the plate, felt its light weight, opened it, and saw a pawnbroker's ticket. The poor mother uttered a dreadful cry. Joseph and the Descoings ran to her, saw the empty box, and her noble falsehood was of no avail. All three were silent, and avoided looking at each other; but the next moment, by an almost frantic gesture, Agathe laid her finger on her lips as if to entreat a secrecy no one desired to break. They returned to the salon, and sat beside the fire.
"Ah! my children," cried Madame Descoings, "I am stabbed to the heart: my trey will turn up, I am certain of it. I am not thinking of myself, but of you two. Philippe is a monster," she continued, addressing her niece; "he does not love you after all that you have done for him. If you do not protect yourself against him he will bring you to beggary. Promise me to sell out your Funds and buy a life-annuity. Joseph has a good profession and he can live. If you will do this, dear Agathe, you will never be an expense to Joseph. Monsieur Desroches has just started his son as a notary; he would take your twelve thousand francs and pay you an annuity."
Joseph seized his mother's candlestick, rushed up to his studio, and came down with three hundred francs.
"Here, Madame Descoings!" he cried, giving her his little store, "it is no business of ours what you do with your money; we owe you what you have lost, and here it is, almost in full."
"Take your poor little all? – the fruit of those privations that have made me so unhappy! are you mad, Joseph?" cried the old woman, visibly torn between her dogged faith in the coming trey, and the sacrilege of accepting such a sacrifice.
"Oh! take it if you like," said Agathe, who was moved to tears by this action of her true son.
Madame Descoings took Joseph by the head, and kissed him on the forehead: —
"My child," she said, "don't tempt me. I might only lose it. The lottery, you see, is all folly."
No more heroic words were ever uttered in the hidden dramas of domestic life. It was, indeed, affection triumphant over inveterate vice. At this instant, the clocks struck midnight.
"It is too late now," said Madame Descoings.
"Oh!" cried Joseph, "here are your cabalistic numbers."
The artist sprang at the paper, and rushed headlong down the staircase to pay the stakes. When he was no longer present, Agathe and Madame Descoings burst into tears.
"He has gone, the dear love," cried the old gambler; "but it shall all be his; he pays his own money."
Unhappily, Joseph did not know the way to any of the lottery-offices, which in those days were as well known to most people as the cigarshops to a smoker in ours. The painter ran along, reading the street names upon the lamps. When he asked the passers-by to show him a lottery-office, he was told they were all closed, except the one under the portico of the Palais-Royal which was sometimes kept open a little later. He flew to the Palais-Royal: the office was shut.
"Two minutes earlier, and you might have paid your stake," said one of the vendors of tickets, whose beat was under the portico, where he vociferated this singular cry: "Twelve hundred francs for forty sous," and offered tickets all paid up.
By the glimmer of the street lamp and the lights of the cafe de la Rotonde, Joseph examined these tickets to see if, by chance, any of them bore the Descoings's numbers. He found none, and returned home grieved at having done his best in vain for the old woman, to whom he related his ill-luck. Agathe and her aunt went together to the midnight mass at Saint-Germain-des-Pres. Joseph went to bed. The collation did not take place. Madame Descoings had lost her head; and in Agathe's heart was eternal mourning.
The two rose late on Christmas morning. Ten o'clock had struck before Madame Descoings began to bestir herself about the breakfast, which was only ready at half-past eleven. At that hour, the oblong frames containing the winning numbers are hung over the doors of the lottery-offices. If Madame Descoings had paid her stake and held her ticket, she would have gone by half-past nine o'clock to learn her fate at a building close to the ministry of Finance, in the rue Neuve-des-Petits Champs, a situation now occupied by the Theatre Ventadour in the place of the same name. On the days when the drawings took place, an observer might watch with curiosity the crowd of old women, cooks, and old men assembled about the door of this building; a sight as remarkable as the cue of people about the Treasury on the days when the dividends are paid.
"Well, here you are, rolling in wealth!" said old Desroches, coming into the room just as the Descoings was swallowing her last drop of coffee.
"What do you mean?" cried poor Agathe.
"Her trey has turned up," he said, producing the list of numbers written on a bit of paper, such as the officials of the lottery put by hundreds into little wooden bowls on their counters.
Joseph read the list. Agathe read the list. The Descoings read nothing; she was struck down as by a thunderbolt. At the change in her face, at the cry she gave, old Desroches and Joseph carried her to her bed. Agathe went for a doctor. The poor woman was seized with apoplexy, and she only recovered consciousness at four in the afternoon; old Haudry, her doctor, then said that, in spite of this improvement, she ought to settle her worldly affairs and think of her salvation. She herself only uttered two words: —
"Three millions!"
Old Desroches, informed by Joseph, with due reservations, of the state of things, related many instances where lottery-players had seen a fortune escape them on the very day when, by some fatality, they had forgotten to pay their stakes; but he thoroughly understood that such a blow might be fatal when it came after twenty years' perseverance. About five o'clock, as a deep silence reigned in the little appartement, and the sick woman, watched by Joseph and his mother, the one sitting at the foot, the other at the head of her bed, was expecting her grandson Bixiou, whom Desroches had gone to fetch, the sound of Philippe's step and cane resounded on the staircase.
"There he is! there he is!" cried the Descoings, sitting up in bed and suddenly able to use her paralyzed tongue.
Agathe and Joseph were deeply impressed by this powerful effect of the horror which violently agitated the old woman. Their painful suspense was soon ended by the sight of Philippe's convulsed and purple face, his staggering walk, and the horrible state of his eyes, which were deeply sunken, dull, and yet haggard; he had a strong chill upon him, and his teeth chattered.
"Starvation in Prussia!" he cried, looking about him. "Nothing to eat or drink? – and my throat on fire! Well, what's the matter? The devil is always meddling in our affairs. There's my old Descoings in bed, looking at me with her eyes as big as saucers."
"Be silent, monsieur!" said Agathe, rising. "At least, respect the sorrows you have caused."
"Monsieur, indeed!" he cried, looking at his mother. "My dear little mother, that won't do. Have you ceased to love your son?"
"Are you worthy of love? Have you forgotten what you did yesterday? Go and find yourself another home; you cannot live with us any longer, – that is, after to-morrow," she added; "for in the state you are in now it is difficult – "
"To turn me out, – is that it?" he interrupted. "Ha! are you going to play the melodrama of 'The Banished Son'? Well done! is that how you take things? You are all a pretty set! What harm have I done? I've cleaned out the old woman's mattress. What the devil is the good of money kept in wool? Do you call that a crime? Didn't she take twenty thousand francs from you? We are her creditors, and I've paid myself as much as I could get, – that's all."
"My God! my God!" cried the dying woman, clasping her hands and praying.
"Be silent!" exclaimed Joseph, springing at his brother and putting his hand before his mouth.
"To the right about, march! brat of a painter!" retorted Philippe, laying his strong hand on Joseph's head, and twirling him round, as he flung him on a sofa. "Don't dare to touch the moustache of a commander of a squadron of the dragoons of the Guard!"
"She has paid me back all that she owed me," cried Agathe, rising and turning an angry face to her son; "and besides, that is my affair. You have killed her. Go away, my son," she added, with a gesture that took all her remaining strength, "and never let me see you again. You are a monster."
"I kill her?"
"Her trey has turned up," cried Joseph, "and you stole the money for her stake."
"Well, if she is dying of a lost trey, it isn't I who have killed her," said the drunkard.
"Go, go!" said Agathe. "You fill me with horror; you have every vice.
My God! is this my son?"
A hollow rattle sounded in Madame Descoings's throat, increasing Agathe's anger.
"I love you still, my mother, – you who are the cause of all my misfortunes," said Philippe. "You turn me out of doors on Christmas-day. What did you do to grandpa Rouget, to your father, that he should drive you away and disinherit you? If you had not displeased him, we should all be rich now, and I should not be reduced to misery. What did you do to your father, – you who are a good woman? You see by your own self, I may be a good fellow and yet be turned out of house and home, – I, the glory of the family – "
"The disgrace of it!" cried the Descoings.
"You shall leave this room, or you shall kill me!" cried Joseph, springing on his brother with the fury of a lion.
"My God! my God!" cried Agathe, trying to separate the brothers.
At this moment Bixiou and Haudry the doctor entered. Joseph had just knocked his brother over and stretched him on the ground.
"He is a regular wild beast," he cried. "Don't speak another word, or I'll – "
"I'll pay you for this!" roared Philippe.
"A family explanation," remarked Bixiou.
"Lift him up," said the doctor, looking at him. "He is as ill as Madame Descoings; undress him and put him to bed; get off his boots."
"That's easy to say," cried Bixiou, "but they must be cut off; his legs are swollen."
Agathe took a pair of scissors. When she had cut down the boots, which in those days were worn outside the clinging trousers, ten pieces of gold rolled on the floor.
"There it is, – her money," murmured Philippe. "Cursed fool that I was, I forgot it. I too have missed a fortune."
He was seized with a horrible delirium of fever, and began to rave. Joseph, assisted by old Desroches, who had come back, and by Bixiou, carried him to his room. Doctor Haudry was obliged to write a line to the Hopital de la Charite and borrow a strait-waistcoat; for the delirium ran so high as to make him fear that Philippe might kill himself, – he was raving. At nine o'clock calm was restored. The Abbe Loraux and Desroches endeavored to comfort Agathe, who never ceased to weep at her aunt's bedside. She listened to them in silence, and obstinately shook her head; Joseph and the Descoings alone knew the extent and depth of her inward wound.
"He will learn to do better, mother," said Joseph, when Desroches and Bixiou had left.
"Oh!" cried the widow, "Philippe is right, – my father cursed me: I have no right to – Here, here is your money," she said to Madame Descoings, adding Joseph's three hundred francs to the two hundred found on Philippe. "Go and see if your brother does not need something," she said to Joseph.
"Will you keep a promise made to a dying woman?" asked Madame Descoings, who felt that her mind was failing her.
"Yes, aunt."
"Then swear to me to give your property to young Desroches for a life annuity. My income ceases at my death; and from what you have just said, I know you will let that wretch wring the last farthing out of you."
"I swear it, aunt."
The old woman died on the 31st of December, five days after the terrible blow which old Desroches had so innocently given her. The five hundred francs – the only money in the household – were barely enough to pay for her funeral. She left a small amount of silver and some furniture, the value of which Madame Bixiou paid over to her grandson Bixiou. Reduced to eight hundred francs' annuity paid to her by young Desroches, who had bought a business without clients, and himself took the capital of twelve thousand francs, Agathe gave up her appartement on the third floor, and sold all her superfluous furniture. When, at the end of a month, Philippe seemed to be convalescent, his mother coldly explained to him that the costs of his illness had taken all her ready money, that she should be obliged in future to work for her living, and she urged him, with the utmost kindness, to re-enter the army and support himself.
"You might have spared me that sermon," said Philippe, looking at his mother with an eye that was cold from utter indifference. "I have seen all along that neither you nor my brother love me. I am alone in the world; I like it best!"
"Make yourself worthy of our affection," answered the poor mother, struck to the very heart, "and we will give it back to you – "
"Nonsense!" he cried, interrupting her.
He took his old hat, rubbed white at the edges, stuck it over one ear, and went downstairs, whistling.
"Philippe! where are you going without any money?" cried his mother, who could not repress her tears. "Here, take this – "
She held out to him a hundred francs in gold, wrapped up in paper.
Philippe came up the stairs he had just descended, and took the money.
"Well; won't you kiss me?" she said, bursting into tears.
He pressed his mother in his arms, but without the warmth of feeling which was all that could give value to the embrace.
"Where shall you go?" asked Agathe.
"To Florentine, Girodeau's mistress. Ah! they are real friends!" he answered brutally.
He went away. Agathe turned back with trembling limbs, and failing eyes, and aching heart. She fell upon her knees, prayed God to take her unnatural child into His own keeping, and abdicated her woeful motherhood.
CHAPTER VI
By February, 1822, Madame Bridau had settled into the attic room recently occupied by Philippe, which was over the kitchen of her former appartement. The painter's studio and bedroom was opposite, on the other side of the staircase. When Joseph saw his mother thus reduced, he was determined to make her as comfortable as possible. After his brother's departure he assisted in the re-arrangement of the garret room, to which he gave an artist's touch. He added a rug; the bed, simple in character but exquisite in taste, had something monastic about it; the walls, hung with a cheap glazed cotton selected with taste, of a color which harmonized with the furniture and was newly covered, gave the room an air of elegance and nicety. In the hallway he added a double door, with a "portiere" to the inner one. The window was shaded by a blind which gave soft tones to the light. If the poor mother's life was reduced to the plainest circumstances that the life of any woman could have in Paris, Agathe was at least better off than all others in a like case, thanks to her son.
To save his mother from the cruel cares of such reduced housekeeping, Joseph took her every day to dine at a table-d'hote in the rue de Beaune, frequented by well-bred women, deputies, and titled people, where each person's dinner cost ninety francs a month. Having nothing but the breakfast to provide, Agathe took up for her son the old habits she had formerly had with the father. But in spite of Joseph's pious lies, she discovered the fact that her dinner was costing him nearly a hundred francs a month. Alarmed at such enormous expense, and not imaging that her son could earn much money by painting naked women, she obtained, thanks to her confessor, the Abbe Loraux, a place worth seven hundred francs a year in a lottery-office belonging to the Comtesse de Bauvan, the widow of a Chouan leader. The lottery-offices of the government, the lot, as one might say, of privileged widows, ordinarily sufficed for the support of the family of each person who managed them. But after the Restoration the difficulty of rewarding, within the limits of constitutional government, all the services rendered to the cause, led to the custom of giving to reduced women of title not only one but two lottery-offices, worth, usually, from six to ten thousand a year. In such cases, the widow of a general or nobleman thus "protected" did not keep the lottery-office herself; she employed a paid manager. When these managers were young men they were obliged to employ an assistant; for, according to law, the offices had to be kept open till midnight; moreover, the reports required by the minister of finance involved considerable writing. The Comtesse de Bauvan, to whom the Abbe Loraux explained the circumstances of the widow Bridau, promised, in case her manager should leave, to give the place to Agathe; meantime she stipulated that the widow should be taken as assistant, and receive a salary of six hundred francs. Poor Agathe, who was obliged to be at the office by ten in the morning, had scarcely time to get her dinner. She returned to her work at seven in the evening, remaining there till midnight. Joseph never, for two years, failed to fetch his mother at night, and bring her back to the rue Mazarin; and often he went to take her to dinner; his friends frequently saw him leave the opera or some brilliant salon to be punctually at midnight at the office in the rue Vivienne.
Agathe soon acquired the monotonous regularity of life which becomes a stay and a support to those who have endured the shock of violent sorrows. In the morning, after doing up her room, in which there were no longer cats and little birds, she prepared the breakfast at her own fire and carried it into the studio, where she ate it with her son. She then arranged Joseph's bedroom, put out the fire in her own chamber, and brought her sewing to the studio, where she sat by the little iron stove, leaving the room if a comrade or a model entered it. Though she understood nothing whatever of art, the silence of the studio suited her. In the matter of art she made not the slightest progress; she attempted no hypocrisy; she was utterly amazed at the importance they all attached to color, composition, drawing. When the Cenacle friends or some brother-painter, like Schinner, Pierre Grassou, Leon de Lora, – a very youthful "rapin" who was called at that time Mistigris, – discussed a picture, she would come back afterwards, examine it attentively, and discover nothing to justify their fine words and their hot disputes. She made her son's shirts, she mended his stockings, she even cleaned his palette, supplied him with rags to wipe his brushes, and kept things in order in the studio. Seeing how much thought his mother gave to these little details, Joseph heaped attentions upon her in return. If mother and son had no sympathies in the matter of art, they were at least bound together by signs of tenderness. The mother had a purpose. One morning as she was petting Joseph while he was sketching a large picture (finished in after years and never understood), she said, as it were, casually and aloud, —
"My God! what is he doing?"
"Doing? who?"
"Philippe."
"Oh, ah! he's sowing his wild oats; that fellow will make something of himself by and by."
"But he has gone through the lesson of poverty; perhaps it was poverty which changed him to what he is. If he were prosperous he would be good – "
"You think, my dear mother, that he suffered during that journey of his. You are mistaken; he kept carnival in New York just as he does here – "
"But if he is suffering at this moment, near to us, would it not be horrible?"
"Yes," replied Joseph. "For my part, I will gladly give him some money; but I don't want to see him; he killed our poor Descoings."
"So," resumed Agathe, "you would not be willing to paint his portrait?"
"For you, dear mother, I'd suffer martyrdom. I can make myself remember nothing except that he is my brother."
"His portrait as a captain of dragoons on horseback?"
"Yes, I've a copy of a fine horse by Gros and I haven't any use for it."
"Well, then, go and see that friend of his and find out what has become of him."
"I'll go!"
Agathe rose; her scissors and work fell at her feet; she went and kissed Joseph's head, and dropped two tears on his hair.
"He is your passion, that fellow," said the painter. "We all have our hopeless passions."
That afternoon, about four o'clock, Joseph went to the rue du Sentier and found his brother, who had taken Giroudeau's place. The old dragoon had been promoted to be cashier of a weekly journal established by his nephew. Although Finot was still proprietor of the other newspaper, which he had divided into shares, holding all the shares himself, the proprietor and editor "de visu" was one of his friends, named Lousteau, the son of that very sub-delegate of Issoudun on whom the Bridaus' grandfather, Doctor Rouget, had vowed vengeance; consequently he was the nephew of Madame Hochon. To make himself agreeable to his uncle, Finot gave Philippe the place Giroudeau was quitting; cutting off, however, half the salary. Moreover, daily, at five o'clock, Giroudeau audited the accounts and carried away the receipts. Coloquinte, the old veteran, who was the office boy and did errands, also kept an eye on the slippery Philippe; who was, however, behaving properly. A salary of six hundred francs, and the five hundred of his cross sufficed him to live, all the more because, living in a warm office all day and at the theatre on a free pass every evening, he had only to provide himself with food and a place to sleep in. Coloquinte was departing with the stamped papers on his head, and Philippe was brushing his false sleeves of green linen, when Joseph entered.
"Bless me, here's the cub!" cried Philippe. "Well, we'll go and dine together. You shall go to the opera; Florine and Florentine have got a box. I'm going with Giroudeau; you shall be of the party, and I'll introduce you to Nathan."
He took his leaded cane, and moistened a cigar.
"I can't accept your invitation; I am to take our mother to dine at a table d'hote."
"Ah! how is she, the poor, dear woman?"
"She is pretty well," answered the painter, "I have just repainted our father's portrait, and aunt Descoings's. I have also painted my own, and I should like to give our mother yours, in the uniform of the dragoons of the Imperial Guard."
"Very good."
"You will have to come and sit."
"I'm obliged to be in this hen-coop from nine o'clock till five."
"Two Sundays will be enough."
"So be it, little man," said Napoleon's staff officer, lighting his cigar at the porter's lamp.
When Joseph related Philippe's position to his mother, on their way to dinner in the rue de Beaune, he felt her arm tremble in his, and joy lighted up her worn face; the poor soul breathed like one relieved of a heavy weight. The next day, inspired by joy and gratitude, she paid Joseph a number of little attentions; she decorated his studio with flowers, and bought him two stands of plants. On the first Sunday when Philippe was to sit, Agathe arranged a charming breakfast in the studio. She laid it all out on the table; not forgetting a flask of brandy, which, however, was only half full. She herself stayed behind a screen, in which she made a little hole. The ex-dragoon sent his uniform the night before, and she had not refrained from kissing it. When Philippe was placed, in full dress, on one of those straw horses, all saddled, which Joseph had hired for the occasion, Agathe, fearing to betray her presence, mingled the soft sound of her tears with the conversation of the two brothers. Philippe posed for two hours before and two hours after breakfast. At three o'clock in the afternoon, he put on his ordinary clothes and, as he lighted a cigar, he proposed to his brother to go and dine together in the Palais-Royal, jingling gold in his pocket as he spoke.
"No," said Joseph, "it frightens me to see gold about you."
"Ah! you'll always have a bad opinion of me in this house," cried the colonel in a thundering voice. "Can't I save my money, too?"
"Yes, yes!" cried Agathe, coming out of her hiding-place, and kissing her son. "Let us go and dine with him, Joseph!"
Joseph dared not scold his mother. He went and dressed himself; and Philippe took them to the Rocher de Cancale, where he gave them a splendid dinner, the bill for which amounted to a hundred francs.
"The devil!" muttered Joseph uneasily; "with an income of eleven hundred francs you manage, like Ponchard in the 'Dame Blance,' to save enough to buy estates."
"Bah, I'm on a run of luck," answered the dragoon, who had drunk enormously.
Hearing this speech just as they were on the steps of the cafe, and before they got into the carriage to go to the theatre, – for Philippe was to take his mother to the Cirque-Olympique (the only theatre her confessor allowed her to visit), – Joseph pinched his mother's arm. She at once pretended to feel unwell, and refused to go the theatre; Philippe accordingly took them back to the rue Mazarin, where, as soon as she was alone with Joseph in her garret, Agathe fell into a gloomy silence.
The following Sunday Philippe came again. This time his mother was visibly present at the sitting. She served the breakfast, and put several questions to the dragoon. She then learned that the nephew of old Madame Hochon, the friend of her mother, played a considerable part in literature. Philippe and his friend Giroudeau lived among a circle of journalists, actresses, and booksellers, where they were regarded in the light of cashiers. Philippe, who had been drinking kirsch before posing, was loquacious. He boasted that he was about to become a great man. But when Joseph asked a question as to his pecuniary resources he was dumb. It so happened that there was no newspaper on the following day, it being a fete, and to finish the picture Philippe proposed to sit again on the morrow. Joseph told him that the Salon was close at hand, and as he did not have the money to buy two frames for the pictures he wished to exhibit, he was forced to procure it by finishing a copy of a Rubens which had been ordered by Elie Magus, the picture-dealer. The original belonged to a wealthy Swiss banker, who had only lent it for ten days, and the next day was the last; the sitting must therefore be put off till the following Sunday.
"Is that it?" asked Philippe, pointing to a picture by Rubens on an easel.
"Yes," replied Joseph; "it is worth twenty thousand francs. That's what genius can do. It will take me all to-morrow to get the tones of the original and make the copy look so old it can't be distinguished from it."
"Adieu, mother," said Philippe, kissing Agathe. "Next Sunday, then."
The next day Elie Magus was to come for his copy. Joseph's friend, Pierre Grassou, who was working for the same dealer, wanted to see it when finished. To play him a trick, Joseph, when he heard his knock, put the copy, which was varnished with a special glaze of his own, in place of the original, and put the original on his easel. Pierre Grassou was completely taken in; and then amazed and delighted at Joseph's success.
"Do you think it will deceive old Magus?" he said to Joseph.
"We shall see," answered the latter.
The dealer did not come as he had promised. It was getting late; Agathe dined that day with Madame Desroches, who had lately lost her husband, and Joseph proposed to Pierre Grassou to dine at his table d'hote. As he went out he left the key of his studio with the concierge.
An hour later Philippe appeared and said to the concierge, —
"I am to sit this evening; Joseph will be in soon, and I will wait for him in the studio."
The woman gave him the key; Philippe went upstairs, took the copy, thinking it was the original, and went down again; returned the key to the concierge with the excuse that he had forgotten something, and hurried off to sell his Rubens for three thousand francs. He had taken the precaution to convey a message from his brother to Elie Magus, asking him not to call till the following day.
That evening when Joseph returned, bringing his mother from Madame Desroches's, the concierge told him of Philippe's freak, – how he had called intending to wait, and gone away again immediately.
"I am ruined – unless he has had the delicacy to take the copy," cried the painter, instantly suspecting the theft. He ran rapidly up the three flights and rushed into his studio. "God be praised!" he ejaculated. "He is, what he always has been, a vile scoundrel."