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полная версияSunny Memories Of Foreign Lands, Volume 1

Гарриет Бичер-Стоу
Sunny Memories Of Foreign Lands, Volume 1

We were shown an old, original edition of the poems. I must confess I never read them. Since I have seen the material the poet and novelist has on this ground, all I wonder at is, that there have not been a thousand poets to one. I should have thought they would have been as plenty as the mavis and merle, and sprouting out every where, like the primroses and heather bells.

Our American literature is unfortunate in this respect—that our nation never had any childhood, our day never had any dawn; so we have very little traditionary lore to work over.

We came home about five o'clock, and had some company in the evening. Some time to-day I had a little chat with Mrs. W. on the Quakers. She is a cultivated and thoughtful woman, and seemed to take quite impartial views, and did not consider her own sect as by any means the only form of Christianity, but maintained—what every sensible person must grant, I think—that it has had an important mission in society, even in its peculiarities. I inferred from her conversation that the system of plain dress, maintained with the nicety which they always use, is by no means a saving in a pecuniary point of view. She stated that one young friend, who had been brought up in this persuasion, gave it as her reason for not adopting its peculiar dress, that she could not afford it; that is to say, that for a given sum of money she could make a more creditable appearance were she allowed the range of form, shape, and trimming, which the ordinary style of dressing permits.

I think almost any lady, who knows the magical value of bits of trimming, and bows of ribbon judiciously adjusted in critical locations, of inserting, edging, and embroidery, considered as economic arts, must acknowledge that there is some force in the young lady's opinion. Nevertheless the Doric simplicity of a Quaker lady's dress, who is in circumstances to choose her material, has a peculiar charm. As at present advised, the Quaker ladies whom I have seen very judiciously adhere to the spirit of plain attire, without troubling themselves to maintain the exact letter. For instance, a plain straw cottage, with its white satin ribbon, is sometimes allowed to take the place of the close silk bonnet of Fox's day.

For my part, while I reverence the pious and unworldly spirit which dictated the peculiar forms of the Quaker sect, I look for a higher development of religion still, when all the beautiful artistic faculties of the soul being wholly sanctified and offered up to God, we shall no longer shun beauty in any of its forms, either in dress or household adornment, as a temptation, but rather offer it up as a sacrifice to Him who has set us the example, by making every thing beautiful in its season.

As to art and letters, I find many of my Quaker friends sympathizing in those judicious views which were taken by the society of Friends in Philadelphia, when Benjamin West developed a talent for painting, regarding such talent as an indication of the will of Him who had bestowed it. So I find many of them taking pleasure in the poetry of Scott, Longfellow, and Whittier, as developments of his wisdom who gives to the human soul its different faculties and inspirations.

More delightful society than a cultivated Quaker family cannot be found: the truthfulness, genuineness, and simplicity of character, albeit not wanting, at proper times, a shrewd dash of worldly wisdom, are very refreshing.

Mrs. W. and I went to the studio of Hervey, the Scotch artist. Both he and his wife received us with great kindness. I saw there his Covenanters celebrating the Lord's Supper—a picture which I could not look at critically on account of the tears which kept blinding my eyes. It represents a bleak hollow of a mountain side, where a few trembling old men and women, a few young girls and children, with one or two young men, are grouped together, in that moment of hushed prayerful repose which precedes the breaking of the sacramental bread. There is something touching always about that worn, weary look of rest and comfort with which a sick child lies down on a mother's bosom, and like this is the expression with which these hunted fugitives nestle themselves beneath the shadow of their Redeemer; mothers who had seen their sons "tortured, not accepting deliverance"—wives who had seen the blood of their husbands poured out on their doorstone—children with no father but God—and bereaved old men, from whom, every child had been rent—all gathering for comfort round the cross of a suffering Lord. In such hours they found strength to suffer, and to say to every allurement of worldly sense and pleasure as the drowning Margaret Wilson said to the tempters in her hour of martyrdom, "I am Christ's child—let me go."

Another most touching picture of Hervey's commemorates a later scene of Scottish devotion and martyr endurance scarcely below that of the days of the Covenant. It is called Leaving the Manse.

We in America all felt to our heart's core a sympathy with that high endurance which led so many Scottish ministers to forsake their churches, their salaries, the happy homes where their children were born and their days passed, rather than violate a principle.

This picture is a monument of this struggle. There rises the manse overgrown with its flowering vines, the image of a lovely, peaceful home. The minister's wife, a pale, lovely creature, is just locking the door, out of which her husband and family have passed—leaving it forever. The husband and father is supporting on his arm an aged, feeble mother, and the weeping children are gathering sorrowfully round him, each bearing away some memorial of their home; one has the bird cage. But the unequalled look of high, unshaken patience, of heroic faith, and love which seems to spread its light over every face, is what I cannot paint. The painter told me that the faces were portraits, and the scene by no means imaginary.

But did not these sacrifices bring with them, even in their bitterness, a joy the world knoweth not? Yes, they did. I know it full well, not vainly did Christ say, There is no man that hath left houses or lands for my sake and the gospel's but he shall receive manifold more in this life.

Mr. Hervey kindly gave me the engraving of his Covenanters' Sacrament, which I shall keep as a memento of him and of Scotland.

His style of painting is forcible and individual. He showed us the studies that he has taken with his palette and brushes out on the mountains and moors of Scotland, painting moss, and stone, and brook, just as it is. This is the way to be a national painter.

One pleasant evening, not long before we left Edinburgh, C., S., and I walked out for a quiet stroll. We went through the Grass Market, where so many defenders of the Covenant have suffered, and turned into the churchyard of the Gray Friars; a gray, old Gothic building, with multitudes of graves around it. Here we saw the tombs of Allan Ramsay and many other distinguished characters. The grim, uncouth sculpture on the old graves, and the quaint epitaphs, interested me much; but I was most moved by coming quite unexpectedly on an ivy-grown slab, in the wall, commemorating the martyrs of the Covenant. The inscription struck me so much, that I got C– to copy it in his memorandum book.

 
"Halt, passenger! take heed what you do see.
Here lies interred the dust of those who stood
'Gainst perjury, resisting unto blood,
Adhering to the Covenant, and laws
Establishing the same; which was the cause
Their lives were sacrificed unto the last
Of prelatists abjured, though here their dust
Lies mixed with murderers and other crew
Whom justice justly did to death pursue;
But as for them, no cause was to be found
Worthy of death, but only they were found
Constant and steadfast, witnessing
For the prerogatives of Christ their King;
Which truths were sealed, by famous Guthrie's head,
And all along to Mr. Renwick's blood
They did endure the wrath of enemies,
Reproaches, torments, deaths, and injuries;
But yet they're those who from such troubles came
And triumph now in glory with the Lamb.
 
"From May 27, 1681, when the Marquis of Argyle was beheaded, to February 17, 1688, when James Renwick suffered, there were some eighteen thousand one way or other murdered, of whom were executed at Edinburgh about one hundred noblemen, ministers, and gentlemen, and others, noble martyrs for Christ."

Despite the roughness of the verse, there is a thrilling power in these lines. People in gilded houses, on silken couches, at ease among books, and friends, and literary pastimes, may sneer at the Covenanters; it is much easier to sneer than to die for truth and right, as they died. Whether they were right in all respects is nothing to the purpose; but it is to the purpose that in a crisis of their country's history they upheld a great principle vital to her existence. Had not these men held up the heart of Scotland, and kept alive the fire of liberty on her altars, the very literature which has been used to defame them could not have had its existence. The very literary celebrity of Scotland has grown out of their grave; for a vigorous and original literature is impossible, except to a strong, free, self-respecting people. The literature of a people must spring from the sense of its nationality; and nationality is impossible without self-respect, and self-respect is impossible without liberty.

It is one of the trials of our mortal state, one of the disciplines of our virtue, that the world's benefactors and reformers are so often without form or comeliness. The very force necessary to sustain the conflict makes them appear unlovely; they "tread the wine press alone, and of the people there is none with them." The shrieks, and groans, and agonies of men wrestling in mortal combat are often not graceful or gracious; but the comments that the children of the Puritans, and the children of the Covenanters, make on the ungraceful and severe elements which marked the struggles of their great fathers, are as ill-timed as if a son, whom a mother had just borne from a burning dwelling, should criticize the shrieks with which she sought him, and point out to ridicule the dishevelled hair and singed garments which show how she struggled for his life. But these are they which are "sown in weakness, but raised in power; which are sown in dishonor, but raised in glory:" even in this world they will have their judgment day, and their names which went down in the dust like a gallant banner trodden in the mire, shall rise again all glorious in the sight of nations.

 

The evening sky, glowing red, threw out the bold outline of the castle, and the quaint old edifices as they seemed to look down on us silently from their rocky heights, and the figure of Salisbury Crags marked itself against the red sky like a couchant lion.

The time of our sojourn in Scotland had drawn towards its close. Though feeble in health, this visit to me has been full of enjoyment; full of lofty, but sad memories; full of sympathies and inspirations. I think there is no nobler land, and I pray God that the old seed here sown in blood and tears may never be rooted out of Scotland.

Letter X

My Dear H.:—

It was a rainy, misty morning when I left my kind retreat and friends in Edinburgh. Considerate as every body had been about imposing on my time or strength, still you may well believe that I was much exhausted.

We left Edinburgh, therefore, with the determination to plunge at once into some hidden and unknown spot, where we might spend two or three days quietly by ourselves; and remembering your Sunday at Stratford-on-Avon, I proposed that we should go there. As Stratford, however, is off the railroad line we determined to accept the invitation, which was lying by us, from our friend Joseph Sturge, of Birmingham, and take sanctuary with him. So we wrote on, intrusting him with the secret, and charging him on no account to let any one know of our arrival.

Well in the rail car, we went whirling along by Preston Pans, where was fought the celebrated battle in which Colonel Gardiner was killed; by Dunbar, where Cromwell told his army to "trust in God and keep their powder dry;" through Berwick-on-the-Tweed and Newcastle-on-Tyne; by the old towers and gates of York, with its splendid cathedral; getting a view of Durham Cathedral in the distance.

The country between Berwick and Newcastle is one of the greatest manufacturing districts of England, and for smoke, smut, and gloom, Pittsburg and Wheeling bear no comparison to it. The English sky, always paler and cooler in its tints than ours, here seems to be turned into a leaden canopy; tall chimneys belch forth gloom and confusion; houses, factories, fences, even trees and grass, look grim and sooty.

It is true that people with immense wealth can live in such regions in cleanliness and elegance; but how must it be with the poor? I know of no one circumstance more unfavorable to moral purity than the necessity of being physically dirty. Our nature is so intensely symbolical, that where the outward sign of defilement becomes habitual, the inner is too apt to correspond. I am quite sure that before there can be a universal millennium, trade must be pursued in such a way as to enable the working classes to realize something of beauty and purity in the circumstances of their outward life.

I have heard there is a law before the British Parliament, whose operation is designed to purify the air of England by introducing chimneys which shall consume all the sooty particles which now float about, obscuring the air and carrying defilement with them. May that day be hastened!

At Newcastle-on-Tyne and some other places various friends came out to meet us, some of whom presented us with most splendid bouquets of hothouse flowers. This region has been the seat of some of the most zealous and efficient antislavery operations in England.

About night our cars whizzed into the depot at Birmingham; but just before we came in a difficulty was started in the company. "Mr. Sturge is to be there waiting for us, but he does not know us, and we don't know him; what is to be done?" C– insisted that he should know him by instinct; and so after we reached the depot, we told him to sally out and try. Sure enough, in a few moments he pitched upon a cheerful, middle-aged gentleman, with a moderate but not decisive broad brim to his hat, and challenged him as Mr. Sturge; the result verified the truth that "instinct is a great matter." In a few moments our new friend and ourselves were snugly encased in a fly, trotting off as briskly as ever we could to his place at Edgbaston, nobody a whit the wiser. You do not know how snug we felt to think we had done it so nicely.

The carriage soon drove in upon a gravel walk, winding among turf, flowers, and shrubs, where we found opening to us another home as warm and kindly as the one we had just left, made doubly interesting by the idea of entire privacy and seclusion.

After retiring to our chambers to repair the ravages of travel, we united in the pleasant supper room, where the table was laid before a bright coal fire: no unimportant feature this fire, I can assure you, in a raw cloudy evening. A glass door from the supper room opened into a conservatory, brilliant with pink and yellow azalias, golden calceolarias, and a profusion of other beauties, whose names I did not know.

The side tables were strewn with books, and the ample folds of the drab curtains, let down over the windows, shut out the rain, damp, and chill. When we were gathered round the table, Mr. Sturge said that he had somewhat expected Elihu Burritt that evening, and we all hoped he would come. I must not omit to say, that the evening circle was made more attractive and agreeable in my eyes by the presence of two or three of the little people, who were blessed with the rosy cheek of English children.

Mr. Sturge is one of the most prominent and efficient of the philanthropists of modern days. An air of benignity and easy good nature veils and conceals in him the most unflinching perseverance and energy of purpose. He has for many years been a zealous advocate of the antislavery cause in England, taking up efficiently the work begun by Clarkson and Wilberforce. He, with a friend of the same denomination, made a journey at their own expense, to investigate the workings of the apprentice system, by which the act of immediate emancipation in the West Indies was for a while delayed. After his return he sustained a rigorous examination of seven days before a committee of the House of Commons, the result of which successfully demonstrated the abuses of that system, and its entire inutility for preparing either masters or servants for final emancipation. This evidence went as far as any thing to induce Parliament to declare immediate and entire emancipation.

Mr. Sturge also has been equally zealous and engaged in movements for the ignorant and perishing classes at home. At his own expense he has sustained a private Farm School for the reformation of juvenile offenders, and it has sometimes been found that boys, whom no severity and no punishment seemed to affect, have been entirely melted and subdued by the gentler measures here employed. He has also taken a very ardent and decided part in efforts for the extension of the principles of peace, being a warm friend and supporter of Elihu Burritt.

The next morning it was agreed that we should take our drive to Stratford-on-Avon. As yet this shrine of pilgrims stands a little aloof from the bustle of modern progress, and railroad cars do not run whistling and whisking with brisk officiousness by the old church and the fanciful banks of the Avon.

The country that we were to pass over was more peculiarly old English; that phase of old English which is destined soon to pass away, under the restless regenerating force of modern progress.

Our ride along was a singular commixture of an upper and under current of thought. Deep down in our hearts we were going back to English days; the cumbrous, quaint, queer, old, picturesque times; the dim, haunted times between cock-crowing and morning; those hours of national childhood, when popular ideas had the confiding credulity, the poetic vivacity, and versatile life, which distinguish children from grown people.

No one can fail to feel, in reading any of the plays of Shakspeare, that he was born in an age of credulity and marvels, and that the materials out of which his mind was woven were dyed in the grain, in the haunted springs of tradition. It would have been as absolutely impossible for even himself, had he been born in the daylight of this century, to have built those quaint, Gothic structures of imagination, and tinted them with their peculiar coloring of marvellousness and mystery, as for a modern artist to originate and execute the weird designs of an ancient cathedral. Both Gothic architecture and this perfection of Gothic poetry were the springing and efflorescence of that age, impossible to grow again. They were the forest primeval; other trees may spring in their room, trees as mighty and as fair, but not such trees.

So, as we rode along, our speculations and thoughts in the under current were back in the old world of tradition. While, on the other hand, for the upper current, we were keeping up a brisk conversation on the peace question, on the abolition of slavery, on the possibility of ignoring slave-grown produce, on Mr. Cobden and Mr. Bright, and, in fact, on all the most wide-awake topics of the present day.

One little incident occurred upon the road. As we were passing by a quaint old mansion, which stood back from the road, surrounded by a deep court, Mr. S. said to me, "There is a friend here who would like to see thee, if thou hast no objections," and went on to inform me that she was an aged woman, who had taken a deep interest in the abolition of slavery since the time of its first inception under Clarkson and Wilberforce, though now lying very low on a sick bed. Of course we all expressed our willingness to stop, and the carriage was soon driving up the gravelled walk towards the house. We were ushered into a comfortable sitting room, which looked out on beautiful grounds, where the velvet grass, tall, dark trees, and a certain quaint air of antiquity in disposition and arrangement, gave me a singular kind of pleasure; the more so, that it came to me like a dream; that the house and the people were unknown to me, and the whole affair entirely unexpected.

I was soon shown into a neat chamber, where an aged woman was lying in bed. I was very much struck and impressed by her manner of receiving me. With deep emotion and tears, she spoke of the solemnity and sacredness of the cause which had for years lain near her heart. There seemed to be something almost prophetic in the solemn strain of assurance with which she spoke of the final extinction of slavery throughout the world.

I felt both pleased and sorrowful. I felt sorrowful because I knew, if all true Christians in America had the same feelings, that men, women, and children, for whom Christ died, would no more be sold in my country on the auction block.

There have been those in America who have felt and prayed thus nobly and sincerely for the heathen in Burmah and Hindostan, and that sentiment was a beautiful and an ennobling one; but, alas! the number has been few who have felt and prayed for the heathenism, and shame of our own country; for the heathenism which sells the very members of the body of Christ as merchandise.

When we were again on the road, we were talking on the change of times in England since railroads began; and Mr. S. gave an amusing description of how the old lords used to travel in state, with their coaches and horses, when they went up once a year on a solemn pilgrimage to London, with postilions and outriders, and all the country gaping and wondering after them.

"I wonder," said one of us, "if Shakspeare were living, what he would say to our times, and what he would think of all the questions that are agitating the world now." That he did have thoughts whose roots ran far beyond the depth of the age in which he lived, is plain enough from numberless indications in his plays; but whether he would have taken any practical interest in the world's movements is a fair question. The poetic mind is not always the progressive one; it has, like moss and ivy, a need for something old to cling to and germinate upon. The artistic temperament, too, is soft and sensitive; so there are all these reasons for thinking that perhaps he would have been for keeping out of the way of the heat and dust of modern progress. It does not follow because a man has penetration to see an evil, he has energy to reform it.

 

Erasmus saw all that Luther saw just as clearly, but he said that he had rather never have truth at all, than contend for it with the world in such a tumult. However, on the other hand, England did, in Milton, have one poet who girt himself up to the roughest and stormiest work of reformation; so it is not quite certain, after all, that Shakspeare might not have been a reformer in our times. One thing is quite certain, that he would have said very shrewd things about all the matters that move the world now, as he certainly did about all matters that he was cognizant of in his own day.

It was a little before noon when we drove into Stratford, by which time, with our usual fatality in visiting poetic shrines, the day had melted off into a kind of drizzling mist, strongly suggestive of a downright rain. It is a common trick these English days have; the weather here seems to be possessed of a water spirit. This constant drizzle is good for ivies, and hawthorns, and ladies' complexions, as whoever travels here will observe, but it certainly is very bad for tourists.

This Stratford is a small town, of between three and four thousand inhabitants, and has in it a good many quaint old houses, and is characterized (so I thought) by an air of respectable, stand-still, and meditative repose, which, I am afraid, will entirely give way before the railroad demon, for I understand that it is soon to be connected by the Oxford, Worcester, and Wolverhampton line with all parts of the kingdom. Just think of that black little screeching imp rushing through these fields which have inspired so many fancies; how every thing poetical will fly before it! Think of such sweet snatches as these set to the tune of a railroad whistle:—

 
"Hark! hark! the lark at heaven's gate sings,
And Phoebus 'gins to rise,
His steeds to water at those springs
On chaliced flowers that lies.
 
 
And winking Mary-buds begin
To ope their golden eyes,
With everything that pretty bid
My lady sweet to rise."
 

And again:—

 
"Philomel with melody sing in our sweet lullaby,
Lulla, lulla, lullaby.
Never harm, nor spell, nor charm,
Come our lovely lady nigh."
 

I suppose the meadows, with their "winking Mary-buds," will be all cut up into building lots in the good times coming, and Philomel caught and put in a cage to sing to tourists at threepence a head.

We went to the White Lion, and soon had a little quiet parlor to ourselves, neatly carpeted, with a sofa drawn up to the cheerful coal fire, a good-toned piano, and in short every thing cheerful and comfortable.

At first we thought we were too tired to do any thing till after dinner; we were going to take time to rest ourselves and proceed leisurely; so, while the cloth was laying, C– took possession of the piano, and I of the sofa, till Mr. S. came in upon us, saying, "Why, Shakspeare's house is right the next door here!" Upon that we got up, just to take a peep, and from peeping we proceeded to looking, and finally put on our things and went over seriatim. The house has recently been bought by a Shakspearian club, who have taken upon themselves the restoration and preservation of the premises.

Shakspeare's father, it seems, was a man of some position and substance in his day, being high sheriff and justice of the peace for the borough; and this house, therefore, I suppose, may be considered a specimen of the respectable class of houses in the times of Queen Elizabeth. This cut is taken from an old print, and is supposed to represent the original condition of the house.


We saw a good many old houses somewhat similar to this on the road, particularly resembling it in this manner of plastering, which shows all the timber on the outside. Parts of the house have been sold, altered, and used for various purposes; a butcher's stall having been kept in a part of it, and a tavern in another portion, being new-fronted with brick.

The object of this Shakspeare Club has been to repurchase all these parts, and restore them as nearly as possible to their primeval condition. The part of the house which is shown consists of a lower room, which is floored with flat stones very much broken. It has a wide, old-fashioned chimney on one side, and opens into a smaller room back of it. From thence you go up a rude flight of stairs to a low-studded room, with rough-plastered walls, where the poet was born.



The prints of this room, which are generally sold, allow themselves in considerable poetic license, representing it in fact as quite an elegant apartment, whereas, though it is kept scrupulously neat and clean, the air of it is ancient and rude. This is a somewhat flattered likeness. The roughly-plastered walls are so covered with names that it seemed impossible to add another. The name of almost every modern genius, names of kings, princes, dukes, are shown here; and it is really curious to see by what devices some very insignificant personages have endeavored to make their own names conspicuous in the crowd. Generally speaking the inscription books and walls of distinguished places tend to give great force to the Vulgate rendering of Ecclesiastes i. 15, "The number of fools is infinite."

To add a name in a private, modest way to walls already so crowded, is allowable; but to scrawl one's name, place of birth, and country, half across a wall, covering scores of names under it, is an operation which speaks for itself. No one would ever want to know more of a man than to see his name there and thus.

Back of this room were some small bed rooms, and what interested me much, a staircase leading up into a dark garret. I could not but fancy I saw a bright-eyed, curly-headed boy creeping up those stairs, zealous to explore the mysteries of that dark garret. There perhaps he saw the cat, with "eyne of burning coal, crouching 'fore the mouse's hole." Doubtless in this old garret were wonderful mysteries to him, curious stores of old cast-off goods and furniture, and rats, and mice, and cobwebs. I fancied the indignation of some belligerent grandmother or aunt, who finds Willie up there watching a mouse hole, with the cat, and has him down straightway, grumbling that Mary did not govern that child better.

We know nothing who this Mary was that was his mother; but one sometimes wonders where in that coarse age, when queens and ladies talked familiarly, as women would blush to talk now, and when the broad, coarse wit of the Merry Wives of Windsor was gotten up to suit the taste of a virgin queen,—one wonders, I say, when women were such and so, where he found those models of lily-like purity, women so chaste in soul and pure in language that they could not even bring their lips to utter a word of shame. Desdemona cannot even bring herself to speak the coarse word with which her husband taunts her; she cannot make herself believe that there are women in the world who could stoop-to such grossness.12

For my part I cannot believe that, in such an age, such deep heart-knowledge of pure womanhood could have come otherwise than by the impression on the child's soul of a mother's purity. I seem to have a vision of one of those women whom the world knows not of, silent, deep-hearted, loving, whom the coarser and more practically efficient jostle aside and underrate for their want of interest in the noisy chitchat and commonplace of the day; but who yet have a sacred power, like that of the spirit of peace, to brood with dovelike wings over the childish heart, and quicken into life the struggling, slumbering elements of a sensitive nature.

12This idea is beautifully wrought out by Mrs. Jamieson in her Characteristics of the Women of Shakspeare, to which, the author is indebted for the suggestion.
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