George Meredith
Diana of the Crossways. Volume 3
She was shocked at herself for a singular tremble 'she experienced, without any beating of the heart, on hearing one day that the marriage of Percy Dacier and Miss Asper was at last definitely fixed. Mary Paynham brought her the news. She had it from a lady who had come across Miss Asper at Lady Wathin's assemblies, and considered the great heiress extraordinarily handsome.
'A golden miracle,' Diana gave her words to say. 'Good looks and gold together are rather superhuman. The report may be this time true.' Next afternoon the card of Lady Wathin requested Mrs. Warwick to grant her a private interview.
Lady Wathin, as one of the order of women who can do anything in a holy cause, advanced toward Mrs. Warwick, unabashed by the burden of her mission, and spinally prepared, behind benevolent smilings, to repay dignity of mien with a similar erectness of dignity. They touched fingers and sat. The preliminaries to the matter of the interview were brief between ladies physically sensible of antagonism and mutually too scornful of subterfuges in one another's presence to beat the bush.
Lady Wathin began. 'I am, you are aware, Mrs. Warwick, a cousin of your friend Lady Dunstane.'
'You come to me on business?' Diana said.
'It may be so termed. I have no personal interest in it. I come to lay certain facts before you which I think you should know. We think it better that an acquaintance, and one of your sex, should state the case to you, instead of having recourse to formal intermediaries, lawyers—'
'Lawyers?'
'Well, my husband is a lawyer, it is true. In the course of his professional vocations he became acquainted with Mr. Warwick. We have latterly seen a good deal of him. He is, I regret to say, seriously unwell.'
'I have heard of it.'
'He has no female relations, it appears. He needs more care than he can receive from hirelings.'
'Are you empowered by him, Lady Wathin?'
'I am, Mrs. Warwick. We will not waste time in apologies. He is most anxious for a reconciliation. It seems to Sir Cramborne and to me the most desireable thing for all parties concerned, if you can be induced to regard it in that light. Mr. Warwick may or may not live; but the estrangement is quite undoubtedly the cause of his illness. I touch on nothing connected with it. I simply wish that you should not be in ignorance of his proposal and his condition.'
Diana bowed calmly. 'I grieve at his condition. His proposal has already been made and replied to.'
'Oh, but, Mrs. Warwick, an immediate and decisive refusal of a proposal so fraught with consequences . . . !'
'Ah, but, Lady Wathin, you are now outstepping the limits prescribed by the office you have undertaken.'
'You will not lend ear to an intercession?'
'I will not.'
'Of course, Mrs. Warwick, it is not for me to hint at things that lawyers could say on the subject.'
'Your forbearance is creditable, Lady Wathin.'
'Believe me, Mrs. Warwick, the step is—I speak in my husband's name as well as my own—strongly to be advised.'
'If I hear one word more of it, I leave the country.'
'I should be sorry indeed at any piece of rashness depriving your numerous friends of your society. We have recently become acquainted with Mr. Redworth, and I know the loss you would be to them. I have not attempted an appeal to your feelings, Mrs. Warwick.'
'I thank you warmly, Lady Wathin, for what you have not done.'
The aristocratic airs of Mrs. Warwick were annoying to Lady Wathin when she considered that they were borrowed, and that a pattern morality could regard the woman as ostracized: nor was it agreeable to be looked at through eyelashes under partially lifted brows. She had come to appeal to the feelings of the wife; at any rate, to discover if she had some and was better than a wild adventuress.
'Our life below is short!' she said. To which Diana tacitly assented.
'We have our little term, Mrs. Warwick. It is soon over.'
'On the other hand, the platitudes concerning it are eternal.'
Lady Wathin closed her eyes, that the like effect might be produced on her ears. 'Ah! they are the truths. But it is not my business to preach. Permit me to say that I feel deeply for your husband.'
'I am glad of Mr. Warwick's having friends; and they are many, I hope.'
'They cannot behold him perishing, without an effort on his behalf.'
A chasm of silence intervened. Wifely pity was not sounded in it.
'He will question me, Mrs. Warwick.'
'You can report to him the heads of our conversation, Lady Wathin.'
'Would you—it is your husband's most earnest wish; and our house is open to his wife and to him for the purpose; and it seems to us that . . . indeed it might avert a catastrophe you would necessarily deplore:—would you consent to meet him at my house?'
'It has already been asked, Lady Wathin, and refused.'
'But at my house-under our auspices!'
Diana glanced at the clock. 'Nowhere.'
'Is it not—pardon me—a wife's duty, Mrs. Warwick, at least to listen?'
'Lady Wathin, I have listened to you.'
'In the case of his extreme generosity so putting it, for the present, Mrs. Warwick, that he asks only to be heard personally by his wife! It may preclude so much.'
Diana felt a hot wind across her skin.
She smiled and said: 'Let me thank you for bringing to an end a mission that must have been unpleasant to you.'
'But you will meditate on it, Mrs. Warwick, will you not? Give me that assurance!'
'I shall not forget it,' said Diana.
Again the ladies touched fingers, with an interchange of the social grimace of cordiality. A few words of compassion for poor Lady Dunstane's invalided state covered Lady Wathin's retreat.
She left, it struck her ruffled sentiments, an icy libertine, whom any husband caring for his dignity and comfort was well rid of; and if only she could have contrived allusively to bring in the name of Mr. Percy Dacier, just to show these arrant coquettes, or worse, that they were not quite so privileged to pursue their intrigues obscurely as they imagined, it would have soothed her exasperation.
She left a woman the prey of panic.
Diana thought of Emma and Redworth, and of their foolish interposition to save her character and keep her bound. She might now have been free! The struggle with her manacles reduced her to a state of rebelliousness, from which issued vivid illuminations of the one means of certain escape; an abhorrent hissing cavern, that led to a place named Liberty, her refuge, but a hectic place.
Unable to write, hating the house which held her a fixed mark for these attacks, she had an idea of flying straight to her beloved Lugano lake, and there hiding, abandoning her friends, casting off the slave's name she bore, and living free in spirit. She went so far as to reckon the cost of a small household there, and justify the violent step by an exposition of retrenchment upon her large London expenditure. She had but to say farewell to Emma, no other tie to cut! One morning on the Salvatore heights would wash her clear of the webs defacing and entangling her.
CHAPTER XXIV
INDICATES A SOUL PREPARED FOR DESPERATION
The month was August, four days before the closing of Parliament, and Diana fancied it good for Arthur Rhodes to run down with her to Copsley. He came to her invitation joyfully, reminding her of Lady Dunstane's wish to hear some chapters of THE CANTATRICE, and the MS. was packed. They started, taking rail and fly, and winding up the distance on foot. August is the month of sober maturity and majestic foliage, songless, but a crowned and royal-robed queenly month; and the youngster's appreciation of the homely scenery refreshed Diana; his delight in being with her was also pleasant. She had no wish to exchange him for another; and that was a strengthening thought.
At Copsley the arrival of their luggage had prepared the welcome. Warm though it was, Diana perceived a change in Emma, an unwonted reserve, a doubtfulness of her eyes, in spite of tenderness; and thus thrown back on herself, thinking that if she had followed her own counsel (as she called her impulse) in old days, there would have been no such present misery, she at once, and unconsciously, assumed a guarded look. Based on her knowledge of her honest footing, it was a little defiant. Secretly in her bosom it was sharpened to a slight hostility by the knowledge that her mind had been straying. The guilt and the innocence combined to clothe her in mail, the innocence being positive, the guilt so vapoury. But she was armed only if necessary, and there was no requirement for armour. Emma did not question at all. She saw the alteration in her Tony: she was too full of the tragic apprehensiveness, overmastering her to speak of trifles. She had never confided to Tony the exact nature and the growth of her malady, thinking it mortal, and fearing to alarm her dearest.
A portion of the manuscript was read out by Arthur Rhodes in the evening; the remainder next morning. Redworth perceptibly was the model of the English hero; and as to his person, no friend could complain of the sketch; his clear-eyed heartiness, manliness, wholesomeness—a word of Lady Dunstane's regarding him,—and his handsome braced figure, were well painted. Emma forgave the: insistance on a certain bluntness of the nose, in consideration of the fond limning of his honest and expressive eyes, and the 'light on his temples,' which they had noticed together. She could not so easily forgive the realistic picture of the man: an exaggeration, she thought, of small foibles, that even if they existed, should not have been stressed. The turn for 'calculating' was shown up ridiculously; Mr. Cuthbert Dering was calculating in his impassioned moods as well as in his cold. His head was a long division of ciphers. He had statistics for spectacles, and beheld the world through them, and the mistress he worshipped.
'I see,' said Emma, during a pause; 'he is a Saxon. You still affect to have the race en grippe, Tony.'
'I give him every credit for what he is,' Diana replied. 'I admire the finer qualities of the race as much as any one. You want to have them presented to you in enamel, Emmy.'
But the worst was an indication that the mania for calculating in and out of season would lead to the catastrophe destructive of his happiness. Emma could not bear that. Without asking herself whether it could be possible that Tony knew the secret, or whether she would have laid it bare, her sympathy for Redworth revolted at the exposure. She was chilled. She let it pass; she merely said: 'I like the writing.'
Diana understood that her story was condemned.
She put on her robes of philosophy to cloak discouragement. 'I am glad the writing pleases you.'
'The characters are as true as life!' cried Arthur Rhodes. 'The Cantatrice drinking porter from the pewter at the slips after harrowing the hearts of her audience, is dearer to me than if she had tottered to a sofa declining sustenance; and because her creatrix has infused such blood of life into her that you accept naturally whatever she does. She was exhausted, and required the porter, like a labourer in the cornfield.'
Emma looked at him, and perceived the poet swamped by the admirer. Taken in conjunction with Mr. Cuthbert Dering's frenzy for calculating, she disliked the incident of the porter and the pewter.
'While the Cantatrice swallowed her draught, I suppose Mr. Dering counted the cost?' she said.
'It really might be hinted,' said Diana.
The discussion closed with the accustomed pro and con upon the wart of
Cromwell's nose, Realism rejoicing in it, Idealism objecting.
Arthur Rhodes was bidden to stretch his legs on a walk along the heights in the afternoon, and Emma was further vexed by hearing Tony complain of Redworth's treatment of the lad, whom he would not assist to any of the snug little posts he was notoriously able to dispense.
'He has talked of Mr. Rhodes to me,' said Emma. 'He thinks the profession of literature a delusion, and doubts the wisdom of having poets for clerks.'
'John-Bullish!' Diana exclaimed. 'He speaks contemptuously of the poor boy.'
'Only inasmuch as the foolishness of the young man in throwing up the Law provokes his practical mind to speak.'
'He might take my word for the "young man's" ability. I want him to have the means of living, that he may write. He has genius.'
'He may have it. I like him, and have said so. If he were to go back to his law-stool, I have no doubt that Redworth would manage to help him.'
'And make a worthy ancient Braddock of a youth of splendid promise! Have
I sketched him too Saxon?'
'It is the lens, and hot the tribe, Tony.'
THE CANTATRICE was not alluded to any more; but Emma's disapproval blocked the current of composition, already subject to chokings in the brain of the author. Diana stayed three days at Copsley, one longer than she had intended, so that Arthur Rhodes might have his fill of country air.
'I would keep him, but I should be no companion for him,' Emma said.
'I suspect the gallant squire is only to be satisfied by landing me safely,' said Diana, and that small remark grated, though Emma saw the simple meaning. When they parted, she kissed her Tony many times. Tears were in her eyes. It seemed to Diana that she was anxious to make amends for the fit of alienation, and she was kissed in return warmly, quite forgiven, notwithstanding the deadly blank she had caused in the imagination of the writer for pay, distracted by the squabbles of Debit and Credit.
Diana chatted spiritedly to young Rhodes on their drive to the train. She was profoundly discouraged by Emma's disapproval of her work. It wanted but that one drop to make a recurrence to the work impossible. There it must lie! And what of the aspects of her household?—Perhaps, after all, the Redworths of the world are right, and Literature as a profession is a delusive pursuit. She did not assent to it without hostility to the world's Redworths.—'They have no sensitiveness, we have too much. We are made of bubbles that a wind will burst, and as the wind is always blowing, your practical Redworths have their crow of us.'
She suggested advice to Arthur Rhodes upon the prudence of his resuming the yoke of the Law.
He laughed at such a notion, saying that he had some expectations of money to come.
'But I fear,' said he, 'that Lady Dunstane is very very ill. She begged me to keep her informed of your address.'
Diana told him he was one of those who should know it whithersoever she went. She spoke impulsively, her sentiments of friendliness for the youth being temporarily brightened by the strangeness of Emma's conduct in deputing it to him to fulfil a duty she had never omitted. 'What can she think I am going to do!'
On her table at home lay, a letter from Mr. Warwick. She read it hastily in the presence of Arthur Rhodes, having at a glance at the handwriting anticipated the proposal it contained and the official phrasing.
Her gallant squire was invited to dine with her that evening, costume excused.
They conversed of Literature as a profession, of poets dead and living, of politics, which he abhorred and shied at, and of his prospects. He wrote many rejected pages, enjoyed an income of eighty pounds per annum, and eked out a subsistence upon the modest sum his pen procured him; a sum extremely insignificant; but great Nature was his own, the world was tributary to him, the future his bejewelled and expectant bride. Diana envied his youthfulness. Nothing is more enviable, nothing richer to the mind, than the aspect of a cheerful poverty. How much nobler it was, contrasted with Redworth's amassing of wealth!
When alone, she went to her bedroom and tried to write, tried to sleep. Mr. Warwick's letter was looked at. It seemed to indicate a threat; but for the moment it did not disturb her so much as the review of her moral prostration. She wrote some lines to her lawyers, quoting one of Mr. Warwick's sentences. That done, his letter was dismissed. Her intolerable languor became alternately a defeating drowsiness and a fever. She succeeded in the effort to smother the absolute cause: it was not suffered to show a front; at the cost of her knowledge of a practised self-deception. 'I wonder whether the world is as bad as a certain class of writers tell us!' she sighed in weariness, and mused on their soundings and probings of poor humanity, which the world accepts for the very bottom truth if their dredge brings up sheer refuse of the abominable. The world imagines those to be at our nature's depths who are impudent enough to expose its muddy shallows. She was in the mood for such a kind of writing: she could have started on it at once but that the theme was wanting; and it may count on popularity, a great repute for penetration. It is true of its kind, though the dredging of nature is the miry form of art. When it flourishes we may be assured we have been overenamelling the higher forms. She felt, and shuddered to feel, that she could draw from dark stores. Hitherto in her works it had been a triumph of the good. They revealed a gaping deficiency of the subtle insight she now possessed. 'Exhibit humanity as it is, wallowing, sensual, wicked, behind the mask,' a voice called to her; she was allured by the contemplation of the wide-mouthed old dragon Ego, whose portrait, decently painted, establishes an instant touch of exchange between author and public, the latter detected and confessing. Next to the pantomime of Humour and Pathos, a cynical surgical knife at the human bosom seems the surest talisman for this agreeable exchange; and she could cut. She gave herself a taste of her powers. She cut at herself mercilessly, and had to bandage the wound in a hurry to keep in life.
Metaphors were her refuge. Metaphorically she could allow her mind to distinguish the struggle she was undergoing, sinking under it. The banished of Eden had to put on metaphors, and the common use of them has helped largely to civilize us. The sluggish in intellect detest them, but our civilization is not much indebted to that major faction. Especially are they needed by the pedestalled woman in her conflict with the natural. Diana saw herself through the haze she conjured up. 'Am I worse than other women?' was a piercing twithought. Worse, would be hideous isolation. The not worse, abased her sex. She could afford to say that the world was bad: not that women were.
Sinking deeper, an anguish of humiliation smote her to a sense of drowning. For what of the poetic ecstasy on her Salvatore heights had not been of origin divine? had sprung from other than spiritual founts? had sprung from the reddened sources she was compelled to conceal? Could it be? She would not believe it. But there was matter to clip her wings, quench her light, in the doubt.
She fell asleep like the wrecked flung ashore.
Danvers entered her room at an early hour for London to inform her that
Mr. Percy Dacier was below, and begged permission to wait.
Diana gave orders for breakfast to be proposed to him. She lay staring at the wall until it became too visibly a reflection of her mind.
CHAPTER XXV
ONCE MORE THE CROSSWAYS AND A CHANGE OF TURNINGS
The suspicion of his having come to impart the news of his proximate marriage ultimately endowed her with sovereign calmness. She had need to think it, and she did. Tea was brought to her while she dressed; she descended the stairs revolving phrases of happy congratulation and the world's ordinary epigrams upon the marriage-tie, neatly mixed.
They read in one another's faces a different meaning from the empty words of excuse and welcome. Dacier's expressed the buckling of a strong set purpose; but, grieved by the look of her eyes, he wasted a moment to say: 'You have not slept. You have heard . . . ?'
'What?' said she, trying to speculate; and that was a sufficient answer.
'I hadn't the courage to call last night; I passed the windows. Give me your hand, I beg.'
She gave her hand in wonderment, and more wonderingly felt it squeezed. Her heart began the hammerthump. She spoke an unintelligible something; saw herself melting away to utter weakness-pride, reserve, simple prudence, all going; crumbled ruins where had stood a fortress imposing to men. Was it love? Her heart thumped shiveringly.
He kept her hand, indifferent to the gentle tension.
'This is the point: I cannot live without you: I have gone on . . .
Who was here last night? Forgive me.'
'You know Arthur Rhodes.'
'I saw him leave the door at eleven. Why do you torture me? There's no time to lose now. You will be claimed. Come, and let us two cut the knot. It is the best thing in the world for me—the only thing. Be brave! I have your hand. Give it for good, and for heaven's sake don't play the sex. Be yourself. Dear soul of a woman! I never saw the soul in one but in you. I have waited: nothing but the dread of losing you sets me speaking now. And for you to be sacrificed a second time to that—! Oh, no! You know you can trust me. On my honour, I take breath from you. You are my better in everything—guide, goddess, dearest heart! Trust me; make me master of your fate.'
'But my friend!' the murmur hung in her throat. He was marvellously transformed; he allowed no space for the arts of defence and evasion.
'I wish I had the trick of courting. There's not time; and I 'm a simpleton at the game. We can start this evening. Once away, we leave it to them to settle the matter, and then you are free, and mine to the death.'
'But speak, speak! What is it?' Diana said.
'That if we delay, I 'm in danger of losing you altogether.'
Her eyes lightened: 'You mean that you have heard he has determined—?'
'There's a process of the law. But stop it. Just this one step, and it ends. Whether intended or not, it hangs over you, and you will be perpetually tormented. Why waste your whole youth?—and mine as well! For I am bound to you as much as if we had stood at the altar—where we will stand together the instant you are free.'
'But where have you heard . . .?
'From an intimate friend. I will tell you—sufficiently intimate—from Lady Wathin. Nothing of a friend, but I see this woman at times. She chose to speak of it to me it doesn't matter why. She is in his confidence, and pitched me a whimpering tale. Let those people chatter. But it 's exactly for those people that you are hanging in chains, all your youth shrivelling. Let them shout their worst! It's the bark of a day; and you won't hear it; half a year, and it will be over, and I shall bring you back—the husband of the noblest bride in Christendom! You don't mistrust me?'
'It is not that,' said she. 'But now drop my hand. I am imprisoned.'
'It's asking too much. I've lost you—too many times. I have the hand and I keep it. I take nothing but the hand. It's the hand I want. I give you mine. I love you. Now I know what love is!—and the word carries nothing of its weight. Tell me you do not doubt my honour.'
'Not at all. But be rational. I must think, and I cannot while you keep my hand.'
He kissed it. 'I keep my own against the world.'
A cry of rebuke swelled to her lips at his conqueror's tone. It was not uttered, for directness was in his character and his wooing loyal—save for bitter circumstances, delicious to hear; and so narrow was the ring he had wound about her senses, that her loathing of the circumstances pushed her to acknowledge within her bell of a heart her love for him.
He was luckless enough to say: 'Diana!'
It rang horridly of her husband. She drew her hand to loosen it, with repulsing brows. 'Not that name!'
Dacier was too full of his honest advocacy of the passionate lover to take a rebuff. There lay his unconscious mastery, where the common arts of attack would have tripped him with a quick-witted woman, and where a man of passion, not allowing her to succumb in dignity, would have alarmed her to the breaking loose from him.
'Lady Dunstane calls you Tony.'
'She is my dearest and oldest friend.'
'You and I don't count by years. You are the dearest to me on earth,
Tony!'
She debated as to forbidding that name.
The moment's pause wrapped her in a mental hurricane, out of which she came with a heart stopped, her olive cheeks ashen-hued. She had seen that the step was possible.
'Oh! Percy, Percy, are we mad?'
'Not mad. We take what is ours. Tell me, have I ever, ever disrespected you? You were sacred to me; and you are, though now the change has come. Look back on it—it is time lost, years that are dust. But look forward, and you cannot imagine our separation. What I propose is plain sense for us two. Since Rovio, I have been at your feet. Have I not some just claim for recompense? Tell me! Tony!'
The sweetness of the secret name, the privileged name, in his mouth stole through her blood, melting resistance.
She had consented. The swarthy flaming of her face avowed it even more than the surrender of her hand. He gained much by claiming little: he respected her, gave her no touches of fright and shame; and it was her glory to fall with pride. An attempt at a caress would have awakened her view of the whitherward: but she was treated as a sovereign lady rationally advised.
'Is it since Rovio, Percy?'
'Since the morning when you refused me one little flower.'
'If I had given it, you might have been saved!'
'I fancy I was doomed from the beginning.'
'I was worth a thought?'
'Worth a life! worth ten thousand!'
'You have reckoned it all like a sane man:—family, position, the world, the scandal?'
'All. I have long known that you were the mate for me. You have to weather a gale, Tony. It won't last. My dearest! it won't last many months. I regret the trial for you, but I shall be with you, burning for the day to reinstate you and show you the queen you are.'
'Yes, we two can have no covert dealings, Percy,' said Diana. They would be hateful—baseness! Rejecting any baseness, it seemed to her that she stood in some brightness. The light was of a lurid sort. She called on her heart to glory in it as the light of tried love, the love that defied the world. Her heart rose. She and he would at a single step give proof of their love for one another—and this kingdom of love—how different from her recent craven languors!—this kingdom awaited her, was hers for one word; and beset with the oceans of enemies, it was unassailable. If only they were true to the love they vowed, no human force could subvert it: and she doubted him as little as of herself. This new kingdom of love, never entered by her, acclaiming her, was well-nigh unimaginable, in spite of the many hooded messengers it had despatched to her of late. She could hardly believe that it had come.
'But see me as I am,' she said; she faltered it through her direct gaze on him.
'With chains to strike off? Certainly; it is done,' he replied.
'Rather heavier than those of the slave-market! I am the deadest of burdens. It means that your enemies, personal—if you have any, and political—you have numbers; will raise a cry . . . . Realize it. You may still be my friend. I forgive the bit of wildness.'
She provoked a renewed kissing of her hand; for magnammity in love is an overflowing danger; and when he said: 'The burden you have to bear outweighs mine out of all comparison. What is it to a man—a public man or not! The woman is always the victim. That's why I have held myself in so long:—her strung frame softened. She half yielded to the tug on her arm.
'Is there no talking for us without foolishness?' she murmured. The foolishness had wafted her to sea, far from sight of land. 'Now sit, and speak soberly. Discuss the matter.—Yes, my hand, but I must have my wits. Leave me free to use them till we choose our path. Let it be the brains between us, as far as it can. You ask me to join my fate to yours. It signifies a sharp battle for you, dear friend; perhaps the blighting of the most promising life in England. One question is, can I countervail the burden I shall be, by such help to you as I can afford? Burden, is no word—I rake up a buried fever. I have partially lived it down, and instantly I am covered with spots. The old false charges and this plain offence make a monster of me.'
'And meanwhile you are at the disposal of the man who falsely charged you and armed the world against you,' said Dacier.
'I can fly. The world is wide.'
'Time slips. Your youth is wasted. If you escape the man, he will have triumphed in keeping you from me. And I thirst for you; I look to you for aid and counsel; I want my mate. You have not to be told how you inspire me? I am really less than half myself without you. If I am to do anything in the world, it must be with your aid, you beside me. Our hands are joined: one leap! Do you not see that after . . . well, it cannot be friendship. It imposes rather more on me than I can bear. You are not the woman to trifle; nor I; Tony, the man for it with a woman like you. You are my spring of wisdom. You interdict me altogether—can you?—or we unite our fates, like these hands now. Try to get yours away!'
Her effort ended in a pressure. Resistance, nay, to hesitate at the joining of her life with his after her submission to what was a scorching fire in memory, though it was less than an embrace, accused her of worse than foolishness.
'Well, then,' said she, 'wait three days. Deliberate. Oh! try to know yourself, for your clear reason to guide you. Let us be something better than the crowd abusing us, not simple creatures of impulse—as we choose to call the animal. What if we had to confess that we took to our heels the moment the idea struck us! Three days. We may then pretend to a philosophical resolve. Then come to me: or write to me.'
'How long is it since the old Rovio morning, Tony?'
'An age.'
'Date my deliberations from that day.'
The thought of hers having to be dated possibly from an earlier day, robbed her of her summit of feminine isolation, and she trembled, chilled and flushed; she lost all anchorage.
'So it must be to-morrow,' said he, reading her closely, 'not later.
Better at once. But women are not to be hurried.'
'Oh! don't class me, Percy, pray! I think of you, not of myself.'
