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полная версияCaper-Sauce: A Volume of Chit-Chat about Men, Women, and Things.

Fern Fanny
Caper-Sauce: A Volume of Chit-Chat about Men, Women, and Things.

THE POETRY OF WORK

Executive people have generally the reputation, from their opposites, of being ill-tempered people. Self-trained to the observance of the admirable old maxim, that "whatever is worth doing at all, is worth doing well," they are naturally disgusted with dawdling inefficiency and sloth in any shape. Chary of the precious flying moments, the most intolerable of vexations to them is to have their time trespassed upon, and wasted, in a million petty and unnecessary ways, by the stupidity or culpable thoughtlessness of those about them. Now what is called "an easy person," i. e., a person who is not self-contained, on whose hands time hangs heavily, cannot be made to understand why a person of an opposite description need make a fuss about a few minutes. Why, "what is a few minutes?" they ask. Much, much in the course of a lifetime to those who carefully husband them. Those "few minutes" may make all the difference between an educated and an uneducated person; between a man independent in his circumstances, and a man always under the grinding heel of want; all the difference between intelligence, thrift, and system on one hand, and ignorance, discomfort, and disaster on the other. Those "few minutes," carefully improved as they occur, have filled libraries with profound and choice volumes; those "few minutes," saved for mental cultivation, have enabled men, and women too, to shed over a life of toil a brightness which made even monotonous duty a delight. Such can ill afford to be robbed of them by those unable to appreciate their value. Like the infinitesimal gold scrapings of the mint, they may not be purloined, or carelessly brushed away by idle fingers; but conscientiously gathered up and accounted for; to be molten and stamped with thought, then distributed to bless mankind.

What a pleasure it is to see anything perfectly done. I never go "shopping" that I do not look on with admiration while the storekeeper so deftly does up my parcels. I believe no woman who has not acquired the professional shopkeeping touch, can do this decently. I like, too, to watch a group of men painting a house, provided the platform upon which they stand is so strong that my blood does not curdle lest their merry song should never be finished. With what a dexterous, careful, delicate touch they brighten up the unsightly wall; there is fascination to the looker-on in their skilful progress. Carpentering, too, I like; what pretty, silky, curled shavings they plane off; how many times, when a child, I placed them on my head for ringlets, have I mentally resolved to be a carpenter's wife, that I might always have plenty. How sure the stroke of their hammer upon the nail which a woman would bend, or break in pieces, beside jamming her fingers to a jelly. Mark the sturdy porter, too, as he tosses a huge "Saratoga trunk" lightly as a feather upon his back, and poising it, marches up uncounted stairs without tripping or bumping.

I like to see a strong man holding a fiery horse by a slight rein and a strong will. I like to see the oarsman in his red-shirt sleeves, pulling away over the sparkling water; I like to see the rough, red-faced omnibus driver making change, halting, gesticulating, hallooing to passers-by, all in the same breath. I like anything that is wide-awake and efficient, and if it be beautiful at the same time, so much the better. I like to see the cook toss eggs into a foam so nicely, with head turned the other way, watching pots, skillets, and frying-pans, and at the same time giving orders to half a dozen subordinates. I like to see a milliner twist a ribbon into a thousand fanciful shapes while talking, or selecting a rose from one box, a green spray from another, then a spear of wheat, a daisy and a poppy, twine them together with an artist's taste and touch. I like to see the dressmaker fit the glossy silk to the curve of limbs as soft as the silky fabric. I like to see the flushed pressman sliding the damp newspapers from the "form" without a flaw or a wrinkle. I like to see a mother strip her little, tender babe, and bathe its fragile limbs with that wonderful delicacy of touch which mothers only know, singing, caressing, patting, and soothing, till the lovely task is done. I like to see those little imps of newsboys running indiscriminately between the legs of man and beast, yelling out their precocious wisdom about "accidents and arrivals;" dodging under carts, and coming out safe in wind and limb; thriving, in spite of dirt and rags, to turn up some day, ten to one, in a big marble store up town, as bookseller or publisher.

I am not at all sure, now that blessed chloroform is discovered by which my faith in the predicted millennium has had a most vigorous quickening (why don't they build a statue to the discoverer?) that I could not look on admiringly while the surgeon's knife wound amid veins and arteries with almost omnipotent skill, his patient lying calm as a sleeping infant the while.

And now the thought comes over me with overwhelming force, how strange that we, who so adore strength, power, beauty, and perfection, should be content with its circumscribed human progress; never look for it, never worship it, where it is limitless, unchangeable, unfettered by selfishness, caprice, or injustice. Alas! till we learn this, we shall, vine-like, throw out our tendrils to the mercy of every passing breeze, with nothing sure to twine around or cling to.

CAN'T KEEP A HOTEL

A man who has no call to keep a hotel had better not try it, unless he can be certain that the horizon of his guests has always been bounded by the village hay-scales. Noble scenery is a fine thing; but mountain, nor lake, nor river, was ever enjoyable in company with an empty stomach, or one which is in the talons of the fiend, indigestion. To come to one's meal with loathing, and eat because we must, or starve, and then hurry from grease and saleratus as soon as possible, is not the best receipt a landlord can use to insure a good class of customers for another season. He may think it of no consequence that his garden, if he have one, be as full of nettles as of flowers; that the walks have more pig-weed than gravel in them; that his out-buildings are more conspicuous than any other object both to the eye and nose; and that the grass-plats about the house are strewn with perpetual rags, paper, and old boots, which a fervid August sun is not generally inclined to mitigate.

He may "take things easy" when his guests, having engaged the hotel-carriage and horses for a ride are still standing on the piazza waiting half an hour past the time; and when, on its dilatory appearance, the harness is found giving out at the last minute, having been patched and repatched in a slovenly manner on uncounted previous rides; while the golden sunset, on which his guests had reckoned, is spent in a fruitless search for that hammer and those nails, which elude all pursuit. He may think it good policy to keep his regular boarders waiting for their meals an hour past the appointed time, while hungry children fret for sustenance, because new-comers will then appear, and this stratagem will save the trouble of preparing two meals. He may do all that if he will; but he must remember that every disgusted guest who leaves his establishment will prevent many from coming to it; and that with such a short-sighted policy he will soon find "his occupation gone."

Keeping a hotel is a gift, as much as poetry, or sculpture, or painting. I might name men whose hotels have attained perfection under their wise, cleanly, and systematic ordering; but perfect as they are, I, for one, am not employed to advertise them over the length and breadth of the land in the New York Ledger. Suffice it to say, that I have slept on their lovely beds, and had four towels a day to wash my hands on. That I had a roomy wardrobe for such of my clothes as I desired to set free from my trunk. That the looking glass was not located in the darkest corner of the room, or placed so high that I had to stand on tip-toe, or so low that I had to get on my knees to myself. That the coffee was not made of split peas. That the fried potatoes even an angel like me might eat. That the meats were cooked in a Christian manner, and the bread guiltless of any abominable "Sal" – anything. That the pastry, which I never touch, looked good for those who like it; and that the ale – oh! the ale was "divine." That in the spots where cleanliness might not be looked for, there it reigned. That no chambermaid came with scraping broom against my door, at daylight, to rouse me from my slumbers, and shuffle and flirt with the boot-and-shoe collectors at the different doors. That no "pictures" of ambitious artists upon the walls gave me the nightmare. And, oh! more – far more than this, that the well-mannered landlord never made a menagerie – show – of any "lion," or lioness, in his house, by labelling the same, on the instant of their appearance, in dining-hall or parlor, for the unwinking stare of the curious.

Of course, such a house needs money as well as an artist-master to carry it on. Of course, guests who register their names there, must foot the cost of all this outlay on their bills.

One can buy a bonnet at a pawn-shop, if one is satisfied only with cheapness; but the dainty, artistic fingers, which blend colors and fabrics with the lightness and brightness of inspiration, cannot be expected to sell so much talent at a pawnbroker's price.

Your physician, who stays in your house only five minutes, charges you, perhaps, fifteen dollars. You stare wildly at the amount; but you do not take into account the human bodies he has overhauled, and the libraries and lectures he has mastered to arrive at the knowledge which he has concentrated for your benefit in that brief five minutes. In homely phrase, "you pays your money and you takes your choice." Or, "he is a good-natured man, but he can't keep a hotel," nor will people stay with him long, though Paradise lies out-doors.

 

Women Lovers. – Perhaps you don't know it, but there are women that fall in love with each other. Woe be to the unfortunate she who does the courting! All the cussedness of ingenuity peculiar to the sex is employed by "the other party" in tormenting her. She will flirt with women by the score who are brighter and handsomer than her victim. She will call on them oftener. She will praise their best bonnet, and go into ecstasies over their dresses. She will write them more pink notes, and wear their "tin types;" and when despair has culminated, and sore-hearted Araminta takes to her bed in consequence, then only will this conquering she, step off her pedestal to pick up her dead and wounded. But then women must keep their hand in. Practice makes perfect.

NEW CLOTHES

It is curious with what different eyes human beings look upon new clothes, at different stages of existence. Youth, which least needs these auxiliaries, is generally the most clamorous for incessant change. No discomfort in the way of perpetual guardianship over their freshness; no uncomfortable sense of their weight or pressure on the limbs, is heeded, so that the craving for them is satisfied. Nor is there any sex to this foible. Young men are quite as apt to be caught tripping in this regard as their sisters. The new coat may squeeze; the new collar may strangle; the new boots may pinch; the new hat may leave its red mark on the throbbing forehead, but perish the thought of not wearing either! The self-immolation which is undergone in this way finds no mention in "Fox's Book of Martyrs;" but its silent, tearless, uncomplaining heroism exists none the less for all that. From the days when our foremothers had their heads built up in turrets by the hurried hair-dresser, the night previous to some great festive occasion, and sat bolstered upright in bed all night, for fear of tumbling them – down to the present day of ladies' "hair-crimpers," human nature has held its own in this respect.

Middle age, with few exceptions, looks upon new clothes with abated interest. Old clothes, like old customs, fit easy. Comfort, anyhow, says middle age – appearances as the gods please; so new shoes lie on the shelf unworn for weeks, for fear of stiff heels or squeaky soles; and new clothes look and feel so spick-and-span and glossy, that middle age can no more say or do a natural thing in them, than the boy could spell right "before he had got the hang of the new school-house;" middle age resents this petty, fretting intrusion on its much-loved quiet. It is irritable, till new clothes begin to feel easy, which is not generally the case till some seam grows threadbare, or some treacherous gap horrifies the easy wearer with renewed visions of innovating fashions and fabrics.

Now this is very natural and very well, too, to a certain extent; but middle age sometimes forgets that something is due to affectionate young eyes, which take a proper pride in seeing "father" or "mother" neatly and becomingly dressed, according to their age and station in life. Roses and snow, of course, nobody looks for; but the trim evergreen shows well, even beside a snow-bank; and nature herself hangs glistening pendants of icicles from the glossy leaves of the ivy.

It is a harrowing reflection how much money is "sunk" every day in new clothes, in which the blissfully unconscious wearers look none the better, but rather the worse. Still, if everybody had good taste in this matter, there would be no foil to the well-dressed; and I am afraid the heartless dry-goods merchants care little whether blondes dress in orange color, or brunettes in sky-blue, so that their bills are paid.

But new clothes for the "baby." Ah! that is something worth while. I ask you, did love ever find fabric soft enough, or nice enough, or pretty enough, for "the baby"? Fathers and mothers may make as virtuously economical resolutions as they please; but why, if they mean to carry them out, do they linger at the shop-window where that dainty little satin bonnet stares them innocently in the face, with that pert little rosette, cocked upon one side, that "would look so cunning on baby." Why do they contemplate the rows of bright little red-prunella boots, or the embroidered little sacques and frocks? Why don't they cross right over and travel home out of the way of temptation? Surely, no pink could rival the rose of baby's cheek; no crimson the coral of its lips; no blue the sapphire of its eyes. For all that, out comes the purse and home goes the bonnet, or cloak, or frock. Just as if shopkeepers didn't know that babies will keep on being born, and born pretty; and that fathers and mothers are, and will be, their happy slaves all the world over to the end of time!

HOW I READ THE MORNING PAPERS

If there is a time when I sigh for the "Cave of Adullam," whatever that may be, it is when, my coffee swallowed, my fingers clutch my precious, morning papers, for a blessed, quiet read.

I just begin an editorial, which requires a little thinking, when up comes Biddy with "Ma'am, there's a hole in the biler." The "biler" settled, I go back to the place indicated by my forefinger, where the Editor was saying "that Congress – " when somebody upsets the coffee-pot in an attempt to burlesque last night's public performance. The coffee-pot set right end up, and the coffee pond drained off the table-cloth, I return again to my beloved editorial; – when Biddy again appears with "Ma'am, the man has come to mend the door-handle as is broke." That nuisance disposed of, I take my paper and retreat in self-defence to the top of the house, and commence to read again, "that Congress – " when I am interrupted with loud shouts of "Where's mother? Mother? where are you?" I disdain to answer. "Mother?" In despair, I cry, in tragic tones, "Well, what is it?" "A poor soldier is at the door with pictures at thirty cents apiece, and he has but one arm." "Well, I have but one life – but for mercy's sake take his pictures, and don't let in anything else, man, woman, or child, till I read my paper through." I begin again: "If Congress – " when Biddy, who is making the bed in the next room, begins howling "Swate Ireland is the land for me." I get up and very mildly request – in view of a possible visit to an Intelligence Office – that she will oblige me by deferring her concert till I get through my morning paper. Then I begin again: "If Congress – " when up comes paterfamilias to know if it is to be beef, or chicken, or veal, that he is to order at market for that day's dinner. "Possum, if you like," I mutter, with both fingers on my ears, as I commence again, "If Congress – " Paterfamilias laughs and retreats, exclaiming, "Shadrachs! vot a womansh!" and I finish "Congress," and begin on the book reviews. A knock on the door. "Six letters, ma'am." I open them. Three for an "autograph," with the privilege of finding my own envelope and stamp, and mailing it afterward. One with a request for me to furnish a speedy "composition" to save a school-boy at a dead-lock of ideas from impending suicide. One from a man who has made a new kind of polish for the legs of tables and chairs, and wants me to write an article about it in the Ledger, and send him an early copy of the same. One from a girl "who never in her life owned a dress bonnet," and would like, with my assistance, to experience that refreshing and novel sensation.

I begin again my postponed list of "book reviews;" when in comes paterfamilias to know "if I haven't yet done with that paper." That's the last ounce on the camel's back! Mind you, he has just read his morning paper through, and it contains a different stripe of politics from mine, I can tell you that. Read it in peace, too – with his legs on the mantel, smoking his beloved pipe. Read it up and down; backwards and forwards; inside out, and upside down; and disembowelled every shade of meaning from live and dead subjects; and then coolly inquires of me – me, with my hair on end in the vain effort to retain any ideas through all these interruptions – "if I haven't yet done with that paper?" Oh, it's too much! I sit down opposite him. I explain how I never get a chance to finish anything except himself. I tell him my life is all fragments. I ask him, with moist eyes, if he knows how the price of board ranges at the different Lunatic Asylums. What is his unfeeling answer? "Hadn't I better take some other hour in the day to read the papers?"

Isn't that just like a man?

Has not bother and worry "all seasons for its own," as far as women are concerned? Would it make any difference what "hour in the day" I took to read the papers? Can women ever have any system about anything, while a Biddy or a male creature exists on the face of the earth to tangle up things? Have I not all my life been striving and struggling for that "order" which my copy-book told me in my youth "was Heaven's first law"? And is it my fault if "chaos," which I hate, is my "unwilling portion"? I just propounded to paterfamilias these vital questions. With eyes far off on distant, and untried, and possible fields of literature, he absently replies: "Well, as you say, Fanny, I shouldn't wonder if it does rain to-day." Great Heavens!

Smoking Babies. – It would not be amiss to call the attention of parents and school-teachers to the fact that every morning, lads from seven years old to twelve may be seen, satchel in hand, smoking on their way to school. Surely, between the parents and the teachers, some remedy should immediately be devised to prevent this enormous tax upon the vitality of youth. A great deal has very properly been written and spoken upon the mismanagement of young girls who have not yet reached their teens. Why not extend this philanthropic solicitude to their brothers? Is it because smoking fathers, being themselves slaves to this vile habit, have not the face to ask their sons to practise a self-denial, of which their own manhood is incapable?

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