Woolson Constance Fenimore
Anne: A Novel

And she had her way. "I have always detested Miss Vanhorn, with her caraway seeds, and her malice," she explained to Tante. "Much as I like Anne for herself alone, it will be delicious also to annoy the old dragon by bringing into notice this unknown niece whom she is hiding here so carefully. Now confess, Tante, that it will be delicious."

Tante shook her head reprovingly. But she herself was in her heart by no means fond of Miss Vanhorn; she had had more than one battle royal with that venerable Knickerbocker, which had tested even her celebrated suavity.

Helen's note was as follows:

"Dear Miss Vanhorn, – I very much wish to persuade your charming niece, Miss Douglas, to spend a portion of the holidays with me. Her voice is marvellously sweet, and Aunt Margaretta is most anxious to hear it; while I am desirous to have her in my own home, even if but for a few days, in order that I may learn more of her truly admirable qualities, which she inherits, no doubt, from your family.

"I trust you will add your consent to Tante's, already willingly bestowed, and make me thereby still more your obliged friend,

"Helen Roosbroeck Lorrington."

The obliged friend had the following answer:

"Miss Vanhorn presents her compliments to Mrs. Lorrington, with thanks for her note, which, however, was an unnecessary attention, Miss Vanhorn claiming no authority over the movements of Anne Douglas (whose relationship to her is remote), beyond a due respect for the rules of the institution where she has been placed. Miss Vanhorn is gratified to learn that Miss Douglas's voice is already of practical use to her, and has the honor of remaining Mrs. Lorrington's obliged and humble servant.

"Madison Square, Tuesday."

Tears sprang to Anne's eyes when Helen showed her this note.

"Why do you care? She was always a dragon; forget her. Now, Anne, remember that it is all understood, and the carriage will come for you on Monday." Then, seeing the face before her still irresolute, she added: "If you are to have pupils, some of them may be like me. You ought, therefore, to learn how to manage me, you know."

"You are right," said Anne, seriously. "It is strange how little confidence I feel."

Helen, looking at her as she stood there in her island gown, coarse shoes, and old-fashioned collar, did not think it strange at all, but wondered, as she had wondered a hundred times before, why it was that this girl did not think of herself and her own appearance. "And you must let me have my way, too, about something for you to wear," she added.

"It shall be as you wish, Helen. It can not be otherwise, I suppose, if I go to you. But – I hope the time will come when I can do something for you."

"Never fear; it will. I feel it instinctively. You will either save my life or take it – one or the other; but I am not sure which."

Monday came; and after her lonely Christmas, Anne was glad to step into Miss Teller's carriage, and be taken to the home on the Avenue. The cordial welcome she received there was delightful to her, the luxury novel. She enjoyed everything simply and sincerely, from the late breakfast in the small warm breakfast-room, from which the raw light of the winter morning was carefully excluded, to the chat with Helen over the dressing-room fire late at night, when all the house was still. Helen's aunt, Miss Teller, was a thin, light-eyed person of fifty-five years of age. Richly dressed, very tall, with a back as immovable and erect as though made of steel, and a tower of blonde lace on her head, she was a personage of imposing aspect, but in reality as mild as a sheep.

"Yes, my dear," she said, when Anne noticed the tinted light in the breakfast-room; "I take great care about light, which I consider an influence in our households too much neglected. The hideous white glare in most American breakfast-rooms on snowy winter mornings has often made me shudder when I have been visiting my friends; only the extremely vigorous can enjoy this sharp contact with the new day. Then the æsthetic effect: children are always homely when the teeth are changing and the shoulder-blades prominent; and who wishes to see, besides, each freckle and imperfection upon the countenances of those he loves? I have observed, too, that even morning prayer, as a family observance, fails to counter-act the influence of this painful light. For if as you kneel you cover your face with your hands, the glare will be doubly unbearable when you remove them; and if you do not cover your brow, you will inevitably blink. Those who do not close their eyes at all are the most comfortable, but I trust we would all prefer to suffer rather than be guilty of such irreverence."

"Now that is Aunt Gretta exactly," said Helen, as Miss Teller left the room. "When you are once accustomed to her height and blonde caps, you will find her soft as a down coverlet."

Here Miss Teller returned. "My dear," she said, anxiously, addressing Anne, "as to soap for the hands – what kind do you prefer?"

"Anne's hands are beautiful, and she will have the white soap in the second box on the first shelf of the store-room – the rose; not the heliotrope, which is mine," said Helen, taking one of the young girl's hands, and spreading out the firm taper fingers. "See her wrists! Now my wrists are small too, but then there is nothing but wrist all the way up."

"My dear, your arms have been much admired," said Miss Margaretta, with a shade of bewilderment in her voice.

"Yes, because I choose they shall be. But when I spoke of Anne's hands, I spoke artistically, aunt."

"Do you expect Mr. Blum to-day?" said Miss Teller.

"Oh no," said Helen, smiling. "Mr. Blum, Anne, is a poor artist whom Aunt Gretta is cruel enough to dislike."

"Not on account of his poverty," said Miss Margaretta, "but on account of my having half-brothers, with large families, all with weak lungs, taking cold, I may say, at a breath – a mere breath; and Mr. Blum insists upon coming here without overshoes when there has been a thaw, and sitting all the evening in wet boots, which naturally makes me think of my brothers' weak families, to say nothing of the danger to himself."

"Well, Mr. Blum is not coming. But Mr. Heathcote is."

"Ah."

"And Mr. Dexter may."

"I am always glad to see Mr. Dexter," said Aunt Margaretta.

Mr. Heathcote did not come; Mr. Dexter did. But Anne was driving with Miss Teller, and missed the visit.

"A remarkable man," said the elder lady, as they sat at the dinner table in the soft radiance of wax lights.

"You mean Mr. Blum?" said Helen. "This straw-colored jelly exactly matches me, Anne."

"I mean Mr. Dexter," said Miss Teller, nodding her head impressively. "Sent through college by the bounty of a relative (who died immediately afterward, in the most reprehensible way, leaving him absolutely nothing), Gregory Dexter, at thirty-eight, is to-day a man of modern and distinct importance. Handsome – you do not contradict me there, Helen?"

"No, aunt."

"Handsome," repeated Miss Teller, triumphantly, "successful, moral, kind-hearted, and rich – what would you have more? I ask you, Miss Douglas, what would you have more?"

"Nothing," said Helen. "Anne has confided to me – nothing. Long live Gregory Dexter! And I feel sure, too, that he will outlive us all. I shall go first. You will see. I always wanted to be first in everything – even the grave."

"My dear!" said Miss Margaretta.

"Well, aunt, now would you like to be last? Think how lonely you would be. Besides, all the best places would be taken," said Helen, in business-like tones, taking a spray of heliotrope from the vase before her.

New-Year's Day was, in the eyes of Margaretta Teller, a solemn festival; thought was given to it in June, preparation for it began in September. Many a call was made at the house on that day which neither Miss Margaretta, nor her niece, Mrs. Lorrington, attracted, but rather the old-time dishes and the old-time punch on their dining-room table. Old men with gouty feet, amateur antiquarians of mild but obstinate aspect, to whom Helen was "a slip of a girl," and Miss Margaretta still too youthful a person to be of much interest, called regularly on the old Dutch holiday, and tasted this New-Year's punch. They cherished the idea that they were thus maintaining the "solid old customs," and they spoke to each other in moist, husky under-tones when they met in the hall, as much as to say, "Ah, ah! you here? That's right – that's right. A barrier, sir – a barrier against modern innovation!"

Helen had several friends besides Anne to assist her in receiving, and the young island girl remained, therefore, more or less unnoticed, owing to her lack of the ready, graceful smiles and phrases which are the current coin of New-Year's Day. She passed rapidly through the different phases of timidity, bewilderment, and fatigue; and then, when more accustomed to the scene, she regained her composure, and even began to feel amused. She ceased hiding behind the others; she learned to repeat the same answers to the same questions without caring for their inanity; she gave up trying to distinguish names, and (like the others) massed all callers into a constantly arriving repetition of the same person, who was to be treated with a cordiality as impersonal as it was glittering. She tried to select Mr. Dexter, and at length decided that he was a certain person standing near Helen – a man with brown hair and eyes; but she was not sure, and Helen's manner betrayed nothing.

The fatiguing day was over at last, and then followed an hour or two of comparative quiet; the few familiar guests who remained were glad to sink down in easy-chairs, and enjoy connected sentences again. The faces of the ladies showed fine lines extending from the nostril to the chin; the muscles that had smiled so much were weary.

And now Anne discovered Gregory Dexter; and he was not the person she had selected. Mr. Dexter was a tall, broad-shouldered man, with an appearance of persistent vigor in his bearing, and a look of determination in his strong, squarely cut jaw and chin. His face was rather short, with good features and clear gray eyes, which met the gazer calmly; and there was about him that air of self-reliance which does not irritate in a large strong man, any more than imperiousness in a beautiful woman.

The person with brown eyes proved to be Mr. Heathcote. He seemed indolent, and contributed but few words to the general treasury of conversation.

Mr. Blum was present also; but on this occasion he wore the peculiarly new, shining, patent-leather boots dear to the hearts of his countrymen on festal occasions, and Miss Teller's anxieties were quiescent. Helen liked artists; she said that their ways were a "proud assertion that a ray of beauty outvalued all the mere utilities of the world."

"Are bad boots rays of beauty?" inquired Miss Margaretta.

"Yes. That is, a man whose soul is uplifted by art may not always remember his boots; to himself, no doubt, his feet seem winged."

"Very far from winged are Blum's feet," responded Miss Margaretta, shaking her head gravely. "Very, very far."

Late in the evening, when almost all the guests had departed, Helen seemed seized with a sudden determination to bring Anne into prominence. Mr. Dexter still lingered, and the artist. Also Ward Heathcote.

"Anne, will you sing now? First with me, then alone?" she said, going to the piano.

A bright flush rose in Anne's face; the prominent blue eyes of the German artist were fixed upon her; Gregory Dexter had turned toward her with his usual prompt attention. Even the indolent Heathcote looked up as Helen spoke. But having once decided to do a thing, Anne knew no way save to do it; having accepted Helen's generous kindness, she must now do what Helen asked in return. She rose in silence, and crossed the brightly lighted room on her way to the piano. Few women walk well; by well, is meant naturally. Helen was graceful; she had the lithe shape and long step which give a peculiar swaying grace, like that of elm branches. Yet Helen's walk belonged to the drawing-room, or at best the city pavement; one could not imagine her on a country road. Anne's gait was different. As she crossed the room alone, it drew upon her for the first time the full attention of the three gentlemen who were present. Blum stared gravely. Dexter's eyes moved up to her face, as if he saw it now with new interest. Heathcote leaned back on the sofa with an amused expression, glancing from Anne to Helen, as if saying, "I understand."

Anne wore one of Helen's gifts, a soft silk of pale gray, in deference to her mourning garb; the dress was high over the shoulders, but cut down squarely in front and behind, according to a fashion of the day. The sleeves came to the elbow only; the long skirt was severely plain. They had taken off their gloves, and the girl's beautiful arms were conspicuous, as well as her round, full, white throat.

The American Venus is thin.

American girls are slight; they have visible collar-bones and elbows. When they pass into the fullness of womanhood (if they pass at all), it is suddenly, leaving no time for the beautiful pure virginal outlines which made Anne Douglas an exception to her kind. Anne's walk was entirely natural, her poise natural; yet so perfect were her proportions that even Tante, artificial and French as she was, refrained from the suggestions and directions as to step and bearing which encircled the other pupils like an atmosphere.

The young girl's hair had been arranged by Helen's maid, under Helen's own direction, in a plain Greek knot, leaving the shape of the head, and the small ear, exposed; and as she stood by the piano, waiting, she looked (as Helen had intended her to look) like some young creature from an earlier world, startled and shy, yet too proud to run away.

They sang together; and in singing Anne recovered her self-possession. Then Helen asked her to sing without accompaniment a little island ballad which was one of her favorites, and leading her to the centre of the room, left her there alone. Poor Anne! But, moved by the one desire of pleasing Helen, she clasped her hands in simple child-like fashion, and began to sing, her eyes raised slightly so as to look above the faces of her audience. It was an old-fashioned ballad or chanson, in the patois of the voyageurs, with a refrain in a minor key, and it told of the vanishing of a certain petite Marie, and the sorrowing of her mother – a common-place theme long drawn out, the constantly recurring refrain, at first monotonous, becoming after a while sweet to the ear, like the wash of small waves on a smooth beach. But it was the ending upon which Helen relied for her effect. Suddenly the lament of the long-winded mother ended, the time changed, and a verse followed picturing the rapture of the lovers as they fled away in their sharp-bowed boat, wing and wing, over the blue lake. Anne sang this as though inspired; she forgot her audience, and sang as she had always sung it on the island for Rast and the children. Her voice floated through the house, she shaded her eyes with her hand, and leaned forward, gazing, as though she saw the boat across the water, and then she smiled, as, with a long soft note, the song ended.

But the instant it was over, her timidity came back with double force, and she hastily sought refuge beside Helen, her voice gone, in her eyes a dangerous nearness to tears.

There was now an outburst of compliments from Blum; but Helen kindly met and parried them. Mr. Dexter began a few well-chosen sentences of praise; but in the midst of his fluent adjectives, Anne glanced up so beseechingly that he caught the mist in her eyes, and instantly ceased. Nor was this all; he opened a discussion with Miss Teller, dragging in Heathcote also (against the latter's will), and thus secured for Anne the time to recover herself. She felt this quick kindness, and was grateful. She decided that she liked him; and she wondered whether Helen liked him also.

The next morning the fairy-time was over; she went back to school.

CHAPTER X

"There are three sorts of egoists: those who live themselves and let others live; those who live themselves and don't let others live; and those who neither live themselves nor let others live."

"With thoughts and feelings very simple but very strong."

– Tourguénieff.

The winter passed. The new pupil studied with diligence, and insisted upon learning the beginnings of piano-playing so thoroughly that the resigned little German master with ear-rings woke up and began to ask her whether she could not go through a course of ten years or so, and become "a real blayer, not like American blayers, who vant all to learn de same biece, and blay him mit de loud pedal down." Sometimes Helen bore her away to spend a Sunday; but there were no more New-Year's Days, or occasions for the gray silk. When together at Miss Teller's, the two sat over the dressing-room fire at night, talking with that delightful mixture of confidence and sudden little bits of hypocrisy in which women delight, and which undress seems to beget. The bits of hypocrisy, however, were all Helen's.

She had long ago gathered from Anne her whole simple history; she was familiar with the Agency, the fort, Miss Lois, Père Michaux, Dr. Gaston, Rast, Tita, and the boys, even old Antoine and his dogs, René and Lebeau. Anne, glad to have a listener, had poured out a flood of details from her lonely homesick heart, going back as far as her own lost mother, and her young step-mother Angélique. But it was not until one of these later midnight talks that the girl had spoken of her own betrothal. Helen was much surprised – the only surprise she had shown. "I should never have dreamed it, Crystal!" she exclaimed. "Never!" (Crystal was her name for Anne.)

"Why not?"

"Because you are so – young."

"But it often happens at my age. The fort ladies were married at eighteen and nineteen, and my own dear mother was only twenty."

"You adore this Rast, I suppose?"

"Yes, I like him."

"Nonsense! You mean that you adore him."

"Perhaps I do," said Anne, smiling. "I have noticed that our use of words is different."

"And how long have you adored him?"

"All my life."

The little sentence came forth gravely and sincerely. Helen surveyed the speaker with a quizzical expression in her narrow brown eyes. "No one 'adores' all one's life," she answered. Then, as Anne did not take up the challenge, she paused, and, after surveying her companion in silence for a moment, added, "There is no time fixed as yet for this marriage?"

"No; Rast has his position to make first. And I myself should be better pleased to have four or five years to give to the children before we are married. I am anxious to educate the boys."

"Bon!" said Helen. "All will yet end well, Virginie. My compliments to Paul. It is a pretty island pastoral, this little romance of yours; you have my good wishes."

The island pastoral was simple indeed compared with the net-work of fancies and manœuvres disclosed by Helen. Her life seemed to be a drama. Her personages were masked under fictitious names; the Poet, the Haunted Man, the Knight-errant, the Chanting Tenor, and the Bishop, all figured in her recitals, to which Anne listened with intense interest. Helen was a brilliant story-teller. She could give the salient points of a conversation, and these only. She colored everything, of course, according to her own fancy; but one could forgive her that for her skillful avoidance of dull details, whose stupid repetition, simply because they are true, is a habit with which many good people are afflicted.

The narrations, of course, were of love and lovers: it is always so in the midnight talks of women over the dying fire. Even the most secluded country girl will on such occasions unroll a list as long as Leporello's. The listener may know it is fictitious, and the narrator may know that she knows it. But there seems to be a fascination in the telling and the hearing all the same.

Helen amused herself greatly over the deep interest Anne took in her stories; to do her justice, they were generally true, the conversations only being more dramatic than the reality had been. This was not Helen's fault; she performed her own part brilliantly, and even went over, on occasion, and helped on the other side. But the American man is not distinguished for conversational skill. This comes, not from dullness or lack of appreciation, but rather from overappreciation. Without the rock-like slow self-confidence of the Englishman, the Frenchman's never-failing wish to please, or the idealizing powers of the German, the American, with a quicker apprehension, does not appear so well in conversation as any one of these compeers. He takes in an idea so quickly that elaborate comment seems to him hardly worth while; and thus he only has a word or two where an Englishman has several well-intentioned sentences, a Frenchman an epigram, and a German a whole cloud of philosophical quotations and comments. But it is, more than all else, the enormous strength which ridicule as an influence possesses in America that makes him what he is; he shrinks from the slightest appearance of "fine talking," lest the ever-present harpies of mirth should swoop down and feed upon his vitals.

Helen's friends, therefore, might not always have recognized themselves in her sparkling narratives, as far as their words were concerned; but it is only justice to them to add that she was never obliged to embellish their actions. She related to Anne apart, during their music lessons, the latest events in a whisper, while Belzini gave two minutes to cream candy and rest; the stories became the fairy tales of the school-girl's quiet life. Through all, she found her interest more and more attracted by "the Bishop," who seemed, however, to be anything but an ecclesiastical personage.

Miss Vanhorn had been filled with profound astonishment and annoyance by Helen's note. She knew Helen, and she knew Miss Teller: what could they want of Anne? After due delay, she came in her carriage to find out.

Tante, comprehending her motive, sent Anne up stairs to attire herself in the second dress given by Helen – a plain black costume, simply but becomingly made, and employed the delay in talking to her visitor mellifluously on every conceivable subject save the desired one. She treated her to a dissertation on intaglii, to an argument or two on architecture, and was fervently asking her opinion of certain recently exhibited relics said to be by Benvenuto Cellini, when the door opened and Anne appeared.

The young girl greeted her grandaunt with the same mixture of timidity and hope which she had shown at their first interview. But Miss Vanhorn's face stiffened into rigidity as she surveyed her.

"She is impressed at last," thought the old Frenchwoman, folding her hands contentedly and leaning back in her chair, at rest (temporarily) from her labors.

But if impressed, Miss Vanhorn had no intention of betraying her impression for the amusement of her ancient enemy; she told Anne curtly to put on her bonnet, that she had come to take her for a drive. Once safely in the carriage, she extracted from her niece, who willingly answered, every detail of her acquaintance with Helen, and the holiday visit, bestowing with her own eyes, meanwhile, a close scrutiny upon the black dress, with whose texture and simplicity even her angry annoyance could find no fault.

"She wants to get something out of you, of course," she said, abruptly, when the story was told; "Helen Lorrington is a thoroughly selfish woman. I know her well. She introduced you, I suppose, as Miss Vanhorn's niece?"

"Oh no, grandaunt. She has no such thought."

"What do you know of her thoughts! You continue to go there?"

"Sometimes, on Sundays – when she asks me."

"Very well. But you are not to go again when company is expected; I positively forbid it. You were not brought down from your island to attend evening parties. You hear me?"

"Yes."

"Perhaps you are planning for a situation here at Moreau's next winter?" said the old woman, after a pause, peering at Anne suspiciously.

"I could not fill it, grandaunt; I could only teach in a country school."

"At Newport, or some such place, then?"

"I could not get a position of that kind."

"Mrs. Lorrington could help you."

"I have not asked her to help me."

"I thought perhaps she had some such idea of her own," continued Miss Vanhorn. "You can probably prop up that fife-like voice of hers in a way she likes; and besides, you are a good foil for her, with your big shoulders and bread-and-milk face. You little simpleton, don't you know that to even the most skillful flirt a woman friend of some kind or other is necessary as background and support?"

"No, I did not know it," said Anne, in a disheartened voice.

"What a friend for Helen Lorrington! No wonder she has pounced upon you! You would never see one of her manœuvres, although done within an inch of you. With your believing eyes, and your sincerity, you are worth your weight in silver to that straw-faced mermaid. But, after all, I do not interfere. Let her only obtain a good situation for you next year, and pay you back in more useful coin than fine dresses, and I make no objection."

She settled herself anew in the corner of the carriage, and began the process of extracting a seed, while Anne, silent and dejected, gazed into the snow-covered street, asking herself whether Helen and all this world were really as selfish and hypocritical as her grandaunt represented. But these thoughts soon gave way to the predominant one, the one that always came to her when with Miss Vanhorn – the thought of her mother.

"During the summer, do you still live in the old country house on the Hudson, grandaunt?"

Miss Vanhorn, who had just secured a seed, dropped it. "I am not aware that my old country house is anything to you," she answered, tartly, fitting on her flapping glove-fingers, and beginning a second search.

A sob rose in Anne's throat; but she quelled it. Her mother had spent all her life, up to the time of her marriage, at that old river homestead.

Soon after this, Madame Moreau sent out cards of invitation for one of her musical evenings. Miss Vanhorn's card was accompanied by a little note in Tante's own handwriting.

"The invitation is merely a compliment which I give myself the pleasure of paying to a distinguished patron of my school" (wrote the old French lady). "There will be nothing worthy of her ear – a simple school-girls' concert, in which Miss Douglas (who will have the kind assistance of Mrs. Lorrington) will take part. I can not urge, for so unimportant an affair, the personal presence of Miss Vanhorn; but I beg her to accept the inclosed card as a respectful remembrance from

"Hortense-Pauline Moreau."

"That will bring her," thought Tante, sealing the missive, in her old-fashioned way, with wax.

She was right; Miss Vanhorn came.

Anne sang first alone. Then with Helen.

"Isn't that Mrs. Lorrington?" said a voice behind Miss Vanhorn.

"Yes. My Louise tells me that she has taken up this Miss Douglas enthusiastically – comes here to sing with her almost every day."

"Who is the girl?"

Miss Vanhorn prepared an especially rigid expression of countenance for the item of relationship which she supposed would follow. But nothing came; Helen was evidently waiting for a more dramatic occasion. She felt herself respited; yet doubly angry and apprehensive.

When the song was ended, there was much applause of the subdued drawing-room kind – applause, however, plainly intended for Helen alone. Singularly enough, Miss Vanhorn resented this. "If I should take Anne, dress her properly, and introduce her as my niece, the Lorrington would be nowhere," she thought, angrily. It was the first germ of the idea.

It was not allowed to disappear. It grew and gathered strength slowly, as Tante and Helen intended it should; the two friendly conspirators never relaxed for a day their efforts concerning it. Anne remained unconscious of these manœuvres; but the old grandaunt was annoyed, and urged, and flattered, and menaced forward with so much skill that it ended in her proposing to Anne, one day in the early spring, that she should come and spend the summer with her, the children on the island to be provided for meanwhile by an allowance, and Anne herself to have a second winter at the Moreau school, if she wished it, so that she might be fitted for a higher position than otherwise she could have hoped to attain.

"Oh, grandaunt!" cried the girl, taking the old loosely gloved hand in hers.

"There is no occasion for shaking hands and grandaunting in that way," said Miss Vanhorn. "If you wish to do what I propose, do it; I am not actuated by any new affection for you. You will take four days to consider; at the end of that period, you may send me your answer. But, with your acceptance, I shall require the strictest obedience. And – no allusion whatever to your mother."

"What are to be my duties?" asked Anne, in a low voice.

"Whatever I require," answered the old woman, grimly.

At first Anne thought of consulting Tante. But she had a strong under-current of loyalty in her nature, and the tie of blood bound her to her grandaunt, after all: she decided to consult no one but herself. The third day was Sunday. In the twilight she sat alone on her narrow bed, by the window of the dormitory, thinking. It was a boisterous March evening; the wildest month of the twelve was on his mad errands as usual. Her thoughts were on the island with the children; would it not be best for them that she should accept the offered allowance, and go with this strange grandaunt of hers, enduring as best she might her cold severity? Miss Lois's income was small; the allowance would make the little household comfortable. A second winter in New York would enable her to take a higher place as teacher, and also give the self-confidence she lacked. Yes; it was best.

But a great and overwhelming loneliness rose in her heart at the thought of another long year's delay before she could be with those she loved. Rast's last letter was in her pocket; she took it out, and held it in her hand for comfort. In it he had written of the sure success of his future; and Anne believed it as fully as he did. Her hand grew warmer as she held the sheet, and as she recalled his sanguine words. She began to feel courageous again. Then another thought came to her: must she tell Miss Vanhorn of her engagement? In their new conditions, would it not be dishonest to keep the truth back? "I do not see that it can be of any interest to her," she said to herself. "Still, I prefer to tell her." And then, having made her decision, she went to Tante.