Генри Джеймс
The Middle Years
V
Why, however, should I pick up so small a crumb from that mere brief first course at a banquet of initiation which was in the event to prolong itself through years and years?—unless indeed as a scrap of a specimen, chosen at hazard, of the prompt activity of a process by which my intelligence afterwards came to find itself more fed, I think, than from any other source at all, or, for that matter, from all other sources put together. A hundred more suchlike modest memories breathe upon me, each with its own dim little plea, as I turn to face them, but my idea is to deal somehow more conveniently with the whole gathered mass of my subsequent impressions in this order, a fruitage that I feel to have been only too abundantly stored. Half a dozen of those of a larger and more immediate dignity, incidents more particularly of the rather invidiously so-called social contact, pull my sleeve as I pass; but the long, backward-drawn train of the later life drags them along with it, lost and smothered in its spread—only one of them stands out or remains over, insisting on its place and hour, its felt distinguishability. To this day I feel again that roused emotion, my unsurpassably prized admission to the presence of the great George Eliot, whom I was taken to see, by one of the kind door-opening Norton ladies, by whom Mrs. Lewes's guarded portal at North Bank appeared especially penetrable, on a Sunday afternoon of April '69. Later occasions, after a considerable lapse, were not to overlay the absolute face-value, as I may call it, of all the appearances then and there presented me—which were taken home by a young spirit almost abjectly grateful, at any rate all devoutly prepared, for them. I find it idle even to wonder what "place" the author of Silas Marner and Middlemarch may be conceived to have in the pride of our literature—so settled and consecrated in the individual range of view is many such a case free at last to find itself, free after ups and downs, after fluctuations of fame or whatever, which have divested judgment of any relevance that isn't most of all the relevance of a living and recorded relation. It has ceased then to know itself in any degree as an estimate, has shaken off the anxieties of circumspection and comparison and just grown happy to act as an attachment pure and simple, an effect of life's own logic, but in the ashes of which the wonted fires of youth need but to be blown upon for betrayal of a glow. Reflective appreciation may have originally been concerned, whether at its most or at its least, but it is well over, to our infinite relief—yes, to our immortal comfort, I think; the interval back cannot again be bridged. We simply sit with our enjoyed gain, our residual rounded possession in our lap; a safe old treasure, which has ceased to shrink, if indeed also perhaps greatly to swell, and all that further touches it is the fine vibration set up if the name we know it all by is called into question—perhaps however little.
It was by George Eliot's name that I was to go on knowing, was never to cease to know, a great treasure of beauty and humanity, of applied and achieved art, a testimony, historic as well as æsthetic, to the deeper interest of the intricate English aspects; and I now allow the vibration, as I have called it, all its play—quite as if I had been wronged even by my own hesitation as to whether to pick up my anecdote. That scruple wholly fades with the sense of how I must at the very time have foreseen that here was one of those associations that would determine in the far future an exquisite inability to revise it. Middlemarch had not then appeared—we of the faith were still to enjoy that saturation, and Felix Holt the radical was upwards of three years old; the impetus proceeding from this work, however, was still fresh enough in my pulses to have quickened the palpitation of my finding myself in presence. I had rejoiced without reserve in Felix Holt—the illusion of reading which, outstretched on my then too frequently inevitable bed at Swampscott during a couple of very hot days of the summer of 1866, comes back to me, followed by that in sooth of sitting up again, at no great ease, to indite with all promptness a review of the delightful thing, the place of appearance of which nothing could now induce me to name, shameless about the general fact as I may have been at the hour itself: over such a feast of fine rich natural tone did I feel myself earnestly bend. Quite unforgettable to me the art and truth with which the note of this tone was struck in the beautiful prologue and the bygone appearances, a hundred of the outward and visible signs of the author's own young rural and midmost England, made to hold us by their harmony. The book was not, if I rightly remember, altogether genially greeted, but I was to hold fast to the charm I had thankfully suffered it, I had been conscious of absolutely needing it, to work.
Exquisite the remembrance of how it wouldn't have "done" for me at all, in relation to other inward matters, not to strain from the case the last drop of its happiest sense. And I had even with the cooling of the first glow so little gone back upon it, as we have nowadays learned to say, had in fact so gone forward, floated by its wave of superlative intended benignity, that, once in the cool quiet drawing-room at North Bank I knew myself steeped in still deeper depths of the medium. G. H. Lewes was absent for the time on an urgent errand; one of his sons, on a visit at the house, had been suddenly taken with a violent attack of pain, the heritage of a bad accident not long before in the West Indies, a suffered onset from an angry bull, I seem to recall, who had tossed or otherwise mauled him, and, though beaten off, left him considerably compromised—these facts being promptly imparted to us, in no small flutter, by our distinguished lady, who came in to us from another room, where she had been with the hapless young man while his father appealed to the nearest good chemist for some known specific. It infinitely moved me to see so great a celebrity quite humanly and familiarly agitated—even with something clear and noble in it too, to which, as well as to the extraordinarily interesting dignity of her whole odd personal conformation, I remember thinking her black silk dress and the lace mantilla attached to her head and keeping company on either side with the low-falling thickness of her dark hair effectively contributed. I have found myself, my life long, attaching value to every noted thing in respect to a great person—and George Eliot struck me on the spot as somehow illustratively great; never at any rate has the impression of those troubled moments faded from me, nor that at once of a certain high grace in her anxiety and a frank immediate appreciation of our presence, modest embarrassed folk as we were. It took me no long time to thrill with the sense, sublime in its unexpectedness, that we were perhaps, or indeed quite clearly, helping her to pass the time till Mr. Lewes's return—after which he would again post off for Mr. Paget the pre-eminent surgeon; and I see involved with this the perfect amenity of her assisting us, as it were, to assist her, through unrelinquished proper talk, due responsible remark and report, in the last degree suggestive to me, on a short holiday taken with Mr. Lewes in the south of France, whence they had just returned. Yes indeed, the lightest words of great persons are so little as any words of others are that I catch myself again inordinately struck with her dropping it off-hand that the mistral, scourge of their excursion, had blown them into Avignon, where they had gone, I think, to see J. S. Mill, only to blow them straight out again—the figure put it so before us; as well as with the moral interest, the absence of the banal, in their having, on the whole scene, found pleasure further poisoned by the frequency in all those parts of "evil faces: oh the evil faces!" That recorded source of suffering enormously affected me—I felt it as beautifully characteristic: I had never heard an impression de voyage so little tainted with the superficial or the vulgar. I was myself at the time in the thick of impressions, and it was true that they would have seemed to me rather to fail of life, of their own doubtless inferior kind, if submitting beyond a certain point to be touched with that sad or, as who should say, that grey colour: Mrs. Lewes's were, it appeared, predominantly so touched, and I could at once admire it in them and wonder if they didn't pay for this by some lack of intensity on other sides. Why I didn't more impute to her, or to them, that possible lack is more than I can say, since under the law of moral earnestness the vulgar and the trivial would be then involved in the poor observations of my own making—a conclusion sufficiently depressing.
However, I didn't find myself depressed, and I didn't find the great mind that was so good as to shine upon us at that awkward moment however dimly anything but augmented; what was its sensibility to the evil faces but part of the large old tenderness which the occasion had caused to overflow and on which we were presently floated back into the room she had left?—where we might perhaps beguile a little the impatience of the sufferer waiting for relief. We ventured in our flutter to doubt whether we should beguile, we held back with a certain delicacy from this irruption, and if there was a momentary wonderful and beautiful conflict I remember how our yielding struck me as crowned with the finest grace it could possibly have, that of the prodigious privilege of humouring, yes literally humouring so renowned a spirit at a moment when we could really match our judgment with hers. For the injured young man, in the other and the larger room, simply lay stretched on his back on the floor, the posture apparently least painful to him—though painful enough at the best I easily saw on kneeling beside him, after my first dismay, to ask if I could in any way ease him. I see his face again, fair and young and flushed, with its vague little smile and its moist brow; I recover the moment or two during which we sought to make natural conversation in his presence, and my question as to what conversation was natural; and then as his father's return still failed my having the inspiration that at once terminated the strain of the scene and yet prolonged the sublime connection. Mightn't I then hurry off for Mr. Paget?—on whom, as fast as a cab could carry me, I would wait with the request that he would come at the first possible moment to the rescue. Mrs. Lewes's and our stricken companion's instant appreciation of this offer lent me wings on which I again feel myself borne very much as if suddenly acting as a messenger of the gods—surely I had never come so near to performing in that character. I shook off my fellow visitor for swifter cleaving of the air, and I recall still feeling that I cleft it even in the dull four-wheeler of other days which, on getting out of the house, I recognised as the only object animating, at a distance, the long blank Sunday vista beside the walled-out Regent's Park. I crawled to Hanover Square—or was it Cavendish? I let the question stand—and, after learning at the great man's door that though he was not at home he was soon expected back and would receive my message without delay, cherished for the rest of the day the particular quality of my vibration.
It was doubtless even excessive in proportion to its cause—yet in what else but that consisted the force and the use of vibrations? It was by their excess that one knew them for such, as one for that matter only knew things in general worth knowing. I didn't know what I had expected as an effect of our offered homage, but I had somehow not, at the best, expected a relation—and now a relation had been dramatically determined. It would exist for me if I should never again in all the world ask a feather's weight of it; for myself, that is, it would simply never be able not somehow to act. Its virtue was not in truth at all flagrantly to be put to the proof—any opportunity for that underwent at the best a considerable lapse; but why wasn't it intensely acting, none the less, during the time when, before being in London again for any length of stay, I found it intimately concerned in my perusal of Middlemarch, so soon then to appear, and even in that of Deronda, its intervention on behalf of which defied any chill of time? And to these references I can but subjoin that they obviously most illustrate the operation of a sense for drama. The process of appropriation of the two fictions was experience, in great intensity, and roundabout the field was drawn the distinguishable ring of something that belonged equally to this condition and that embraced and further vivified the imaged mass, playing in upon it lights of surpassing fineness. So it was, at any rate, that my "relation"—for I didn't go so far as to call it "ours"—helped me to squeeze further values from the intrinsic substance of the copious final productions I have named, a weight of variety, dignity and beauty of which I have never allowed my measure to shrink.
Even this example of a rage for connections, I may also remark, doesn't deter me from the mention here, somewhat out of its order of time, of another of those in which my whole privilege of reference to Mrs. Lewes, such as it remained, was to look to be preserved. I stretch over the years a little to overtake it, and it calls up at once another person, the ornament, or at least the diversion, of a society long since extinct to me, but who, in common with every bearer of a name I yield to the temptation of writing, insists on profiting promptly by the fact of inscription—very much as if first tricking me into it and then proving it upon me. The extinct societies that once were so sure of themselves, how can they not stir again if the right touch, that of a hand they actually knew, however little they may have happened to heed it, reaches tenderly back to them? The touch is the retrieval, so far as it goes, setting up as it does heaven knows what undefeated continuity. I must have been present among the faithful at North Bank during a Sunday afternoon or two of the winter of '77 and '78—I was to see the great lady alone but on a single occasion before her death; but those attestations are all but lost to me now in the livelier pitch of a scene, as I can only call it, of which I feel myself again, all amusedly, rather as sacrificed witness. I had driven over with Mrs. Greville from Milford Cottage, in Surrey, to the villa George Eliot and George Lewes had not long before built themselves, and which they much inhabited, at Witley—this indeed, I well remember, in no great flush of assurance that my own measure of our intended felicity would be quite that of my buoyant hostess. But here exactly comes, with my memory of Mrs. Greville, from which numberless by-memories dangle, the interesting question that makes for my recall why things happened, under her much-waved wing, not in any too coherent fashion—and this even though it was never once given her, I surmise, to guess that they anywhere fell short. So gently used, all round indeed, was this large, elegant, extremely near-sighted and extremely demonstrative lady, whose genius was all for friendship, admiration, declamation and expenditure, that one doubted whether in the whole course of her career she had ever once been brought up, as it were, against a recognised reality; other at least perhaps than the tiresome cost of the materially agreeable in life and the perverse appearance, at times, that though she "said" things, otherwise recited choice morceaux, whether French or English, with a marked oddity of manner, of "attack," a general incongruity of drawing-room art, the various contributive elements, hour, scene, persuaded patience and hushed attention, were perforce a precarious quantity.
It is in that bygone old grace of the unexploded factitious, the air of a thousand dimmed illusions and more or less early Victorian beatitudes on the part of the blandly idle and the supposedly accomplished, that Mrs. Greville, with her exquisite good-nature and her innocent fatuity, is embalmed for me; so that she becomes in that light a truly shining specimen, almost the image or compendium of a whole side of a social order. Just so she has happy suggestion; just so, whether or no by a twist of my mind toward the enviability of certain complacencies of faith and taste that we would yet neither live back into if we could, nor can catch again if we would. I see my forgotten friend of that moist autumn afternoon of our call, and of another, on the morrow, which I shall not pass over, as having rustled and gushed and protested and performed through her term under a kind of protection by the easy-going gods that is not of this fierce age. Amiabilities and absurdities, harmless serenities and vanities, pretensions and undertakings unashamed, still profited by the mildness of the critical air and the benignity of the social—on the right side at least of the social line. It had struck me from the first that nowhere so much as in England was it fortunate to be fortunate, and that against that condition, once it had somehow been handed down and determined, a number of the sharp truths that one might privately apprehend beat themselves beautifully in vain. I say beautifully for I confess without scruple to have found again and again at that time an attaching charm in the general exhibition of enjoyed immunity, paid for as it was almost always by the personal amenity, the practice of all sorts of pleasantness; if it kept the gods themselves for the time in good-humour, one was willing enough, or at least I was, to be on the side of the gods. Unmistakable too, as I seem to recover it, was the positive interest of watching and noting, roundabout one, for the turn, or rather for the blest continuity, of their benevolence: such an appeal proceeded, in this, that and the other particular case, from the fool's paradise really rounded and preserved, before one's eyes, for those who were so good as to animate it. There was always the question of how long they would be left to, and the growth of one's fine suspense, not to say one's frank little gratitude, as the miracle repeated itself.
All of which, I admit, dresses in many reflections the small circumstance that Milford Cottage, with its innumerable red candles and candle-shades, had affected me as the most embowered retreat for social innocence that it was possible to conceive, and as absolutely settling the question of whether the practice of pleasantness mightn't quite ideally pay for the fantastic protectedness. The red candles in the red shades have remained with me, inexplicably, as a vivid note of this pitch, shedding their rosy light, with the autumn gale, the averted reality, all shut out, upon such felicities of feminine helplessness as I couldn't have prefigured in advance and as exemplified, for further gathering in, the possibilities of the old tone. Nowhere had the evening curtains seemed so drawn, nowhere the copious service so soft, nowhere the second volume of the new novel, "half-uncut," so close to one's hand, nowhere the exquisite head and incomparable brush of the domesticated collie such an attestation of that standard at least, nowhere the harmonies of accident—of intention was more than one could say—so incapable of a wrong deflection. That society would lack the highest finish without some such distributed clusters of the thoroughly gentle, the mildly presumptuous and the inveterately mistaken, was brought home to me there, in fine, to a tune with which I had no quarrel, perverse enough as I had been from an early time to know but the impulse to egg on society to the fullest discharge of any material stirring within its breast and not making for cruelty or brutality, mere baseness or mere stupidity, that would fall into a picture or a scene. The quality of serene anxiety on the part for instance of exquisite Mrs. Thellusson, Mrs. Greville's mother, was by itself a plea for any privilege one should fancy her perched upon; and I scarce know if this be more or be less true because the anxiety—at least as I culled its fragrance—was all about the most secondary and superfluous small matters alone. It struck me, I remember, as a new and unexpected form of the pathetic altogether; and there was no form of the pathetic, any more than of the tragic or the comic, that didn't serve as another pearl for one's lengthening string. And I pass over what was doubtless the happiest stroke in the composition, the fact of its involving, as all-distinguished husband of the other daughter, an illustrious soldier and servant of his sovereign, of his sovereigns that were successively to be, than against whose patient handsome bearded presence the whole complexus of femininities and futilities couldn't have been left in more tolerated and more contrasted relief; pass it over to remind myself of how, in my particular friend of the three, the comic and the tragic were presented in a confusion that made the least intended of them at any moment take effectively the place of the most. The impression, that is, was never that of the sentiment operating—save indeed perhaps when the dear lady applied her faculty for frank imitation of the ridiculous, which she then quite directly and remarkably achieved; but that she could be comic, that she was comic, was what least appeased her unrest, and there were reasons enough, in a word, why her failure of the grand manner or the penetrating note should evoke the idea of their opposites perfectly achieved. She sat, alike in adoration and emulation, at the feet of my admirable old friend Fanny Kemble, the good-nature of whose consent to "hear" her was equalled only by the immediately consequent action of the splendidly corrective spring on the part of that unsurpassed subject of the dramatic afflatus fairly, or, as I should perhaps above all say, contradictiously provoked. Then aspirant and auditor, rash adventurer and shy alarmist, were swept away together in the gust of magnificent rightness and beauty, no scrap of the far-scattered prime proposal being left to pick up.
Which detail of reminiscence has again stayed my course to the Witley Villa, when even on the way I quaked a little with my sense of what generally most awaited or overtook my companion's prime proposals. What had come most to characterise the Leweses to my apprehension was that there couldn't be a thing in the world about which they weren't, and on the most conceded and assured grounds, almost scientifically particular; which presumption, however, only added to the relevance of one's learning how such a matter as their relation with Mrs. Greville could in accordance with noble consistencies be carried on. I could trust her for it perfectly, as she knew no law but that of innocent and exquisite aberration, never wanting and never less than consecrating, and I fear I but took refuge for the rest in declining all responsibility. I remember trying to say to myself that, even such as we were, our visit couldn't but scatter a little the weight of cloud on the Olympus we scaled—given the dreadful drenching afternoon we were after all an imaginable short solace there; and this indeed would have borne me through to the end save for an incident which, with a quite ideal logic, left our adventure an approved ruin. I see again our bland, benign, commiserating hostess beside the fire in a chill desert of a room where the master of the house guarded the opposite hearthstone, and I catch once more the impression of no occurrence of anything at all appreciable but their liking us to have come, with our terribly trivial contribution, mainly from a prevision of how they should more devoutly like it when we departed. It is remarkable, but the occasion yields me no single echo of a remark on the part of any of us—nothing more than the sense that our great author herself peculiarly suffered from the fury of the elements, and that they had about them rather the minimum of the paraphernalia of reading and writing, not to speak of that of tea, a conceivable feature of the hour, but which was not provided for. Again I felt touched with privilege, but not, as in '69, with a form of it redeemed from barrenness by a motion of my own, and the taste of barrenness was in fact in my mouth under the effect of our taking leave. We did so with considerable flourish till we had passed out to the hall again, indeed to the door of the waiting carriage, toward which G. H. Lewes himself all sociably, then above all conversingly, wafted us—yet staying me by a sudden remembrance before I had entered the brougham and signing me to wait while he repaired his omission. I returned to the doorstep, whence I still see him reissue from the room we had just left and hurry toward me across the hall shaking high the pair of blue-bound volumes his allusion to the uninvited, the verily importunate loan of which by Mrs. Greville had lingered on the air after his dash in quest of them; "Ah those books—take them away, please, away, away!" I hear him unreservedly plead while he thrusts them again at me, and I scurry back into our conveyance, where, and where only, settled afresh with my companion, I venture to assure myself of the horrid truth that had squinted at me as I relieved our good friend of his superfluity. What indeed was this superfluity but the two volumes of my own precious "last"—we were still in the blest age of volumes—presented by its author to the lady of Milford Cottage, and by her, misguided votary, dropped with the best conscience in the world into the Witley abyss, out of which it had jumped with violence, under the touch of accident, straight up again into my own exposed face?
