Александр Дюма
The Conspirators
CHAPTER X.
THE AGREEMENT
The chevalier extended his hand to Roquefinette, saying:
"Yes, you are a man of your word, but enter quickly; it is important that my neighbors should not notice you."
"In that case I am as dumb as a log," answered the captain; "besides," added he, pointing to the pâté and the bottles which covered the table, "you have found the true way of shutting my mouth."
The chevalier shut the door behind the captain and pushed the bolt.
"Ah! ah! mystery – so much the better, I am fond of mystery. There is almost always something to be gained when people begin by saying 'hush.' In any case you cannot do better than address yourself to your servant," continued the captain, resuming his mythological language. "You see in me the grandson of Hippocrates, the god of silence. So do not be uneasy."
"That is well, captain," answered D'Harmental, "for I confess that what I have to say to you is of sufficient importance for me to claim your discretion beforehand."
"It is granted, chevalier. While I was giving a lesson to little Ravanne, I saw, out of a corner of my eye, that you were a skillful swordsman, and I love brave men. Then, in return for a little service, only worth a fillip, you made me a present of a horse which was worth a hundred louis, and I love generous men. Thus you are twice my man, why should I not be yours once?"
"Well," said the chevalier, "I see that we understand each other."
"Speak, and I will listen," answered the captain, assuming his gravest air.
"You will listen better seated, my dear guest. Let us go to breakfast."
"You preach like St. John with the golden mouth, chevalier," said the captain, taking off his sword and placing that and his hat on the harpsichord; "so that," continued he, sitting down opposite D'Harmental, "one cannot differ from you in opinion. I am here; command the maneuver, and I will execute it."
"Taste that wine while I cut the pate."
"That is right," said the captain, "let us divide our forces, and fight the enemy separately, then let us re-unite to exterminate what remains."
And joining practice to theory, the captain seized the first bottle by the neck, drew the cork, and having filled a bumper, drank it off with such ease that one would have said that nature had gifted him with an especial method of deglutition; but, to do him justice, scarcely had he drunk it than he perceived that the liquor, which he had disposed of so cavalierly, merited a more particular attention than he had given it.
"Oh!" said he, putting down his glass with a respectful slowness, "what have I done, unworthy that I am? I drink nectar as if it were trash, and that at the beginning of the feast! Ah!" continued he, shaking his head, "Roquefinette, my friend, you are getting old. Ten years ago you would have known what it was at the first drop that touched your palate, while now you want many trials to know the worth of things. To your health, chevalier."
And this time the captain, more circumspect, drank the second glass slowly, and set it down three times before he finished it, winking his eyes in sign of satisfaction. Then, when he had finished —
"This is hermitage of 1702, the year of the battle of Friedlingen. If your wine-merchant has much like that, and if he will give credit, let me have his address. I promise him a good customer."
"Captain," answered the chevalier, slipping an enormous slice of pate on to the plate of his guest, "my wine-merchant not only gives credit, but to my friends he gives altogether."
"Oh, the honest man!" cried the captain. Then, after a minute's silence, during which a superficial observer would have thought him absorbed in the appreciation of the pate, as he had been an instant before in that of the wine, he leaned his two elbows on the table, and looking at D'Harmental with a penetrating glance between his knife and fork —
"So, my dear chevalier," said he, "we conspire, it seems, and in order to succeed we have need of poor Captain Roquefinette."
"And who told you that, captain?" broke in the chevalier, trembling in spite of himself.
"Who told me that, pardieu! It is an easy riddle to answer. A man who gives away horses worth a hundred louis, who drinks wine at a pistole the bottle, and who lodges in a garret in the Rue du Temps Perdu, what should he be doing if not conspiring?"
"Well, captain," said D'Harmental, laughing, "I shall never be discreet; you have divined the truth. Does a conspiracy frighten you?" continued he, filling his guest's glass.
"Frighten me! Who says that anything on earth can frighten Captain Roquefinette?"
"Not I, captain; for at the first glance, at the first word, I fixed on you as my second."
"Ah! that is to say, that if you are hung on a scaffold twenty feet high, I shall be hung on one ten feet high, that's all!"
"Peste! captain," said D'Harmental, "if one always began by seeing thing in their worst light, one would never attempt anything."
"Because I have spoken of the gallows?" answered the captain. "That proves nothing. What is the gallows in the eyes of a philosopher? One of the thousand ways of parting from life, and certainly one of the least disagreeable. One can see that you have never looked the thing in the face, since you have such an aversion to it. Besides, on proving our noble descent, we shall have our heads cut off, like Monsieur de Rohan. Did you see Monsieur de Rohan's head cut off?" continued the captain, looking at D'Harmental. "He was a handsome young man, like you, and about your age. He conspired, but the thing failed. What would you have? Everybody may be deceived. They built him a beautiful black scaffold; they allowed him to turn toward the window where his mistress was; they cut the neck of his shirt with scissors, but the executioner was a bungler, accustomed to hang, and not to decapitate, so that he was obliged to strike three or four times to cut the head off, and at last he only managed by the aid of a knife which he drew from his girdle, and with which he chopped so well that he got the neck in half. Bravo! you are brave!" continued the captain, seeing that the chevalier had listened without frowning to all the details of this horrible execution. "That will do – I am your man. Against whom are we conspiring? Let us see. Is it against Monsieur le Duc de Maine? Is it against Monsieur le Duc d'Orleans? Must we break the lame one's other leg? Must we cut out the blind one's other eye? I am ready."
"Nothing of all that, captain; and if it pleases God there will be no blood spilled."
"What is going on then?"
"Have you ever heard of the abduction of the Duke of Mantua's secretary?"
"Of Matthioli?" – "Yes."
"Pardieu! I know the affair better than any one, for I saw them pass as they were conducting him to Pignerol. It was the Chevalier de Saint-Martin and Monsieur de Villebois who did it; and by this token they each had three thousand livres for themselves and their men."
"That was only middling pay," said D'Harmental, with a disdainful air.
"You think so, chevalier? Nevertheless three thousand livres is a nice little sum."
"Then for three thousand livres you would have undertaken it?"
"I would have undertaken it," answered the captain.
"But if instead of carrying off a secretary it had been proposed to you to carry off a duke?"
"That would have been dearer."
"But you would have undertaken it all the same?"
"Why not? I should have asked double – that is all."
"And if, in giving you double, a man like myself had said to you, 'Captain, it is not an obscure danger that I plunge you into; it is a struggle in which I am myself engaged, like you, and in which I venture my name, my future, and my head:' what would you have answered?"
"I would have given him my hand, as I now give it you. Now what is the business?"
The chevalier filled his own glass and that of the captain.
"To the health of the regent," said he, "and may he arrive without accident at the Spanish frontier, as Matthioli arrived at Pignerol."
"Ah! ah!" said the captain, raising his glass. Then, after a pause, "And why not?" continued he, "the regent is but a man after all. Only we shall neither be hanged nor decapitated; we shall be broken on the wheel. To any one else I should say that a regent would be dearer, but to you, chevalier, I have only one price. Give me six thousand livres, and I will find a dozen determined men."
"But those twelve men, do you think that you may trust them?"
"What need for their knowing what they are doing? They shall think they are only carrying out a wager."
"And I," answered D'Harmental, "will show you that I do not haggle with my friends. Here are two thousand crowns in gold, take them on account if we succeed; if we fail we will cry quits."
"Chevalier," answered the captain, taking the bag of money and poising it on his hand with an indescribable air of satisfaction, "I will not do you the injustice of counting after you. When is the affair to be?"
"I do not know yet, captain; but if you find the pate to your taste, and the wine good, and if you will do me the pleasure of breakfasting with me every day as you have done to-day, I will keep you informed of everything."
"That would not do, chevalier," said the captain. "I should not have come to you three mornings before the police of that cursed Argenson would have found us out. Luckily he has found some one as clever as himself, and it will be some time before we are at the bar together. No, no, chevalier, from now till the moment for action, the less we see of one another the better; or rather, we must not see each other at all. Your street is not a long one, and as it opens at one end on the Rue du Gros-Chenet, and at the other on the Rue Montmartre, I shall have no reason for coming through it. Here," continued he, detaching his shoulder-knot, "take this ribbon. The day that you want me, tie it to a nail outside your window. I shall understand it, and I will come to you."
"How, captain!" said D'Harmental, seeing that his companion was fastening on his sword. "Are you going without finishing the bottle? What has the wine, which you appeared to appreciate so much a little while ago, done to you, that you despise it so now?"
"It is just because I appreciate it still that I separate myself from it; and the proof that I do not despise it," said the captain, filling his glass, "is that I am going to take an adieu of it. To your health, chevalier; you may boast of having good wine. Hum! And now, n – o, no, that is all. I shall take to water till I see the ribbon flutter from your window. Try to let it be as soon as possible, for water is a liquid that does not suit my constitution."
"But why do you go so soon?"
"Because I know Captain Roquefinette. He is a good fellow; but when he sits down before a bottle he must drink, and when he has drunk he must talk; and, however well one talks, remember that those who talk much always finish by making some blunder. Adieu, chevalier. Do not forget the crimson ribbon; I go to look after our business."
"Adieu, captain," said D'Harmental, "I am pleased to see that I have no need to preach discretion to you."
The captain made the sign of the cross on his mouth with his right thumb, placed his hat straight on his head, raised his sword for fear of its making a noise or beating against the wall, and went downstairs as silently as if he had feared that every step would echo in the Hotel d'Argenson.
CHAPTER XI.
PROS AND CONS
The chevalier remained alone; but this time there was, in what had just passed between himself and the captain, sufficient matter for reflection to render it unnecessary for him to have recourse either to the poetry of the Abbe Chaulieu, his harpsichord, or his chalks. Indeed, until now, he had been only half engaged in the hazardous enterprise of which the Duchesse de Maine and the Prince de Cellamare had shown him the happy ending, and of which the captain, in order to try his courage, had so brutally exhibited to him the bloody catastrophe. As yet he had only been the end of a chain, and, on breaking away from one side, he would have been loose. Now he was become an intermediate ring, fastened at both ends, and attached at the same time to people above and below him in society. In a word, from this hour he no longer belonged to himself, and he was like the Alpine traveler, who, having lost his way, stops in the middle of an unknown road, and measures with his eye, for the first time, the mountain which rises above him and the gulf which yawns beneath his feet.
Luckily the chevalier had the calm, cold, and resolute courage of a man in whom fire and determination – those two opposite forces – instead of neutralizing, stimulated each other. He engaged in danger with all the rapidity of a sanguine man; he weighed it with all the consideration of a phlegmatic one. Madame de Maine was right when she said to Madame de Launay that she might put out her lantern, and that she believed she had at last found a man.
But this man was young, twenty-six years of age, with a heart open to all the illusions and all the poetry of that first part of existence. As a child he had laid down his playthings at the feet of his mother. As a young man he had come to exhibit his handsome uniform as colonel to the eyes of his mistress; indeed, in every enterprise of his life some loved image had gone before him, and he threw himself into danger with the certainty that, if he succumbed, there would be some one surviving who would mourn his fate.
But his mother was dead, the last woman by whom he had believed himself loved had betrayed him, and he felt alone in the world – bound solely by interest to men to whom he would become an obstacle as soon as he ceased to be an instrument, and who, if he broke down, far from mourning his loss, would only see in it a cause of satisfaction. But this isolated position, which ought to be the envy of all men in a great danger, is almost always (such is the egotism of our nature) a cause of the most profound discouragement. Such is the horror of nothingness in man, that he believes he still survives in the sentiments which he has inspired, and he in some measure consoles himself for leaving the world by thinking of the regrets which will accompany his memory, and of the pity which will visit his tomb. Thus, at this instant, the chevalier would have given everything to be loved, if it was only by a dog.
He was plunged in the saddest of these reflections when, passing and repassing before his window, he noticed that his neighbor's was open. He stopped suddenly, and shook his head, as if to cast off the most somber of these thoughts; leaning his elbow on the table, and his head on his hand, he tried to give a different direction to his thoughts by looking at exterior objects.
The young girl whom he had seen in the morning was seated near her window, in order to benefit by the last rays of daylight; she was working at some kind of embroidery. Behind her the harpsichord was open, and, on a stool at her feet, her greyhound slept the light sleep of an animal destined by nature to be the guard of man, waking at every noise which arose from the street, raising its ears, and stretching out its elegant head over the window-sill; then it lay down again, placing one of its little paws upon its mistress's knees. All this was deliciously lighted up by the rays of the sinking sun, which penetrated into the room, sparkling on the steel ornaments of the harpsichord and the gold beading of the picture-frames. The rest was in twilight.
Then it seemed to the chevalier (doubtless on account of the disposition of mind he was in when this picture had struck his eye) that this young girl, with the calm and sweet face, entered into his life, like one of those personages who always remain behind a veil, and make their entrance on a piece in the second or third act to take part in the action, and, sometimes, to change the denouement.
Since the age when one sees angels in one's dreams, he had seen no one like her. She was a mixture of beauty, candor, and simplicity, such as Greuze has copied, not from nature, but from the reflections in the mirror of his imagination. Then, forgetting everything, the humble condition in which without doubt she had been born, the street where he had found her, the modest room which she had inhabited, seeing nothing in the woman except the woman herself, he attributed to her a heart corresponding with her face, and thought what would be the happiness of the man who should first cause that heart to beat; who should be looked upon with love by those beautiful eyes, and who, in the words, "I love you!" should gather from those lips, so fresh and so pure, that flower of the soul – a first kiss.
Such are the different aspects which the same objects borrow from the situation of him who looks at them. A week before, in the midst of his gayety, in his life which no danger menaced, between a breakfast at the tavern and a stag-hunt, between a wager at tennis and a supper at La Fillon's, if D'Harmental had met this young girl, he would doubtless have seen in her nothing but a charming grisette, whom he would have had followed by his valet-de-chambre, and to whom, the next day, he would have outrageously offered a present of some twenty-five louis.
But the D'Harmental of a week ago existed no more. In the place of the handsome seigneur – elegant, wild, dissipated, and certain of life – was an insulated young man, walking in the shade, alone, and self-reliant, without a star to guide him, who might suddenly feel the earth open under his feet, and the heavens burst above his head. He had need of a support, so feeble was he; he had need of love, he had need of poetry. It was not then wonderful that, searching for a Madonna to whom to address his prayers, he raised in his imagination this young and beautiful girl from the material and prosaic sphere in which he found her, and that, drawing her into his own, he placed her, not such as she was, doubtless, but such as he wished her to be, on the empty pedestal of his past adorations.
All at once the young girl raised her head, and happened to look in his direction, and saw the pensive figure of the chevalier through the glass. It appeared evident to her that the young man remained there for her, and that it was at her he was looking. Then a bright blush spread over her face. Still she pretended she had seen nothing, and bent her head once more over her embroidery. But a minute afterward she rose, took a few turns round her room; then, without affectation, without false prudery, but nevertheless with a certain embarrassment, she returned and shut the window. D'Harmental remained where he was, and as he was; continuing, in spite of the shutting of the window, to advance into the imaginary country where his thoughts were straying.
Once or twice he thought that he saw the curtain of his neighbor's window raised, as if she wished to know whether he whose indiscretion had driven her from her place was still at his. At last a few masterly chords were heard; a sweet harmony followed; and it was then D'Harmental who opened his window in his turn.
He had not been mistaken, his neighbor was an admirable musician; she executed two or three little pieces, but without blending her voice with the sound of the instrument; and D'Harmental found almost as much pleasure in listening to her as he had found in looking at her. Suddenly she stopped in the midst of a passage. D'Harmental supposed either that she had seen him at his window, and wished to punish him for his curiosity, or that some one had come in and interrupted her. He retired into his room, but so as not to lose sight of the window, and soon discovered that his last supposition was the true one.
A man came to the window, raised the curtain, and pressed his fat, good-natured face against the glass, while with one hand he beat a march against the panes. The chevalier recognized, in spite of a sensible difference which there was in his toilet, the man of the water-jet whom he had seen on the terrace in the morning, and who, with a perfect air of familiarity, had twice pronounced the name of "Bathilde."
This apparition, more than prosaic, produced the effect which might naturally have been expected; that is to say, it brought D'Harmental back from imaginary to real life. He had forgotten this man, who made such a strange and perfect contrast with the young girl, and who must doubtless be either her father, her lover, or her husband. But in either of these cases, what could there be in common between the daughter, the wife, or the mistress of such a man, and the noble and aristocratic chevalier? The wife! It is a misfortune of her dependent situation that she rises and falls according to the grandeur or vulgarity of him on whose arm she leans; and it must be confessed that the gardener was not formed to maintain poor Bathilde at the height to which the chevalier had raised her in his dreams.
Then he began to laugh at his own folly; and the night having arrived, and as he had not been outside the door since the day before, he determined to take a walk through the town, in order to assure himself of the truth of the Prince de Cellamare's reports. He wrapped himself in his cloak, descended the four stories, and bent his steps toward the Luxembourg, where the note which the Abbe Brigaud had brought him in the morning said that the regent was going to supper without guards.
Arrived opposite the palace of the Luxembourg, the chevalier saw none of those signs which should announce that the Duc d'Orleans was at his daughter's house: there was only one sentinel at the door, while from the moment that the regent entered a second was generally placed there. Besides, he saw no carriage waiting in the court, no footmen or outriders; it was evident, then, that he had not come. The chevalier waited to see him pass, for, as the regent never breakfasted, and took nothing but a cup of chocolate at two o'clock in the afternoon, he rarely supped later than six o'clock; but a quarter to six had struck at the St. Surplice at the moment when the chevalier turned the corner of the Rue de Conde, and the Rue de Vaugirard.
The chevalier waited an hour and a half in the Rue de Tournon, going from the Rue du Petit-Lion to the palace, without seeing what he had come to look for. At a quarter to eight he saw some movement in the Luxembourg. A carriage, with outriders armed with torches, came to the foot of the steps. A minute after three women got in; he heard the coachman call to the outriders, "To the Palais Royal;" and the outriders set off at a gallop, the carriage followed, the sentinel presented arms; and, quickly as the elegant equipage with the royal arms of France passed, the chevalier recognized the Duchesse de Berry, Madame de Mouchy, her lady of honor, and Madame de Pons, her tire-woman.
There had been an important error in the report sent to the chevalier; it was the daughter who went to the father, not the father who came to the daughter.
Nevertheless, the chevalier still waited, for some accident might have happened to the regent, which detained him at home. An hour after he saw the carriage repass. The Duchesse de Berry was laughing at a story which Broglie was telling her. There had not then been any serious accident; it was the police of the Prince de Cellamare, then, that were at fault.
The chevalier returned home about ten o'clock without having been met or recognized. He had some trouble to get the door opened, for, according to the patriarchal habits of Madame Denis's house, the porter had gone to bed, and came out grumbling to unfasten the bolts. D'Harmental slipped a crown into his hand, saying to him, once for all, that he should sometimes return late, but that each time that he did so he would give him the same; upon which the porter thanked him, and assured him that he was perfectly welcome to come home at any time he liked, or even not to return at all.
On returning to his room, D'Harmental saw that his neighbor's was lighted up; he placed his candle behind a piece of furniture, and approached the window, so that, as much as the muslin curtains allowed, he could see into her room, while she could not see into his.
She was seated near a table, drawing, probably, on a card which she held on her knees, for he saw her profile standing out black against the light behind her. Shortly another shadow, which the chevalier recognized as that of the good man of the terrace, passed twice between the light and the window. At last the shade approached the young girl, she offered her forehead, the shadow imprinted a kiss on it, and went away, with his candle in his hand. Directly afterward the windows of the fifth story were lighted up. All these little circumstances spoke a language which it was impossible not to understand. The man of the terrace was not the husband of Bathilde, he must be her father.
D'Harmental, without knowing why, felt overjoyed at this discovery; he opened his window as softly as he could, and leaned on the bar, which served him as a support, with his eyes fixed on the shadow. He fell into the same reverie out of which he had been startled that morning by the grotesque apparition of his neighbor. In about an hour the girl rose, put down her card and crayons on the table, advanced toward the alcove, knelt on a chair before the second window, and offered up her prayers. D'Harmental understood that her laborious watch was finished, but remembering the curiosity of his beautiful neighbor, when he had begun to play the first time, he wished to see if he could prolong that watch, and he sat down to his spinet. What he had foreseen happened; at the first notes which reached her, the young girl, not knowing that from the position of the light he could see her shadow through the curtains, approached the window on tiptoe, and thinking herself hidden, she listened to the melodious instrument, which, like the nightingale, awoke to sing in the middle of the night.
The concert would have probably continued thus for some hours, for D'Harmental, encouraged by the result produced, felt an energy and an ease of execution such as he had never known before. Unluckily, the occupier of the third floor was undoubtedly some clown, no lover of music, for D'Harmental heard suddenly, just below his feet, the noise of a stick knocking on the ceiling with such violence that he could not doubt that it was a warning to him to put off his melodious occupation till a more suitable period. Under other circumstances, D'Harmental would have sent the impertinent adviser to the devil, but reflecting that any ill-feeling on the lodger's part would injure his own reputation with Madame Denis, and that he was playing too heavy a game to risk being recognized, and not to submit philosophically to all the inconveniences of the new position which he had adopted, instead of setting himself in opposition to the rules established without doubt between Madame Denis and her lodgers, he obeyed the intimation, forgetting in what manner that intimation had been given him.
On her part, as soon as she heard nothing more, the young girl left the window, and as she let the inner curtains fall behind her, she disappeared from D'Harmental's eyes. For some time longer he could still see a light in her room; then the light was extinguished. As to the window on the fifth floor, for some time that had been in the most perfect darkness. D'Harmental also went to bed, joyous to think that there existed a point of sympathy between himself and his neighbor.
The next day the Abbe Brigaud entered the room with his accustomed punctuality. The chevalier had already been up more than an hour; he had gone twenty times to his window, but without seeing his neighbor, although it was evident that she was up, even before himself; indeed, on waking he had seen the large curtains put up in their bands. Thus he was disposed to let out his ill-humor on any one.
"Ah! pardieu! my dear abbe," said he, as soon as the door was shut; "congratulate the prince for me on his police; it is perfectly arranged, on my honor!"
"What have you got against them?" asked the abbe, with the half-smile which was habitual to him.
"What have I! I have, that, wishing to judge for myself, last evening, of its truth, I went and hid myself in the Rue Tournon. I remained there four hours, and it was not the regent who came to his daughter, but Madame de Berry who went to her father."
"Well, we know that."
"Ah! you know that!" said D'Harmental.
"Yes, and by this token, that she left the Luxembourg at five minutes to eight, with Madame de Mouchy and Madame de Pons, and that she returned at half-past nine, bringing Broglie with her, who came to take the regent's place at table."
"And where was the regent?"
"The regent?"
"Yes."
"That is another story; you shall learn. Listen, and do not lose a word; then we shall see if you will say that the prince's police is badly arranged."
"I attend."
"Our report announced that at three o'clock the duke-regent would go to play tennis in the Rue de Seine."
"Yes."
"He went. In about half an hour he left holding his handkerchief over his eyes. He had hit himself on the brow with the racket, and with such violence that he had torn the skin of his forehead."
"Ah, this then was the accident!"
"Listen. Then the regent, instead of returning to the Palais Royal, was driven to the house of Madame de Sabran. You know where Madame de Sabran lives?"
"She lived in the Rue de Tournon, but since her husband has become maitre d'hotel to the regent, she lives in the Rue des Bons Enfants, near the Palais Royal."
"Exactly; but it seems that Madame de Sabran, who until now was faithful to Richelieu, was touched by the pitiable state in which she saw the prince, and wished to justify the proverb, 'Unlucky at play, lucky at love.' The prince, by a little note, dated half-past seven, from the drawing-room of Madame de Sabran, with whom he supped, announced to Broglie that he should not go to the Luxembourg, and charged him to go in his stead, and make his excuses to the Duchesse de Berry."
