Мэри Элизабет Брэддон
John Marchmont's Legacy. Volumes 1-3

Upon this 17th of October Olivia Marchmont sat in the little study looking out upon the quadrangle, while the household was busied with the preparations for the festival of the following day. She was to remain at Marchmont Towers as a guest of the new master of the mansion. She would be protected from all scandal, Paul had said, by the presence of his mother and sister. She could retain the apartments she had been accustomed to occupy; she could pursue her old mode of life. He himself was not likely to be very much at the Towers. He was going to travel and to enjoy life now that he was a rich man.

These were the arguments which Mr. Marchmont used when openly discussing the widow's residence in his house. But in a private conversation between Olivia and himself he had only said a very few words upon the subject.

"You must remain," he said; and Olivia submitted, obeying him with a sullen indifference that was almost like the mechanical submission of an irresponsible being.

John Marchmont's widow seemed entirely under the dominion of the new master of the Towers. It was as if the stormy passions which had arisen out of a slighted love had worn out this woman's mind, and had left her helpless to stand against the force of Paul Marchmont's keen and vigorous intellect. A remarkable change had come over Olivia's character. A dull apathy had succeeded that fiery energy of soul which had enfeebled and well–nigh worn out her body. There were no outbursts of passion now. She bore the miserable monotony of her life uncomplainingly. Day after day, week after week, month after month, idle and apathetic, she sat in her lonely room, or wandered slowly in the grounds about the Towers. She very rarely went beyond those grounds. She was seldom seen now in her old pew at Kemberling Church; and when her father went to her and remonstrated with her for her non–attendance, she told him sullenly that she was too ill to go. She was ill. George Weston attended her constantly; but he found it very difficult to administer to such a sickness as hers, and he could only shake his head despondently when he felt her feeble pulse, or listened to the slow beating of her heart. Sometimes she would shut herself up in her room for a month at a time, and see no one but her faithful servant Barbara, and Mr. Weston–whom, in her utter indifference, she seemed to regard as a kind of domestic animal, whose going or coming were alike unimportant.

This stolid, silent Barbara waited upon her mistress with untiring patience. She bore with every change of Olivia's gloomy temper; she was a perpetual shield and protection to her. Even upon this day of preparation and disorder Mrs. Simmons kept guard over the passage leading to the study, and took care that no one intruded upon her mistress. At about four o'clock all Paul Marchmont's orders had been given, and the new master of the house dined for the first time by himself at the head of the long carved–oak dining–table, waited upon in solemn state by the old butler. His mother and sister were to arrive by a train that would reach Swampington at ten o'clock, and one of the carriages from the Towers was to meet them at the station. The artist had leisure in the meantime for any other business he might have to transact.

He ate his dinner slowly, thinking deeply all the time. He did not stop to drink any wine after dinner; but, as soon as the cloth was removed, rose from the table, and went straight to Olivia's room.

"I am going down to the painting–room," he said. "Will you come there presently? I want very much to say a few words to you."

Olivia was sitting near the window, with her hands lying idle in her lap. She rarely opened a book now, rarely wrote a letter, or occupied herself in any manner. She scarcely raised her eyes as she answered him.

"Yes," she said; "I will come."

"Don't be long, then. It will be dark very soon. I am not going down there to paint; I am going to fetch a landscape that I want to hang in my mother's room, and to say a few words about–"

He closed the door without stopping to finish the sentence, and went out into the quadrangle.

Ten minutes afterwards Olivia Marchmont rose, and taking a heavy woollen shawl from a chair near her, wrapped it loosely about her head and shoulders.

"I am his slave and his prisoner," she muttered to herself. "I must do as he bids me."

A cold wind was blowing in the quadrangle, and the stone pavement was wet with a drizzling rain. The sun had just gone down, and the dull autumn sky was darkening. The fallen leaves in the wood were sodden with damp, and rotted slowly on the swampy ground.

Olivia took her way mechanically along the narrow pathway leading to the river. Half–way between Marchmont Towers and the boat–house she came suddenly upon the figure of a man walking towards her through the dusk. This man was Edward Arundel.

The two cousins had not met since the March evening upon which Edward had gone to seek the widow in Paul Marchmont's painting–room. Olivia's pale face grew whiter as she recognised the soldier.

"I was coming to the house to speak to you, Mrs. Marchmont," Edward said sternly. "I am lucky in meeting you here, for I don't want any one to overhear what I've got to say."

He had turned in the direction in which Olivia had been walking; but she made a dead stop, and stood looking at him.

"You were going to the boat–house," he said. "I will go there with you."

She looked at him for a moment, as if doubtful what to do, and then said,

"Very well. You can say what you have to say to me, and then leave me. There is no sympathy between us, there is no regard between us; we are only antagonists."

"I hope not, Olivia. I hope there is some spark of regard still, in spite of all. I separate you in my own mind from Paul Marchmont. I pity you; for I believe you to be his tool."

"Is this what you have to say to me?"

"No; I came here, as your kinsman, to ask you what you mean to do now that Paul Marchmont has taken possession of the Towers?"

"I mean to stay there."

"In spite of the gossip that your remaining will give rise to amongst these country–people!"

"In spite of everything. Mr. Marchmont wishes me to stay. It suits me to stay. What does it matter what people say of me? What do I care for any one's opinion–now?"

"Olivia," cried the young man, "are you mad?"

"Perhaps I am," she answered, coldly.

"Why is it that you shut yourself from the sympathy of those who have a right to care for you? What is the mystery of your life?"

His cousin laughed bitterly.

"Would you like to know, Edward Arundel?" she said. "You shall know, perhaps, some day. You have despised me all my life; you will despise me more then."

They had reached Paul Marchmont's painting–room by this time. Olivia opened the door and walked in, followed by Edward. Paul was not there. There was a picture covered with green–baize upon the easel, and the artist's hat stood upon the table amidst the litter of brushes and palettes; but the room was empty. The door at the top of the stone steps leading to the pavilion was ajar.

"Have you anything more to say to me?" Olivia asked, turning upon her cousin as if she would have demanded why he had followed her.

"Only this: I want to know your determination; whether you will be advised by me–and by your father,–I saw my uncle Hubert this morning, and his opinion exactly coincides with mine,–or whether you mean obstinately to take your own course in defiance of everybody?"

"I do," Olivia answered. "I shall take my own course. I defy everybody. I have not been gifted with the power of winning people's affection. Other women possess that power, and trifle with it, and turn it to bad account. I have prayed, Edward Arundel,–yes, I have prayed upon my knees to the God who made me, that He would give me some poor measure of that gift which Nature has lavished upon other women; but He would not hear me, He would not hear me! I was not made to be loved. Why, then, should I make myself a slave for the sake of winning people's esteem? If they have despised me, I can despise them."

"Who has despised you, Olivia?" Edward asked, perplexed by his cousin's manner.

"YOU HAVE!" she cried, with flashing eyes; "you have! From first to last–from first to last!" She turned away from him impatiently. "Go," she said; "why should we keep up a mockery of friendliness and cousinship? We are nothing to each other."

Edward walked towards the door; but he paused upon the threshold, with his hat in his hand, undecided as to what he ought to do.

As he stood thus, perplexed and irresolute, a cry, the feeble cry of a child, sounded within the pavilion.

The young man started, and looked at his cousin. Even in the dusk he could see that her face had suddenly grown livid.

"There is a child in that place," he said pointing to the door at the top of the steps.

The cry was repeated as he spoke,–the low, complaining wail of a child. There was no other voice to be heard,–no mother's voice soothing a helpless little one. The cry of the child was followed by a dead silence.

"There is a child in that pavilion," Edward Arundel repeated.

"There is," Olivia answered.

"Whose child?"

"What does it matter to you?"

"Whose child?"

"I cannot tell you, Edward Arundel."

The soldier strode towards the steps, but before he could reach them, Olivia flung herself across his pathway.

"I will see whose child is hidden in that place," he said. "Scandalous things have been said of you, Olivia. I will know the reason of your visits to this place."

She clung about his knees, and hindered him from moving; half kneeling, half crouching on the lowest of the stone steps, she blocked his pathway, and prevented him from reaching the door of the pavilion. It had been ajar a few minutes ago; it was shut now. But Edward had not noticed this.

"No, no, no!" shrieked Olivia; "you shall trample me to death before you enter that place. You shall walk over my corpse before you cross that threshold."

The young man struggled with her for a few moments; then he suddenly flung her from him; not violently, but with a contemptuous gesture.

"You are a wicked woman, Olivia Marchmont," he said; "and it matters very little to me what you do, or what becomes of you. I know now the secret of the mystery between you and Paul Marchmont. I can guess your motive for perpetually haunting this place."

He left the solitary building by the river, and walked slowly back through the wood.

His mind–predisposed to think ill of Olivia by the dark rumours he had heard through his servant, and which had had a certain amount of influence upon him, as all scandals have, however baseless–could imagine only one solution to the mystery of a child's presence in the lonely building by the river. Outraged and indignant at the discovery he had made, he turned his back upon Marchmont Towers.

"I will stay in this hateful place no longer," he thought, as he went back to his solitary home; "but before I leave Lincolnshire the whole county shall know what I think of Paul Marchmont."

VOLUME III

CHAPTER I. CAPTAIN ARUNDEL'S REVENGE

Edward Arundel went back to his lonely home with a settled purpose in his mind. He would leave Lincolnshire,–and immediately. He had no motive for remaining. It may be, indeed, that he had a strong motive for going away from the neighbourhood of Lawford Grange. There was a lurking danger in the close vicinage of that pleasant, old–fashioned country mansion, and the bright band of blue–eyed damsels who inhabited there.

"I will turn my back upon Lincolnshire for ever," Edward Arundel said to himself once more, upon his way homeward through the October twilight; "but before I go, the whole country shall know what I think of Paul Marchmont."

He clenched his fists and ground his teeth involuntarily as he thought this.

It was quite dark when he let himself in at the old–fashioned half–glass door that led into his humble sitting–room at Kemberling Retreat. He looked round the little chamber, which had been furnished forty years before by the proprietor of the cottage, and had served for one tenant after another, until it seemed as if the spindle–legged chairs and tables had grown attenuated and shadowy by much service. He looked at the simple room, lighted by a bright fire and a pair of wax–candles in antique silver candlesticks. The red firelight flickered and trembled upon the painted roses on the walls, on the obsolete engravings in clumsy frames of imitation–ebony and tarnished gilt. A silver tea–service and a Sèvres china cup and saucer, which Mrs. Arundel had sent to the cottage for her son's use, stood upon the small oval table: and a brown setter, a favourite of the young man's, lay upon the hearth–rug, with his chin upon his outstretched paws, blinking at the blaze.

As Mr. Arundel lingered in the doorway, looking at these things, an image rose before him, as vivid and distinct as any apparition of Professor Pepper's manufacture; and he thought of what that commonplace cottage–chamber might have been if his young wife had lived. He could fancy her bending over the low silver teapot,–the sprawling inartistic teapot, that stood upon quaint knobs like gouty feet, and had been long ago banished from the Dangerfield breakfast–table as utterly rococo and ridiculous. He conjured up the dear dead face, with faint blushes flickering amidst its lily pallor, and soft hazel eyes looking up at him through the misty steam of the tea–table, innocent and virginal as the eyes of that mythic nymph who was wont to appear to the old Roman king. How happy she would have been! How willing to give up fortune and station, and to have lived for ever and ever in that queer old cottage, ministering to him and loving him!

Presently the face changed. The hazel–brown hair was suddenly lit up with a glitter of barbaric gold; the hazel eyes grew blue and bright; and the cheeks blushed rosy red. The young man frowned at this new and brighter vision; but he contemplated it gravely for some moments, and then breathed a long sigh, which was somehow or other expressive of relief.

"No," he said to himself, "I am not false to my poor lost girl; I do not forget her. Her image is dearer to me than any living creature. The mournful shadow of her face is more precious to me than the brightest reality."

He sat down in one of the spindle–legged arm–chairs, and poured out a cup of tea. He drank it slowly, brooding over the fire as he sipped the innocuous beverage, and did not deign to notice the caresses of the brown setter, who laid his cold wet nose in his master's hand, and performed a species of spirit–rapping upon the carpet with his tail.

After tea the young man rang the bell, which was answered by Mr. Morrison.

"Have I any clothes that I can hunt in, Morrison?" Mr. Arundel asked.

His factotum stared aghast at this question.

"You ain't a–goin' to 'unt, are you, Mr. Edward?" he inquired, anxiously.

"Never mind that. I asked you a question about my clothes, and I want a straightforward answer."

"But, Mr. Edward," remonstrated the old servant, "I don't mean no offence; and the 'orses is very tidy animals in their way; but if you're thinkin' of goin' across country,–and a pretty stiffish country too, as I've heard, in the way of bulfinches and timber,–neither of them 'orses has any more of a 'unter in him than I have."

"I know that as well as you do," Edward Arundel answered coolly; "but I am going to the meet at Marchmont Towers to–morrow morning, and I want you to look me out a decent suit of clothes–that's all. You can have Desperado saddled ready for me a little after eleven o'clock."

Mr. Morrison looked even more astonished than before. He knew his master's savage enmity towards Paul Marchmont; and yet that very master now deliberately talked of joining in an assembly which was to gather together for the special purpose of doing the same Paul Marchmont honour. However, as he afterwards remarked to the two fellow–servants with whom he sometimes condescended to be familiar, it wasn't his place to interfere or to ask any questions, and he had held his tongue accordingly.

Perhaps this respectful reticence was rather the result of prudence than of inclination; for there was a dangerous light in Edward Arundel's eyes upon this particular evening which Mr. Morrison never had observed before.

The factotum said something about this later in the evening.

"I do really think," he remarked, "that, what with that young 'ooman's death, and the solitood of this most dismal place, and the rainy weather,–which those as says it always rains in Lincolnshire ain't far out,–my poor young master is not the man he were."

He tapped his forehead ominously to give significance to his words, and sighed heavily over his supper–beer.

* * * * *

The sun shone upon Paul Marchmont on the morning of the 18th of October. The autumn sunshine streamed into his bedchamber, and awoke the new master of Marchmont Towers. He opened his eyes and looked about him. He raised himself amongst the down pillows, and contemplated the figures upon the tapestry in a drowsy reverie. He had been dreaming of his poverty, and had been disputing a poor–rate summons with an impertinent tax–collector in the dingy passage of the house in Charlotte Street, Fitzroy Square. Ah! that horrible house had so long been the only scene of his life, that it had grown almost a part of his mind, and haunted him perpetually in his sleep, like a nightmare of brick and mortar, now that he was rich, and had done with it for ever.

Mr. Marchmont gave a faint shudder, and shook off the influence of the bad dream. Then, propped up by the pillows, he amused himself by admiring his new bedchamber.

It was a handsome room, certainly–the very room for an artist and a sybarite. Mr. Marchmont had not chosen it without due consideration. It was situated in an angle of the house; and though its chief windows looked westward, being immediately above those of the western drawing–room, there was another casement, a great oriel window, facing the east, and admitting all the grandeur of the morning sun through painted glass, on which the Marchmont escutcheon was represented in gorgeous hues of sapphire and ruby, emerald and topaz, amethyst and aqua–marine. Bright splashes of these colours flashed and sparkled on the polished oaken floor, and mixed themselves with the Oriental gaudiness of a Persian carpet, stretched beneath the low Arabian bed, which was hung with ruby–coloured draperies that trailed upon the ground. Paul Marchmont was fond of splendour, and meant to have as much of it as money could buy. There was a voluptuous pleasure in all this finery, which only a parvenu could feel; it was the sharpness of the contrast between the magnificence of the present and the shabby miseries of the past that gave a piquancy to the artist's enjoyment of his new habitation.

All the furniture and draperies of the chamber had been made by Paul Marchmont's direction; but its chief beauty was the tapestry that covered the walls, which had been worked, two hundred and fifty years before, by a patient chatelaine of the House of Marchmont. This tapestry lined the room on every side. The low door had been cut in it; so that a stranger going into that apartment at night, a little under the influence of the Marchmont cellars, and unable to register the topography of the chamber upon the tablet of his memory, might have been sorely puzzled to find an exit the next morning. Most tapestried chambers have a certain dismal grimness about them, which is more pleasant to the sightseer than to the constant inhabitant; but in this tapestry the colours were almost as bright and glowing to–day as when the fingers that had handled the variegated worsteds were still warm and flexible. The subjects, too, were of a more pleasant order than usual. No mailed ruffians or drapery–clad barbarians menaced the unoffending sleeper with uplifted clubs, or horrible bolts, in the very act of being launched from ponderous crossbows; no wicked–looking Saracens, with ferocious eyes and copper–coloured visages, brandished murderous scimitars above their turbaned heads. No; here all was pastoral gaiety and peaceful delight. Maidens, with flowing kirtles and crisped yellow hair, danced before great wagons loaded with golden wheat. Youths, in red and purple jerkins, frisked as they played the pipe and tabor. The Flemish horses dragging the heavy wain were hung with bells and garlands as for a rustic festival, and tossed their untrimmed manes into the air, and frisked and gamboled with their awkward legs, in ponderous imitation of the youths and maidens. Afar off, in the distance, wonderful villages, very queer as to perspective, but all a–bloom with gaudy flowers and quaint roofs of bright–red tiles, stood boldly out against a bluer sky than the most enthusiastic pre–Raphaelite of to–day would care to send to the Academy in Trafalgar Square.

Paul Marchmont smiled at the youths and maidens, the laden wagons, the revellers, and the impossible village. He was in a humour to be pleased with everything to–day. He looked at his dressing–table, which stood opposite to him, in the deep oriel window. His valet–he had a valet now–had opened the great inlaid dressing–case, and the silver–gilt fittings reflected the crimson hues of the velvet lining, as if the gold had been flecked with blood. Glittering bottles of diamond–cut glass, that presented a thousand facets to the morning light, stood like crystal obelisks amid the litter of carved–ivory brushes and Sèvres boxes of pomatum; and one rare hothouse flower, white and fragile, peeped out of a slender crystal vase, against a background of dark shining leaves.

"It's better than Charlotte Street, Fitzroy Square," said Mr. Marchmont, throwing himself back amongst the pillows until such time as his valet should bring him a cup of strong tea to refresh and invigorate his nerves withal. "I remember the paper in my room: drab hexagons and yellow spots upon a brown ground. So pretty! And then the dressing–table: deal, gracefully designed; with a shallow drawer, in which my razors used to rattle like castanets when I tried to pull it open; a most delicious table, exquisitely painted in stripes, olive–green upon stone colour, picked out with the favourite brown. Oh, it was a most delightful life; but it's over, thank Providence; it's over!"

Mr. Paul Marchmont thanked Providence as devoutly as if he had been the most patient attendant upon the Divine pleasure, and had never for one moment dreamed of intruding his own impious handiwork amid the mysterious designs of Omnipotence.

The sun shone upon the new master of Marchmont Towers. This bright October morning was not the very best for hunting purposes; for there was a fresh breeze blowing from the north, and a blue unclouded sky. But it was most delightful weather for the breakfast, and the assembling on the lawn, and all the pleasant preliminaries of the day's sport. Mr. Paul Marchmont, who was a thorough–bred Cockney, troubled himself very little about the hunt as he basked in that morning light. He only thought that the sun was shining upon him, and that he had come at last–no matter by what crooked ways–to the realisation of his great day–dream, and that he was to be happy and prosperous for the rest of his life.

He drank his tea, and then got up and dressed himself. He wore the conventional "pink," the whitest buckskins, the most approved boots and tops; and he admired himself very much in the cheval glass when this toilet was complete. He had put on the dress for the gratification of his vanity, rather than from any serious intention of doing what he was about as incapable of doing, as he was of becoming a modern Rubens or a new Raphael. He would receive his friends in this costume, and ride to cover, and follow the hounds, perhaps,–a little way. At any rate, it was very delightful to him to play the country gentleman; and he had never felt so much a country gentleman as at this moment, when he contemplated himself from head to heel in his hunting costume.

At ten o'clock the guests began to assemble; the meet was not to take place until twelve, so that there might be plenty of time for the breakfast.

I don't think Paul Marchmont ever really knew what took place at that long table, at which he sat for the first time in the place of host and master. He was intoxicated from the first with the sense of triumph and delight in his new position; and he drank a great deal, for he drank unconsciously, emptying his glass every time it was filled, and never knowing who filled it, or what was put into it. By this means he took a very considerable quantity of various sparkling and effervescing wines; sometimes hock, sometimes Moselle, very often champagne, to say nothing of a steady undercurrent of unpronounceable German hocks and crusted Burgundies. But he was not drunk after the common fashion of mortals; he could not be upon this particular day. He was not stupid, or drowsy, or unsteady upon his legs; he was only preternaturally excited, looking at everything through a haze of dazzling light, as if all the gold of his newly–acquired fortune had been melted into the atmosphere.

He knew that the breakfast was a great success; that the long table was spread with every delicious comestible that the science of a first–rate cook, to say nothing of Fortnum and Mason, could devise; that the profusion of splendid silver, the costly china, the hothouse flowers, and the sunshine, made a confused mass of restless glitter and glowing colour that dazzled his eyes as he looked at it. He knew that everybody courted and flattered him, and that he was almost stifled by the overpowering sense of his own grandeur. Perhaps he felt this most when a certain county magnate, a baronet, member of Parliament, and great landowner, rose,–primed with champagne, and rather thicker of utterance than a man should be who means to be in at the death, by–and–by,–and took the opportunity of–hum–expressing, in a few words,–haw–the very great pleasure which he–aw, yes–and he thought he might venture to remark,–aw–everybody about him–ha–felt on this most–arrah, arrah–interesting–er–occasion; and said a great deal more, which took a very long time to say, but the gist of which was, that all these country gentlemen were so enraptured by the new addition to their circle, and so altogether delighted with Mr. Paul Marchmont, that they really were at a loss to understand how it was they had ever managed to endure existence without him.

And then there was a good deal of rather unnecessary but very enthusiastic thumping of the table, whereat the costly glass shivered, and the hothouse blossoms trembled, amidst the musical chinking of silver forks; while the foxhunters declared in chorus that the new owner of Marchmont Towers was a jolly good fellow, which–i. e., the fact of his jollity–nobody could deny.

It was not a very fine demonstration, but it was a very hearty one. Moreover, these noisy foxhunters were all men of some standing in the county; and it is a proof of the artist's inherent snobbery that to him the husky voices of these half–drunken men were more delicious than the sweet soprano tones of an equal number of Pattis–penniless and obscure Pattis, that is to say–sounding his praises. He was lifted at last out of that poor artist–life, in which he had always been a groveller,–not so much for lack of talent as by reason of the smallness of his own soul,–into a new sphere, where everybody was rich and grand and prosperous, and where the pleasant pathways were upon the necks of prostrate slaves, in the shape of grooms and hirelings, respectful servants, and reverential tradespeople.

Yes, Paul Marchmont was more drunken than any of his guests; but his drunkenness was of a different kind to theirs. It was not the wine, but his own grandeur that intoxicated and besotted him.

These foxhunters might get the better of their drunkenness in half an hour or so; but his intoxication was likely to last for a very long time, unless he should receive some sudden shock, powerful enough to sober him.

Meanwhile the hounds were yelping and baying upon the lawn, and the huntsmen and whippers–in were running backwards and forwards from the lawn to the servants' hall, devouring snacks of beef and ham,–a pound and a quarter or so at one sitting; or crunching the bones of a frivolous young chicken,–there were not half a dozen mouthfuls on such insignificant half–grown fowls; or excavating under the roof of a great game–pie; or drinking a quart or so of strong ale, or half a tumbler of raw brandy, en passant; and doing a great deal more in the same way, merely to beguile the time until the gentlefolks should appear upon the broad stone terrace.

It was half–past twelve o'clock, and Mr. Marchmont's guests were still drinking and speechifying. They had been on the point of making a move ever so many times; but it had happened every time that some gentleman, who had been very quiet until that moment, suddenly got upon his legs, and began to make swallowing and gasping noises, and to wipe his lips with a napkin; whereby it was understood that he was going to propose somebody's health. This had considerably lengthened the entertainment, and it seemed rather likely that the ostensible business of the day would be forgotten altogether. But at half–past twelve, the county magnate, who had bidden Paul Marchmont a stately welcome to Lincolnshire, remembered that there were twenty couple of impatient hounds scratching up the turf in front of the long windows of the banquet–chamber, while as many eager young tenant–farmers, stalwart yeomen, well–to–do butchers, and a herd of tag–rag and bobtail, were pining for the sport to begin;–at last, I say, Sir Lionel Boport remembered this, and led the way to the terrace, leaving the renegades to repose on the comfortable sofas lurking here and there in the spacious rooms. Then the grim stone front of the house was suddenly lighted up into splendour. The long terrace was one blaze of "pink," relieved here and there by patches of sober black and forester's green. Amongst all these stalwart, florid–visaged country gentlemen, Paul Marchmont, very elegant, very picturesque, but extremely unsportsmanlike, the hero of the hour, walked slowly down the broad stone steps amidst the vociferous cheering of the crowd, the snapping and yelping of impatient hounds, and the distant braying of a horn.