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полная версияRule of the Monk; Or, Rome in the Nineteenth Century

Garibaldi Giuseppe
Rule of the Monk; Or, Rome in the Nineteenth Century

Полная версия

CHAPTER LII. THE SPY IN VENICE

It is eleven o'clock at night. The canals of Venice are covered with gondolas, and the Place of St. Mark, illuminated, is so crowded with people that scarcely a stone of the pavement is visible. From the balcony of the Zecchini Palace, on the north side of the Piazza, the Recluse has saluted the people, and the redeemed city ("redeemed," yes, but by a bargain – the ancient bulwark of European civilization was, alas! bought and sold a bargain between courts), and that salutation was frantically responded to by an exulting and affected multitude. And above all was the beholder struck by the aspect of the populace, as he said to himself, "The stigma which despotism imprints upon the human face can even be depicted here."

A people, once the ancient rulers of the world, transformed by the foreigner and the priest, whose rod of deception, dipped in the chemistry of superstition, is able to change good into evil, gold to dross, and the most prosperous of nations into one of beggars and sacristans; these have bartered away this noble city of the sea, which calls herself "daughter of Rome" – left her disheartened, dishonored, and defamed! And he who loved the people cried out in the anguish of his soul, "Alas, that it should be so!"

But moved as he was by the contemplation of the scene, nevertheless he did not fail to cast a scrutinizing look over the buzzing crowd. After a life of sixty years, into which so many events had been crowded, the man of the people was not wanting in experience that enabled him to analyze fairly the component parts of a densely-packed crowd, among whom were hidden the thief, the assassin, the spy, and the hireling of the priest. And many such were purposely mingled with the good and honest of that population.

While thoughtfully gazing, as we have said, upon the assembled people, a slight touch upon his shoulder made him aware of Attilio's presence.

"Do you see," said the young Roman to him, "that scoundrel's face, whose head is covered with a cap of the Venetian fashion, standing amongst those simple Venetian souls, but as easy to be distinguished as a viper amongst lizards, or a venomous tarantula amongst ants? When such reptiles wind about in a crowd, it is not without a motive; he is sent from Rome, and there is certainly something new in store for us. That follow is Cencio. I must look to him a little!"

Our readers will remember the subaltern agent of Cardinal Procorpio, for whom Gianni had rented a room in sight of Manlio's studio. After his employers had been hanged, he had been promoted to a higher office, that of principal agent to his Eminence Cardinal – , the Pope's prime minister.

Cencio, once a Liberal, afterwards a traitor, had made profitable use of his knowledge of some of the democrats of Rome, and was, therefore, prized as a secret agent by the Cardinal's tribunal. We shall presently see what his mission to Venice had been. Meantime, in a saloon in the Zecchini Palace, closely filled with guests, amongst the brightest of the Venetian beauties, shone our three heroines, Irene, Julia, and Clelia.

The Venetian youths, accustomed to contemplate the charms of the daughters of the Queen of the Adriatic, were nevertheless astounded at the enchanting appearance of these three Roman ladies. We say three Romans, because Julia had by this time espoused her Muzio, and, although an affectionate daughter of her own dear native land, she was proud of her adopted country and called herself a Roman.

Irene was a little older than her companions, but had preserved so much freshness, that her extremely majestic carriage covered the difference of years, and she had so much the perfection of a matron about her, that she could well have served as a model to an artist wishing to portray one of those grand Roman matrons of Cornelia's time. Marriage had not changed her younger and equally lovely companion; and the trio formed such an ornament to that drawing-room that the Venetian youths fluttered around them perfectly dazzled and amazed.

By the side of Clelia were Manlio and the gentle Silvia. Of all our ladies only the Signora Aurelia was missing, and she had ended her unintentionally adventurous career by marrying the good-natured Captain Thompson, to whom she clung like the ivy to the oak; and although the sea was still a little repugnant to her, on account of that storm in which she had suffered so much, yet the billows had lost much of their terror, now her British sea-lion stood by her side to guard her.

Orazio and Muzio were standing together in a corner of the room talking over the events of the day, when Attilio, going up to them, made them acquainted with his discovery, and after some consultation they started off in company to the Piazza di San Marco. Not a few vain efforts did the three friends make to break through the crowd before they succeeded in at last reaching the object of their search, and whilst General Garibaldi, recalled by the people to the balcony, was again addressing the crowd, he saw his three young friends surround the fictitious Venetian. The iron hand of Orazio grasped the wrist of the agent like a vice, and Muzio, whose voice the scoundrel had formerly heard, fixing his glittering eyes upon him, said in a low tone, "Cencio, come with us."

The tool of the priests, the traitor of the meeting at the Baths of Caracalla, trembled from head to foot, his florid face became pale as that of a corpse, and, without articulating a word, he walked forward in the direction indicated by Muzio, between the other two Romans, who pushed him unresistingly on.

CHAPTER LIII. THE "GOVERNMENT"

When one thinks upon the hardly accomplished union of this our Italy, and of the rulers who have "led" her over the thorny path she has trodden, one can not but bow before the wisdom of Providence, who has uplifted her until she has constituted herself a nation.

Often in meditating upon this – our beautiful, grand, but unhappy native land – we in imagination have pictured her as a chariot drawn with patient toil by the generous portion of the people, having for device the "good of all," preceded by the star of Providence like a shining beacon, with the wicked host of rulers and their immense retinue following behind, disconcerted and fatigued, holding on to and endeavoring to draw back the vehicle of the State, even at the risk of destroying it in their efforts; while the people, impoverished, checked, and humiliated by that heavy rabble tugging in the rear, remain submissive and constant in their labors, clearing away the obstacles that cross their path towards redemption, and proceeding gradually forward without despairing of a future reparation. Reparation, indeed! From whom, my countrymen, do you expect reparation? From the re-assured professors of priestcraft, of Jesuitism, and of imposture, who have been restored to your towns and villages at the expense of your patrimony to maintain you in ignorance and in misery?

One of the many means of corruption employed by the powerful to render the populace slaves, is at the present day the "black division" – the priests. Kings who no longer believe in them have begun to use them to control the people, and keep them from justice, light, and liberty, in the name of "religion." This is the "reparation" which thou awaitest, popolo infelice! Reparation – and how shouldst thou demand or deserve it, who kneelest daily and hourly at the feet of a lying and chuckling priesthood?

In the mean time, however, one of the agents of this priesthood is walking, with his wicked head held down, in the grasp of Orazio and Attilio; Muzio going before to open the way through the multitude of people, and thus the four arrived finally at a tavern in the Vicola degli Schiavoni.

CHAPTER LIV. THE SENTENCE OF DEATH

"Let us pass quickly and on tiptoe that mass of corruption and slaughter called the Papacy," says Guerrazzi; or, to quote his own indignant Italian: "Passiamo presto, e sulla punta dei piedi, quel macchio di fimo e di sangue che si chiama Papato."

The Popes, who call themselves the vicegerents of Christ, slaughter men with chassepôts, play the executioner upon their political enemies, and instruct the world in the science of tortures, Inquisitions, autos-da fe, and murder. In former days many unhappy nations had the misfortune to suffer therefrom. Spain, for example, who has recently thrown off the yoke, for centuries groaned under the tortures of Rome. Even now the priest of Christ in the Vatican satiates his sanguinary vengeance in various ways, having recourse to the dagger, poison, brigandage, and murders of all kinds and degrees.

In the Roman tribunal the sentence of death had been long pronounced against Prince T – , the brother of our Irene; and Cencio, with eight cut-throats of the Holy See under his command, was under orders to take advantage of the tumult arising upon the arrival of Garibaldi in Venice to execute the atrocious decree. The eight accomplices of the spy had been posted in the immediate neighborhood of the Hôtel Victoria, in all the ways by which he could possibly arrive. Four were to hire a gondola and ply at the steps, with secret instructions to dispatch the gondoliers if necessary, that there might be no witness to lay the charge against them.

Cencio had not undertaken to perform the actual deed, but simply the task of following the Prince's movements. Fortunately for the Roman noble the spy failed in his scent, and was now not only in the clutches of our three friends who had captured him, but in those of a fourth personage, who was still more formidable to him – no other, in fact, than our old acquaintance Gasparo.

Gasparo, after the events narrated in the preceding chapters, had accompanied his new friends to territory that was not Papal, and had offered his services as attendant to Prince T – . He had therefore accompanied him to Venice. Whilst his master roamed through the saloons of the Zecchini Palace, the watchful follower, who had remained on the threshold to enjoy the sight of that brilliant scene, saw the three Romans whom he loved as sons penetrate into the crowd. He determined to keep near them, and found himself shortly after in the tavern of Vicola dei Schiavoni, at the heels of Cencio.

 

It would be no easy matter to describe the terror and confusion of the clerical Sinon surrounded by our four friends. They led him to an out-of-the-way room on the upper story, and desired the waiter to bring them something to drink, and then leave them, as they had some business to transact.

When the waiter had obeyed them, and departed, they locked the door, and ordering the agent to sit against the wall, they moved to the end of the table, and, seating themselves upon a bench, placed their elbows on the table and fixed a look upon the knavish wretch which made him tremble. Under any other circumstances the wretch would have inspired compassion, and might have been forgiven for his treachery, in consideration of his present agony of fear.

The four friends, cold, impassive, and relentless, satisfied themselves for some time with fixing their eyes upon the traitor, while he, quite beside himself, with wide-opened mouth and eyes, was doing his best to articulate something; but all he could mutter was, "Signore – I – am – not," and other less intelligible monosyllables.

The calmness of the four Romans was somewhat savage, but for their deep cause of hatred; and if any one could have contemplated the scene he would have been reminded forcibly of the fable of the rat under the inexorable gaze of the terrier-dog, which watches every movement, and then pounces out upon it, crunching all the vermin's bones between its teeth. Or could a painter have witnessed that silent assembly, he would have found a subject for a splendid picture of deep-seated wrath and terror.

We have already described the persons of the three friends – true types of the ancient Roman – with fine and artistic forms. Gasparo was even more striking – one of those heads which a French photographist would have delighted to "take" as the model of an Italian brigand – and the picture would have been more profitable than the likeness of any European sovereign. He was indeed, in his old age, a superb type of a brigand, but a brigand of the nobler sort. One of those who hate with a deadly hatred the cutthroat rabble; one who never stained himself with any covetous or infamous action, as the paid miscreants of the priests do, who commit acts that would fill even a panther's heart with horror.

Even the successor of Gianni would have made a valuable appearance in a quadro caratteristico, for certainly no subject could have served better to display panic in all its disgusting repulsiveness. Glued to the wall behind him, he would, if his strength had equalled his wish, have knocked it down, or bored his way through it to get farther from those four terrible countenances, which stared impassively and mercilessly at him, meditating upon his ruin, perhaps upon his death. The austere voice of Muzio, already described as the chief of the Roman contropolizia, was the first to break that painful silence.

"Well, then, Cencio," he began, "I will tell you a story which, as you are a Roman, you may perhaps know, but, at all events, you shall know it now. One day our forefathers, tired of the rule of the first king of Rome – who, amongst other amiable things, had killed his brother Remus with a blow because he amused himself with jumping over the walls he had erected around Rome – our fathers, I repeat, by a senattis consultant, decided to get rid of their king, who was rather too meddlesome and despotic. Detto-fatto! they rushed upon him with their daggers, and, although he struggled valorously, Romulus fell under their blows. But, now the deed was done, it was necessary to invent a stratagem, for the Roman people were somewhat partial to their warlike king. They accordingly accepted the advice of an old senator, who said, 'We will tell the people that Mars (the father of Romulus) has descended amongst us, and, after reproaching us for thieving a little too much, and being indignant to see the son of a god at our head, has carried him off to heaven.'

"'But what are we to do with the body?' asked several of the senators.

"'With the body?' repeated the old man; 'nothing is easier.' And drawing forth his dagger, he commenced cutting the corpse in pieces. When this dissection was finished, he said, 'Let each of you take one of these pieces, hide it under your robe, and then go and throw it into the Tiber. It is evening now, and by to-morrow morning the sea-monsters will have given a decent burial to the founder of Rome.'

"Now, Cencio, don't you think that, as regards your own end, and not being king of Rome, or son of a god, such a death would be very honorable to you who are nothing more than a miserable traitor?"

"For God's sake," screamed the terrified agent, trembling like a child, "I will do whatever you demand of me; but, for the love you bear your friends, your wives, your mothers, do not put me to such a cruel death."

"Do you talk of a cruel death? Can there be a death too cruel for a spy – a traitor?" asked Muzio. "Have you already forgotten," he continued, "vile reptile, selling the Roman youths to the priests at the Baths of Caracalla; and that they narrowly escaped being slaughtered by your infamy?"

Tears continued to roll from the coward's eyes, as Muzio continued: "What about your arrival in Venice? What does it mean? Who sent you? What did you come here for, dog?"

"I will tell all," was the wretched man's reply-

"You had better tell all," repeated Muzio, "or we shall see with edge of knife whether you have concealed any thing in that malicious and treacherous carcass of yours."

"All, all!" cried Cencio like a maniac; and, as if forgetful of what he had to relate or overpowered by great fright, he appeared not to know how or where to begin.

"You are doubtless more prompt in your narration to the Holy Office, stammerer," grumbled Gasparo.

"Begin!" shouted Orazio; and Attilio, in a stem voice, also cried "Begin!" not having spoken until then.

A moment of death-like silence followed before Cencio commenced thus: -

"If the life of Prince T – is dear to you – "

"Prince T – , the brother of Irene," exclaimed Orazio, clearing the table at one bound, and grasping the traitor by the throat.

Had Cencio been clutched in the claws of a tiger, he would not have felt more helpless than he did now, held by the fingers of the "Prince of the Roman campagna."

Attilio said gently, "Brother, have patience – let him speak; if you choke him we shall gain no information."

The suggestion made by the chief of the Three Hundred seemed reasonable to Orazio, and he withdrew his impatient grip from Cencio's throat.

"If the life of Prince T – is dear to you," again recommenced the knave, "let us go all together in search of him, and inform him that eight emissaries of the Holy Office are lurking about the Hôtel Victoria, where he is lodging, in order to assassinate him."

CHAPTER LV. DEATH TO THE PRIESTS

"Death to the priests!" shouted the people

"Death to no one!" replied the General to the crowd from the balcony, in answer to their cry.

"Death to no one! Yet none are worthier of death than this villainous sect, which for private ends, disguised as religious, has made Italy 'the land of the dead,' a burial-ground of greatness! Beccaria! thy doctrines are true and right. The shedding of blood is impious. But I know not if Italy will ever be able to free herself from those who tyrannize over her soul and body without annihilating them with the sword for pruning-hook, even to the last branch!"

These reflections passed through the mind of the man of the people, although he rebuked the populace. Meanwhile, those of them who had not wholly heard the words uttered by Garibaldi from the balcony, but only the cry of "death!" which thousands of excited voices had re-echoed – those of the people, we repeat, who were farthest off from the General and near the palace of the Patriarch, advanced like the flood of a torrent precipitating itself from a mountain, and attacked the prelate's abode, overturning all obstacles opposed to their fury. In a few minutes every saloon, every room in this fine building was invaded, and through the windows all those religious idols with which the priests so unblushingly deceive the people were seen flying in all directions.

Many artists and lovers of the beautiful would have lamented and cried, "Scandal! sacrilege!" at the destruction of such works of art. And truly, many very rare and precious master-pieces, under the form of saint or Madonna or Bambino, were broken to pieces and utterly ruined in this work of destruction.

Amongst the cunning acts of the priesthood, wealthy as they have been made by the stupidity of the "faithful," has ever been that of employing the most illustrious artists to portray and dignify their legends. Hence the Michael Angelos and the Raphaels of all periods were lavishly supported by them, and the people, who might have become persuaded of the foolishness of their credulity, and of the impostures of the new soothsayers of Rome, continued to respect the idols of their tyrants by reason of Italian instincts, because these were master-pieces of noble work.

But is not the first master-piece of a people liberty and national dignity?

And all those wonders of art, although wonders, if they perpetuate with an evil charm our servility, our degradation – oh! would it not be better for them to be sent to the infernal regions? However, be they precious or worthless works, the people were overturning them and throwing them out upon the pavement that night.

And the Patriarch? Woe to him if he had fallen into the hands of the enraged multitude!

But their sacred skin is dear to those descendants of the apostles! Champions of the faith they may be, but not martyrs. Of martyrdom those rosy-faced prelates wish to know nothing themselves if they can avoid it. His Eminence, at the first outbreak of popular indignation, had vanished, gaining, by a secret door, one of his gondolas, in which he escaped in safety.

In the mean time, the cry of the Recluse,

"Morte a nessino!" was taken up by the crowd, and at last reached the ears of the sackers of the Patriarch's palace.

That voice, ever trusted and respected by the people, calmed the anger of the passionate multitude, and in a few moments order and tranquillity were again re-established.

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