George Meredith
The Amazing Marriage. Volume 3
Mounting the box of his coach for the drive to London, Fleetwood had the new name for the parasitic and sham vital troop at his ears.
'My Ixionides!' he repeated, and did not scorn them so much as he rejoiced to be enlightened by the title. He craved the presence of the magician who dropped illumination with a single word; wholesomer to think of than the whole body of those Ixionides—not bad fellows, here and there, he reflected, tolerantly, half laughing at some of their clownish fun. Gower Woodseer and he had not quarrelled? No, they had merely parted at one of the crossways. The plebeian could teach that son of the, genuflexions, Lord Feltre, a lesson in manners. Woodseer was the better comrade and director of routes. Into the forest, up on the heights; and free, not locked; and not parroting day and night, but quick for all that the world has learnt and can tell, though two-thirds of it be composed of Ixionides: that way lies wisdom, and his index was cut that way.
Arrived in town, he ran over the headings of his letters, in no degree anxious for a communication from Wales. There was none. Why none?
She might as well have scrawled her announcement of an event pleasing to her, and, by the calculation, important to him, if not particularly interesting. The mother's wifeish lines would, perhaps, have been tested in a furnace. He smarted at the blank of any, of even two or three formal words. She sulked? 'I am not a fallen lamb!' he said. Evidently one had to be a shivering beast in trouble, to excite her to move a hand.
Through so slight a fissure as this piece of discontent cracked in him, the crowd of his grievances with the woman rushed pell-mell, deluging young shoots of sweeter feelings. She sulked! If that woman could not get the command, he was to know her incapable of submission. After besmutting the name she had filched from him, she let him understand that there was no intention to repent. Possibly she meant war. In which case a man must fly, or stand assailed by the most intolerable of vulgar farces;—to be compared to a pelting of one on the stage.
The time came for him to knock at doors and face his public.
CHAPTER XXVIII
BY CONCESSIONS TO MISTRESS GOSSIP A FURTHER INTRUSION IS AVERTED
Livia welcomed him, with commiserating inquiry behind her languid eyelids. 'You have all the latest?' it said.
He struck on the burning matter.
'You wish to know the part you have to play, ma'am.' 'Tell me, Russett.'
'You will contradict nothing.'
Her eyebrows asked, 'It means?'
'You have authority from me to admit the facts.'
'They are facts?' she remarked.
'Women love teasing round certain facts, apparently; like the Law courts over their pet cases.'
'But, Russett, will you listen?'
'Has the luck been civil of late?'
'I think of something else at present. No, it has not.'
'Abrane?'
'Pray, attend to me. No, not Abrane.'
'I believe you've all been cleared out in my absence. St. Ombre?'
Her complexion varied. 'Mr. Ambrose Mallard has once or twice . . . But let me beg you—the town is rageing with it. My dear Russett, a bold front now; there 's the chance of your release in view.'
'A rascal in view! Name the sum.'
'I must reckon. My head is—can you intend to submit?'
'So it's Brosey Mallard now. You choose your deputy queerly. He's as bad as Abrane, with steam to it. Chummy Potts would have done better.'
'He wins one night; loses every pound-note he has the next; and comes vaunting—the "dry still Sillery" of the establishment,—a perpetual chorus to his losses!'
'His consolation to you for yours. That is the gentleman. Chummy doesn't change. Say, why not St. Ombre? He's cool.'
'There are reasons.'
'Let them rest. And I have my reasons. Do the same for them.'
'Yours concern the honour of the family.'
'Deeply: respect them.'
'Your relatives have to be thought of, though they are few and not too pleasant.'
'If I had thought much of them, what would our relations be? They object to dicing, and I to leading strings.'
She turned to a brighter subject, of no visible connection with the preceding.
'Henrietta comes in May.'
'The month of her colours.'
'Her money troubles are terrible.'
'Both of you appear unlucky in your partners,—if winning was the object.
She shall have all the distractions we can offer.'
'Your visit to the Chartreuse alarmed her.'
'She has rejoiced her husband.'
'A girl. She feared the Jesuit in your friend.'
'Feltre and she are about equally affected by music. They shall meet.'
'Russett, this once: I do entreat you to take counsel with your good sense, and remember that you stand where you are by going against my advice. It is a perfect storm over London. The world has not to be informed of your generosity; but a chivalry that invites the most horrible of sneers at a man! And what can I say? I have said it was impossible.'
'Add the postscript: you find it was perfectly possible.'
'I have to learn more than I care to hear.'
'Your knowledge is not in request: you will speak in my name.'
'Will you consult your lawyers, Russett, before you commit yourself?'
'I am on my way to Lady Arpington.'
'You cannot be thinking how serious it is.'
'I rather value the opinion of a hard-headed woman of the world.'
'Why not listen to me?'
'You have your points, ma'am.'
'She's a torch.'
'She serves my purpose.'
Livia shrugged sadly. 'I suppose it serves your purpose to be unintelligible to me.'
He rendered himself intelligible immediately by saying, 'Before I go— a thousand?'
'Oh, my dear Russett!' she sighed.
'State the amount.'
She seemed to be casting unwieldly figures and he helped her with, 'Mr.
Isaacs?'
'Not less than three, I fear.'
'Has he been pressing?'
'You are always good to us, Russett.'
'You are always considerate for the honour of the family, ma'am. Order for the money with you here to-morrow. And I thank you for your advice. Do me the favour to follow mine.
'Commands should be the word.'
'Phrase it as you please.'
'You know I hate responsibility.'
'The chorus in classical dramas had generally that sentiment, but the singing was the sweeter for it.'
'Whom do you not win when you condescend to the mood, you dear boy?'
He restrained a bitter reply, touching the kind of persons he had won: a girl from the mountains, a philosophical tramp of the roads, troops of the bought.
Livia spelt at the problem he was. She put away the task of reading it.
He departed to see Lady Arpington, and thereby rivet his chains.
As Livia had said, she was a torch. Lady Endor, Lady Eldritch, Lady Cowry, kindled at her. Again there were flights of the burning brands over London. The very odd marriage; the no-marriage; the two-ends-of- the-town marriage; and the maiden marriage a fruitful marriage; the monstrous marriage of the countess productive in banishment, and the unreadable earl accepting paternity; this Amazing Marriage was again the riddle in the cracker for tattlers and gapers. It rattled upon the world's native wantonness, the world's acquired decorum: society's irrepressible original and its powerfully resisting second nature. All the rogues of the fine sphere ran about with it, male and female; and there was the narrative that suggestively skipped, and that which trod the minuet measure, dropping a curtsey to ravenous curiosity; the apology surrendering its defensible cause in supplications to benevolence; and the benevolence damnatory in a too eloquent urgency; followed by the devout objection to a breath of the subject, so blackening it as to call forth the profanely circumstantial exposition. Smirks, blushes, dead silences, and in the lower regions roars, hung round it.
But the lady, though absent, did not figure poorly at all. Granting Whitechapel and the shillelagh affair, certain whispers of her good looks, contested only to be the more violently asserted; and therewith Rose Mackrell's tale of her being a 'young woman of birth,' having a 'romantic story to tell of herself and her parentage,' made her latest performance the champagne event of it hitherto. Men sparkled when they had it on their lips.
How, then, London asked, would the Earl of Fleetwood move his pieces in reply to his countess's particularly clever indication of the check threatening mate?
His move had no relation to the game, it was thought at first. The world could not suppose that he moved a simple pawn on his marriage board. He purchased a shop in Piccadilly for the sale of fruit and flowers.
Lady Arpington was entreated to deal at the shop, Countess Livia had her orders; his friends, his parasites and satellites, were to deal there. Intensely earnest as usual, he besought great ladies to let him have the overflow of their hothouses; and they classing it as another of the mystifications of a purse crazy for repleteness, inquired: 'But is it you we are to deal with?' And he quite seriously said: 'With me, yes, at present.' Something was behind the curtain, of course. His gravity had the effect of the ultra-comical in concealing it.
The shop was opened. We have the assurance of Rose Mackrell, that he entered and examined the piles and pans of fruit, and the bouquets cunningly arranged by a hand smelling French. The shop was roomy, splendid windows lighted the yellow, the golden, the green and parti- coloured stores. Four doors off, a chemist's motley in bellied glasses crashed on the sight. Passengers along the pavement had presented to them such a contrast as might be shown if we could imagine the Lethean ferry-boatload brought sharp against Pomona's lapful. In addition to the plucked flowers and fruits of the shop, Rose Mackrell more attentively examined the samples doing service at the counters. They were three, under supervision of a watchful-eyed fourth. Dame Gossip is for quoting his wit. But the conclusion he reached, after quitting the shop and pacing his dozen steps, is important; for it sent a wind over the town to set the springs of tattle going as wildly as when the herald's trumpet blew the announcement for the world to hear out of Wales.
He had observed, that the young woman supervising was deficient in the ease of an established superior; her brows were troubled; she was, therefore, a lieutenant elevated from a lower grade; and, to his thinking, conducted the business during the temporary retirement of the mistress of the shop.
And the mistress of the shop?
The question hardly needs be put.
Rose Mackrell or his humour answered it in unfaltering terms.
London heard, with the variety of feelings which are indistinguishable under a flooding amazement, that the beautiful new fruit and flower shop had been purchased and stocked by the fabulously wealthy young Earl of Fleetwood, to give his Whitechapel Countess a taste for business, an occupation, and an honourable means of livelihood.
There was, Dame Gossip thumps to say, a general belief in this report. Crowds were on the pavement, peering through the shop-windows. Carriages driving by stopped to look. My lord himself had been visible, displaying his array of provisions to friends. Nor was credulity damped appreciably when over the shop, in gold letters, appeared the name of Sarah Winch. It might be the countess's maiden name, if she really was a married countess.
But, in truth, the better informed of the town, having begun to think its Croesus capable of any eccentricity, chose to believe. They were at the pitch of excitement which demands and will swallow a succession of wilder extravagances. To accelerate the delirium of the fun, nothing was too much, because any absurdity was anticipated. And the earl's readiness to be complimented on the shop's particular merits, his gratified air at an allusion to it, whirled the fun faster. He seemed entirely unconscious that each step he now took wakened peals.
For such is the fate of a man who has come to be dogged by the humourist for the provision he furnishes; and, as it happens, he is the more laughable if not in himself a laughable object. The earl's handsome figure, fine style, and contrasting sobriety heightened the burlesque of his call to admiration of a shop where Whitechapel would sit in state- according to the fiction so closely under the lee of fact that they were not strictly divisible. Moreover, Sarah Winch, whom Chumley Potts drew into conversation, said, he vowed, she came up West from Whitechapel. She said it a little nervously, but without blushing. Always on the side of the joke, he could ask: 'Who can doubt?' Indeed, scepticism poisoned the sport.
The Old Buccaneer has written: Friends may laugh; I am not roused. My enemy's laugh is a bugle blown in the night.
Our enemy's laugh at us rouses to wariness, he would say. He can barely mean, that a condition of drowsihead is other than providently warned by laughter of friends. An old warrior's tough fibre would, perhaps, be insensible to that small crackle. In civil life, however, the friend's laugh at us is the loudest of the danger signals to stop our course: and the very wealthy nobleman, who is known for not a fool, is kept from hearing it. Unless he does hear it, he can have no suspicion of its being about him: he cannot imagine such 'lese-majeste' in the subservient courtiers too prudent to betray a sign. So Fleetwood was unwarned; and his child-like unconsciousness of the boiling sentiments around, seasoned, pricked, and maddened his parasites under compression to invent, for a faint relief. He had his title for them, they their tales of him.
Dame Gossip would recount the tales. She is of the order of persons inclining to suspect the tittle of truth in prodigies of scandal. She is rustling and bustling to us of 'Carinthia Jane's run up to London to see Sarah Winch's grand new shop,' an eclipse of all existing grand London western shops; and of Rose Mackrell's account of her dance of proud delight in the shop, ending with a 'lovely cheese' just as my lord enters; and then a scene, wild beyond any conceivable 'for pathos and humour'—her pet pair of the dissimilar twins, both banging at us for tear-drops by different roads, through a common aperture:—and the earl has the Whitechapel baby boy plumped into his arms; and the countess fetches him a splendid bob-dip and rises out of a second cheese to twirl and fandango it; and, all serious on a sudden, request, whimperingly beseech, his thanks to her for the crowing successor she has presented him with: my lord ultimately, but carefully, depositing the infant on a basket of the last oranges of the season, fresh from the Azores, by delivery off my lord's own schooner-yacht in Southampton water; and escaping, leaving his gold-headed stick behind him—a trophy for the countess? a weapon, it may be.
Quick she tucks up her skirts, she is after him. Dame Gossip speaks amusingly enough of the chase, and many eye-witnesses to the earl's flight at top speed down the right side of the way along by the Green Park; and of a Prince of the Blood, a portly Royal Duke on foot, bumped by one or the other of them, she cannot precisely say which, but 'thinks it to have been Carinthia Jane,' because the exalted personage, his shock of surprise abating, turned and watched the chase, in much merriment. And it was called, we are informed, 'The Piccadilly Hare and Hound' from that day.
Some tradition of an extenuated nobleman pursued by a light-footed lady amid great excitement, there is; the Dame attaches importance also to verses of one of the ballads beginning to gain currency at the time (issuing ostensibly from London's poetic centre, the Seven Dials, which had, we are to conjecture, got the story by discolouring filtration through footmen retailing in public-houses the stock of anecdotes they gathered when stationed behind Rose Mackrell's chair, or Captain Abrane's, or Chumley 'Potts's), and would have the whole of it quoted:—
"'Tho' fair I be a powdered peruke,
And once was a gaping silly,
Your Whitechapel Countess will prove, Lord Duke,
She's a regular tiger-lily.
She'll fight you with cold steel
or she'll run you off your legs
Down the length of Piccadilly!"
That will satisfy; and perhaps indicate the hand.
'Popular sympathy, of course, was all on the side of the Fair, as ever in those days when women had not forfeited it by stepping from their sanctuary seclusion.'
The Dame shall expose her confusions. She really would seem to fancy that the ballad verifies the main lines of the story, which is an impossible one. Carinthia had not the means to travel: she was moneyless. Every bill of her establishment was paid without stint by Mr. Howell Edwards, the earl's manager of mines; but she had not even the means for a journey to the Gowerland rocks she longed to see. She had none since she forced her brother to take the half of her share of their inheritance, L1400, and sent him the remainder.
Accepted by Chillon John as a loan, says Dame Gossip, and no sooner received than consumed by the pressing necessities of a husband with the Rose Beauty of England to support in the comforts and luxuries he deemed befitting.
Still the Dame leans to her opinion that 'Carinthia Jane' may have been seen about London: for 'where we have much smoke there must be fire.' And the countess never denying an imputation not brought against her in her hearing, the ballad was unchallenged and London's wags had it their own way. Among the reasons why they so persistently hunted the earl, his air of a smart correctness shadowed by this new absurdity invited them, as when a spot of mud on the trimmest of countenances arrests observation: Humour plucked at him the more for the good faith of his handsome look under the prolific little disfigurement. Besides, a wealthy despot, with no conception of any hum around him, will have the wags in his track as surely as the flexibles in front: they avenge his exactions.
Fleetwood was honestly unaware of ridicule in the condition of inventive mania at his heels. Scheming, and hesitating to do, one-half of his mind was absorbed with the problem of how now to treat the mother of his boy. Her behaviour in becoming a mother was acknowledged to be good: the production of a boy was good—considerate, he almost thought. He grew so far reconciled to her as to have intimations of a softness coming on; a wish to hear her speak of the trifling kindness done to. the sister of Madge in reward of kindness done to her; wishes for looks he remembered, secret to him, more his own than any possessions. Dozens of men had wealth, some had beautiful wives; none could claim as his own that face of the look of sharp steel melting into the bridal flower, when she sprang from her bed to defend herself and recognized the intruder at her window; stood smitten:—'It is my, husband.' Moonlight gave the variation of her features.
And that did not appease the resentment tearing him from her, so justifiable then, as he forced himself to think, now hideous. Glimpses of the pictures his deeds painted of him since his first meeting with this woman had to be shunned. He threw them off; they were set down to the mystery men are. The degrading, utterly different, back view of them teaches that Life is an irony. If the teaching is not accepted, and we are to take the blame, can we bear to live? Therefore, either way the irony of Life is proved. Young men straining at thought, in the grip of their sensations, reach this logical conclusion. They will not begin by examining the ground they stand on, and questioning whether they have consciences at peace with the steps to rearward.
Having established Life as the coldly malignant element, which induces to what it chastises, a loathing of womanhood, the deputed Mother of Life, ensues, by natural sequence. And if there be one among women who disturbs the serenity we choose to think our due, she wears for us the sinister aspect of a confidential messenger between Nemesis and the Parcae. Fleetwood was thus compelled to regard Carinthia as both originally and successively the cause of his internal as well as his exterior discomfort; otherwise those glimpses would have burnt into perpetual stigmas. He had also to get his mind away from her. They pleaded against him volubly with the rising of her image into it.
His manager at the mines had sent word of ominous discontent down there. His presence might be required. Obviously, then, the threatened place was unfitting for the Countess of Fleetwood. He despatched a kind of order through Mr. Howell Edwards, that she should remove to Esslemont to escape annoyances. Esslemont was the preferable residence. She could there entertain her friends, could spend a pleasanter time there.
He waited for the reply; Edwards deferred it.
Were they to be in a struggle with her obstinate will once more?
Henrietta was preparing to leave London for her dismal, narrow, and, after an absence, desired love-nest. The earl called to say farewell, cool as a loyal wife could wish him to be, admiring perforce. Marriage and maternity withdrew nothing—added to the fair young woman's bloom.
She had gone to her room to pack and dress. Livia received him. In the midst of the casual commonplaces her memory was enlightened.
'Oh,' said she, and idly drew a letter out of a blottingpad, 'we have heard from Wales.' She handed it to him.
Before he knew the thing he did, he was reading:
'There is no rest foamy brother, and I cannot help; I am kept so poor I have not the smallest of sums. I do not wish to leave Wales—the people begin to love me; and can one be mistaken? I know if I am loved or hated. But if my lord will give me an allowance of money of some hundreds, I will do his bidding; I will leave England or I will go to Esslemont; I could say—to Mr. Woodseer, in that part of London. He would not permit. He thinks me blacked by it, like a sweepboy coming from a chimney; and that I have done injury to his title. No, Riette, to be a true sister, I must bargain with my lord before I submit. He has not cared to come and see his little son. His boy has not offended him. There may be some of me in this dear. I know whose features will soon show to defend the mother's good name. He is early my champion. He is not christened yet, and I hear it accuse me, and I am not to blame,—I still wait my lord's answer.'
'Don't be bothered to read the whole,' Livia had said, with her hand out, when his eyes were halfway down the page.
Fleetwood turned it, to read the signature: 'Janey.'
She seemed servile enough to some of her friends. 'Carinthia' would have had—a pleasanter sound. He folded the letter.
'Why give me this? Take it,'—said he.
She laid it on the open pad.
Henrietta entered and had it restored to her, Livia remarking: 'I found it in the blotter after all.'
She left them together, having to dress for the drive to the coach office with Henrietta.
'Poor amusement for you this time.' Fleetwood bowed, gently smiling.
'Oh!' cried Henrietta, 'balls, routs, dinners, music—as much music as I could desire, even I! What more could be asked? I am eternally grateful.'
'The world says, you are more beautiful than ever.'
'Happiness does it, then,—happiness owing to you, Lord Fleetwood.'
'Columelli pleases you?'
'His voice is heavenly! He carries me away from earth.'
'He is a gentleman, too-rare with those fellows.'
'A pretty manner. He will speak his compliments in his English.'
'You are seasoned to endure them in all languages. Pity another of your wounded: Brailstone has been hard hit at the tables.
'I cannot pity gamblers.—May I venture?—half a word?'
'Tomes! But just a little compassion for the devoted. He wouldn't play so madly—if, well, say a tenth dilution of the rapt hearing Columelli gets.'
'Signor Columelli sings divinely.'
'You don't dislike Brailstone?'
'He is one of the agreeable.'
'He must put his feelings into Italian song!'
'To put them aside will do.'
'We are not to have our feelings?'
'Yes, on the proviso that ours are respected. But, one instant, Lord Fleetwood, pray. She is—I have to speak of her as my sister. I am sure she regrets . . . She writes very nicely.'
'You have a letter from her?'
Henrietta sighed that it would not bear exposure to him: 'Yes.'
'Nicely worded?'
'Well, yes, it is.'
He paused, not expecting that the letter would be shown, but silence fired shots, and he had stopped the petition. 'We are to have you for a week's yachting. You prescribe your company. Only be merciful. Exclusion will mean death to some. Columelli will be touring in Switzerland. You shall have him in the house when my new bit of ground Northwest of London is open: very handy, ten miles out. We'll have the Opera troupe there, and you shall command the Opera.'
Her beauty sweetened to thank him.
If, as Livia said, his passion for her was unchanged, the generosity manifested in the considerate screen it wore over any physical betrayal of it, deserved the lustre of her eyes. It dwelt a moment, vivid with the heart close behind and remorseful for misreading of old his fine character. Here was a young man who could be the very kindest of friends to the woman rejecting him to wed another. Her smile wavered. How shall a loving wife express warmth of sentiment elsewhere, without the one beam too much, that plunges her on a tideway? His claim of nothing called for everything short of the proscribed. She gave him her beauty in fullest flower.
It had the appearance of a temptation; and he was not tempted, though he admired; his thought being, Husband of the thing!
But he admired. That condition awakened his unsatisfied past days to desire positive proof of her worthlessness. The past days writhed in him. The present were loveless, entirely cold. He had not even the wish to press her hand. The market held beautiful women of a like description. He wished simply to see her proved the thing he read her to be: and not proved as such by himself. He was unable to summon or imagine emotion enough for him to simulate the forms by which fair women are wooed to their perdition. For all he cared, any man on earth might try, succeed or fail, as long as he had visual assurance that she coveted, a slave to the pleasures commanded by the wealth once disdained by her. Till that time, he could not feel himself perfectly free.
Dame Gossip prefers to ejaculate. Young men are mysteries! and bowl us onward. No one ever did comprehend the Earl of Fleetwood, she says: he was bad, he was good; he was whimsical and stedfast; a splendid figure, a mark for ridicule; romantic and a close arithmetician; often a devil, sometimes the humanest of creatures.
In fine, he was a millionaire nobleman, owning to a considerable infusion of Welsh blood in the composition of him. Now, to the Cymry and to the pure Kelt, the past is at their elbows continually. The past of their lives has lost neither face nor voice behind the shroud; nor are the passions of the flesh, nor is the animate soul, wanting to it. Other races forfeit infancy, forfeit youth and manhood with their progression to the wisdom age may bestow. These have each stage always alive, quick at a word, a scent, a sound, to conjure up scenes, in spirit and in flame. Historically, they still march with Cadwallader, with Llewellyn, with Glendower; sing with Aneurin, Taliesin, old Llywarch: individually, they are in the heart of the injury done them thirty years back or thrilling to the glorious deed which strikes an empty buckler for most of the sons of Time. An old sea rises in them, rolling no phantom billows to break to spray against existing rocks of the shore. That is why, and even if they have a dose of the Teuton in them, they have often to feel themselves exiles when still in amicable community among the preponderating Saxon English.
Add to the single differentiation enormous wealth—we convulse the excellent Dame by terming it a chained hurricane, to launch in foul blasts or beneficent showers, according to the moods during youth—and the composite Lord Fleetwood comes nearer into our focus. Dame Gossip, with her jigging to be at the butterwoman's trot, when she is not violently interrupting, would suffer just punishment were we to digress upon the morality of a young man's legal possession of enormous wealth as well.
Wholly Cambrian Fleetwood was not. But he had to the full the Cambrian's reverential esteem for high qualities. His good-bye with Henrietta, and estimate of her, left a dusky mental, void requiring an orb of some sort for contemplation; and an idea of the totally contrary Carinthia, the woman he had avowedly wedded, usurped her place. Qualities were admitted. She was thrust away because she had offended: still more because he had offended. She bore the blame for forcing him to an examination of his conduct at this point and that, where an ancestral savage in his lineaments cocked a strange eye. Yet at the moment of the act of the deed he had known himself the veritable Fleetwood. He had now to vindicate himself by extinguishing her under the load of her unwomanliness: she was like sun-dried linen matched beside oriental silk: she was rough, crisp, unyielding. That was now the capital charge. Henrietta could never be guilty of the unfeminine. Which did he prefer?
