Генри Джеймс
The Bostonians, Vol. I
A day or two after this, Mr. Henry Burrage left a card at Miss Chancellor's door, with a note in which he expressed the hope that she would take tea with him on a certain day on which he expected the company of his mother. Olive responded to this invitation, in conjunction with Verena; but in doing so she was in the position, singular for her, of not quite understanding what she was about. It seemed to her strange that Verena should urge her to take such a step when she was free to go without her, and it proved two things: first, that she was much interested in Mr. Henry Burrage, and second, that her nature was extraordinarily beautiful. Could anything, in effect, be less underhand than such an indifference to what she supposed to be the best opportunities for carrying on a flirtation? Verena wanted to know the truth, and it was clear that by this time she believed Olive Chancellor to have it, for the most part, in her keeping. Her insistence, therefore, proved, above all, that she cared more for her friend's opinion of Henry Burrage than for her own—a reminder, certainly, of the responsibility that Olive had incurred in undertaking to form this generous young mind, and of the exalted place that she now occupied in it. Such revelations ought to have been satisfactory; if they failed to be completely so, it was only on account of the elder girl's regret that the subject as to which her judgement was wanted should be a young man destitute of the worst vices. Henry Burrage had contributed to throw Miss Chancellor into a "state," as these young ladies called it, the night she met him at Mrs. Tarrant's; but it had none the less been conveyed to Olive by the voices of the air that he was a gentleman and a good fellow.
This was painfully obvious when the visit to his rooms took place; he was so good-humoured, so amusing, so friendly and considerate, so attentive to Miss Chancellor, he did the honours of his bachelor-nest with so easy a grace, that Olive, part of the time, sat dumbly shaking her conscience, like a watch that wouldn't go, to make it tell her some better reason why she shouldn't like him. She saw that there would be no difficulty in disliking his mother; but that, unfortunately, would not serve her purpose nearly so well. Mrs. Burrage had come to spend a few days near her son; she was staying at an hotel in Boston. It presented itself to Olive that after this entertainment it would be an act of courtesy to call upon her; but here, at least, was the comfort that she could cover herself with the general absolution extended to the Boston temperament and leave her alone. It was slightly provoking, indeed, that Mrs. Burrage should have so much the air of a New Yorker who didn't particularly notice whether a Bostonian called or not; but there is ever an imperfection, I suppose, in even the sweetest revenge. She was a woman of society, large and voluminous, fair (in complexion) and regularly ugly, looking as if she ought to be slow and rather heavy, but disappointing this expectation by a quick, amused utterance, a short, bright, summary laugh, with which she appeared to dispose of the joke (whatever it was) for ever, and an air of recognising on the instant everything she saw and heard. She was evidently accustomed to talk, and even to listen, if not kept waiting too long for details and parentheses; she was not continuous, but frequent, as it were, and you could see that she hated explanations, though it was not to be supposed that she had anything to fear from them. Her favours were general, not particular; she was civil enough to every one, but not in any case endearing, and perfectly genial without being confiding, as people were in Boston when (in moments of exaltation) they wished to mark that they were not suspicious. There was something in her whole manner which seemed to say to Olive that she belonged to a larger world than hers; and our young lady was vexed at not hearing that she had lived for a good many years in Europe, as this would have made it easy to classify her as one of the corrupt. She learned, almost with a sense of injury, that neither the mother nor the son had been longer beyond the seas than she herself; and if they were to be judged as triflers they must be dealt with individually. Was it an aid to such a judgement to see that Mrs. Burrage was very much pleased with Boston, with Harvard College, with her son's interior, with her cup of tea (it was old Sèvres), which was not half so bad as she had expected, with the company he had asked to meet her (there were three or four gentlemen, one of whom was Mr. Gracie), and, last, not least, with Verena Tarrant, whom she addressed as a celebrity, kindly, cleverly, but without maternal tenderness or anything to mark the difference in their age? She spoke to her as if they were equals in that respect, as if Verena's genius and fame would make up the disparity, and the girl had no need of encouragement and patronage. She made no direct allusion, however, to her particular views, and asked her no question about her "gift"—an omission which Verena thought strange, and, with the most speculative candour, spoke of to Olive afterwards. Mrs. Burrage seemed to imply that every one present had some distinction and some talent, that they were all good company together. There was nothing in her manner to indicate that she was afraid of Verena on her son's account; she didn't resemble a person who would like him to marry the daughter of a mesmeric healer, and yet she appeared to think it charming that he should have such a young woman there to give gusto to her hour at Cambridge. Poor Olive was, in the nature of things, entangled in contradictions; she had a horror of the idea of Verena's marrying Mr. Burrage, and yet she was angry when his mother demeaned herself as if the little girl with red hair, whose freshness she enjoyed, could not be a serious danger. She saw all this through the blur of her shyness, the conscious, anxious silence to which she was so much of the time condemned. It may therefore be imagined how sharp her vision would have been could she only have taken the situation more simply; for she was intelligent enough not to have needed to be morbid, even for purposes of self-defence.
I must add, however, that there was a moment when she came near being happy—or, at any rate, reflected that it was a pity she could not be so. Mrs. Burrage asked her son to play "some little thing," and he sat down to his piano and revealed a talent that might well have gratified that lady's pride. Olive was extremely susceptible to music, and it was impossible to her not to be soothed and beguiled by the young man's charming art. One "little thing" succeeded another; his selections were all very happy. His guests sat scattered in the red firelight, listening, silent, in comfortable attitudes; there was a faint fragrance from the burning logs, which mingled with the perfume of Schubert and Mendelssohn; the covered lamps made a glow here and there, and the cabinets and brackets produced brown shadows, out of which some precious object gleamed—some ivory carving or cinque-cento cup. It was given to Olive, under these circumstances, for half an hour, to surrender herself, to enjoy the music, to admit that Mr. Burrage played with exquisite taste, to feel as if the situation were a kind of truce. Her nerves were calmed, her problems—for the time—subsided. Civilisation, under such an influence, in such a setting, appeared to have done its work; harmony ruled the scene; human life ceased to be a battle. She went so far as to ask herself why one should have a quarrel with it; the relations of men and women, in that picturesque grouping, had not the air of being internecine. In short, she had an interval of unexpected rest, during which she kept her eyes mainly on Verena, who sat near Mrs. Burrage, letting herself go, evidently, more completely than Olive. To her, too, music was a delight, and her listening face turned itself to different parts of the room, unconsciously, while her eyes vaguely rested on the bibelots that emerged into the firelight. At moments Mrs. Burrage bent her countenance upon her and smiled, at random, kindly; and then Verena smiled back, while her expression seemed to say that, oh yes, she was giving up everything, all principles, all projects. Even before it was time to go, Olive felt that they were both (Verena and she) quite demoralised, and she only summoned energy to take her companion away when she heard Mrs. Burrage propose to her to come and spend a fortnight in New York. Then Olive exclaimed to herself, "Is it a plot? Why in the world can't they let her alone?" and prepared to throw a fold of her mantle, as she had done before, over her young friend. Verena answered, somewhat impetuously, that she should be delighted to visit Mrs. Burrage; then checked her impetuosity, after a glance from Olive, by adding that perhaps this lady wouldn't ask her if she knew what strong ground she took on the emancipation of women. Mrs. Burrage looked at her son and laughed; she said she was perfectly aware of Verena's views, and that it was impossible to be more in sympathy with them than she herself. She took the greatest interest in the emancipation of women; she thought there was so much to be done. These were the only remarks that passed in reference to the great subject; and nothing more was said to Verena, either by Henry Burrage or by his friend Gracie, about her addressing the Harvard students. Verena had told her father that Olive had put her veto upon that, and Tarrant had said to the young men that it seemed as if Miss Chancellor was going to put the thing through in her own way. We know that he thought this way very circuitous; but Miss Chancellor made him feel that she was in earnest, and that idea frightened the resistance out of him—it had such terrible associations. The people he had ever seen who were most in earnest were a committee of gentlemen who had investigated the phenomena of the "materialisation" of spirits, some ten years before, and had bent the fierce light of the scientific method upon him. To Olive it appeared that Mr. Burrage and Mr. Gracie had ceased to be jocular; but that did not make them any less cynical. Henry Burrage said to Verena, as she was going, that he hoped she would think seriously of his mother's invitation; and she replied that she didn't know whether she should have much time in the future to give to people who already approved of her views: she expected to have her hands full with the others, who didn't.
"Does your scheme of work exclude all distraction, all recreation, then?" the young man inquired; and his look expressed real suspense.
Verena referred the matter, as usual, with her air of bright, ungrudging deference, to her companion. "Does it, should you say—our scheme of work?"
"I am afraid the distraction we have had this afternoon must last us for a long time," Olive said, without harshness, but with considerable majesty.
"Well, now, is he to be respected?" Verena demanded, as the two young women took their way through the early darkness, pacing quietly side by side, in their winter-robes, like women consecrated to some holy office.
Olive turned it over a moment. "Yes, very much—as a pianist!"
Verena went into town with her in the horse-car—she was staying in Charles Street for a few days—and that evening she startled Olive by breaking out into a reflexion very similar to the whimsical falterings of which she herself had been conscious while they sat in Mr. Burrage's pretty rooms, but against which she had now violently reacted.
"It would be very nice to do that always—just to take men as they are, and not to have to think about their badness. It would be very nice not to have so many questions, but to think they were all comfortably answered, so that one could sit there on an old Spanish leather chair, with the curtains drawn and keeping out the cold, the darkness, all the big, terrible, cruel world—sit there and listen for ever to Schubert and Mendelssohn. They didn't care anything about female suffrage! And I didn't feel the want of a vote to-day at all, did you?" Verena inquired, ending, as she always ended in these few speculations, with an appeal to Olive.
This young lady thought it necessary to give her a very firm answer. "I always feel it—everywhere—night and day. I feel it here"; and Olive laid her hand solemnly on her heart. "I feel it as a deep, unforgettable wrong; I feel it as one feels a stain that is on one's honour."
Verena gave a clear laugh, and after that a soft sigh, and then said, "Do you know, Olive, I sometimes wonder whether, if it wasn't for you, I should feel it so very much!"
"My own friend," Olive replied, "you have never yet said anything to me which expressed so clearly the closeness and sanctity of our union."
"You do keep me up," Verena went on. "You are my conscience."
"I should like to be able to say that you are my form—my envelope. But you are too beautiful for that!" So Olive returned her friend's compliment; and later she said that, of course, it would be far easier to give up everything and draw the curtains to and pass one's life in an artificial atmosphere, with rose-coloured lamps. It would be far easier to abandon the struggle, to leave all the unhappy women of the world to their immemorial misery, to lay down one's burden, close one's eyes to the whole dark picture, and, in short, simply expire. To this Verena objected that it would not be easy for her to expire at all; that such an idea was darker than anything the world contained; that she had not done with life yet, and that she didn't mean to allow her responsibilities to crush her. And then the two young women concluded, as they had concluded before, by finding themselves completely, inspiringly in agreement, full of the purpose to live indeed, and with high success; to become great, in order not to be obscure, and powerful, in order not to be useless. Olive had often declared before that her conception of life was as something sublime or as nothing at all. The world was full of evil, but she was glad to have been born before it had been swept away, while it was still there to face, to give one a task and a reward. When the great reforms should be consummated, when the day of justice should have dawned, would not life perhaps be rather poor and pale? She had never pretended to deny that the hope of fame, of the very highest distinction, was one of her strongest incitements; and she held that the most effective way of protesting against the state of bondage of women was for an individual member of the sex to become illustrious. A person who might have overheard some of the talk of this possibly infatuated pair would have been touched by their extreme familiarity with the idea of earthly glory. Verena had not invented it, but she had taken it eagerly from her friend, and she returned it with interest. To Olive it appeared that just this partnership of their two minds—each of them, by itself, lacking an important group of facets—made an organic whole which, for the work in hand, could not fail to be brilliantly effective. Verena was often far more irresponsive than she liked to see her; but the happy thing in her composition was that, after a short contact with the divine idea—Olive was always trying to flash it at her, like a jewel in an uncovered case—she kindled, flamed up, took the words from her friend's less persuasive lips, resolved herself into a magical voice, became again the pure young sibyl. Then Olive perceived how fatally, without Verena's tender notes, her crusade would lack sweetness, what the Catholics call unction; and, on the other hand, how weak Verena would be on the statistical and logical side if she herself should not bring up the rear. Together, in short, they would be complete, they would have everything, and together they would triumph.
XIX
This idea of their triumph, a triumph as yet ultimate and remote, but preceded by the solemn vista of an effort so religious as never to be wanting in ecstasy, became tremendously familiar to the two friends, but especially to Olive, during the winter of 187-, a season which ushered in the most momentous period of Miss Chancellor's life. About Christmas a step was taken which advanced her affairs immensely, and put them, to her apprehension, on a regular footing. This consisted in Verena's coming in to Charles Street to stay with her, in pursuance of an arrangement on Olive's part with Selah Tarrant and his wife that she should remain for many months. The coast was now perfectly clear. Mrs. Farrinder had started on her annual grand tour; she was rousing the people, from Maine to Texas; Matthias Pardon (it was to be supposed) had received, temporarily at least, his quietus; and Mrs. Luna was established in New York, where she had taken a house for a year, and whence she wrote to her sister that she was going to engage Basil Ransom (with whom she was in communication for this purpose) to do her law-business. Olive wondered what law-business Adeline could have, and hoped she would get into a pickle with her landlord or her milliner, so that repeated interviews with Mr. Ransom might become necessary. Mrs. Luna let her know very soon that these interviews had begun; the young Mississippian had come to dine with her; he hadn't got started much, by what she could make out, and she was even afraid that he didn't dine every day. But he wore a tall hat now, like a Northern gentleman, and Adeline intimated that she found him really attractive. He had been very nice to Newton, told him all about the war (quite the Southern version, of course, but Mrs. Luna didn't care anything about American politics, and she wanted her son to know all sides), and Newton did nothing but talk about him, calling him "Rannie," and imitating his pronunciation of certain words. Adeline subsequently wrote that she had made up her mind to put her affairs into his hands (Olive sighed, not unmagnanimously, as she thought of her sister's "affairs"), and later still she mentioned that she was thinking strongly of taking him to be Newton's tutor. She wished this interesting child to be privately educated, and it would be more agreeable to have in that relation a person who was already, as it were, a member of the family. Mrs. Luna wrote as if he were prepared to give up his profession to take charge of her son, and Olive was pretty sure that this was only a part of her grandeur, of the habit she had contracted, especially since living in Europe, of speaking as if in every case she required special arrangements.
In spite of the difference in their age, Olive had long since judged her, and made up her mind that Adeline lacked every quality that a person needed to be interesting in her eyes. She was rich (or sufficiently so), she was conventional and timid, very fond of attentions from men (with whom indeed she was reputed bold, but Olive scorned such boldness as that), given up to a merely personal, egotistical, instinctive life, and as unconscious of the tendencies of the age, the revenges of the future, the new truths and the great social questions, as if she had been a mere bundle of dress-trimmings, which she very nearly was. It was perfectly observable that she had no conscience, and it irritated Olive deeply to see how much trouble a woman was spared when she was constructed on that system. Adeline's "affairs," as I have intimated, her social relations, her views of Newton's education, her practice and her theory (for she had plenty of that, such as it was, heaven save the mark!), her spasmodic disposition to marry again, and her still sillier retreats in the presence of danger (for she had not even the courage of her frivolity), these things had been a subject of tragic consideration to Olive ever since the return of the elder sister to America. The tragedy was not in any particular harm that Mrs. Luna could do her (for she did her good, rather, that is, she did her honour by laughing at her), but in the spectacle itself, the drama, guided by the hand of fate, of which the small, ignoble scenes unrolled themselves so logically. The dénouement would of course be in keeping, and would consist simply of the spiritual death of Mrs. Luna, who would end by understanding no common speech of Olive's at all, and would sink into mere worldly plumpness, into the last complacency, the supreme imbecility, of petty, genteel conservatism. As for Newton, he would be more utterly odious, if possible, as he grew up, than he was already; in fact, he would not grow up at all, but only grow down, if his mother should continue her infatuated system with him. He was insufferably forward and selfish; under the pretext of keeping him, at any cost, refined, Adeline had coddled and caressed him, having him always in her petticoats, remitting his lessons when he pretended he had an earache, drawing him into the conversation, letting him answer her back, with an impertinence beyond his years, when she administered the smallest check. The place for him, in Olive's eyes, was one of the public schools, where the children of the people would teach him his small importance, teach it, if necessary, by the aid of an occasional drubbing; and the two ladies had a grand discussion on this point before Mrs. Luna left Boston—a scene which ended in Adeline's clutching the irrepressible Newton to her bosom (he came in at the moment), and demanding of him a vow that he would live and die in the principles of his mother. Mrs. Luna declared that if she must be trampled upon—and very likely it was her fate!—she would rather be trampled upon by men than by women, and that if Olive and her friends should get possession of the government they would be worse despots than those who were celebrated in history. Newton took an infant oath that he would never be a destructive, impious radical, and Olive felt that after this she needn't trouble herself any more about her sister, whom she simply committed to her fate. That fate might very properly be to marry an enemy of her country, a man who, no doubt, desired to treat women with the lash and manacles, as he and his people had formerly treated the wretched coloured race. If she was so fond of the fine old institutions of the past, he would supply them to her in abundance; and if she wanted so much to be a conservative, she could try first how she liked being a conservative's wife. If Olive troubled herself little about Adeline, she troubled herself more about Basil Ransom; she said to herself that since he hated women who respected themselves (and each other), destiny would use him rightly in hanging a person like Adeline round his neck. That would be the way poetic justice ought to work, for him—and the law that our prejudices, when they act themselves out, punish us in doing so. Olive considered all this, as it was her effort to consider everything, from a very high point of view, and ended by feeling sure it was not for the sake of any nervous personal security that she desired to see her two relations in New York get mixed up together. If such an event as their marriage would gratify her sense of fitness, it would be simply as an illustration of certain laws. Olive, thanks to the philosophic cast of her mind, was exceedingly fond of illustrations of laws.
I hardly know, however, what illumination it was that sprang from her consciousness (now a source of considerable comfort) that Mrs. Farrinder was carrying the war into distant territories, and would return to Boston only in time to preside at a grand Female Convention, already advertised to take place in Boston in the month of June. It was agreeable to her that this imperial woman should be away; it made the field more free, the air more light; it suggested an exemption from official criticism. I have not taken space to mention certain episodes of the more recent intercourse of these ladies, and must content myself with tracing them, lightly, in their consequences. These may be summed up in the remark, which will doubtless startle no one by its freshness, that two imperial women are scarcely more likely to hit it off together, as the phrase is, than two imperial men. Since that party at Miss Birdseye's, so important in its results for Olive, she had had occasion to approach Mrs. Farrinder more nearly, and those overtures brought forth the knowledge that the great leader of the feminine revolution was the one person (in that part of the world) more concentrated, more determined, than herself. Miss Chancellor's aspirations, of late, had been immensely quickened; she had begun to believe in herself to a livelier tune than she had ever listened to before; and she now perceived that when spirit meets spirit there must either be mutual absorption or a sharp concussion. It had long been familiar to her that she should have to count with the obstinacy of the world at large, but she now discovered that she should have to count also with certain elements in the feminine camp. This complicated the problem, and such a complication, naturally, could not make Mrs. Farrinder appear more easy to assimilate. If Olive's was a high nature and so was hers, the fault was in neither; it was only an admonition that they were not needed as landmarks in the same part of the field. If such perceptions are delicate as between men, the reader need not be reminded of the exquisite form they may assume in natures more refined. So it was that Olive passed, in three months, from the stage of veneration to that of competition; and the process had been accelerated by the introduction of Verena into the fold. Mrs. Farrinder had behaved in the strangest way about Verena. First she had been struck with her, and then she hadn't; first she had seemed to want to take her in, then she had shied at her unmistakably—intimating to Olive that there were enough of that kind already. Of "that kind" indeed!—the phrase reverberated in Miss Chancellor's resentful soul. Was it possible she didn't know the kind Verena was of, and with what vulgar aspirants to notoriety did she confound her? It had been Olive's original desire to obtain Mrs. Farrinder's stamp for her protégée; she wished her to hold a commission from the commander-in-chief. With this view the two young women had made more than one pilgrimage to Roxbury, and on one of these occasions the sibylline mood (in its most charming form) had descended upon Verena. She had fallen into it, naturally and gracefully, in the course of talk, and poured out a stream of eloquence even more touching than her regular discourse at Miss Birdseye's. Mrs. Farrinder had taken it rather dryly, and certainly it didn't resemble her own style of oratory, remarkable and cogent as this was. There had been considerable question of her writing a letter to the New York Tribune, the effect of which should be to launch Miss Tarrant into renown; but this beneficent epistle never appeared, and now Olive saw that there was no favour to come from the prophetess of Roxbury. There had been primnesses, pruderies, small reserves, which ended by staying her pen. If Olive didn't say at once that she was jealous of Verena's more attractive manner, it was only because such a declaration was destined to produce more effect a little later. What she did say was that evidently Mrs. Farrinder wanted to keep the movement in her own hands—viewed with suspicion certain romantic, esthetic elements which Olive and Verena seemed to be trying to introduce into it. They insisted so much, for instance, on the historic unhappiness of women; but Mrs. Farrinder didn't appear to care anything for that, or indeed to know much about history at all. She seemed to begin just to-day, and she demanded their rights for them whether they were unhappy or not. The upshot of this was that Olive threw herself on Verena's neck with a movement which was half indignation, half rapture; she exclaimed that they would have to fight the battle without human help, but, after all, it was better so. If they were all in all to each other, what more could they want? They would be isolated, but they would be free; and this view of the situation brought with it a feeling that they had almost already begun to be a force. It was not, indeed, that Olive's resentment faded quite away; for not only had she the sense, doubtless very presumptuous, that Mrs. Farrinder was the only person thereabouts of a stature to judge her (a sufficient cause of antagonism in itself, for if we like to be praised by our betters we prefer that censure should come from the other sort), but the kind of opinion she had unexpectedly betrayed, after implying such esteem in the earlier phase of their intercourse, made Olive's cheeks occasionally flush. She prayed heaven that she might never become so personal, so narrow. She was frivolous, worldly, an amateur, a trifler, a frequenter of Beacon Street; her taking up Verena Tarrant was only a kind of elderly, ridiculous doll-dressing: this was the light in which Miss Chancellor had reason to believe that it now suited Mrs. Farrinder to regard her! It was fortunate, perhaps, that the misrepresentation was so gross; yet, none the less, tears of wrath rose more than once to Olive's eyes when she reflected that this particular wrong had been put upon her. Frivolous, worldly, Beacon Street! She appealed to Verena to share in her pledge that the world should know in due time how much of that sort of thing there was about her. As I have already hinted, Verena at such moments quite rose to the occasion; she had private pangs at committing herself to give the cold shoulder to Beacon Street for ever; but she was now so completely in Olive's hands that there was no sacrifice to which she would not have consented in order to prove that her benefactress was not frivolous.
The matter of her coming to stay for so long in Charles Street was arranged during a visit that Selah Tarrant paid there at Miss Chancellor's request. This interview, which had some curious features, would be worth describing but I am forbidden to do more than mention the most striking of these. Olive wished to have an understanding with him; wished the situation to be clear, so that, disagreeable as it would be to her to receive him, she sent him a summons for a certain hour—an hour at which she had planned that Verena should be out of the house. She withheld this incident from the girl's knowledge, reflecting with some solemnity that it was the first deception (for Olive her silence was a deception) that she had yet practised on her friend, and wondering whether she should have to practise others in the future. She then and there made up her mind that she would not shrink from others should they be necessary. She notified Tarrant that she should keep Verena a long time, and Tarrant remarked that it was certainly very pleasant to see her so happily located. But he also intimated that he should like to know what Miss Chancellor laid out to do with her; and the tone of this suggestion made Olive feel how right she had been to foresee that their interview would have the stamp of business. It assumed that complexion very definitely when she crossed over to her desk and wrote Mr. Tarrant a cheque for a very considerable amount. "Leave us alone—entirely alone—for a year, and then I will write you another": it was with these words she handed him the little strip of paper that meant so much, feeling, as she did so, that surely Mrs. Farrinder herself could not be less amateurish than that. Selah looked at the cheque, at Miss Chancellor, at the cheque again, at the ceiling, at the floor, at the clock, and once more at his hostess; then the document disappeared beneath the folds of his waterproof, and she saw that he was putting it into some queer place on his queer person. "Well, if I didn't believe you were going to help her to develop," he remarked; and he stopped, while his hands continued to fumble, out of sight, and he treated Olive to his large joyless smile. She assured him that he need have no fear on that score; Verena's development was the thing in the world in which she took most interest; she should have every opportunity for a free expansion. "Yes, that's the great thing," Selah said; "it's more important than attracting a crowd. That's all we shall ask of you; let her act out her nature. Don't all the trouble of humanity come from our being pressed back? Don't shut down the cover, Miss Chancellor; just let her overflow!" And again Tarrant illuminated his inquiry, his metaphor, by the strange and silent lateral movement of his jaws. He added, presently, that he supposed he should have to fix it with Mis' Tarrant; but Olive made no answer to that; she only looked at him with a face in which she intended to express that there was nothing that need detain him longer. She knew it had been fixed with Mrs. Tarrant; she had been over all that with Verena, who had told her that her mother was willing to sacrifice her for her highest good. She had reason to know (not through Verena, of course) that Mrs. Tarrant had embraced, tenderly, the idea of a pecuniary compensation, and there was no fear of her making a scene when Tarrant should come back with a cheque in his pocket. "Well, I trust she may develop, richly, and that you may accomplish what you desire; it seems as if we had only a little way to go further," that worthy observed, as he erected himself for departure.
