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полная версияFancy\'s Show-Box (From \"Twice Told Tales\")

Натаниель Готорн
Fancy's Show-Box (From "Twice Told Tales")

Полная версия

How kind of Fancy, Memory, and Conscience to visit the old gentleman, just as he was beginning to imagine that the wine had neither so bright a sparkle nor so excellent a flavor as when himself and the liquor were less aged! Through the dim length of the apartment, where crimson curtains muffled the glare of sunshine, and created a rich obscurity, the three guests drew near the silver-haired old mail. Memory, with a finger between the leaves of her huge volume, placed herself at his right hand. Conscience, with her face still hidden in the dusky mantle, took her station on the left, so as to be next his heart; while Fancy set down her picture-box upon the table, with the magnifying-glass convenient to his eye. We can sketch merely the outlines of two or three out of the many pictures which, at the pulling of a string, successively peopled the box with the semblances of living scenes.

One was a moonlight picture; in the background, a lowly dwelling; and in front, partly shadowed by a tree, yet besprinkled with flakes of radiance, two youthful figures, male and female. The young man stood with folded arms, a haughty smile upon his lip, and a gleam of triumph in his eye, as he glanced downward at the kneeling girl. She was almost prostrate at his feet, evidently sinking under a weight of shame and anguish, which hardly allowed her to lift her clasped hands in supplication. Her eyes she could not lift. But neither her agony, nor the lovely features on which it was depicted, nor the slender grace of the form which it convulsed, appeared to soften the obduracy of the young man. He was the personification of triumphant scorn. Now, strange to say, as old Mr. Smith peeped through the magnifying-glass, which made the objects start out from the canvas with magical deception, he began to recognize the farm-house, the tree, and both the figures of the picture. The young man, in times long past, had often met his gaze within the looking-glass; the girl was the very image of his first love, – his cottage love, – his Martha Burroughs! Mr. Smith was scandalized. "O, vile and slanderous picture!" he exclaims. "When have I triumphed over ruined innocence? Was not Martha wedded, in her teens, to David Tomkius, who won her girlish love, and long enjoyed her affection as a wife? And ever since his death, she has lived a reputable widow!" Meantime, Memory was turning over the leaves of her volume, rustling them to and fro with uncertain fingers, until, among the earlier pages, she found one which had reference to this picture. She reads it, close to the old gentleman's ear; it is a record merely of sinful thought, which never was embodied in an act; but, while Memory is reading, Conscience unveils her face, and strikes a dagger to the heart of Mr. Smith. Though not a death-blow, the torture was extreme.

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