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полная версияBeauchamp\'s Career. Volume 6

George Meredith
Beauchamp's Career. Volume 6

'Yes, a penny. I'd make it a farthing—'

'Pay to have it read?'

'Willingly.'

Tuckham did some mental arithmetic, quaintly, with rapidly blinking eyelids and open mouth. 'You may count it at the cost of two paying mines,' he said firmly. 'That is, if it's to be a consistently Radical Journal, at law with everybody all round the year. And by the time it has won a reputation, it will be undermined by a radicaller Radical Journal. That's how we've lowered the country to this level. That's an Inferno of Circles, down to the ultimate mire. And what on earth are you contending for?'

'Freedom of thought, for one thing.'

'We have quite enough free-thinking.'

'There's not enough if there's not perfect freedom.'

'Dangerous!' quoth Mr. Austin.

'But it's that danger which makes men, sir; and it's fear of the danger that makes our modern Englishman.'

'Oh! Oh!' cried Tuckham in the voice of a Parliamentary Opposition. 'Well, you start your paper, we'll assume it: what class of men will you get to write?'

'I shall get good men for the hire.'

'You won't get the best men; you may catch a clever youngster or two, and an old rogue of talent; you won't get men of weight. They're prejudiced, I dare say. The Journals which are commercial speculations give us a guarantee that they mean to be respectable; they must, if they wouldn't collapse. That's why the best men consent to write for them.'

'Money will do it,' said Beauchamp.

Mr. Austin disagreed with that observation.

'Some patriotic spirit, I may hope, sir.'

Mr. Austin shook his head. 'We put different constructions upon patriotism.'

'Besides—fiddle! nonsense!' exclaimed Tuckham in the mildest interjections he could summon for a vent in society to his offended common sense; 'the better your men the worse your mark. You're not dealing with an intelligent people.'

'There's the old charge against the people.'

'But they're not. You can madden, you can't elevate them by writing and writing. Defend us from the uneducated English! The common English are doltish; except in the North, where you won't do much with them. Compare them with the Yankees for shrewdness, the Spaniards for sobriety, the French for ingenuity, the Germans for enlightenment, the Italians in the Arts; yes, the Russians for good-humour and obedience—where are they? They're only worth something when they're led. They fight well; there's good stuff in them.'

'I've heard all that before,' returned Beauchamp, unruffled. 'You don't know them. I mean to educate them by giving them an interest in their country. At present they have next to none. Our governing class is decidedly unintelligent, in my opinion brutish, for it's indifferent. My paper shall render your traders justice for what they do, and justice for what they don't do.'

'My traders, as you call them, are the soundest foundation for a civilized state that the world has yet seen.'

'What is your paper to be called?' said Cecilia.

'The DAWN,' Beauchamp answered.

She blushed fiery red, and turned the leaves of a portfolio of drawings.

'The DAWN!' ejaculated Tuckham. 'The grey-eyed, or the red?

Extraordinary name for a paper, upon my word!'

'A paper that doesn't devote half its columns to the vices of the rich— to money-getting, spending and betting—will be an extraordinary paper.'

'I have it before me now!—two doses of flattery to one of the whip. No, no; you haven't hit the disease. We want union, not division. Turn your mind to being a moralist, instead of a politician.'

'The distinction shouldn't exist!'

'Only it does!'

Mrs. Grancey Lespel's entrance diverted their dialogue from a theme wearisome to Cecilia, for Beauchamp shone but darkly in it, and Mr. Austin did not join in it. Mrs. Grancey touched Beauchamp's fingers.

'Still political?' she said. 'You have been seen about London with a French officer in uniform.'

'It was M. le comte de Croisnel, a very old friend and comrade of mine,'

Beauchamp replied.

'Why do those Frenchmen everlastingly wear their uniforms?—tell me!

Don't you think it detestable style?'

'He came over in a hurry.'

'Now, don't be huffed. I know you, for defending your friends, Captain

Beauchamp! Did he not come over with ladies?'

'With relatives, yes.'

'Relatives of course. But when British officers travel with ladies, relatives or other, they prefer the simplicity of mufti, and so do I, as a question of taste, I must say.'

'It was quite by misadventure that M. de Croisnel chanced to come in his uniform.'

'Ah! I know you, for defending your friends, Captain Beauchamp. He was in too great a hurry to change his uniform before he started, or en route?'

'So it happened.'

Mrs. Grancey let a lingering eye dwell maliciously on Beauchamp, who said, to shift the burden of it: 'The French are not so jealous of military uniforms as we are. M. de Croisnel lost his portmanteau.'

'Ah! lost it! Then of course he is excuseable, except to the naked eye.

Dear me! you have had a bruise on yours. Was Monsieur votre ami in the Italian campaign?'

'No, poor fellow, he was not. He is not an Imperialist; he had to remain in garrison.'

'He wore a multitude of medals, I have been told. A cup of tea, Cecilia.

And how long did he stay in England with his relatives?'

'Two days.'

'Only two days! A very short visit indeed—singularly short. Somebody informed me of their having been seen at Romfrey Castle, which cannot have been true.'

She turned her eyes from Beauchamp silent to Cecilia's hand on the teapot. 'Half a cup,' she said mildly, to spare the poor hand its betrayal of nervousness, and relapsed from her air of mistress of the situation to chatter to Mr. Austin.

Beauchamp continued silent. He took up a book, and presently a pencil from his pocket, then talked of the book to Cecilia's cousin; and leaving a paper-cutter between the leaves, he looked at Cecilia and laid the book down.

She proceeded to conduct Mrs. Grancey Lespel to her room.

'I do admire Captain Beauchamp's cleverness; he is as good as a French romance!' Mrs. Grancey exclaimed on the stairs. 'He fibs charmingly. I could not help drawing him out. Two days! Why, my dear, his French party were a fortnight in the country. It was the marquise, you know— the old affair; and one may say he's a constant man.'

'I have not heard Captain Beauchamp's cleverness much praised,' said Cecilia. 'This is your room, Mrs. Grancey.'

'Stay with me a moment. It is the room I like. Are we to have him at dinner?'

Cecilia did not suppose that Captain Beauchamp would remain to dine.

Feeling herself in the clutches of a gossip, she would fain have gone.

'I am just one bit glad of it, though I can't dislike him personally,' said Mrs. Grancey, detaining her and beginning to whisper. 'It was really too bad. There was a French party at the end, but there was only one at the commencement. The brother was got over for a curtain, before the husband arrived in pursuit. They say the trick Captain Beauchamp played his cousin Cecil, to get him out of the house when he had made a discovery, was monstrous—fiendishly cunning. However, Lady Romfrey, as that woman appears to be at last, covered it all. You know she has one of those passions for Captain Beauchamp which completely blind women to right and wrong. He is her saint, let him sin ever so! The story's in everybody's mouth. By the way, Palmet saw her. He describes her pale as marble, with dark long eyes, the most innocent look in the world, and a walk, the absurd fellow says, like a statue set gliding. No doubt Frenchwomen do walk well. He says her eyes are terrible traitors; I need not quote Palmet. The sort of eyes that would look fondly on a stone, you know. What her reputation is in France I have only indistinctly heard. She has one in England by this time, I can assure you. She found her match in Captain Beauchamp for boldness. Where any other couple would have seen danger, they saw safety; and they contrived to accomplish it, according to those horrid talebearers. You have plenty of time to dress, my dear; I have an immense deal to talk about. There are half-a- dozen scandals in London already, and you ought to know them, or you will be behind the tittle-tattle when you go to town; and I remember, as a girl, I knew nothing so excruciating as to hear blanks, dashes, initials, and half words, without the key. Nothing makes a girl look so silly and unpalatable. Naturally, the reason why Captain Beauchamp is more talked about than the rest is the politics. Your grand reformer should be careful. Doubly heterodox will not do! It makes him interesting to women, if you like, but he won't soon hear the last of it, if he is for a public career. Grancey literally crowed at the story. And the wonderful part of it is, that Captain Beauchamp refused to be present at the earl's first ceremonial dinner in honour of his countess. Now, that, we all think, was particularly ungrateful: now, was it not?'

'If the countess—if ingratitude had anything to do with it,' said Cecilia.

She escaped to her room and dressed impatiently.

Her boudoir was empty: Beauchamp had departed. She recollected his look at her, and turned over the leaves of the book he had been hastily scanning, and had condescended to approve of. On the two pages where the paper-cutter was fixed she perceived small pencil dots under certain words. Read consecutively, with a participle termination struck out to convey his meaning, they formed the pathetically ungrammatical line:

'Hear: none: but: accused: false.'

Treble dots were under the word 'to-morrow.' He had scored the margin of the sentences containing his dotted words, as if in admiration of their peculiar wisdom.

 

She thought it piteous that he should be reduced to such means of communication. The next instant Cecilia was shrinking from the adept intriguer—French-taught!

In the course of the evening her cousin remarked:

'Captain Beauchamp must see merit in things undiscoverable by my poor faculties. I will show you a book he has marked.'

'Did you see it? I was curious to examine it,' interposed Cecilia; 'and I am as much at a loss as you to understand what could have attracted him. One sentence . . .'

'About the sheikh in the stables, where he accused the pretended physician? Yes, what was there in that?'

'Where is the book?' said Mrs. Grancey.

'Not here, I think.' Cecilia glanced at the drawing-room book-table, and then at Mr. Austin, the victim of an unhappy love in his youth, and unhappy about her, as her father had said. Seymour Austin was not one to spread the contagion of intrigue! She felt herself caught by it, even melting to feel enamoured of herself in consequence, though not loving Beauchamp the more.

'This newspaper, if it's not merely an airy project, will be ruination,' said Tuckham. 'The fact is, Beauchamp has no bend in him. He can't meet a man without trying a wrestle, and as long as he keeps his stiffness, he believes he has won. I've heard an oculist say that the eye that doesn't blink ends in blindness, and he who won't bend breaks. It's a pity, for he's a fine fellow. A Radical daily Journal of Shrapnel's colour, to educate the people by giving them an interest in the country! Goodness, what a delusion! and what a waste of money! He'll not be able to carry it on a couple of years. And there goes his eighty thousand!'

Cecilia's heart beat fast. She had no defined cause for its excitement.

Colonel Halkett returned to Mount Laurels close upon midnight, very tired, coughing and complaining of the bitter blowing East. His guests shook hands with him, and went to bed.

'I think I'll follow their example,' he said to Cecilia, after drinking a tumbler of mulled wine.

'Have you nothing to tell me, dear papa?' said she, caressing him timidly.

'A confirmation of the whole story from Lord Romfrey in person—that's all. He says Beauchamp's mad. I begin to believe it. You must use your judgement. I suppose I must not expect you to consider me. You might open your heart to Austin. As to my consent, knowing what I do, you will have to tear it out of me. Here's a country perfectly contented, and that fellow at work digging up grievances to persuade the people they're oppressed by us. Why should I talk of it? He can't do much harm; unless he has money—money! Romfrey says he means to start a furious paper. He'll make a bonfire of himself. I can't stand by and see you in it too. I may die; I may be spared the sight.'

Cecilia flung her arms round his neck. 'Oh! papa.'

'I don't want to make him out worse than he is, my dear. I own to his gallantry—in the French sense as well as the English, it seems! It's natural that Romfrey should excuse his wife. She's another of the women who are crazy about Nevil Beauchamp. She spoke to me of the "pleasant visit of her French friends," and would have enlarged on it, but Romfrey stopped her. By the way, he proposes Captain Baskelett for you, and we're to look for Baskelett's coming here, backed by his uncle. There's no end to it; there never will be till you're married: and no peace for me! I hope I shan't find myself with a cold to-morrow.'

The colonel coughed, and perhaps exaggerated the premonitory symptoms of a cold.

'Italy, papa, would do you good,' said Cecilia.

'It might,' said he.

'If we go immediately, papa; to-morrow, early in the morning, before there is a chance of any visitors coming to the house.'

'From Bevisham?'

'From Steynham. I cannot endure a second persecution.'

'But you have a world of packing, my dear.'

'An hour before breakfast will be sufficient for me.'

'In that case, we might be off early, as you say, and have part of the

Easter week in Rome.'

'Mr. Austin wishes it greatly, papa, though he has not mentioned it.'

'Austin, my darling girl, is not one of your impatient men who burst with everything they have in their heads or their hearts.'

'Oh! but I know him so well,' said Cecilia, conjuring up that innocent enthusiasm of hers for Mr. Austin as an antidote to her sharp suffering. The next minute she looked on her father as the key of an enigma concerning Seymour Austin, whom, she imagined, possibly she had not hitherto known at all. Her curiosity to pierce it faded. She and her maid were packing through the night. At dawn she requested her maid to lift the window-blind and give her an opinion of the weather. 'Grey, Miss,' the maid reported. It signified to Cecilia: no one roaming outside.

The step she was taking was a desperate attempt at a cure; and she commenced it, though sorely wounded, with pity for Nevil's disappointment, and a singularly clear-eyed perception of his aims and motives.—'I am rich, and he wants riches; he likes me, and he reads my weakness.'—Jealousy shook her by fits, but she had no right to be jealous, nor any right to reproach him. Her task was to climb back to those heavenly heights she sat on before he distracted her and drew her down.

Beauchamp came to a vacated house that day.

CHAPTER XLVI
AS IT MIGHT HAVE BEEN FORESEEN

It was in Italy that Cecilia's maiden dreams of life had opened. She hoped to recover them in Italy, and the calm security of a mind untainted. Italy was to be her reviving air.

While this idea of a specific for her malady endured travelling at speed to the ridges of the Italian frontier, across France—she simply remembered Nevil: he was distant; he had no place in the storied landscape, among the images of Art and the names of patient great men who bear, as they bestow, an atmosphere other than earth's for those adoring them. If at night, in her sleep, he was a memory that conducted her through scenes which were lightnings, the cool swift morning of her flight released her. France, too, her rival!—the land of France, personified by her instinctively, though she had no vivid imaginative gift, did not wound her with a poisoned dart.—'She knew him first: she was his first love.' The Alps, and the sense of having Italy below them, renewed Cecilia's lofty-perching youth. Then—I am in Italy! she sighed with rapture. The wine of delight and oblivion was at her lips.

But thirst is not enjoyment, and a satiated thirst that we insist on over-satisfying to drown the recollection of past anguish, is baneful to the soul. In Rome Cecilia's vision of her track to Rome was of a run of fire over a heath. She could scarcely feel common pleasure in Rome. It seemed burnt out.

Flung back on herself, she was condemned to undergo the bitter torment she had flown from: jealous love, and reproachful; and a shame in it like nothing she had yet experienced. Previous pains were but Summer lightnings, passing shadows. She could have believed in sorcery: the man had eaten her heart!

A disposition to mocking humour, foreign to her nature, gave her the notion of being off her feet, in the claws of a fabulous bird. It served to veil her dulness. An ultra-English family in Rome, composed, shocking to relate, of a baronet banker and his wife, two faint-faced girls, and a young gentleman of our country, once perhaps a light-limbed boy, chose to be followed by their footman in the melancholy pomp of state livery. Wherever she encountered them Cecilia talked Nevil Beauchamp. Even Mr. Tuckham perceived it. She was extremely uncharitable: she extended her ungenerous criticism to the institution of the footman: England, and the English, were lashed.

'These people are caricatures,' Tuckham said, in apology for poor England burlesqued abroad. 'You must not generalize on them. Footmen are footmen all the world over. The cardinals have a fine set of footmen.'

'They are at home. Those English sow contempt of us all over Europe. We cannot but be despised. One comes abroad foredoomed to share the sentiment. This is your middle-class! What society can they move in, that sanctions a vulgarity so perplexing? They have the air of ornaments on a cottager's parlour mantelpiece.'

Tuckham laughed. 'Something of that,' he said.

'Evidently they seek distinction, and they have it, of that kind,' she continued. 'It is not wonderful that we have so much satirical writing in England, with such objects of satire. It may be as little wonderful that the satire has no effect. Immense wealth and native obtuseness combine to disfigure us with this aspect of overripeness, not to say monstrosity. I fall in love with the poor, and think they have a cause to be pleaded, when I look at those people. We scoff at the vanity of the French, but it is a graceful vanity; pardonable compared with ours.'

'I've read all that a hundred times,' quoth Tuckham bluntly.

'So have I. I speak of it because I see it. We scoff at the simplicity of the Germans.'

'The Germans live in simple fashion, because they're poor. French vanity's pretty and amusing. I don't know whether it's deep in them, for I doubt their depth; but I know it's in their joints. The first spring of a Frenchman comes of vanity. That you can't say of the English. Peace to all! but I abhor cosmopolitanism. No man has a firm foothold who pretends to it. None despises the English in reality. Don't be misled, Miss Halkett. We're solid: that is the main point. The world feels our power, and has confidence in our good faith. I ask for no more.'

'With Germans we are supercilious Celts; with Frenchmen we are sneering Teutons:—Can we be loved, Mr. Tuckham?'

'That's a quotation from my friend Lydiard. Loved? No nation ever was loved while it lived. As Lydiard says, it may be a good beast or a bad, but a beast it is. A nation's much too big for refined feelings and affections. It must be powerful or out of the way, or down it goes. When a nation's dead you may love it; but I don't see the use of dying to be loved. My aim for my country is to have the land respected. For that purpose we must have power; for power wealth; for wealth industry; for industry internal peace: therefore no agitation, no artificial divisions. All's plain in history and fact, so long as we do not obtrude sentimentalism. Nothing mixes well with that stuff—except poetical ideas!'

Contrary to her anticipation, Cecilia was thrown more into companionship with Mr. Tuckham than with Mr. Austin; and though it often vexed her, she acknowledged that she derived a benefit from his robust antagonism of opinion. And Italy had grown tasteless to her. She could hardly simulate sufficient curiosity to serve for a vacant echo to Mr. Austin's historic ardour. Pliny the Younger might indeed be the model of a gentleman of old Rome; there might be a scholarly pleasure in calculating, as Mr. Austin did, the length of time it took Pliny to journey from the city to his paternal farm, or villa overlooking the lake, or villa overlooking the bay, and some abstruse fun in the tender ridicule of his readings of his poems to friends; for Mr. Austin smiled effusively in alluding to the illustrious Roman pleader's foible of verse: but Pliny bore no resemblance to that island barbarian Nevil Beauchamp: she could not realize the friend of Trajan, orator, lawyer, student, statesman, benefactor of his kind, and model of her own modern English gentleman, though he was. 'Yes!' she would reply encouragingly to Seymour Austin's fond brooding hum about his hero; and 'Yes!' conclusively: like an incarnation of stupidity dealing in monosyllables. She was unworthy of the society of a scholar. Nor could she kneel at the feet of her especial heroes: Dante, Raphael, Buonarotti: she was unworthy of them. She longed to be at Mount Laurels. Mr. Tuckham's conversation was the nearest approach to it—as it were round by Greenland; but it was homeward.

She was really grieved to lose him. Business called him to England.

'What business can it be, papa?' she inquired: and the colonel replied briefly: 'Ours.'

Mr. Austin now devoted much of his time to the instruction of her in the ancient life of the Eternal City. He had certain volumes of Livy, Niebuhr, and Gibbon, from which he read her extracts at night, shunning the scepticism and the irony of the moderns, so that there should be no jar on the awakening interest of his fair pupil and patient. A gentle cross-hauling ensued between them, that they grew conscious of and laughed over during their peregrinations in and out of Rome: she pulled for the Republic of the Scipios; his predilections were toward the Rome of the wise and clement emperors. To Cecilia's mind Rome rocked at a period so closely neighbouring her decay: to him, with an imagination brooding on the fuller knowledge of it, the city breathed securely, the sky was clear; jurisprudence, rhetoric, statesmanship, then flourished supreme, and men eminent for culture: the finest flowers of our race, he thought them: and he thought their Age the manhood of Rome.

 

Struck suddenly by a feminine subtle comparison that she could not have framed in speech, Cecilia bowed to his views of the happiness and elevation proper to the sway of a sagacious and magnanimous Imperialism of the Roman pattern:—he rejected the French. She mused on dim old thoughts of the gracious dignity of a woman's life under high governorship. Turbulent young men imperilled it at every step. The trained, the grave, the partly grey, were fitting lords and mates for women aspiring to moral beauty and distinction. Beside such they should be planted, if they would climb! Her walks and conversations with Seymour Austin charmed her as the haze of a summer evening charms the sight.

Upon the conclusion of her term of exile Cecilia would gladly have remained in Italy another month. An appointment of her father's with Mr. Tuckham at Mount Laurels on a particular day she considered as of no consequence whatever, and she said so, in response to a meaningless nod. But Mr. Austin was obliged to return to work. She set her face homeward with his immediately, and he looked pleased: he did not try to dissuade her from accompanying him by affecting to think it a sacrifice: clearly he knew that to be near him was her greatest delight.

Thus do we round the perilous headland called love by wooing a good man for his friendship, and requiting him with faithful esteem for the grief of an ill-fortuned passion of his youth!

Cecilia would not suffer her fancy to go very far in pursuit of the secret of Mr. Austin's present feelings. Until she reached Mount Laurels she barely examined her own. The sight of the house warned her instantly that she must have a defence: and then, in desperation but with perfect distinctness, she entertained the hope of hearing him speak the protecting words which could not be broken through when wedded to her consent.

If Mr. Austin had no intentions, it was at least strange that he did not part from her in London.

He whose coming she dreaded had been made aware of the hour of her return, as his card, with the pencilled line, 'Will call on the 17th,' informed her. The 17th was the morrow.

After breakfast on the morning of the 17th Seymour Austin looked her in the eyes longer than it is customary for ladies to have to submit to keen inspection.

'Will you come into the library?' he said.

She went with him into the library.

Was it to speak of his anxiousness as to the state of her father's health that he had led her there, and that he held her hand? He alarmed her, and he pacified her alarm, yet bade her reflect on the matter, saying that her father, like other fathers, would be more at peace upon the establishment of his daughter. Mr. Austin remarked that the colonel was troubled.

'Does he wish for my pledge never to marry without his approval? I will give it,' said Cecilia.

'He would like you to undertake to marry the man of his choice.' Cecilia's features hung on an expression equivalent to:—I could almost do that.'

At the same time she felt it was not Seymour Austin's manner of speaking. He seemed to be praising an unknown person—some gentleman who was rough, but of solid promise and singular strength of character.

The house-bell rang. Believing that Beauchamp had now come, she showed a painful ridging of the brows, and Mr. Austin considerately mentioned the name of the person he had in his mind.

She readily agreed with him regarding Mr. Tuckham's excellent qualities —if that was indeed the name; and she hastened to recollect how little she had forgotten Mr. Tuckham's generosity to Beauchamp, and confessed to herself it might as well have been forgotten utterly for the thanks he had received. While revolving these ideas she was listening to Mr. Austin; gradually she was beginning to understand that she was parting company with her original conjectures, but going at so swift a pace in so supple and sure a grasp, that, like the speeding train slipped on new lines of rails by the pointsman, her hurrying sensibility was not shocked, or the shock was imperceptible, when she heard him proposing Mr. Tuckham to her for a husband, by her father's authority, and with his own warm seconding. He had not dropped her hand: he was very eloquent, a masterly advocate: he pleaded her father's cause; it was not put to her as Mr. Tuckham's: her father had set his heart on this union he was awaiting her decision.

'Is it so urgent?' she asked.

'It is urgent. It saves him from an annoyance. He requires a son-in-law whom he can confidently rely on to manage the estates, which you are woman of the world enough to know should be in strong hands. He gives you to a man of settled principles. It is urgent, because he may wish to be armed with your answer at any instant.'

Her father entered the library. He embraced her, and 'Well?' he said.

'I must think, papa, I must think.'

She pressed her hand across her eyes. Disillusioned by Seymour Austin, she was utterly defenceless before Beauchamp: and possibly Beauchamp was in the house. She fancied he was, by the impatient brevity of her father's voice.

Seymour Austin and Colonel Halkett left the room, and Blackburn Tuckham walked in, not the most entirely self-possessed of suitors, puffing softly under his breath, and blinking eyes as rapidly as a skylark claps wings on the ascent.

Half an hour later Beauchamp appeared. He asked to see the colonel, delivered himself of his pretensions and wishes to the colonel, and was referred to Cecilia; but Colonel Halkett declined to send for her. Beauchamp declined to postpone his proposal until the following day. He went outside the house and walked up and down the grass-plot.

Cecilia came to him at last.

'I hear, Nevil, that you are waiting to speak to me.'

'I've been waiting some weeks. Shall I speak here?'

'Yes, here, quickly.'

'Before the house? I have come to ask you for your hand.'

'Mine? I cannot . . .'

'Step into the park with me. I ask you to marry me.'

'It is too late.'

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