Генри Джеймс
The Jolly Corner
He looked again at his watch, saw what had become of his time-values (he had taken hours for minutes—not, as in other tense situations, minutes for hours) and the strange air of the streets was but the weak, the sullen flush of a dawn in which everything was still locked up. His choked appeal from his own open window had been the sole note of life, and he could but break off at last as for a worse despair. Yet while so deeply demoralised he was capable again of an impulse denoting—at least by his present measure—extraordinary resolution; of retracing his steps to the spot where he had turned cold with the extinction of his last pulse of doubt as to there being in the place another presence than his own. This required an effort strong enough to sicken him; but he had his reason, which over-mastered for the moment everything else. There was the whole of the rest of the house to traverse, and how should he screw himself to that if the door he had seen closed were at present open? He could hold to the idea that the closing had practically been for him an act of mercy, a chance offered him to descend, depart, get off the ground and never again profane it. This conception held together, it worked; but what it meant for him depended now clearly on the amount of forbearance his recent action, or rather his recent inaction, had engendered. The image of the “presence” whatever it was, waiting there for him to go—this image had not yet been so concrete for his nerves as when he stopped short of the point at which certainty would have come to him. For, with all his resolution, or more exactly with all his dread, he did stop short—he hung back from really seeing. The risk was too great and his fear too definite: it took at this moment an awful specific form.
He knew—yes, as he had never known anything—that, should he see the door open, it would all too abjectly be the end of him. It would mean that the agent of his shame—for his shame was the deep abjection—was once more at large and in general possession; and what glared him thus in the face was the act that this would determine for him. It would send him straight about to the window he had left open, and by that window, be long ladder and dangling rope as absent as they would, he saw himself uncontrollably insanely fatally take his way to the street. The hideous chance of this he at least could avert; but he could only avert it by recoiling in time from assurance. He had the whole house to deal with, this fact was still there; only he now knew that uncertainty alone could start him. He stole back from where he had checked himself—merely to do so was suddenly like safety—and, making blindly for the greater staircase, left gaping rooms and sounding passages behind. Here was the top of the stairs, with a fine large dim descent and three spacious landings to mark off. His instinct was all for mildness, but his feet were harsh on the floors, and, strangely, when he had in a couple of minutes become aware of this, it counted somehow for help. He couldn’t have spoken, the tone of his voice would have scared him, and the common conceit or resource of “whistling in the dark” (whether literally or figuratively) have appeared basely vulgar; yet he liked none the less to hear himself go, and when he had reached his first landing—taking it all with no rush, but quite steadily—that stage of success drew from him a gasp of relief.
The house, withal, seemed immense, the scale of space again inordinate; the open rooms, to no one of which his eyes deflected, gloomed in their shuttered state like mouths of caverns; only the high skylight that formed the crown of the deep well created for him a medium in which he could advance, but which might have been, for queerness of colour, some watery under-world. He tried to think of something noble, as that his property was really grand, a splendid possession; but this nobleness took the form too of the clear delight with which he was finally to sacrifice it. They might come in now, the builders, the destroyers—they might come as soon as they would. At the end of two flights he had dropped to another zone, and from the middle of the third, with only one more left, he recognised the influence of the lower windows, of half-drawn blinds, of the occasional gleam of street-lamps, of the glazed spaces of the vestibule. This was the bottom of the sea, which showed an illumination of its own and which he even saw paved—when at a given moment he drew up to sink a long look over the banisters—with the marble squares of his childhood. By that time indubitably he felt, as he might have said in a commoner cause, better; it had allowed him to stop and draw breath, and the case increased with the sight of the old black-and-white slabs. But what he most felt was that now surely, with the element of impunity pulling him as by hard firm hands, the case was settled for what he might have seen above had he dared that last look. The closed door, blessedly remote now, was still closed—and he had only in short to reach that of the house.
He came down further, he crossed the passage forming the access to the last flight and if here again he stopped an instant it was almost for the sharpness of the thrill of assured escape. It made him shut his eyes—which opened again to the straight slope of the remainder of the stairs. Here was impunity still, but impunity almost excessive; inasmuch as the side-lights and the high fantracery of the entrance were glimmering straight into the hall; an appearance produced, he the next instant saw, by the fact that the vestibule gaped wide, that the hinged halves of the inner door had been thrown far back. Out of that again the question sprang at him, making his eyes, as he felt, half-start from his head, as they had done, at the top of the house, before the sign of the other door. If he had left that one open, hadn’t he left this one closed, and wasn’t he now in most immediate presence of some inconceivable occult activity? It was as sharp, the question, as a knife in his side, but the answer hung fire still and seemed to lose itself in the vague darkness to which the thin admitted dawn, glimmering archwise over the whole outer door, made a semicircular margin, a cold silvery nimbus that seemed to play a little as he looked—to shift and expand and contract.
It was as if there had been something within it, protected by indistinctness and corresponding in extent with the opaque surface behind, the painted panels of the last barrier to his escape, of which the key was in his pocket. The indistinctness mocked him even while he stared, affected him as somehow shrouding or challenging certitude, so that after faltering an instant on his step he let himself go with the sense that here was at last something to meet, to touch, to take, to know—something all unnatural and dreadful, but to advance upon which was the condition for him either of liberation or of supreme defeat. The penumbra, dense and dark, was the virtual screen of a figure which stood in it as still as some image erect in a niche or as some black-vizored sentinel guarding a treasure. Brydon was to know afterwards, was to recall and make out, the particular thing he had believed during the rest of his descent. He saw, in its great grey glimmering margin, the central vagueness diminish, and he felt it to be taking the very form toward which, for so many days, the passion of his curiosity had yearned. It gloomed, it loomed, it was something, it was somebody, the prodigy of a personal presence.
Rigid and conscious, spectral yet human, a man of his own substance and stature waited there to measure himself with his power to dismay. This only could it be—this only till he recognised, with his advance, that what made the face dim was the pair of raised hands that covered it and in which, so far from being offered in defiance, it was buried, as for dark deprecation. So Brydon, before him, took him in; with every fact of him now, in the higher light, hard and acute—his planted stillness, his vivid truth, his grizzled bent head and white masking hands, his queer actuality of evening-dress, of dangling double eye-glass, of gleaming silk lappet and white linen, of pearl button and gold watch-guard and polished shoe. No portrait by a great modern master could have presented him with more intensity, thrust him out of his frame with more art, as if there had been “treatment,” of the consummate sort, in his every shade and salience. The revulsion, for our friend, had become, before he knew it, immense—this drop, in the act of apprehension, to the sense of his adversary’s inscrutable manoeuvre. That meaning at least, while he gaped, it offered him; for he could but gape at his other self in this other anguish, gape as a proof that he, standing there for the achieved, the enjoyed, the triumphant life, couldn’t be faced in his triumph. Wasn’t the proof in the splendid covering hands, strong and completely spread?—so spread and so intentional that, in spite of a special verity that surpassed every other, the fact that one of these hands had lost two fingers, which were reduced to stumps, as if accidentally shot away, the face was effectually guarded and saved.
“Saved,” though, would it be?—Brydon breathed his wonder till the very impunity of his attitude and the very insistence of his eyes produced, as he felt, a sudden stir which showed the next instant as a deeper portent, while the head raised itself, the betrayal of a braver purpose. The hands, as he looked, began to move, to open; then, as if deciding in a flash, dropped from the face and left it uncovered and presented. Horror, with the sight, had leaped into Brydon’s throat, gasping there in a sound he couldn’t utter; for the bared identity was too hideous as his, and his glare was the passion of his protest. The face, that face, Spencer Brydon’s?—he searched it still, but looking away from it in dismay and denial, falling straight from his height of sublimity. It was unknown, inconceivable, awful, disconnected from any possibility!—He had been “sold,” he inwardly moaned, stalking such game as this: the presence before him was a presence, the horror within him a horror, but the waste of his nights had been only grotesque and the success of his adventure an irony. Such an identity fitted his at no point, made its alternative monstrous. A thousand times yes, as it came upon him nearer now, the face was the face of a stranger. It came upon him nearer now, quite as one of those expanding fantastic images projected by the magic lantern of childhood; for the stranger, whoever he might be, evil, odious, blatant, vulgar, had advanced as for aggression, and he knew himself give ground. Then harder pressed still, sick with the force of his shock, and falling back as under the hot breath and the roused passion of a life larger than his own, a rage of personality before which his own collapsed, he felt the whole vision turn to darkness and his very feet give way. His head went round; he was going; he had gone.
