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Aldrich Thomas Bailey
The Sisters' Tragedy, with Other Poems, Lyrical and Dramatic
IN WESTMINSTER ABBEY
"The Southern Transept, hardly known by any other name but Poet's Corner."
DEAN STANLEY.
TREAD softly here; the sacredest of tombs
Are those that hold your Poets. Kings and queens
Are facile accidents of Time and Chance.
Chance sets them on the heights, they climb not there!
But he who from the darkling mass of men
Is on the wing of heavenly thought upborne
To finer ether, and becomes a voice
For all the voiceless, God anointed him:
His name shall be a star, his grave a shrine.
Tread softly here, in silent reverence tread.
Beneath those marble cenotaphs and urns
Lies richer dust than ever nature hid
Packed in the mountain's adamantine heart,
Or slyly wrapt in unsuspected sand—
The dross men toil for, and oft stain the soul.
How vain and all ignoble seems that greed
To him who stands in this dim claustral air
With these most sacred ashes at his feet!
This dust was Chaucer, Spenser, Dryden this—
The spark that once illumed it lingers still.
O ever-hallowed spot of English earth!
If the unleashed and happy spirit of man
Have option to revisit our dull globe,
What august Shades at midnight here convene
In the miraculous sessions of the moon,
When the great pulse of London faintly throbs,
And one by one the stars in heaven pale!
ALEC YEATON'S SON
GLOUCESTER, AUGUST, 1720
The wind it wailed, the wind it moaned,
And the white caps flecked the sea;
"An' I would to God," the skipper groaned,
"I had not my boy with me!"
Snug in the stern-sheets, little John
Laughed as the scud swept by;
But the skipper's sunburnt cheek grew wan
As he watched the wicked sky.
"Would he were at his mother's side!"
And the skipper's eyes were dim.
"Good Lord in heaven, if ill betide,
What would become of him!
"For me—my muscles are as steel,
For me let hap what may;
I might make shift upon the keel
Until the break o' day.
"But he, he is so weak and small,
So young, scarce learned to stand—
O pitying Father of us all,
I trust him in Thy hand!
"For Thou, who markest from on high
A sparrow's fall—each one!—
Surely, O Lord, thou'lt have an eye
On Alec Yeaton's son!"
Then, helm hard-port; right straight he sailed
Towards the headland light:
The wind it moaned, the wind it wailed,
And black, black fell the night.
Then burst a storm to make one quail
Though housed from winds and waves—
They who could tell about that gale
Must rise from watery graves!
Sudden it came, as sudden went;
Ere half the night was sped,
The winds were hushed, the waves were spent,
And the stars shone overhead.
Now, as the morning mist grew thin,
The folk on Gloucester shore
Saw a little figure floating in
Secure, on a broken oar!
Up rose the cry, "A wreck! a wreck!
Pull, mates, and waste no breath!"—
They knew it, though 'twas but a speck
Upon the edge of death!
Long did they marvel in the town
At God his strange decree,
That let the stalwart skipper drown
And the little child go free!
AT THE FUNERAL OF A MINOR POET
[One of the Bearers soliloquizes:]
. . . Room in your heart for him, O Mother Earth,
Who loved each flower and leaf that made you fair,
And sang your praise in verses manifold
And delicate, with here and there a line
From end to end in blossom like a bough
The May breathes on, so rich it was. Some thought
The workmanship more costly than the thing
Moulded or carved, as in those ornaments
Found at Mycaene. And yet Nature's self
Works in this wise; upon a blade of grass,
Or what small note she lends the woodland thrush,
Lavishing endless patience. He was born
Artist, not artisan, which some few saw
And many dreamed not. As he wrote no odes
When Croesus wedded or Maecenas died,
And gave no breath to civic feasts and shows,
He missed the glare that gilds more facile men—
A twilight poet, groping quite alone,
Belated, in a sphere where every nest
Is emptied of its music and its wings.
Not great his gift; yet we can poorly spare
Even his slight perfection in an age
Of limping triolets and tame rondeaux.
He had at least ideals, though unreached,
And heard, far off, immortal harmonies,
Such as fall coldly on our ear to-day.
The mighty Zolaistic Movement now
Engrosses us—a miasmatic breath
Blown from the slums. We paint life as it is,
The hideous side of it, with careful pains,
Making a god of the dull Commonplace.
For have we not the old gods overthrown
And set up strangest idols? We could clip
Imagination's wing and kill delight,
Our sole art being to leave nothing out
That renders art offensive. Not for us
Madonnas leaning from their starry thrones
Ineffable, nor any heaven-wrought dream
Of sculptor or of poet; we prefer
Such nightmare visions as in morbid brains
Take shape and substance, thoughts that taint the air
And make all life unlovely. Will it last?
Beauty alone endures from age to age,
From age to age endures, handmaid of God.
Poets who walk with her on earth go hence
Bearing a talisman. You bury one,
With his hushed music, in some Potter's Field;
The snows and rains blot out his very name,
As he from life seems blotted: through Time's glass
Slip the invisible and magic sands
That mark the century, then falls a day
The world is suddenly conscious of a flower,
Imperishable, ever to be prized,
Sprung from the mould of a forgotten grave.
'Tis said the seeds wrapt up among the balms
And hieroglyphics of Egyptian kings
Hold strange vitality, and, planted, grow
After the lapse of thrice a thousand years.
Some day, perchance, some unregarded note
Of our poor friend here—some sweet minor chord
That failed to lure our more accustomed ear—
May witch the fancy of an unborn age.
Who knows, since seeds have such tenacity?
Meanwhile he's dead, with scantiest laurel won
And little of our Nineteenth Century gold.
So, take him, Earth, and this his mortal part,
With that shrewd alchemy thou hast, transmute
To flower and leaf in thine unending Springs!
BATUSCHKA.<1>
From yonder gilded minaret
Beside the steel-blue Neva set,
I faintly catch, from time to time,
The sweet, aerial midnight chime—
"God save the Tsar!"
Above the ravelins and the moats
Of the white citadel it floats;
And men in dungeons far beneath
Listen, and pray, and gnash their teeth—
"God save the Tsar!"
The soft reiterations sweep
Across the horror of their sleep,
<1> "Little Father," or "Dear Little Father,"
a term of endearment applied
to the Tsar in Russian folk-song.
As if some daemon in his glee
Were mocking at their misery—
"God save the Tsar!"
In his Red Palace over there,
Wakeful, he needs must hear the prayer.
How can it drown the broken cries
Wrung from his children's agonies?—
"God save the Tsar!"
Father they called him from of old—
Batuschka! . . . How his heart is cold!
Wait till a million scourged men
Rise in their awful might, and then—
God save the Tsar!
