Генри Джеймс
A London Life, and Other Tales
MRS. TEMPERLY
I
'Why, Cousin Raymond, how can you suppose? Why, she's only sixteen!'
'She told me she was seventeen,' said the young man, as if it made a great difference.
'Well, only just!' Mrs. Temperly replied, in the tone of graceful, reasonable concession.
'Well, that's a very good age for me. I'm very young.'
'You are old enough to know better,' the lady remarked, in her soft, pleasant voice, which always drew the sting from a reproach, and enabled you to swallow it as you would a cooked plum, without the stone. 'Why, she hasn't finished her education!'
'That's just what I mean,' said her interlocutor. 'It would finish it beautifully for her to marry me.'
'Have you finished yours, my dear?' Mrs. Temperly inquired. 'The way you young people talk about marrying!' she exclaimed, looking at the itinerant functionary with the long wand who touched into a flame the tall gas-lamp on the other side of the Fifth Avenue. The pair were standing, in the recess of a window, in one of the big public rooms of an immense hotel, and the October day was turning to dusk.
'Well, would you have us leave it to the old?' Raymond asked. 'That's just what I think—she would be such a help to me,' he continued. 'I want to go back to Paris to study more. I have come home too soon. I don't know half enough; they know more here than I thought. So it would be perfectly easy, and we should all be together.'
'Well, my dear, when you do come back to Paris we will talk about it,' said Mrs. Temperly, turning away from the window.
'I should like it better, Cousin Maria, if you trusted me a little more,' Raymond sighed, observing that she was not really giving her thoughts to what he said. She irritated him somehow; she was so full of her impending departure, of her arrangements, her last duties and memoranda. She was not exactly important, any more than she was humble; she was too conciliatory for the one and too positive for the other. But she bustled quietly and gave one the sense of being 'up to' everything; the successive steps of her enterprise were in advance perfectly clear to her, and he could see that her imagination (conventional as she was she had plenty of that faculty) had already taken up its abode on one of those fine premiers which she had never seen, but which by instinct she seemed to know all about, in the very best part of the quarter of the Champs Elysées. If she ruffled him envy had perhaps something to do with it: she was to set sail on the morrow for the city of his affection and he was to stop in New York, where the fact that he was but half pleased did not alter the fact that he had his studio on his hands and that it was a bad one (though perhaps as good as any use he should put it to), which no one would be in a hurry to relieve him of.
It was easy for him to talk to Mrs. Temperly in that airy way about going back, but he couldn't go back unless the old gentleman gave him the means. He had already given him a great many things in the past, and with the others coming on (Marian's marriage-outfit, within three months, had cost literally thousands), Raymond had not at present the face to ask for more. He must sell some pictures first, and to sell them he must first paint them. It was his misfortune that he saw what he wanted to do so much better than he could do it. But he must really try and please himself—an effort that appeared more possible now that the idea of following Dora across the ocean had become an incentive. In spite of secret aspirations and even intentions, however, it was not encouraging to feel that he made really no impression at all on Cousin Maria. This certitude was so far from agreeable to him that he almost found it in him to drop the endearing title by which he had hitherto addressed her. It was only that, after all, her husband had been distantly related to his mother. It was not as a cousin that he was interested in Dora, but as something very much more intimate. I know not whether it occurred to him that Mrs. Temperly herself would never give his displeasure the benefit of dropping the affectionate form. She might shut her door to him altogether, but he would always be her kinsman and her dear. She was much addicted to these little embellishments of human intercourse—the friendly apostrophe and even the caressing hand—and there was something homely and cosy, a rustic, motherly bonhomie, in her use of them. She was as lavish of them as she was really careful in the selection of her friends.
She stood there with her hand in her pocket, as if she were feeling for something; her little plain, pleasant face was presented to him with a musing smile, and he vaguely wondered whether she were fumbling for a piece of money to buy him off from wishing to marry her daughter. Such an idea would be quite in keeping with the disguised levity with which she treated his state of mind. If her levity was wrapped up in the air of tender solicitude for everything that related to the feelings of her child, that only made her failure to appreciate his suit more deliberate. She struck him almost as impertinent (at the same time that he knew this was never her intention) as she looked up at him—her tiny proportions always made her throw back her head and set something dancing in her cap—and inquired whether he had noticed if she gave two keys, tied together by a blue ribbon, to Susan Winkle, when that faithful but flurried domestic met them in the lobby. She was thinking only of questions of luggage, and the fact that he wished to marry Dora was the smallest incident in their getting off.
'I think you ask me that only to change the subject,' he said. 'I don't believe that ever in your life you have been unconscious of what you have done with your keys.'
'Not often, but you make me nervous,' she answered, with her patient, honest smile.
'Oh, Cousin Maria!' the young man exclaimed, ambiguously, while Mrs. Temperly looked humanely at some totally uninteresting people who came straggling into the great hot, frescoed, velvety drawing-room, where it was as easy to see you were in an hotel as it was to see that, if you were, you were in one of the very best. Mrs. Temperly, since her husband's death, had passed much of her life at hotels, where she flattered herself that she preserved the tone of domestic life free from every taint and promoted the refined development of her children; but she selected them as well as she selected her friends. Somehow they became better from the very fact of her being there, and her children were smuggled in and out in the most extraordinary way; one never met them racing and whooping, as one did hundreds of others, in the lobbies. Her frequentation of hotels, where she paid enormous bills, was part of her expensive but practical way of living, and also of her theory that, from one week to another, she was going to Europe for a series of years as soon as she had wound up certain complicated affairs which had devolved upon her at her husband's death. If these affairs had dragged on it was owing to their inherent troublesomeness and implied no doubt of her capacity to bring them to a solution and to administer the very considerable fortune that Mr. Temperly had left. She used, in a superior, unprejudiced way, every convenience that the civilisation of her time offered her, and would have lived without hesitation in a lighthouse if this had contributed to her general scheme. She was now, in the interest of this scheme, preparing to use Europe, which she had not yet visited and with none of whose foreign tongues she was acquainted. This time she was certainly embarking.
She took no notice of the discredit which her young friend appeared to throw on the idea that she had nerves, and betrayed no suspicion that he believed her to have them in about the same degree as a sound, productive Alderney cow. She only moved toward one of the numerous doors of the room, as if to remind him of all she had still to do before night. They passed together into the long, wide corridor of the hotel—a vista of soft carpet, numbered doors, wandering women and perpetual gaslight—and approached the staircase by which she must ascend again to her domestic duties. She counted over, serenely, for his enlightenment, those that were still to be performed; but he could see that everything would be finished by nine o'clock—the time she had fixed in advance. The heavy luggage was then to go to the steamer; she herself was to be on board, with the children and the smaller things, at eleven o'clock the next morning. They had thirty pieces, but this was less than they had when they came from California five years before. She wouldn't have done that again. It was true that at that time she had had Mr. Temperly to help: he had died, Raymond remembered, six months after the settlement in New York. But, on the other hand, she knew more now. It was one of Mrs. Temperly's amiable qualities that she admitted herself so candidly to be still susceptible of development. She never professed to be in possession of all the knowledge requisite for her career; not only did she let her friends know that she was always learning, but she appealed to them to instruct her, in a manner which was in itself an example.
When Raymond said to her that he took for granted she would let him come down to the steamer for a last good-bye, she not only consented graciously but added that he was free to call again at the hotel in the evening, if he had nothing better to do. He must come between nine and ten; she expected several other friends—those who wished to see the last of them, yet didn't care to come to the ship. Then he would see all of them—she meant all of themselves, Dora and Effie and Tishy, and even Mademoiselle Bourde. She spoke exactly as if he had never approached her on the subject of Dora and as if Tishy, who was ten years of age, and Mademoiselle Bourde, who was the French governess and forty, were objects of no less an interest to him. He felt what a long pull he should have ever to get round her, and the sting of this knowledge was in his consciousness that Dora was really in her mother's hands. In Mrs. Temperly's composition there was not a hint of the bully; but none the less she held her children—she would hold them for ever. It was not simply by tenderness; but what it was by she knew best herself. Raymond appreciated the privilege of seeing Dora again that evening as well as on the morrow; yet he was so vexed with her mother that his vexation betrayed him into something that almost savoured of violence—a fact which I am ashamed to have to chronicle, as Mrs. Temperly's own urbanity deprived such breaches of every excuse. It may perhaps serve partly as an excuse for Raymond Bestwick that he was in love, or at least that he thought he was. Before she parted from him at the foot of the staircase he said to her, 'And of course, if things go as you like over there, Dora will marry some foreign prince.'
She gave no sign of resenting this speech, but she looked at him for the first time as if she were hesitating, as if it were not instantly clear to her what to say. It appeared to him, on his side, for a moment, that there was something strange in her hesitation, that abruptly, by an inspiration, she was almost making up her mind to reply that Dora's marriage to a prince was, considering Dora's peculiarities (he knew that her mother deemed her peculiar, and so did he, but that was precisely why he wished to marry her), so little probable that, after all, once such a union was out of the question, he might be no worse than another plain man. These, however, were not the words that fell from Mrs. Temperly's lips. Her embarrassment vanished in her clear smile. 'Do you know what Mr. Temperly used to say? He used to say that Dora was the pattern of an old maid—she would never make a choice.'
'I hope—because that would have been too foolish—that he didn't say she wouldn't have a chance.'
'Oh, a chance! what do you call by that fine name?' Cousin Maria exclaimed, laughing, as she ascended the stair.
II
When he came back, after dinner, she was again in one of the public rooms; she explained that a lot of the things for the ship were spread out in her own parlours: there was no space to sit down. Raymond was highly gratified by this fact; it offered an opportunity for strolling away a little with Dora, especially as, after he had been there ten minutes, other people began to come in. They were entertained by the rest, by Effie and Tishy, who was allowed to sit up a little, and by Mademoiselle Bourde, who besought every visitor to indicate her a remedy that was really effective against the sea—some charm, some philter, some potion or spell. 'Never mind, ma'm'selle, I've got a remedy,' said Cousin Maria, with her cheerful decision, each time; but the French instructress always began afresh.
As the young man was about to be parted for an indefinite period from the girl whom he was ready to swear that he adored, it is clear that he ought to have been equally ready to swear that she was the fairest of her species. In point of fact, however, it was no less vivid to him than it had been before that he loved Dora Temperly for qualities which had nothing to do with straightness of nose or pinkness of complexion. Her figure was straight, and so was her character, but her nose was not, and Philistines and other vulgar people would have committed themselves, without a blush on their own flat faces, to the assertion that she was decidedly plain. In his artistic imagination he had analogies for her, drawn from legend and literature; he was perfectly aware that she struck many persons as silent, shy and angular, while his own version of her peculiarities was that she was like a figure on the predella of an early Italian painting or a mediæval maiden wandering about a lonely castle, with her lover gone to the Crusades. To his sense, Dora had but one defect—her admiration for her mother was too undiscriminating. An ardent young man may well be slightly vexed when he finds that a young lady will probably never care for him so much as she cares for her parent; and Raymond Bestwick had this added ground for chagrin, that Dora had—if she chose to take it—so good a pretext for discriminating. For she had nothing whatever in common with the others; she was not of the same stuff as Mrs. Temperly and Effie and Tishy.
She was original and generous and uncalculating, besides being full of perception and taste in regard to the things he cared about. She knew nothing of conventional signs or estimates, but understood everything that might be said to her from an artistic point of view. She was formed to live in a studio, and not in a stiff drawing-room, amid upholstery horribly new; and moreover her eyes and her voice were both charming. It was only a pity she was so gentle; that is, he liked it for himself, but he deplored it for her mother. He considered that he had virtually given that lady his word that he would not make love to her; but his spirits had risen since his visit of three or four hours before. It seemed to him, after thinking things over more intently, that a way would be opened for him to return to Paris. It was not probable that in the interval Dora would be married off to a prince; for in the first place the foolish race of princes would be sure not to appreciate her, and in the second she would not, in this matter, simply do her mother's bidding—her gentleness would not go so far as that. She might remain single by the maternal decree, but she would not take a husband who was disagreeable to her. In this reasoning Raymond was obliged to shut his eyes very tight to the danger that some particular prince might not be disagreeable to her, as well as to the attraction proceeding from what her mother might announce that she would 'do.' He was perfectly aware that it was in Cousin Maria's power, and would probably be in her pleasure, to settle a handsome marriage-fee upon each of her daughters. He was equally certain that this had nothing to do with the nature of his own interest in the eldest, both because it was clear that Mrs. Temperly would do very little for him, and because he didn't care how little she did.
Effie and Tishy sat in the circle, on the edge of rather high chairs, while Mademoiselle Bourde surveyed in them with complacency the results of her own superiority. Tishy was a child, but Effie was fifteen, and they were both very nice little girls, arrayed in fresh travelling dresses and deriving a quaintness from the fact that Tishy was already armed, for foreign adventures, with a smart new reticule, from which she could not be induced to part, and that Effie had her finger in her 'place' in a fat red volume of Murray. Raymond knew that in a general way their mother would not have allowed them to appear in the drawing-room with these adjuncts, but something was to be allowed to the fever of anticipation. They were both pretty, with delicate features and blue eyes, and would grow up into worldly, conventional young ladies, just as Dora had not done. They looked at Mademoiselle Bourde for approval whenever they spoke, and, in addressing their mother alternately with that accomplished woman, kept their two languages neatly distinct.
Raymond had but a vague idea of who the people were who had come to bid Cousin Maria farewell, and he had no wish for a sharper one, though she introduced him, very definitely, to the whole group. She might make light of him in her secret soul, but she would never put herself in the wrong by omitting the smallest form. Fortunately, however, he was not obliged to like all her forms, and he foresaw the day when she would abandon this particular one. She was not so well made up in advance about Paris but that it would be in reserve for her to detest the period when she had thought it proper to 'introduce all round.' Raymond detested it already, and tried to make Dora understand that he wished her to take a walk with him in the corridors. There was a gentleman with a curl on his forehead who especially displeased him; he made childish jokes, at which the others laughed all at once, as if they had rehearsed for it—jokes à la portée of Effie and Tishy and mainly about them. These two joined in the merriment, as if they followed perfectly, as indeed they might, and gave a small sigh afterward, with a little factitious air. Dora remained grave, almost sad; it was when she was different, in this way, that he felt how much he liked her. He hated, in general, a large ring of people who had drawn up chairs in the public room of an hotel: some one was sure to undertake to be funny.
He succeeded at last in drawing Dora away; he endeavoured to give the movement a casual air. There was nothing peculiar, after all, in their walking a little in the passage; a dozen other persons were doing the same. The girl had the air of not suspecting in the least that he could have anything particular to say to her—of responding to his appeal simply out of her general gentleness. It was not in her companion's interest that her mind should be such a blank; nevertheless his conviction that in spite of the ministrations of Mademoiselle Bourde she was not falsely ingenuous made him repeat to himself that he would still make her his own. They took several turns in the hall, during which it might still have appeared to Dora Temperly that her cousin Raymond had nothing particular to say to her. He remarked several times that he should certainly turn up in Paris in the spring; but when once she had replied that she was very glad that subject seemed exhausted. The young man cared little, however; it was not a question now of making any declaration: he only wanted to be with her. Suddenly, when they were at the end of the corridor furthest removed from the room they had left, he said to her: 'Your mother is very strange. Why has she got such an idea about Paris?'
'How do you mean, such an idea?' He had stopped, making the girl stand there before him.
'Well, she thinks so much of it without having ever seen it, or really knowing anything. She appears to have planned out such a great life there.'
'She thinks it's the best place,' Dora rejoined, with the dim smile that always charmed our young man.
'The best place for what?'
'Well, to learn French.' The girl continued to smile.
'Do you mean for her? She'll never learn it; she can't.'
'No; for us. And other things.'
'You know it already. And you know other things,' said Raymond.
'She wants us to know them better—better than any girls know them.'
'I don't know what things you mean,' exclaimed the young man, rather impatiently.
'Well, we shall see,' Dora returned, laughing.
He said nothing for a minute, at the end of which he resumed: 'I hope you won't be offended if I say that it seems curious your mother should have such aspirations—such Napoleonic plans. I mean being just a quiet little lady from California, who has never seen any of the kind of thing that she has in her head.'
'That's just why she wants to see it, I suppose; and I don't know why her being from California should prevent. At any rate she wants us to have the best. Isn't the best taste in Paris?'
'Yes; and the worst.' It made him gloomy when she defended the old lady, and to change the subject he asked: 'Aren't you sorry, this last night, to leave your own country for such an indefinite time?'
It didn't cheer him up that the girl should answer: 'Oh, I would go anywhere with mother!'
'And with her?' Raymond demanded, sarcastically, as Mademoiselle Bourde came in sight, emerging from the drawing-room. She approached them; they met her in a moment, and she informed Dora that Mrs. Temperly wished her to come back and play a part of that composition of Saint-Saens—the last one she had been learning—for Mr. and Mrs. Parminter: they wanted to judge whether their daughter could manage it.
'I don't believe she can,' said Dora, smiling; but she was moving away to comply when her companion detained her a moment.
Are you going to bid me good-bye?'
'Won't you come back to the drawing-room?'
'I think not; I don't like it.'
'And to mamma—you'll say nothing?' the girl went on.
'Oh, we have made our farewell; we had a special interview this afternoon.'
'And you won't come to the ship in the morning?'
Raymond hesitated a moment. 'Will Mr. and Mrs. Parminter be there?'
'Oh, surely they will!' Mademoiselle Bourde declared, surveying the young couple with a certain tactful serenity, but standing very close to them, as if it might be her duty to interpose.
'Well then, I won't come.'
'Well, good-bye then,' said the girl gently, holding out her hand.
'Good-bye, Dora.' He took it, while she smiled at him, but he said nothing more—he was so annoyed at the way Mademoiselle Bourde watched them. He only looked at Dora; she seemed to him beautiful.
'My dear child—that poor Madame Parminter,' the governess murmured.
'I shall come over very soon,' said Raymond, as his companion turned away.
'That will be charming.' And she left him quickly, without looking back.
Mademoiselle Bourde lingered—he didn't know why, unless it was to make him feel, with her smooth, finished French assurance, which had the manner of extreme benignity, that she was following him up. He sometimes wondered whether she copied Mrs. Temperly or whether Mrs. Temperly tried to copy her. Presently she said, slowly rubbing her hands and smiling at him:
'You will have plenty of time. We shall be long in Paris.'
'Perhaps you will be disappointed,' Raymond suggested.
'How can we be—unless you disappoint us?' asked the governess, sweetly.
He left her without ceremony: the imitation was probably on the part of Cousin Maria.
