Джон Голсуорси
Loyalties
SCENE II
[The same set is used for this Scene, with the different arrangement of furniture, as specified.] The bedroom of DE LEVIS is the same in shape as WINSOR'S dressing-room, except that there is only one door – to the corridor. The furniture, however, is differently arranged; a small four-poster bedstead stands against the wall, Right Back, jutting into the room. A chair, on which DE LEVIS's clothes are thrown, stands at its foot. There is a dressing-table against the wall to the left of the open windows, where the curtains are drawn back and a stone balcony is seen. Against the wall to the right of the window is a chest of drawers, and a washstand is against the wall, Left. On a small table to the right of the bed an electric reading lamp is turned up, and there is a light over the dressing-table. The INSPECTOR is standing plumb centre looking at the bed, and DE LEVIS by the back of the chair at the foot of the bed. WINSOR and CANYNGE are close to the door, Right Forward.
INSPECTOR. [Finishing a note] Now, sir, if this is the room as you left it for your bath, just show us exactly what you did after takin' the pocket-book from the suit case. Where was that, by the way?
DE LEVIS. [Pointing] Where it is now – under the dressing-table.
He comes forward to the front of the chair, opens the pocket-book, goes through the pretence of counting his shaving papers, closes the pocket-book, takes it to the head of the bed and slips it under the pillow. Makes the motion of taking up his pyjamas, crosses below the INSPECTOR to the washstand, takes up a bath sponge, crosses to the door, takes out the key, opens the door.
INSPECTOR. [Writing]. We now have the room as it was when the theft was committed. Reconstruct accordin' to 'uman nature, gentlemen – assumin' the thief to be in the room, what would he try first? – the clothes, the dressin'-table, the suit case, the chest of drawers, and last the bed.
He moves accordingly, examining the glass on the dressing-table, the surface of the suit cases, and the handles of the drawers, with a spy-glass, for finger-marks.
CANYNGE. [Sotto voce to WINSOR] The order would have been just the other way.
The INSPECTOR goes on hands and knees and examines the carpet between the window and the bed.
DE LEVIS. Can I come in again?
INSPECTOR. [Standing up] Did you open the window, sir, or was it open when you first came in?
DE LEVIS. I opened it.
INSPECTOR. Drawin' the curtains back first?
DE LEVIS. Yes.
INSPECTOR. [Sharply] Are you sure there was nobody in the room already?
DE LEVIS. [Taken aback] I don't know. I never thought. I didn't look under the bed, if you mean that.
INSPECTOR. [Jotting] Did not look under bed. Did you look under it after the theft?
DE LEVIS. No. I didn't.
INSPECTOR. Ah! Now, what did you do after you came back from your bath? Just give us that precisely.
DE LEVIS. Locked the door and left the key in. Put back my sponge, and took off my dressing-gown and put it there. [He points to the footrails of the bed] Then I drew the curtains, again.
INSPECTOR. Shutting the window?
DE LEVIS. No. I got into bed, felt for my watch to see the time. My hand struck the pocket-book, and somehow it felt thinner. I took it out, looked into it, and found the notes gone, and these shaving papers instead.
INSPECTOR. Let me have a look at those, sir. [He applies the spy-glasses] And then?
DE LEVIS. I think I just sat on the bed.
INSPECTOR. Thinkin' and cursin' a bit, I suppose. Ye-es?
DE LEVIS. Then I put on my dressing-gown and went straight to Mr WINSOR.
INSPECTOR. Not lockin' the door?
DE LEVIS. No.
INSPECTOR. Exactly. [With a certain finality] Now, sir, what time did you come up?
DE LEVIS. About eleven.
INSPECTOR. Precise, if you can give it me.
DE LEVIS. Well, I know it was eleven-fifteen when I put my watch under my pillow, before I went to the bath, and I suppose I'd been about a quarter of an hour undressing. I should say after eleven, if anything.
INSPECTOR. Just undressin'? Didn't look over your bettin' book?
DE LEVIS. No.
INSPECTOR. No prayers or anything?
DE LEVIS. No.
INSPECTOR. Pretty slippy with your undressin' as a rule?
DE LEVIS. Yes. Say five past eleven.
INSPECTOR. Mr WINSOR, what time did the gentleman come to you?
WINSOR. Half-past eleven.
INSPECTOR. How do you fix that, sir?
WINSOR. I'd just looked at the time, and told my wife to send her maid off.
INSPECTOR. Then we've got it fixed between 11.15 and 11.30. [Jots] Now, sir, before we go further I'd like to see your butler and the footman that valets this gentleman.
WINSOR. [With distaste] Very well, Inspector; only – my butler has been with us from a boy.
INSPECTOR. Quite so. This is just clearing the ground, sir.
WINSOR. General, d'you mind touching that bell?
CANYNGE rings a bell by the bed.
INSPECTOR. Well, gentlemen, there are four possibilities. Either the thief was here all the time, waiting under the bed, and slipped out after this gentleman had gone to Mr WINSOR. Or he came in with a key that fits the lock; and I'll want to see all the keys in the house. Or he came in with a skeleton key and out by the window, probably droppin' from the balcony. Or he came in by the window with a rope or ladder and out the same way. [Pointing] There's a footmark here from a big boot which has been out of doors since it rained.
CANYNGE. Inspector – you er – walked up to the window when you first came into the room.
INSPECTOR. [Stiffly] I had not overlooked that, General.
CANYNGE. Of course.
A knock on the door relieves a certain tension,
WINSOR. Come in.
The footman ROBERT, a fresh-faced young man, enters, followed by TREISURE.
INSPECTOR. You valet Mr – Mr De Levis, I think?
ROBERT. Yes, sir.
INSPECTOR. At what time did you take his clothes and boots?
ROBERT. Ten o'clock, sir.
INSPECTOR. [With a pounce] Did you happen to look under his bed?
ROBERT. No, sir.
INSPECTOR. Did you come up again, to bring the clothes back?
ROBERT. No, sir; they're still downstairs.
INSPECTOR. Did you come up again for anything?
ROBERT. No, Sir.
INSPECTOR. What time did you go to bed?
ROBERT. Just after eleven, Sir.
INSPECTOR. [Scrutinising him] Now, be careful. Did you go to bed at all?
ROBERT. No, Sir.
INSPECTOR. Then why did you say you did? There's been a theft here, and anything you say may be used against you.
ROBERT. Yes, Sir. I meant, I went to my room.
INSPECTOR. Where is your room?
ROBERT. On the ground floor, at the other end of the right wing, sir.
WINSOR. It's the extreme end of the house from this, Inspector. He's with the other two footmen.
INSPECTOR. Were you there alone?
ROBERT. No, Sir. Thomas and Frederick was there too.
TREISURE. That's right; I've seen them.
INSPECTOR. [Holding up his hand for silence] Were you out of the room again after you went in?
ROBERT. No, Sir.
INSPECTOR. What were you doing, if you didn't go to bed?
ROBERT. [To WINSOR] Beggin' your pardon, Sir, we were playin' Bridge.
INSPECTOR. Very good. You can go. I'll see them later on.
ROBERT. Yes, Sir. They'll say the same as me. He goes out, leaving a smile on the face of all except the INSPECTOR and DE LEVIS.
INSPECTOR. [Sharply] Call him back.
TREISURE calls "Robert," and the FOOTMAN re-enters.
ROBERT. Yes, Sir?
INSPECTOR. Did you notice anything particular about Mr De Levis's clothes?
ROBERT. Only that they were very good, Sir.
INSPECTOR. I mean – anything peculiar?
ROBERT. [After reflection] Yes, Sir.
INSPECTOR. Well?
ROBERT. A pair of his boots this evenin' was reduced to one, sir.
INSPECTOR. What did you make of that?
ROBERT. I thought he might have thrown the other at a cat or something.
INSPECTOR. Did you look for it?
ROBERT. No, Sir; I meant to draw his attention to it in the morning.
INSPECTOR. Very good.
ROBERT. Yes, Sir. [He goes again.]
INSPECTOR. [Looking at DE LEVIS] Well, sir, there's your story corroborated.
DE LEVIS. [Stiffly] I don't know why it should need corroboration, Inspector.
INSPECTOR. In my experience, you can never have too much of that. [To WINSOR] I understand there's a lady in the room on this side [pointing Left] and a gentleman on this [pointing Right] Were they in their rooms?
WINSOR. Miss Orme was; Captain Dancy not.
INSPECTOR. Do they know of the affair?
WINSOR. Yes.
INSPECTOR. Well, I'd just like the keys of their doors for a minute. My man will get them.
He goes to the door, opens it, and speaks to a constable in the corridor.
[To TREISURE] You can go with him.
TREISURE goes Out.
In the meantime I'll just examine the balcony.
He goes out on the balcony, followed by DE LEVIS.
WINSOR. [To CANYNGE] Damn De Levis and his money! It's deuced invidious, all this, General.
CANYNGE. The Inspector's no earthly.
There is a simultaneous re-entry of the INSPECTOR from the balcony and of TREISURE and the CONSTABLE from the corridor.
CONSTABLE. [Handing key] Room on the left, Sir. [Handing key] Room on the right, sir.
The INSPECTOR tries the keys in the door, watched with tension by the others. The keys fail.
INSPECTOR. Put them back.
Hands keys to CONSTABLE, who goes out, followed by TREISURE.
I'll have to try every key in the house, sir.
WINSOR. Inspector, do you really think it necessary to disturb the whole house and knock up all my guests? It's most disagreeable, all this, you know. The loss of the money is not such a great matter. Mr De Levis has a very large income.
CANYNGE. You could get the numbers of the notes from Kentman the bookmaker, Inspector; he'll probably have the big ones, anyway.
INSPECTOR. [Shaking his head] A bookie. I don't suppose he will, sir. It's come and go with them, all the time.
WINSOR. We don't want a Meldon Court scandal, Inspector.
INSPECTOR. Well, Mr WINSOR, I've formed my theory.
As he speaks, DE LEVIS comes in from the balcony.
And I don't say to try the keys is necessary to it; but strictly, I ought to exhaust the possibilities.
WINSOR. What do you say, De Levis? D'you want everybody in the house knocked up so that their keys can be tried?
DE LEVIS. [Whose face, since his return, expresses a curious excitement] No, I don't.
INSPECTOR. Very well, gentlemen. In my opinion the thief walked in before the door was locked, probably during dinner; and was under the bed. He escaped by dropping from the balcony – the creeper at that corner [he points stage Left] has been violently wrenched. I'll go down now, and examine the grounds, and I'll see you again Sir. [He makes another entry in his note-book] Goodnight, then, gentlemen!
CANYNGE. Good-night!
WINSOR. [With relief] I'll come with you, Inspector.
He escorts him to the door, and they go out.
DE LEVIS. [Suddenly] General, I know who took them.
CANYNGE. The deuce you do! Are you following the Inspector's theory?
DE LEVIS. [Contemptuously] That ass! [Pulling the shaving papers out of the case] No! The man who put those there was clever and cool enough to wrench that creeper off the balcony, as a blind. Come and look here, General. [He goes to the window; the GENERAL follows. DE LEVIS points stage Right] See the rail of my balcony, and the rail of the next? [He holds up the cord of his dressing-gown, stretching his arms out] I've measured it with this. Just over seven feet, that's all! If a man can take a standing jump on to a narrow bookcase four feet high and balance there, he'd make nothing of that. And, look here! [He goes out on the balcony and returns with a bit of broken creeper in his hand, and holds it out into the light] Someone's stood on that – the stalk's crushed – the inner corner too, where he'd naturally stand when he took his jump back.
CANYNGE. [After examining it – stiffly] That other balcony is young Dancy's, Mr De Levis; a soldier and a gentleman. This is an extraordinary insinuation.
DE LEVIS. Accusation.
CANYNGE. What!
DE LEVIS. I have intuitions, General; it's in my blood. I see the whole thing. Dancy came up, watched me into the bathroom, tried my door, slipped back into his dressing-room, saw my window was open, took that jump, sneaked the notes, filled the case up with these, wrenched the creeper there [He points stage Left] for a blind, jumped back, and slipped downstairs again. It didn't take him four minutes altogether.
CANYNGE. [Very gravely] This is outrageous, De Levis. Dancy says he was downstairs all the time. You must either withdraw unreservedly, or I must confront you with him.
DE LEVIS. If he'll return the notes and apologise, I'll do nothing – except cut him in future. He gave me that filly, you know, as a hopeless weed, and he's been pretty sick ever since, that he was such a flat as not to see how good she was. Besides, he's hard up, I know.
CANYNGE. [After a vexed turn up and down the room] It's mad, sir, to jump to conclusions like this.
DE LEVIS. Not so mad as the conclusion Dancy jumped to when he lighted on my balcony.
CANYNGE. Nobody could have taken this money who did not know you had it.
DE LEVIS. How do you know that he didn't?
CANYNGE. Do you know that he did?
DE LEVIS. I haven't the least doubt of it.
CANYNGE. Without any proof. This is very ugly, De Levis. I must tell WINSOR.
DE LEVIS. [Angrily] Tell the whole blooming lot. You think I've no feelers, but I've felt the atmosphere here, I can tell you, General. If I were in Dancy's shoes and he in mine, your tone to me would be very different.
CANYNGE. [Suavely frigid] I'm not aware of using any tone, as you call it. But this is a private house, Mr De Levis, and something is due to our host and to the esprit de corps that exists among gentlemen.
DE LEVIS. Since when is a thief a gentleman? Thick as thieves – a good motto, isn't it?
CANYNGE. That's enough! [He goes to the door, but stops before opening it] Now, look here! I have some knowledge of the world. Once an accusation like this passes beyond these walls no one can foresee the consequences. Captain Dancy is a gallant fellow, with a fine record as a soldier; and only just married. If he's as innocent as – Christ – mud will stick to him, unless the real thief is found. In the old days of swords, either you or he would not have gone out of this room alive. It you persist in this absurd accusation, you will both of you go out of this room dead in the eyes of Society: you for bringing it, he for being the object of it.
DE LEVIS. Society! Do you think I don't know that I'm only tolerated for my money? Society can't add injury to insult and have my money as well, that's all. If the notes are restored I'll keep my mouth shut; if they're not, I shan't. I'm certain I'm right. I ask nothing better than to be confronted with Dancy; but, if you prefer it, deal with him in your own way – for the sake of your esprit de corps.
CANYNGE. 'Pon my soul, Mr De Levis, you go too far.
DE LEVIS. Not so far as I shall go, General Canynge, if those notes aren't given back.
WINSOR comes in.
WINSOR. Well, De Levis, I'm afraid that's all we can do for the present. So very sorry this should have happened in my house.
CANYNGE. [Alter a silence] There's a development, WINSOR. Mr De Levis accuses one of your guests.
WINSOR. What?
CANYNGE. Of jumping from his balcony to this, taking the notes, and jumping back. I've done my best to dissuade him from indulging the fancy – without success. Dancy must be told.
DE LEVIS. You can deal with Dancy in your own way. All I want is the money back.
CANYNGE. [Drily] Mr De Levis feels that he is only valued for his money, so that it is essential for him to have it back.
WINSOR. Damn it! This is monstrous, De Levis. I've known Ronald Dancy since he was a boy.
CANYNGE. You talk about adding injury to insult, De Levis. What do you call such treatment of a man who gave you the mare out of which you made this thousand pounds?
DE LEVIS. I didn't want the mare; I took her as a favour.
CANYNGE. With an eye to possibilities, I venture to think – the principle guides a good many transactions.
DE LEVIS. [As if flicked on a raw spot] In my race, do you mean?
CANYNGE. [Coldly] I said nothing of the sort.
DE LEVIS. No; you don't say these things, any of you.
CANYNGE. Nor did I think it.
DE LEVIS. Dancy does.
WINSOR. Really, De Levis, if this is the way you repay hospitality —
DE LEVIS. Hospitality that skins my feelings and costs me a thousand pounds!
CANYNGE. Go and get Dancy, WINSOR; but don't say anything to him.
WINSOR goes out.
CANYNGE. Perhaps you will kindly control yourself, and leave this to me.
DE LEVIS turns to the window and lights a cigarette. WINSOR comes back, followed by DANCY.
CANYNGE. For WINSOR's sake, Dancy, we don't want any scandal or fuss about this affair. We've tried to make the police understand that. To my mind the whole thing turns on our finding who knew that De Levis had this money. It's about that we want to consult you.
WINSOR. Kentman paid De Levis round the corner in the further paddock, he says.
DE LEVIS turns round from the window, so that he and DANCY are staring at each other.
CANYNGE. Did you hear anything that throws light, Dancy? As it was your filly originally, we thought perhaps you might.
DANCY. I? No.
CANYNGE. Didn't hear of the sale on the course at all?
DANCY. No.
CANYNGE. Then you can't suggest any one who could have known? Nothing else was taken, you see.
DANCY. De Levis is known to be rolling, as I am known to be stony.
CANYNGE. There are a good many people still rolling, besides Mr De Levis, but not many people with so large a sum in their pocket-books.
DANCY. He won two races.
DE LEVIS. Do you suggest that I bet in ready money?
DANCY. I don't know how you bet, and I don't care.
CANYNGE. You can't help us, then?
DANCY. No. I can't. Anything else? [He looks fixedly at DE LEVIS].
CANYNGE. [Putting his hand on DANCY's arm] Nothing else, thank you, Dancy.
DANCY goes. CANYNGE puts his hand up to his face. A moment's silence.
WINSOR. You see, De Levis? He didn't even know you'd got the money.
DE LEVIS. Very conclusive.
WINSOR. Well! You are – !
There is a knock on the door, and the INSPECTOR enters.
INSPECTOR. I'm just going, gentlemen. The grounds, I'm sorry to say, have yielded nothing. It's a bit of a puzzle.
CANYNGE. You've searched thoroughly?
INSPECTOR. We have, General. I can pick up nothing near the terrace.
WINSOR. [After a look at DE LEVIS, whose face expresses too much] H'm! You'll take it up from the other end, then, Inspector?
INSPECTOR. Well, we'll see what we can do with the bookmakers about the numbers, sir. Before I go, gentlemen – you've had time to think it over – there's no one you suspect in the house, I suppose?
DE LEVIS's face is alive and uncertain. CANYNGE is staring at him very fixedly.
WINSOR. [Emphatically] No.
DE LEVIS turns and goes out on to the balcony.
INSPECTOR. If you're coming in to the racing to-morrow, sir, you might give us a call. I'll have seen Kentman by then.
WINSOR. Right you are, Inspector. Good night, and many thanks.
INSPECTOR. You're welcome, sir. [He goes out.]
WINSOR. Gosh! I thought that chap [With a nod towards the balcony] was going to – ! Look here, General, we must stop his tongue. Imagine it going the rounds. They may never find the real thief, you know. It's the very devil for Dancy.
CANYNGE. WINSOR! Dancy's sleeve was damp.
WINSOR. How d'you mean?
CANYNGE. Quite damp. It's been raining.
The two look at each other.
WINSOR. I – I don't follow – [His voice is hesitative and lower, showing that he does].
CANYNGE. It was coming down hard; a minute out in it would have been enough – [He motions with his chin towards the balcony].
WINSOR. [Hastily] He must have been out on his balcony since.
CANYNGE. It stopped before I came up, half an hour ago.
WINSOR. He's been leaning on the wet stone, then.
CANYNGE. With the outside of the upper part of the arm?
WINSOR. Against the wall, perhaps. There may be a dozen explanations. [Very low and with great concentration] I entirely and absolutely refuse to believe anything of the sort against Ronald Dancy in my house. Dash it, General, we must do as we'd be done by. It hits us all – it hits us all. The thing's intolerable.
CANYNGE. I agree. Intolerable. [Raising his voice] Mr De Levis!
DE LEVIS returns into view, in the centre of the open window.
CANYNGE. [With cold decision] Young Dancy was an officer and is a gentleman; this insinuation is pure supposition, and you must not make it. Do you understand me?
DE LEVIS. My tongue is still mine, General, if my money isn't!
CANYNGE. [Unmoved] Must not. You're a member of three Clubs, you want to be member of a fourth. No one who makes such an insinuation against a fellow-guest in a country house, except on absolute proof, can do so without complete ostracism. Have we your word to say nothing?